THE OLD PACIFIC MAIL DOCKS AT BALBOA

When Col. Goethals was presenting his estimates to Congress in 1913 the members of the Committee on Appropriations looked somewhat askance on the club-house feature of his requests, and this colloquy occurred:

“The Chairman: ‘A $52,000 club house?’

“Col. Goethals: ‘Yes, sir. We need a good club house, because we should give them some amusement, and keep them out of Panama. I believe in the club-house principle.’

“The Chairman: ‘That is all right, but you must contemplate a very elaborate house?’

“Col. Goethals: ‘Yes, sir. I want to make a town there that will be a credit to the United States government.’”

Looking out to sea from the prow of a ship entering the Pacific Ocean you will notice three conical islands rising abruptly from the waves, to a height of three or four hundred feet. To be more precise the one nearest the shore ceased to be an island when the busy dirt trains of the Canal Commission dumped into the sea some millions of cubic yards of material taken from the Culebra Cut, forming at once a great area of artificial land which may in ensuing centuries have its value, and a breakwater which intercepts a local current that for a time gave the canal builders much trouble by filling the channel with silt. The three islands, Naos, Flamenco, and Perico are utilized by the United States as sites for powerful forts. The policy of the War Department necessarily prevents any description here of the forts planned or their armament. Every government jealously guards from the merely curious a view of its defensive works, and the intruder with a camera, however harmless and inoffensive he may be, is severely dealt with as though he had profaned the Holy of Holies. Despite these drastic precautions against the harmless tourist it is a recognized fact that every government has in its files plans and descriptions of the forts of any power with which it is at all likely to become involved in war.

Photo by Underwood & Underwood

THE PACIFIC GATEWAY
The gun points to canal entrance; high hills in the background are beyond the canal