Templer contacted Alex through intermediaries stationed in Zu- rich. The agreed upon location was the third bench from St. Stephen's Cathedral on the Stephansplatz, where Vienna's main street, Karntnerstrasse-Rotenturmstrasse changes names. No traffic is allowed on the square, on Kartnerstrasse or on Graben- strasse, so it is always packed with shoppers, tourists and street musicians. Ideal for a discreet meeting.
"Have you ever seen Vienna from Old Steffel?" A deep voice came from behind where Martin was seated. He looked around and saw it was Alex.
"Many years ago. But I prefer the Prater." He spoke of the fairgrounds 2 kilometers from town where the world's oldest Ferris Wheel offered an unparalleled view of the Viennese sur- rounds. Templer smiled at his old ally from the German Bunde- poste. Today though, Alex was an asset to the Agency, as he had been since he had gone freelance some years ago. An expensive asset, but always with quality information.
"Did you know that St. Stephen's," Alex gestured at the pollu- tion stained church, "is one of the finest examples of Gothic architecture in Europe? And Vienna's paradox?"
Templer had never been a history buff. He shook his head.
"Most of Vienna is Baroque, in fine fashion, but there are iso- lated examples of Gothic. Yet, they seem to coexist. In peace." Alex's poetic words rolled off of his well educated tongue. The allegory was not lost on Templer. Western and Eastern intelli- gence services used Vienna as a no-man's land, where information and people were regularly exchanged.
"It is a new world," commented Templer. "The threats are differ- ent."
Alex took the hint. "Let us walk," he urged.
They slowly strolled up the Kartnerstrasse as the Austrian night- life took on its own distinct flavor.
"How long has it been, my friend?" Alex casually asked. He disliked rushing into business, the way the Americans favored.