Pinguicula lutea is a bolder creature. In her yellow sunbonnet she is a flaunting blonde and the gold of her flaring ribbons is visible far under pine and palm. When the full warmth of the sun is on the savannas she flips back the rim of this big, yellow bonnet till it flares in salver form and shows her buxom face and the gold of her hair to all who will look. I do not think it possible that Pinguicula lutea let me go down the path on the very first day without noticing her and I am therefore confident that her season begins here in mid-January. She and her shyer sister have given a sudden joy to the wide spaces that was not there before and I welcome them as near relatives of the utricularias.
Over them all on the day that spring came, over the sandy levels, the round-eyed, flower-bedecked pools, rang the tinkling, joyous songs of I do not know how many million meadow larks. A day or two before I had seen but a scattering one or two and not one had sung for me. On that day they appeared everywhere, not in flocks like the robins and blackbirds, but singly and by twos and threes well distributed over all the landscape. They sing from lowly stations, a short, dead stub in the lonely reaches, a fence post near the farm, or the low ridgepole of the farmer’s shack. Nothing could be more springlike than their music and they are the first Northern birds that I have found singing freely so far South. The robins and the redwings are songless, the bluebird carols shyly as he flies but so gently that he is rarely heard. The crow blackbird works hard but it is hardly a song that he produces, and so the mellow tinkle of these myriads of meadow larks is a delight to the Northern ear.
It is a joy also to see one of them after his song flutter forth from his perch, spread his wings in mid-flight and sail sweetly down, lighting in among the wild grasses as if he loved them. The meadow lark’s breast wears a rich yellow that pretty nearly matches that of the sunbonnet of Miss Pinguicula Lutea. I am wondering if there is anything in it. That might account for her persistent strolling along the sunny reaches of the interminable savannas. It might account for his melodious outbursts from low observation points and the quivering set of his wings as he soars down into the grass at her side. This spring that came sailing up over the Bahamas brought many a yearning along with the tropic odors in her train.
As out of the lark-filled air the spring has brought melodies, so out of the yellow-flecked pools she has brought two sounds which are in vocal adoration of her. One is a queer little rap of a sound that is like the hitting of dry sticks together in a rub-a-dub-dub. If fairy frogs march the borders of the pools to drumbeat, this is the drumbeat.
The other is a frog sound, too, the love call of the tree frog. The hyla’s voice with us, North, is the first sure call of spring. When we hear that we know that the ice is gone from the marshes and the tiny fellows have come out of their winter’s sleep and are down in the open water, piping, Panlike, their love songs among the reeds. Neither amorous scent of stephanotis bloom borne from islands of the Southern seas on the soft air, nor amorous tinkle of lark love songs could so mark to my Northern trained ear the presence of spring. There is no chorus as yet; just an occasional shrill peeping, such as I have heard in April out of the moist ruck of last year’s grasses in a cold meadow, while yet there is a touch of frost in the air and the low sun scarcely gives color in his slanting beams. Here it comes in warmth as of June out of pools where bewildered flowers bloom the year round, not knowing of a certainty where one summer ends and another begins. Yet the sound and its meaning are unmistakable, the final evidence whereby I know that spring came to the savannas yesterday.
CHAPTER XII
SEVEN THOUSAND PELICANS
“Plumpskin, buffskin, pelican, gee!
We think no bird so happy as we.
Plumpskin, buffskin, pelican jill!
We thought so then and we think so still.”
So runs an ancient and foolish ditty. There is something about it which makes one think of pelicans as doing a little dance and thus happily singing, wing in wing, so to speak. Observing the pelicans that meet the steamers at Jacksonville and some others later in captivity, I had thought them of a grave and reverend dignity which belied the ditty and its suggestions. Now I know better. It is a bachelor pelican that first gave me an inkling of “how happy the life of a bird must be.” He has no home, this bachelor pelican, just a habitat which is a tiny cove in the long island which bars the Indian River from the sea five or six miles below Fort Pierce. So deep does this cove dent the island that the roaring surf of the east side is but a stone throw from its tip, yet the wind which blows almost always from the sea leaves its surface unruffled. Here my bachelor pelican lives to sail and soar and cut capers all day long in a snug harbor which is untenanted save by a winter fisherman’s houseboat.
No more than he minded this houseboat did he seem to mind me as I watched his antics. At times he seemed severe and dignified enough. That was when he sat erect and motionless on the surface, his noble, white head and reverend beard of a bill having all the repose of a prophet. But that did not last long with him. With a shrug the dignity vanished and his whole attitude was positively humorous. The change would come suddenly, a sort of wink of the whole body. Nor was this for me. He just seemed to wink to himself and say, “Humph, but wasn’t that a solemn pose!” It is singular how dignity can become grotesque humor with a shrug, with this bachelor pelican. After his shrug began a little whirling motion as he sat on the water, spinning softly to the right and left, ogling the surface as if for fish. Then suddenly he sprang into the air. The pelican has hardly any tail. His huge beak ludicrously overweights him forward. By all laws of physics he ought to tumble head first into the waves every time he springs from them. Instead, his seven-foot spread of wings catches the air with vigorous grace and he is absolute master of the art of flight. So my bachelor friend held himself on level wings, then of a sudden pitched downward and drove that huge, misshapen beak into the water, about half of the bird going with it. I know by the way he smacked his mandibles that he took in a good-sized fish, probably a mullet, while beneath the surface.
The general color of this bird was a slaty brown, except for his head and whole neck, which was white, not showing even a tinge of any other color. Crossing the narrow strip of island and looking forth upon the sea I saw other pelicans flying in slant-lined flocks just within the breakers. These pelicans wasted no time in humorous antics. They flew in business-like fashion, skimming so low in the hollows of the waves that they sometimes disappeared. They took fish on the dive much as my bachelor friend had; but, whereas he seemed to do it with a schottische movement, there was no antic dance in their motions. They were in dead earnest. They were marked differently from my young friend, too, for these sea hunters were in full breeding plumage, their hind heads and necks being a rich, seal brown. They were hunting menhaden more than a score of miles from the young, being brooded in the grass nests in the big rookery on Pelican Island, and they had no time for humorous antics.