Here in Eastern Massachusetts the dawn comes early, very early, in June. It will be a little before three that if you watch the east you will see it flush a bit like the coming of color on the face of a dark-tressed maiden who has had sudden news of the coming of her lover. This flush of color fades again soon, and it is evident that it is all a mistake, for the darkness grows thicker than ever, and night, like that of the Apocalypse, is upon the face of the world. The dawn is long coming when you wait for it. Joshua evidently has arisen and is holding the sun in Syria as of old, that he may have time further to confound his enemies.
No one believes that there will be dawn at all. You cannot prove it by the wood thrush. He sings best, indeed he sings only, in the shadow, and often even in the darkest night he will send out a bell-like note or two that has a soothing, sleepy tintinnabulation as of cow-bells shaken afar off by drowsy cattle. No, the wood thrush is not a reliable witness, but if you are wise in the ways of field and pasture before dawn, you may take evidence from the chipping sparrow. He is the earliest as he is one of the smallest of the morn-waking birds. In his case the least shall be first. I do not know if he really sees the dawn or if he smells it. There is a change in the air before there is in the sky, and perhaps he notes it. Perhaps, too, being smaller, he needs less sleep than the other birds, and his gentle inquiring note is a plaint that the night is long rather than a prophecy that it is ending. But it is he that first predicts with certainty the coming day, and it will be many minutes after his first call before the growing luminosity, a sort of pale halo that looms slowly about all things, tells you that the sun is indeed coming. Even then you are likely to hear no other bird note for what seems a long time.
Then from a treetop in the open comes a sort of surprised ejaculation, as if some one said, “Why, bless me! It is morning already,” and then a burst of song from the full throat of a robin. It is as if he were the chorister of a choir invisible, for he pipes but a single strain before from treetop to treetop, near and heaven only knows how far, bursts forth the mingled melody of a great chorus of robins ringing clarion notes of jubilee.
They have the overture to themselves all along in the open, for there the song sparrow does not sing till some ten minutes later. Of these again you shall hear a single bird, followed by a chorus in the next breath, and close upon the heels of the sparrow voice come the notes of innumerable warblers of many kinds whose songs you shall not distinguish one from another and name unless you are an expert. Behind these again come the chewinks and thrashers, not so early risers by any means, and very late the catbird. The catbird is clever but, like many clever people, he is lazy.
Over to the other side of the pasture, a mile from the lane as the crow flies, is a swamp which is part of the pasture, indeed, but a part of the wilderness beyond, also. It was on the edge of this that I had chosen to meet the dawn, picking my way to it through the darkness in part by scent, for the swamp has a musky fragrance of its own, which it sends far on the night air. Coming down the slope to it you pass through a tangle of scrub oak that leads you to a lower region of alders snarled with greenbrier—“horse brier” we call it familiarly.
Here the ground begins to be soft, with occasional clumps of sphagnum moss, which is like a gray-brown carpet of velvet, not yet made up, but tacked together with yellow bastings of the goldthread. Among the scrub oaks a stately pine here and there shoulders up, sending you a reassuring sniff of pitchy aroma. The scrub oaks know their allotted ground and cease wandering when their toes touch swamp water, but the pines are more venturesome, and often lift with their roots little mounds of firm brown carpeted ground in the midst of the quaky sphagnum. Slender cedars crowd in from the swamp toward these pines, plumed like vassal knights that rally to the support of their overlord.
On one of these pine islands on the edge of the swamp an oven bird had built her nest, and on this particular night in June she was in much distress because she could not get into it. The oven bird builds a nest on the ground among low bushes and vines, choosing often a spot where pine needles are scattered among the dead leaves. She roofs this nest with care—and dried grass—and builds a tunnel-like entrance to it so that you may see neither the eggs nor the bird sitting on them. You may step on an oven bird’s nest before you will see it, even when looking for it, and you may know for a certainty that it is within a definite small patch of ground, and yet hunt long before you find it. The mother bird had been frightened from her nest by the crush of my foot at its side in the darkness, and she did not dare come back, for I had unwittingly sat down beneath the pine almost across the entrance. Frightened for her nest as well as herself, she fluttered about like a bird ghost, now dozing in the thicket for a time, then waking to strangeness and fear, and making her plaint again.
The wood thrush, brooding her eggs in the thicket near by, heard it and was wakeful, and her mate, never far off, now and again lifted his head from beneath his wing and drowsily tintinnabulated a reassuring note or two, but I did not stir. I was not sure that I was the cause of the oven bird’s trouble, and if so to move about in the darkness might well bring her worse disaster.
The false dawn reddened and vanished, the gray of the real dawn was streaked and then flushed with rosy light shot through with gold, and a thousand voices of jubilee rang from treetop to treetop the whole pasture through and far out into the wood beyond, and still I waited, stretched motionless. A man might have thought me dead, the victim of some midnight tragedy, but the denizens of the pasture are wiser in their own province than that.
In the gray of that first dusk, that was hardly streaked with the reassuring red of dawn, a crow slipped silent and bat-like from the top of a neighboring pine. In that twilight of early dawn you could not see him continually as he flapped along. The motions of his wings gave him strange appearances and disappearances as if he dodged back and forth, flitting up under cover of pillars of mist, yet there was no mist there, only the uncertainties of early light which seems to come in squads rather than in company front. This crow turned suddenly in his flight as he neared my pine island in the swamp and lighted in noiseless excitement on a dead limb. A moment he craned his neck, peering sharply at my motionless figure. The crow is at times a scavenger, and if there were dead men about he wanted to know it. For that matter if there was anything else about he wanted to know it, for the crow is likewise a gossip. A moment then he gazed at the motionless figure, then he vaulted from the limb and the vigor of his call resounded far and near as he flapped away eastward into the crimson.