“Down river to the old chain bridge the rough rocks of the New Hampshire hills come to get a taste of salt.”
See [page 129]
The herring gulls which go up and down with the tides no longer follow the Newburyport sails to sea and escort them back again to port, pensioners on the bounty which ships always scatter in their wake. Instead they have reverted to their original, more noble trade of fishing. Every time the smelt or the young herring come in to make game of the seaside goldenrod by tickling their toes they risk their lives. The gulls soar and wheel over the shallows and tide rips, their wings and bodies set and quiet like soaring monoplanes, their heads hanging loosely on supple necks and turning this way and that as they peer with far-sighted eyes at all beneath the surface. Suddenly the stays of the monoplane seem to break, the wings crumple, and the bird falls to water as if shot, going often beneath the surface. In a second he emerges with lifted bill and you see the silvery flash of some unlucky fish disappearing down the capacious gullet. Often this is a polite morsel, but not always. The gull is not over particular in his mouthfuls, and I have seen one take a herring as long as his own body, head first, swallowing the fish as far as circumstances would permit, then sitting placidly on the water with several inches of shiny tail protruding, waiting, like continuous performance table d’hôte diners, for the first course to be digested so that there should be room to swallow the last one. Birds of the sea meet birds of the land here, and birds of the marsh join them. Over the river the fish hawk soars as well as the gulls, and the marsh hawk crosses from one mouse-hunting ground to another. Out of the sky a Wilson’s snipe fell like a gray aerolite, while I was there, a lightning-like plunge ended by an alighting as soft as the fall of a thistledown on the marsh grass. This was proof that the drought has been long, for the Wilson’s snipe likes the fresh water meadows best and rarely comes to the salt marsh grass unless his familiar stabbing ground is too dry to be thrust with comfort. He came like a visitor from another sphere. In the second of his lighting I caught a flash of his mottle gray and brown, then he vanished as if his plunge had after all taken him far into the ground and all you need expect to find was the hole by which he entered. Yet neither bird nor hole could I find by diligent search in the marsh grass. Never a top waved with his progress among the culms, and only by scent could he have been followed.
On the other side of Newburyport you come to the marshes again, great level stretches of them, silvered with winding threads of the sea that seek far through the slender creeks, marshes dotted at this time of year as far as eye can see with the rounded domes of many-footed haystacks, a place where the full sky is yours for the seeing, where all winds blow free, and blowing bring to your lungs the rich, life-giving scent of the deep sea tides, caught and concentrated in the tangled grasses and touched with a faint essence of their own perfume. Beyond again lies Plum Island. Here the sea beats in savage vigor, and I seem to get in its voice an echo of the sonorous poems in which John Pierpont denounced slavery. Pierpont was one of the great writers of his day, and his work lasts. He may well have got the culture, depth and dignity of his multitudinous sermons from the atmosphere he found among the great square houses built by the old-time shipmasters and shipbuilders on the ridge which is the backbone of the city. In the laughing beauty of the up-river scenery I can fancy him finding light-winged fancies such as the couplet he wrote in Miss Octavia’s album:
“Octavia; what, the eighth! If bounteous heaven
Hath made eight such, where are the other seven?”
Only in the deep sea thunder of the waves on Plum Island beach could he have heard such notes as echoed in “The Tocsin”:
“Ay—slaves of slaves. What, sleep ye yet,
And dream of freedom while ye sleep?
Ay, dream while slavery’s foot is set