“I direct my daughter’s education in all her studies,” modestly replied the major.
“I am sure I feel highly honored,” returned Hugh.
Marie glanced innocently at him over her shoulder. She was standing before a music-case, with one foot slightly advanced, and as she turned to look at Hugh her gracefully poised figure seemed to him a perfect model.
“You are most welcome,” said the girl, smiling, “or we would not have asked you here.”
Hugh was wondering why he had been invited into the sacredness of this musical retreat, from which others were excluded, but his reverie was interrupted by the major’s seating himself at the piano. He struck a few chords on the keys, and, after running through several modulations, he glided into Mendelssohn’s Symphony in C Minor. The major’s great body swayed back and forth as the music moved him with its entrancing power. Someway, the spirit of the melody stirred Hugh in a manner strangely new.
The music suddenly ceased with a few jagged, broken notes, mixed together in a wailing discord, and the major turned sharply around toward their guest.
“Oh, papa,” cried Marie, “why did you do that?”
“All right, Stanton, my boy,” said the major, laughing, as he tossed his long, gray locks back from his forehead. “I see I am not mistaken; you have a soul filled with harmony, although you may not be able to play, as you say, even a jew’s-harp.”
Marie sang a selection from the “Bohemian Girl,” while her father played the accompaniment. Her rich, deep tones, silvery in their sweetness, vibrated and filled the room with a melody almost divine. She breathed into the song the fullness of her intensely musical soul. Her flutelike tones budded and then crescendoed into full-grown fragrant flowers, which gradually died away, like the falling petals—one by one—of an over-ripe rose. An impalpable sense of mystery and majesty seemed to envelop the singing girl to the now exalted and thrilled senses of Hugh Stanton. What subtle power was this that thrilled him through and through? It was unfathomable—he could not understand the genius of the invisible that swelled up about his exalted brain and filled him with a spirit not his own, while his soul throbbed in ecstatic delight. She ceased singing, and Hugh sank back into his chair, exhausted. The music had exhilarated him with new and wonderful thoughts—devout thoughts, divine ideas. The major turned from the piano, and discovered Hugh in the mysterious struggles that come to a traveler when his soul has been swept away on the surging deep of song.
Hugh soon took his leave of Major Hampton and his daughter, gratefully accepting their cordial invitations to call again at an early day. That night he dreamed of dwelling in some sacred and mystical retreat surrounded with music and poetry. Then the scene changed, and he saw a wide waste of desolate prairie stretching away in every direction. Presently Marie Hampton stood before him, weeping bitterly. Her fair cheeks and amethyst eyes were bathed in tears, while near her was Ethel Horton, speaking words of consolation. Between them was a mound of earth, and, looking closer, he saw it was a new-made grave.