She had indeed suffered much! Her face had become pale and emaciated, her step melancholy and slow: she no longer took her wonted care in arranging her dress, or setting in order her luxuriant hair; but this was not the alteration which had shocked her unfortunate lover—it was the languor which had succeeded to her natural liveliness, the despondency in her every accent, the absence of soul in her every look!

The evening came, and the ceremony was near at hand. Julia suffered her attendants to adorn her, reckless herself of the pains they took and the decorations they bestowed. They put upon her a long white robe, quite plain; it would have well set off the bloom of her loveliness, but upon the paleness of her sorrow it seemed to sit like a shroud. They made large masses of her hair to flow dishevelled down her neck, and mingled with it locks of wool, to signify that, in her new station, she was to imitate the purity of the vestals, whose peculiar emblem it was. The extremities of her long ringlets were curled and arranged with the steel of a lance; and among her attendants there were many pretty flutterings and drawings-back as they handled so terrible a comb. Then they suffered her to wait in quiet the approach of the bridegroom. He was not long in his coming. They drew over her head the crown of vervain, and concealed her deathlike features beneath the flame-coloured veil. They put on, too, the yellow slippers, which it was the fashion for brides to wear: they were so contrived as to add considerably to the height, but Julia’s was so much diminished by sadness and disease, that even with this assistance she did not seem near her usual stature.

It was night; and she was borne to the house of her husband by the light of flambeaux. Three young persons, whose parents were still living, were her conductors. Two supported her, and Julia indeed stood in need of support; the third walked before her, bearing a torch of pine. A distaff and spindle, a child’s coral, and other emblems of her future duties, were carried behind her. Her friends[Pg 195] and relations also followed, each bearing in his arms some present to the new married couple. Cœlius was among them, but he concealed his face in the folds of his gown, and his smothered sighs attracted no observation.

At last they came to the threshold of the bridegroom: it was tastefully adorned with wreaths of flowers; and woollen fillets, smeared with oil, were hung round to keep out enchantments. The master of the house stood at the door, and the crowd gathered round it to witness the conclusion of the ceremony.

They asked her, according to custom, under what title she came? She had opened her lips to answer, when Cœlius ran forward and threw himself between Marcius and his beloved. “Oh! no, no!” he cried; “I cannot hear it!—do not, do not kill me quite!” “Back, back!” she said, shuddering. “Shall I not obey my father?” The youth heard not—saw not; he was led away, senseless and unresisting; and the ceremony proceeded. Again she was asked under what title she came; and she answered, as was prescribed for her, in a low but distinct tone, “Ubi tu Caius, ego Caia!”[7] They lifted her from the ground, for it was reckoned an evil omen to touch the threshold in her entrance. They lifted her from the ground, and she spoke no word, and made no struggle. But ere they had set down her foot upon her husband’s floor, she trembled with a convulsive quivering, and her head fell back upon the youth who supported her left shoulder. Again they put down their burden, but it was quite motionless! They tore the veil from her head—her look was fixed and quiet—her eye open and dull! She was quite dead![Pg 196]


PRIVATE CORRESPONDENCE OF PEREGRINE COURTENAY.

I.
PEREGRINE OF CLUBS TO GEORGE OF ENGLAND.

May it please your Majesty,

I am your loyal subject, and an editor. I am induced to address you in print by three considerations. First, I am like yourself, a King; although my claim to the title is not quite so legitimate as your Majesty’s. Secondly, I am an author, and it is much the fashion with authors of the present day to indite letters to the Crown. Thirdly, I am enthusiastically fond of novelty in every shape; and I flatter myself I am going to strike one—a letter to the King, without an ounce of politics in its composition.