Homestead-life, and woman's influence therein, is modified to some extent by the different races that contributed their quotas to the pioneer army. The early French settlements in our western States furnish a picture somewhat different from those of the emigrants of English blood: a patriarchal state of society, self-satisfied and kindly, with bright superficial features, but lacking the earnest purpose and restless aggressive energy of the Anglo-American, whose very amusements and festivals partook of a useful character.

Those French pioneer-women made thrifty and industrious housewives, and entered, with all the gaiety and enthusiasm of their race, into all the merry-makings and social enjoyments peculiar to those neighborhoods. On festive occasions, the blooming damsels wound round their foreheads fancy-colored handkerchiefs, streaming with gay ribbons, or plumed with flowers. The matrons wore the short jacket or petticoat. The foot was left uncovered and free, but on holidays it was adorned with the light moccasin, brilliant with porcupine quills, shells, beads, and lace.

A faithful picture of life in these French settlements possesses an
indescribable charm, such as that conveyed by the perusal of Longfellow's
Acadian Romance of "Evangeline," when we see in a border settlement the
French maiden, wife, and widow.

Different types, too, of homestead-life are of course to be looked for in different sections. On the ocean's beach, on the shores of the inland seas, on the banks of great rivers, in the heart of the forest, on the rugged hills of New England, on southern Savannas, on western prairies, or among the mountains beyond, the region, the scenery, the climate, the social laws may be diverse, yet homestead-life on the frontier, widely varying as it does in its form and outward surroundings, is in its spirit everywhere essentially the same. The sky that bends over all, and the sun that sheds its light for all, are symbols of the oneness of the animating principle in the home where woman is the bright and potent genius.

We have spoken of the western form of homestead-life because the frontier-line of to-day lies in the occident. But in each stage of the movement that carried our people onward in their destined course from ocean to ocean, the wife and the mother were centers from which emanated a force to impel forward, and to fix firmly in the chosen abode those organisms of society which forms the molecular atoms out of which, by the laws of our being, is built the compact structure of civilization.

In approximating towards some estimate of woman's peculiar influence in those lonely and far-off western homes, we must not fail to take into account the humanizing and refining power which she exerts to soften the rugged features of frontier-life. Different classes of women all worked in their way towards this end.

"The young married people, who form a considerable part of the pioneer element in our country, are simple in their habits, moderate in their aspirations, and hoard a little old-fashioned romance—unconsciously enough—in the secret nooks of their rustic hearts. They find no fault with their bare loggeries, with a shelter and a handful of furniture, they have enough." If there is the wherewithal to spread a warm supper for the "old man" when he comes in from work, the young wife forgets the long, solitary, wordless day and asks no greater happiness than preparing it by the help of such materials and utensils as would be looked at with utter contempt in the comfortable kitchens of the East.

They have youth, hope, health, occupation, and amusement, and when you have added "meat, clothes, and fire," what more has England's queen?

We should, however, remember that there is another large class of women who, for various reasons, have left comfortable homes in older communities, and risked their happiness and all that they have in enterprises of pioneer life in the far West. What wonder that they should sadly miss the thousand old familiar means and appliances! Some utensil or implement necessary to their husbandry is wanting or has been lost or broken, and cannot be replaced. Some comfort or luxury to which she has been used from childhood is lacking, and cannot be furnished. The multifarious materials upon which household art can employ itself are reduced to the few absolute essentials. These difficulties are felt more by the woman than the man. To quote the words of a writer who was herself a pioneer housewife in the West:

"The husband goes to his work with the same axe or hoe which fitted his hand in his old woods and fields; he tills the same soil or perhaps a far richer and more hopeful one; he gazes on the same book of nature which he has read from his infancy and sees only a fresher and more glowing page, and he returns home with the sun, strong in heart and full of self-congratulation on the favorable change in his lot. Perhaps he finds the home bird drooping and disconsolate. She has found a thousand difficulties which her rougher mate can scarcely be taught to feel as evils. She has been looking in vain for any of the cherished features of her old fireside. What cares he if the time-honored cupboard is meagerly represented by a few oak boards lying on pegs called shelves. His tea equipage shines as it was wont, the biscuits can hardly stay on the brightly glistening plates. His bread never was better baked. What does he want with the great old-fashioned rocking chair? When he is tired he goes to bed, for he is never tired till bed-time. The sacrifices in moving West have been made most largely by women."