Even after the cool depths of the woods had cured my eyes of the sun glare the illusion remained and I had to climb the tree and pluck some of this foliage before I was sure what it could be. Surely eyes and no eyes have we all, for, in all my life, I had never noticed what happens in winter to the catkins of the yellow birch. Instead of hanging rigid like wee cones, as do those of the white birch, giving up seeds and scales to sprinkle the snow or the bare earth as the creatures of the woods have need of them, these had shed their fleur-de-lis scales and then held them fluttering in the wind, each by a tiny thread. On looking at them closely I saw the slim, rat-tail spindle sticking out, its surface file-like with the sockets of seed and scale, but the effect of the whole was that of fluffy tan-colored tassels hung along the twigs. Here and there among these fleur-de-lis the round, flat, wing-margined seeds were still tangled by the two pistils which still remained, seeming like tiny black roots, or something like those hooks by which the tick-seed fastens to you for a free ride.
Surely the wilderness families have strongly marked individuality. Both the white and yellow birches must hold their seeds and scatter them little by little the whole season through, that they may have the better chance to germinate and continue the race, and I can never see why they should not do it in the same way. But they do not. Perhaps this infinite variability is arranged wisely so that people who blunder about with half seeing eyes may now and then have them opened a little wider and so be pleased and teased into blundering on. Another season I shall watch the yellow birches and find, if I can, on what winter date their catkins blossom into tassels.
The gravelly ridges of the woodland I tramped as I faced the golden sun again are singularly like waves of the sea. They roll here and rise to toppling pinnacles there and tumble about in a confusion that seems at once inextricable and as if it had in it some rude but unfathomed order. Surely as at sea every seventh wave is the highest; or is it the ninth, or the third? Just as at sea, the horizon is by no means a level line. Wave-strewn ridges shoulder up into it and now and then a peak lifts that is a cumulation of waves all rushing toward a common center through some obscure prompting of the surface pulsations. Sometimes at sea your ship rises on one of these aggregations of waves and you see yawning in front of it a veritable gulf; or the ship slips down into this gulf and the toppling pinnacle whelms it and the captain reports a tidal wave to the hydrographic office, if he is fortunate enough to reach it. So along my route southward the terminal and lateral moraines, drumlins, and kames rolled and toppled and leapt upward till they had swung me to a pinnacled ridge whence I looked down into a stanza from the Idylls of the King. Along a way like this once rode scornful and petulant Lynette, followed by great-hearted Gareth, newly knighted, on his first quest;
“Then, after one long slope was mounted, saw
Bowl-shaped, through tops of many thousand pines
A gloomy-gladed hollow slowly sink
To westward—in the deeps whereof a mere,
Round as the red eye of an eagle owl
Under the half-dead sunset glared;—”
That is the way Tennyson saw it, and the counterpart of the gulf, out of which looked the round-eyed mere, lay at my feet. Long years ago some first settler, lacking certainly Tennyson’s outlook, stupidly cognizant only of the worst that his prodding pole could stir up, named the wee gem of a lake “Muddy Pond.” Here surely was another man with eyes and no eyes. Round the margin’s lip, summer and winter, rolls the bronze green sphagnum, its delicate tips simulating shaggy forest growth of hoary pine and fir. Nestling in its gray-gold heart are the delicate pink wonder-orchids of late May, the callopogon and arethusa. Here the pitcher plant holds its purple-veined cups to the summer rain and traps the insects that slide down its velvety lip and may not climb again against this same velvet, become suddenly a spiny chevaux-de-frise. All about are set the wickets of the bog-hobble, the Nesæa verticillata, which in July will blossom into pink-purple flags—decorations, I dare say, of wood-goblins who play at cricket here on the soft turf of a midsummer-night’s tournament.
Of a summer day this tiny bowl is a mile-deep sapphire, holding the sky in its heart. When thunder clouds hang threatening over it, it is a black pearl with evanescent gleams of silver playing in its calm depths; and always the dense green of the swamp cedars that rim its golden bog-edge round are a setting of Alexandrite stone such as they mine in the heart of the Ceylon mountains, decked with lighter pencilings of chrysoprase and beryl. And some man, looking upon all this, saw only the mud beneath it! Probably he trotted the bog and only knew the wickets of the Nesæa verticillata were there because they tripped him. And I’ll warrant the goblins, sitting cross-legged in the deepest shadows of the cedars, waiting for midnight and their game, mocked him with elfin laughter—and all he heard was frogs.
Looking down upon it this brilliant February day, with a tiny cloud drawn across the sun, it was a pearl. The winter and the distance made the bog edging pure gold in which it shone with all the white radiance of its opaque, foot-thick ice. Anon the sun came out and what had been a pearl gathered subtle fires of blue and red in its crystalline heart and flashed opaline tints back at me that changed again as I plunged down the hill toward it, and it lay a Norwegian sunstone shooting forth fire-yellow glows as the rays of the sun caught the right angle. Nor was the ice less beautiful when I stood on it. Here opaqueness wove sprightly patterns with crystalline purity. The surface was smooth under foot and yet these patterns rose and fell in the ice itself, and it was hard to believe they were not carved intaglio and then the surface iced over to a level. It was no prettier ice than I had crossed on the big pond, but its setting brought out the beauty.
Ice grown old, after all, is far more beautiful than young ice. Character is built into it. Living has taught it the highest form of art, which is to repeat beauty without sameness. What designs might the makers of floor coverings win from this surface if they would but study it, and how trite and tame in comparison seem their tiresome interweaving of square and circle and their endless repetition!
This solid floor, woven by winter witchery, goes on through the spongy surface of the bog, mingling with it, yet by some necromancy never interfering with its own intricate patterns of growth. The sphagnum fluffs up through it with its delicate fiber unharmed. The pitcher plants sit jauntily holding their ewers to the sky, filled with ice instead of water, to be sure, but uncracked and waiting in rows as if for bogle bellboys to rush with them to unseen guests. I found one flower-scape with its nodding head still persistent. The seed pod had cracked along the sides, but the umbrella-like style was still there, opened and inverted, and it had caught many of the seeds that the pod had spilled and was holding them for a more favorable season, without doubt.
Everywhere the solemn cassandra pushed its black twigs up through the moss and held its leathery leaves, brown and discouraged, drooping yet persistent. The cassandra always reminds me of thin, elderly New England spinsters who enjoy poor health. It is so homely and solemn; even in joyous June it never cracks a smile, but is just as lugubrious and sallow and barely holds on to an unprofitable life. And all about, indeed in many places crowding the very life out of it, grow these brave, virid, white cedars. You’d think it might catch geniality from them. Their footing is as precarious as its own. Of course, now, the ice has set all things in its firm grip, but in summer there is little enough to hold up the swamp cedars and it is only by entwining their roots and growing them firmly together in a mat that they are able to keep their sprightly uprightness. So closely are the young trees set on the edge of their grove that it is difficult to penetrate their intertwining branches, and even when you have passed this barrier you find the trunks so close that often there is no room to go between them. Here all branches have passed and the straight trunks run upward in close parallels making all their struggle at the top. And a struggle it has been indeed for all that are now alive. You may note this by the bare poles of those that have lagged behind a little in the fight and lost the magic touch of sunlight on their tops. These are dead and bare, and their companions have so immediately taken up their slender space that you wonder how the dead ones ever got so far as they did. It is a very solemn temple under these cedars. The living wall the dead within the catacombs and the sighing of the motionless leaves above your head still leaves you in doubt. It may be trees that sorrow for dead neighbors or gasp in the struggle to retain their own breathing space.