Isaac Worthington came to Coniston not once, but many times, before the snow fell; and afterward, too, in Silas Wheelock's yellow sleigh through the great drifts under the pines, the chestnut Morgan trotting to one side in the tracks. On one of these excursions he fell in with that singular character of a bumpkin who had interested him on his first visit, in coonskin cap and overcoat and mittens. Jethro Bass was plodding in the same direction, and Isaac Worthington, out of the goodness of his heart, invited him into the sleigh. He was scarcely prepared for the bumpkin's curt refusal, but put it down to native boorishness, and thought no more about it then.
What troubled Mr. Worthington infinitely more was the progress of his suit; for it had become a snit, though progress is a wrong word to use in connection with it. So far had he got,—not a great distance,—and then came to what he at length discovered was a wall, and apparently impenetrable. He was not even allowed to look over it. Cynthia was kind, engaging; even mirthful, at times, save when he approached it; and he became convinced that a certain sorrow lay in the forbidden ground. The nearest he had come to it was when he mentioned again, by accident, that life of Napoleon.
That Cynthia would accept him, nobody doubted for an instant. It would be madness not to. He was orthodox, so Deacon Ira had discovered, of good habits, and there was the princely four hundred a year—almost a minister's salary! Little people guessed that there was no love-making—only endless discussions of books beside the great centre chimney, and discussions of Isaac Worthington's career.
It is a fact—for future consideration—that Isaac Worthington proposed to Cynthia Ware, although neither Speedy Bates nor Deacon Ira Perkins heard him do so. It had been very carefully prepared, that speech, and was a model of proposals for the rising young men of all time. Mr. Worthington preferred to offer himself for what he was going to be—not for what he was. He tendered to Cynthia a note for a large amount, payable in some twenty years, with interest. The astonishing thing to record is that in twenty years he could have more than paid the note, although he could not have foreseen at that time the Worthington Free Library and the Truro Railroad, and the stained-glass window in the church and the great marble monument on the hill—to another woman. All of these things, and more, Cynthia might have had if she had only accepted that promise to pay! But she did not accept it. He was a trifle more robust than when he came to Brampton in the summer, but perhaps she doubted his promise to pay.
It may have been guessed, although the language we have used has been purposely delicate, that Cynthia was already in love with—somebody else. Shame of shames and horror of horrors—with Jethro Bass! With Strength, in the crudest form in which it is created, perhaps, but yet with Strength. The strength might gradually and eventually be refined. Such was her hope, when she had any. It is hard, looking back upon that virginal and cultured Cynthia, to be convinced that she could have loved passionately, and such a man! But love she did, and passionately, too, and hated herself for it, and prayed and struggled to cast out what she believed, at times, to be a devil.
The ancient allegory of Cupid and the arrows has never been improved upon: of Cupid, who should never in the world have been trusted with a weapon, who defies all game laws, who shoots people in the bushes and innocent bystanders generally, the weak and the helpless and the strong and self-confident! There is no more reason in it than that. He shot Cynthia Ware, and what she suffered in secret Coniston never guessed. What parallels in history shall I quote to bring home the enormity of such a mesalliance? Orthodox Coniston would have gone into sackcloth and ashes,—was soon to go into these, anyway.
I am not trying to keep the lovers apart for any mere purposes of fiction,—this is a true chronicle, and they stayed apart most of that winter. Jethro went about his daily tasks, which were now become manifold, and he wore the locket on its little chain himself. He did not think that Cynthia loved him—yet, but he had the effrontery to believe that she might, some day; and he was content to wait. He saw that she avoided him, and he was too proud to go to the parsonage and so incur ridicule and contempt.
Jethro was content to wait. That is a clew to his character throughout his life. He would wait for his love, he would wait for his hate: he had waited ten years before putting into practice the first step of a little scheme which he had been gradually developing during that time, for which he had been amassing money, and the life of Napoleon Bonaparte, by the way, had given him some valuable ideas. Jethro, as well as Isaac D. Worthington, had ambitions, although no one in Coniston had hitherto guessed them except Jock Hallowell—and Cynthia Ware, after her curiosity had been aroused.
Even as Isaac D. Worthington did not dream of the Truro Railroad and of an era in the haze of futurity, it did not occur to Jethro Bass that his ambitions tended to the making of another era that was at hand. Makers of eras are too busy thinking about themselves and like immediate matters to worry about history. Jethro never heard the expression about “cracks in the Constitution,” and would not have known what it meant,—he merely had the desire to get on top. But with Established Church Coniston tight in the saddle (in the person of Moses Hatch, Senior), how was he to do it?
As the winter wore on, and March town meeting approached, strange rumors of a Democratic ticket began to drift into Jonah Winch's store,—a Democratic ticket headed by Fletcher Bartlett, of all men, as chairman of the board. Moses laughed when he first heard of it, for Fletcher was an easy-going farmer of the Methodist persuasion who was always in debt, and the other members of the ticket, so far as Moses could learn of it—were remarkable neither for orthodoxy or solidity. The rumors persisted, and still Moses laughed, for the senior selectman was a big man with flesh on him, who could laugh with dignity.