WILLIAM HENRY MILLER, 1789-1848

Mr. William Henry Miller, who was born in 1789, was the only child of Mr. William Miller of Craigentinny, Midlothian. In 1830 he entered Parliament as one of the Members for Newcastle-under-Lyme, which seat he held until the year 1841. He died unmarried at his residence, Craigentinny House, near Edinburgh, on the 31st of October 1848, and was buried, according to his desire, in a mausoleum on his estate. Mr. Miller formed a fine collection of very choice books at Britwell Court, Buckinghamshire, many of which he acquired at the Heber and other important sales of the first half of the nineteenth century. He was very particular about the condition and size of the volumes he purchased, and from his habit of carrying a foot-rule about him for the purpose of ascertaining their dimensions he became known as 'Measure Miller.' The library was bequeathed to his cousin Miss Marsh, from whom it passed to Mr. Samuel Christie-Miller, who was Member for Newcastle-under-Lyme from 1847 to 1859, and on his death on the 5th of April 1889 to Mr. Wakefield Christie-Miller, who died at Dublin on the 22nd of February 1898. Many rare books have been added to the Britwell Library by its later possessors. The additions made by the last owner were especially important, notably that of the larger portion of the Elizabethan rarities discovered in 1867 at Lamport Hall, the seat of Sir Charles Isham; and the collection may now be considered unrivalled among private libraries for the number of choice examples of English and Scottish literature which it contains, particularly in the division of English poetry. The finest copy known of the Dictes or Sayings of the Philosophers, one of the three extant copies of the Morale Prouerbes of Cristyne, and nine other works printed by Caxton, are to be found on the shelves of the library, as well as a large number of books from the presses of Wynkyn de Worde, Pynson, Julyan Notary, and other early English printers. Among them are many editions of the grammatical treatises of Robert Whitinton and John Stanbridge, printed by Wynkyn de Worde, and unique copies of Fitzherbert's Boke of Husbandrie, the romance of Oliver of Castile, and Fysshynge with an Angle, all by the same printer. The library contains also a fine series of the early editions of the English Chronicles, and of the works of Chaucer. Among the treasures of the Elizabethan and Jacobean periods are the first Shakespeare folio (the second, third, and fourth folios are also in the library); an unique copy of an edition of Venus and Adonis, printed for William Leake at London in 1599, from the Isham collection; all the early editions of Sidney's Arcadia; fine examples of the early editions of the works of Edmund Spenser; the only perfect copy known of the first edition of the Paradyse of Daintie Devises; and remarkably complete sets of the works of Churchyard, Breton, Greene, Dekker, Wither and Brathwaite. Other notable books in this splendid library are a copy on vellum, with coloured maps, of Ptolemy's Cosmographia, printed at Ulm in 1482, and bound by Derome; the Aldine edition of Poliphili Hypnerotomachia, in the original binding, and an unique copy of the English translation printed in London by Samuel Waterson in 1592; a fine and perfect set in nine parts of the Mirrour of Princely Deedes and Knighthood (a translation of the Spanish Espejo de Principes y Cavalleros); editions of Hakluyt's Voyages; a beautiful and tall copy of Purchas his Pilgrimes; the finest and most complete set which has been formed of De Bry's Voyages; the first issue of Milton's Paradise Lost; the first edition of Walton's Compleat Angler in the original sheepskin binding; the Kilmarnock edition of Burns's Poems; and several of the original editions of Shelley's works, including the excessively rare [OE]dipus Tyrannus. There is a fine collection of early English music in the Britwell Library, and it possesses the greater portion of the Heber ballads and broadsides, and a large number of books which once belonged to De Thou. Many of the volumes are masterpieces of the work of Bedford, Riviere, Lortic, and other English and foreign binders.

GEORGE DANIEL, 1789-1864

George Daniel was born in London on the 16th of September 1789. After receiving an education at Mr. Thomas Hogg's boarding-school at Paddington Green, he became a clerk to a stockbroker in Tokenhouse Yard,[93] and afterwards followed the profession of an accountant; but he employed all his leisure time in literary pursuits, and in the collection of books, works of art and curiosities. He commenced writing at a very early age, and was the author of a novel The Adventures of Dick Distich, and a considerable number of poetical and dramatic pieces. He also contributed many articles to Ackerman's Poetical Magazine, Bentley's Miscellany, and other magazines, and was the editor of Cumberland's British Theatre, and Cumberland's Minor Theatre. His first printed production, Stanzas on Lord Nelsons Victory and Death, written in conjunction with a young friend, appeared in 1805, but he tells us that he wrote some verses when he was but eight years of age on the death of his father. In 1811 he published a poem called The Times, or the Prophecy, and in 1812 a poetical squib founded on the reputed horse-whipping of the Prince of Wales by Lord Yarmouth, entitled R-y-l Stripes; or, a Kick from Yar—th to Wa—s, for the suppression of which a large sum was paid by the Prince Regent. In the same year appeared The Adventures of Dick Distich in three volumes, which was written by the author before he was eighteen, and a volume of Miscellaneous Poems; and in 1814 The Modern Dunciad, in which he sings the praises of 'old books, old wines, old customs, and old friends.' He continued to write during the whole of his life, and his last work, Love's Last Labour not Lost, was published in 1863. Daniel was fond of convivial society, and numbered Charles Lamb and Robert Bloomfield among his acquaintances, and he was also intimate with many of the principal actors of the day. He died at his son's house, The Grove, Stoke Newington, on the 30th of March 1864. The cause of his death was apoplexy.

Daniel formed a very choice and valuable library in his residence, 18 Canonbury Square, Islington, which was chiefly remarkable for rare editions of old English writers, and very fine collections of Elizabethan black-letter ballads and Shakespeariana. The Elizabethan ballads would alone be sufficient to render any library famous. They were one hundred and forty-nine in number, and he is said to have purchased them for fifty pounds from Mr. William Stevenson Fitch, Postmaster at Ipswich, who is believed to have obtained them from the housekeeper at Helmingham Hall, Suffolk, the residence of the Tollemache family. Of these ballads seventy-nine were sold to Mr. Heber by Mr. Daniel for seventy pounds, and the remaining seventy were bought at the sale of his library for seven hundred and fifty pounds by Mr. Huth, who had them printed for presentation to the members of the Philobiblon Society. The Shakespearian collection comprised splendid copies of the first four folios and eighteen of the quarto plays, together with the 1594 and 1655 editions of Lucrece, the 1594 and 1596 editions of Venus and Adonis, and the first editions of the Sonnets and Poems. The library also contained a large number of early Jest-Books, Drolleries, Garlands and Penny-Histories; and among the rare editions of English writers were works by John Skelton, Edmund Spenser, Anthony Chute, Robert Chester, Anthony Munday, Ben Jonson, Patrick Hannay, George Herbert, Robert Herrick, John Milton, and many others. Several very beautiful manuscripts were also to be found in it.

Daniel's library was sold by auction by Sotheby, Wilkinson and Hodge on the 20th of July 1864, and the nine following days. There were eighteen hundred and seventeen lots, which realised thirteen thousand nine hundred and eighty-four pounds, eleven shillings; the water-colour drawings, engravings, portraits, coins, etc., of which there were four hundred and sixty-one lots, were sold at the same time, and produced one thousand eight hundred and eighty pounds, eleven shillings more.

The sale excited great interest, and many of the books went for large sums; but the prices obtained for others were small compared with those the volumes would fetch at the present time: a fine copy of the first edition of Walton's Compleat Angler realised no more than twenty-seven pounds, ten shillings. All the Shakespeares sold well. The first folio, probably the finest example extant, was bought by the Baroness Burdett-Coutts for six hundred and eighty-two guineas, till recently the highest price ever obtained for a copy;[94] and the second, third and fourth folios fetched respectively one hundred and forty-eight pounds, forty-six pounds, and twenty-one pounds, ten shillings. The third folio was a good copy, but had the title in facsimile, which accounts for the small sum it realised. Of the quarto plays, the first edition of King Richard the Third—a very fine copy—sold for three hundred and fifty-one pounds, fifteen shillings; the first editions of the Merry Wives of Windsor and Love's Labour Lost for three hundred and forty-six pounds, ten shillings each, and the first edition of King Richard the Second for three hundred and forty-one pounds, five shillings. The 1594 and 1596 editions of Venus and Adonis realised two hundred and forty pounds and three hundred and fifteen pounds; a copy of the Sonnets two hundred and twenty-five pounds, fifteen shillings; and the first edition of Lucrece one hundred and fifty-seven pounds, ten shillings. The copy of Love's Labour Lost, and the 1596 edition of Venus and Adonis, of which the Bodleian Library possesses the only other copy, were secured for the British Museum.

The following are a few of the other more notable books in the library, together with the prices they fetched at the sale:—Unique copy of The Boke of Hawkynge and Huntynge and Fysshynge, printed by Wynkyn de Worde, without date, one hundred and eight pounds; Rychard Cuer de Lyon, also printed by Wynkyn de Worde, 1528, ninety-two pounds; Complaynt of a Dolorous Lover, printed by Robert Wyer about 1550, unique, sixty-seven pounds, four shillings; The Tragicall Historie of Romeus and Juliet (London, 1562), seventy-seven pounds, fourteen shillings; Merry Jeste of a shrewde and curste Wyfe (London, about 1575), unique, sixty-four pounds; Munday's Banquet of Daintie Conceits (London, 1588), unique, two hundred and twenty-five pounds; Chute's Beawtie Dishonoured, written under the title of Shores Wife (London, 1593), unique, ninety-six pounds; Maroccus Extaticus, or Bankes Bay Horse (London, 1595), eighty-one pounds; Chester's Loves Martyr, or Rosalins Complaynt (London, 1601)—this work contains a poem (Threnos) by Shakespeare at p. 172—one hundred and thirty-eight pounds; Meeting of Gallants at an Ordinarie, or the Walkes in Powles (London, 1604), unique, eighty-one pounds; Sejanus, his Fall, by Ben Jonson, first edition (London, 1605), printed on large paper, a presentation copy from the author with the following autograph inscription—

'To my perfect friend Mr. Francis Crane
I erect this Altar of Friendship,
and leave it as an eternall witnesse of my Love.
Ben Jonson'—