Having made her speech, Mrs. Hancock prepared to withdraw, but this surprising Clare forestalled her.

"Thank you immensely," she said in her clipped, precise voice, speaking as though English were a well-known yet foreign language to her. "It is very kind of you to take so much trouble over me. But," she bubbled with laughter, the dimples quivering in her rounded cheek, "I have no talent with my needle. Félix bet me five francs that I would never learn even to sew on a button."

Mrs. Hancock, slightly surprised, but still benevolently gracious, smiled kindly. "And who is Félix, Clare?"

"Félix? Didn't you know? He's my father." She turned to the class with an engaging air of frankness. "You know, Mamma and I always call him Félix, because she hates to hear me say Mamma or Papa. It makes her feel her age, she says, and when you are on the stage it is a crime to feel your age—on account of the dear public, is it not so?"

Clare's voice deepened to the rich intonation of Sophie O'Hallaghan, the charming Irish-American actress who had married the half-brother of Lord Powell of Eppleford, and who was, incidentally, Clare's mother.

Mrs. Hancock had not intended to divulge the profession of Clare's mother. It was, she considered, the approval of the dear Bishop always in her mind, a delicate subject upon which one might have expected Clare to preserve a little reticence. Especially since Félix Duquesne had been considerate enough to write his distinguished but embarrassing French prose in—French, and was, through his family connections, of unprecedented value as a parent. But Clare knew no more of reticence than a lark on a spring morning or a kettle on the boil. She saw no reason for Mrs. Hancock's sudden stiffness, and continued to smile at her with complete urbanity.

"Well, Clare," replied the head mistress, "I think that perhaps while you are at school you had better refer to your father by his proper title. Is there an empty place, Miss Reeve, for Clare? Now girls, go on with your work. There is no reason for you to let Clare's arrival interrupt it. You can continue just the same."

She swept from the room, masking a faint uneasiness behind her gracious majesty of deportment, but for the first time questioning her wisdom in admitting this new pupil.

In the school-room, however, Providence for once had favoured Muriel. The empty chair to which Clare was conducted by Miss Reeve was next to hers, and when Clare turned towards her with that dazzling smile Muriel knew, for all Mrs. Hancock might say, that things would never be quite the same for her again.

IV