regards the employment of the voice and the horn when out with hounds, too much caution cannot be used. A hound should never be cheered unless we are perfectly convinced that he is right, nor rated unless we are sure that he is wrong. When we are not sure of what is going on we should sit still and be silent. A few moments will possibly put us in possession of all that we wish to know.
The horn should only be used on particular occasions, and a huntsman should speak by his horn as much as by his voice. Particular notes should mean certain things, and the hounds and the field should understand the language. We have heard some persons blowing the horn all the day long, and the hounds have become so careless as to render it of no use. When a hound first speaks in cover to a fox, you may, if you think it necessary, use
one single
and prolonged note to get the pack together. The same note will do at any time to call up a lost or loitering hound; but, when the fox breaks cover, then let your horn be marked in its notes: let it sound as if you said through it, "Gone away! gone away! gone away! away! away! away!" dwelling with full emphasis on the last syllable. Every hound will fly from the cover the moment he hears this, and the sportsmen and the field will know that the fox is away.
It is the perfection of the horse, and the perfection of the hound, and the disregard of trifling expense, that has given to Englishmen a partiality for field-sports, unequalled in any other country. Mr. Ware's pack of fox-hounds cost 2 000 guineas, and the late Lord Middleton gave the same to Mr. Osbaldeston for ten couples of his hounds.
[Contents]/[Detailed Contents, p. 2]/[Index]