It now remained for Philadelphia to come forward. In 1869 Mr. M. Richard Muckle, of The Philadelphia Ledger, wrote a letter to President Grant, urging the holding of a World’s Fair in the city where the Declaration of Independence was signed, and this letter, widely published and commented upon, fairly set the ball in motion. Soon after it appeared the Franklin Institute and the Academy of Fine Arts memorialized Congress on the subject, and the City Councils appointed a Centennial Committee. In February, 1871, a committee from the New Jersey Legislature visited Philadelphia to confer with the Councils, and in April a delegation from Virginia came on the same errand. At the instance of the Pennsylvania members, Congress took up the question in the session of 1870-71, and on the 3d of March passed an act “to provide for celebrating the One Hundredth Anniversary of American Independence by holding an International Exhibition of arts, manufactures, and products of the soil and mine in the City of Philadelphia and State of Pennsylvania, in the year 1876.” Under this act one hundred Commissioners were appointed; but it was found impossible to assemble a quorum of this unwieldy body, and the organization was changed by a supplementary act, providing for one Commissioner and one alternate from each State and Territory, appointed by the President on the nomination of the Governors. No money was appropriated. In June, 1872, Congress passed another act, creating a separate corporation, called the Board of Finance, to raise funds by subscriptions throughout the country, and to take entire charge of the finances of the Exhibition, which was made a stock concern, with a capital of $10,000,000, in shares of $10 each. Large subscriptions were at once obtained from the citizens of Philadelphia. The State of Pennsylvania appropriated $1,000,000; the City of Philadelphia, $1,500,000; the State of New Jersey, $100,000; and the States of Delaware, New Hampshire, and Connecticut, $10,000 each. Subscriptions amounting to about $250,000 were subsequently raised in New York City. The business men of the New England States also contributed, but the West gave almost nothing, and the South nothing. The aggregate amount spent by foreign countries for the Exhibition was about $2,500,000.
On June 26th, 1873, Governor Hartranft informed the President that provision had been made for erecting the buildings. Upon that information the President, on July 3d of the same year, issued his proclamation declaring that the Exhibition would be held in 1876. Secretary Fish, on the 5th of July, informed the representatives of foreign nations of the Exhibition, and invited them to participate. Formal acceptances were received, before the beginning of 1876, from Great Britain, France, Austria, Germany, Belgium, Sweden, Holland, Spain, Portugal, Italy, Norway, Egypt, Denmark, Turkey, Switzerland, Mexico, Venezuela, Brazil, Chile, Peru, Argentine Confederation, Sandwich Islands, China, Japan, Australia, Canada, Bolivia, Nicaragua, Colombia, Liberia, Orange Free State, Equador, Guatemala, Salvador, and Honduras. March 3d, 1875, Congress appropriated $505,000 for the arrangement of an official Government display, of which $150,000 was to be appropriated for the erection of a special building for the Government Exhibition. On the 4th of July, 1873, the Commissioners of Fairmount Park formally conveyed 450 acres of land at Lansdowne, in the Park, for buildings and other purposes of the Exhibition.
In 1873 the Commission sent Professor W. P. Blake, of Connecticut, to the Vienna Exhibition as a Special Commissioner to study and report upon it. The General Director, Mr. A. T. Goshorn, also made a thorough examination of that fair. Ground was broken for the Exhibition buildings July 4th, 1874. Machinery Hall was completed in November, 1875, Horticultural Hall and the Main Building in January, 1876, and Memorial Hall and Agricultural Hall in April. In February, 1876, Congress appropriated $1,500,000 to complete the payments for the buildings, and thus enabled the Commission to open the Exhibition free from debt.
The formal opening of the Centennial Exhibition was effected on May 10th, 1876. At nine o’clock A.M. on that day the gates of the grounds, with the exception of those at the east end of the Main Building, were opened to the public at the established rate of admission of fifty cents each. The Main Building, Memorial Hall, and Machinery Hall were reserved for guests and exhibitors until the conclusion of the ceremonies, at about one P.M., when all restrictions were withdrawn. The inaugural ceremonies were conducted in the open air, on an area of about 300 by 700 feet between the Main Building and Memorial Hall. The concourse of spectators within sight of the ceremonies, though largely not within hearing distance, was more
than 110,000. At an early hour a military parade moved from the city to the exhibition grounds. At its head was the First Troop of Philadelphia City Cavalry, acting as the bodyguard of the President of the United States. This was followed by the Boston Cadets and the Boston Lancers, escorting Governor Rice, of Massachusetts, and his staff. Governor Hartranft, of Pennsylvania, and his staff came next, and were succeeded by Major-General Bankson and a large body of Pennsylvania State troops. No flags nor other ensigns were displayed on or about the buildings and grounds until an appointed signal was given, and all the organs, bells, and other musical instruments awaited in silence the same notice.
At 10.15 A.M. the huge orchestra of one hundred and fifty pieces, under the direction of Mr. Theodore Thomas, began playing the various national airs of the world. First was played “The Washington March,” after which came the national music of the Argentine Republic, Austria, Belgium, Brazil, Denmark, France, Germany, Great Britain, Italy, the Netherlands, Norway, Russia, Spain, Sweden, Switzerland, and Turkey, concluding with “Hail Columbia.” On the arrival of the President of the United States—General U. S. Grant—accompanied by the Emperor Dom Pedro, of Brazil, the Director General of the Exhibition, and other notable personages, the “Centennial Inauguration March,” which had been composed by Richard Wagner for the occasion, was performed. The Rev. Dr. Matthew Simpson, Bishop of the Methodist Episcopal Church, then offered prayer. A hymn, written by John Greenleaf Whittier, was sung by the choir of one thousand voices to music composed by John K. Paine, with organ and orchestral accompaniment. John Welsh, President of the Centennial Board of Finance, formally presented the buildings to the Centennial Commission. A cantata, written by Sidney Lanier, of Georgia, with music by Dudley Buck, was sung by the chorus, with solos by Myron W. Whitney. General Joseph R. Hawley, President of the United States Centennial Commission, formally presented the Exhibition to the President of the United States, who responded in a brief address, closing with the words, “I declare the International Exhibition now open.” At that moment a thousand flags were unfurled on every hand, innumerable bells and whistles were sounded, a salute of one hundred guns was fired, and Handel’s “Hallelujah Chorus” was sung by the great choir, with organ and orchestral accompaniment. Then the President and other distinguished guests formed in a small procession and moved through the principal buildings. In Machinery Hall the President and the Emperor of Brazil set in motion the great engine and all the machinery connected therewith, being assisted by Mr. George H. Corliss, the builder and giver of the engine. Then the President and other guests were escorted to the Judges’ pavilion, where a brief reception was held. This concluded the opening exercises, and thenceforth the grounds and buildings were open to the public, at fifty cents admission, every week-day until November 10th, when the Exhibition was closed.