“What is it?” she asked, with a sudden premonition that the thing had a vital significance for her.
“It's the greatest scheme extant,” he answered with elation. “I won't go into details—you wouldn't understand'em. Mr. Wing and some others have tried the thing before, nearer home, and it worked like a charm. Street railways. We buy up the little lines for nothing, and get an interest in the big ones, and sell the little lines for fifty times what they cost us, and guarantee big dividends for the big lines.”
“It sounds to me,” said Honora, slowly, “as though some one would get cheated.”
“Some one get cheated!” he exclaimed, laughing. “Every one gets cheated, as you call it, if they haven't enough sense to know what their property's worth, and how to use it to the best advantage. It's a case,” he announced, “of the survival of the fittest. Which reminds me that if I'm going to be fit to-morrow I'd better go to bed. Mr. Wing's to take me to New York on his yacht, and you've got to have your wits about you when you talk to the old man.”
Volume 6.
CHAPTER VI. CLIO, OR THALIA?
According to the ordinary and inaccurate method of measuring time, a fortnight may have gone by since the event last narrated, and Honora had tasted at last the joys of authorship. Her name was not to appear, to be sure, on the cover of the Life and Letters of General Angus Chiltern; nor indeed, so far, had she written so much as a chapter or a page of a work intended to inspire young and old with the virtues of citizenship. At present the biography was in the crucial constructive stage. Should the letters be put in one volume, and the life in another? or should the letters be inserted in the text of the life? or could not there be a third and judicious mixture of both of these methods? Honora's counsel on this and other problems was, it seems, invaluable. Her own table was fairly littered with biographies more or less famous which had been fetched from the library, and the method of each considered.
Even as Mr. Garrick would never have been taken for an actor in his coach and four, so our heroine did not in the least resemble George Eliot, for instance, as she sat before her mirror at high noon with Monsieur Cadron and her maid Mathilde in worshipful attendance. Some of the ladies, indeed, who have left us those chatty memoirs of the days before the guillotine, she might have been likened to. Monsieur Cadron was an artist, and his branch of art was hair-dressing. It was by his own wish he was here to-day, since he had conceived a new coiffure especially adapted, he declared, to the type of Madame Spence. Behold him declaring ecstatically that seldom in his experience had he had such hairs to work with.