103. Cf. Diom. 291, 23 ff., K; Ribbeck, Rom. Trag. p. 634, believes that this was the rule, but he is apparently alone in the opinion. Cf. Budensteiner in Bursian's Jahresbericht CVI, p. 162 ff., who agrees with the proof of van Eck, Quaest. Sten. Rom. (Amsterdam 1892), that it was an isolated intance.
104. We are not even remotely concerned with metrical analysis. For that phase, with a discussion as to the effect of the various metrical systems, see Klotz, Grundzuge der altromischen Metrik, esp. p. 370 ff. Cf. Duff, A Lit. Hist. of Rome, p. 196. Note Donat, de Com. VIII. 9 and Diom. 491, 23K.
105. For arguments as to the divisions of the three classes, v., besides Klotz, Ritschl, Parerga, p. 40; Conradt, Die metrische Komposition der Komodien des Terenz (Berlin 1876); Bucheler in Neue Jahr. fur Phil. CXLI (1871), p. 273 ff.; Dziatzko in Rhein. Mus. XXVI (1871), pp. 97-100: G. Hermann, de Canticis in Romanorum Fabulis, Opusc. I. 290; which have all been landmarks in the discussion. Cf. also Teuffel, Rom. Lit., § 16. Sec. 5, etc.
106. Cf. Cic. de Or. II.46.193.
107. Cf. As. 265, 587, 640, 403, Bac. 611, Cap. 637, Cas. 845 ff., Cis. 53 ff., Cur. 278, 309, 311, Ep. 623 ff., Men. 828 f., 910, Mer. 599 f., Mil. 200 ff. (quoted infra, Part II), 798-9 (Palaestrio must shout at Periplecomenus to provoke such a reply), Most. 265 ff., 594, Per. 307 f., Ps. 911, 1287, St. 271, 288 f., Trin. 1099, Truc. 276, 476 ff., 549, 593 f., 599 ff., 822. Cf. also Ter. Phor. 210-11 and Moliere's imitation in Les Fourberies de Scapin, l. 4.
108. Cf. Sittl, Gebarden, p. 201 and Warnecke's citations from the Scholiast to Aristophanes in Neue Jahr. 1910, p. 592.
111. Cf. As. 554 ff., Bac. 710 ff., Cap. 159 ff. Cur. 572 ff., Ep. 437 ff., Men. 1342., Per. 753 ff., Ps. 761 ff., Trin. 718 ff., etc.