"I request, Sir," he added, "that after I am taken down, I may be put into the coffin immediately, with the apparel I may have on, and afterwards closely screwed down, put into the hearse which will be in waiting, carried to the churchyard, and be interred in the evening."
A spot was fixed upon in a distant corner of the churchyard, far from the other tombs. No priest attended, and the coffin was lowered without any religious service. Notwithstanding Hatfield's various and complicated enormities, his untimely end excited considerable commiseration. His manners were extremely polished and insinuating, and he was possessed of qualities which might have rendered him an ornament to society.
The unfortunate Mary of Buttermere went from home to avoid the impertinent visits of unfeeling curiosity. She was much affected; and, indeed, without supposing that any part of her former attachment remained, it is impossible that she could view his tragical fate with indifference. When her father and mother heard that Hatfield had certainly been hanged, they both exclaimed, "God be thanked!"
On the day of his condemnation, Wordsworth and Coleridge passed through Carlisle, and endeavoured to obtain an interview with him. Wordsworth succeeded; but, for some unknown reason, the prisoner steadily refused to see Coleridge; a caprice which could not be penetrated. It was true that he had, during his whole residence at Keswick, avoided Coleridge with a solicitude which had revived the original suspicions against him in some quarters, after they had generally subsided. However, if not him, Coleridge saw and examined his very interesting papers. These were chiefly letters from women whom he had injured, pretty much in the same way, and by the same impostures, as he had recently practised in Cumberland. Great was the emotion of Coleridge when he afterwards recurred to these letters, and bitter—almost vindictive—was the indignation with which he spoke of Hatfield. One set of letters appeared to have been written under too certain a knowledge of his villany towards the individual to whom they were addressed; though still relying on some possible remains of humanity, or perhaps (the poor writer might think) on some lingering relics of affection for herself.
The other set was even more distressing; they were written under the first conflicts of suspicions, alternately repelling with warmth the gloomy doubts which were fast arising, and then yielding to their afflicting evidence; raving in one page under the misery of alarm, in another courting the delusions of hope, and luring back the perfidious deserter—here resigning herself to despair, and there again labouring to show that all might yet be well. Coleridge said often, in looking back upon that frightful exposure of human guilt and misery, that the man who, when pursued by these heart-rending apostrophes, and with this litany of anguish sounding in his ears, from despairing women, and from famishing children, could yet find it possible to enjoy the calm pleasures of a lake tourist, and deliberately to hunt for the picturesque, must have been a fiend of that order which, fortunately, does not often emerge amongst men.
It is painful to remember that, in those days, amongst the multitudes who ended their career in the same ignominious way, and the majority for offences connected with the forgery of bank notes, there must have been a considerable number who perished from the very opposite cause; namely, because they felt, too passionately and profoundly for prudence, the claims of those who looked up to them for support. One common scaffold confounds the most flinty hearts and the tenderest. However, in this instance, it was in some measure the heartless part of Hatfield's conduct which drew upon him his ruin; for the Cumberland jury, it has been asserted, declared their unwillingness to hang him for having forged a frank; and both they, and those who refused to aid his escape, when first apprehended, were reconciled to this harshness entirely by what they had heard of his conduct to their injured young fellow-countrywoman.
She, meantime, under the name of the Beauty of Buttermore, became an object of interest to all England. Dramas and melo-dramas were produced in the London theatres upon her story; and for many a year afterwards, shoals of tourists crowded to the secluded lake and the little homely cabaret, which had been the scene of her brief romance. It was fortunate for a person in her distressing situation, that her home was not in a town; the few and simple who had witnessed her imaginary elevation, having little knowledge of worldly feelings, never for an instant connected with her disappointment any sense of the ludicrous, or spoke of it as a calamity to which her vanity might have co-operated. They treated it as unmixed injury, reflecting shame upon nobody but the wicked perpetrator. Hence, without much trial to her womanly sensibilities, she found herself able to resume her situation in the little inn; and this she continued to hold for many years. In that place, and in that capacity, she was seen repeatedly. She was greatly admired, and became the subject of the poet's song; but "sorrow," to use the beautiful language of Ossian, "sorrow, like a cloud on the sun, shaded her soul."