Woodland Paths

by Winthrop Packard

PROMISE OF MAY

THE first touch of the rose-gray morning air brought to my senses suspicion of two new delights; one, the more sensuously pleasing, to be sought, the other to be hoped for. It was easy to hope for things of such a morning, for there come gracious days in the very passing of April that presage all the seventh heaven of early June.

At such times the pasture people bestir themselves, and no longer march sedately toward the full life of summer, but begin to riot and caper forward. The old Greek myth of fauns dancing on new greensward is not less than fact; by May-day the shrubs caracole. I suspect even the cassandra of wiggling its toes under the morose morass; and though it may not outwardly prance, it puts on the white of new buds as if it at least were coming out of mourning.

By sunrise the riot of the robin symphony had become a fugue, and there was some chance to hear the other birds. I had hoped for a soloist who should certainly be here. The coming of the earlier bird migrants from the South is sometimes delayed by storms or forwarded by pleasant weather, but those which come now are almost sure to appear at a definite date. There are always Baltimore orioles in the elms about my house on the morning of the eighth day of May. No one has yet seen one on the seventh, though the neighborhood takes an interest in the matter and keeps careful watch. It is a matter of twenty-five years since the observations began, and not yet has the date failed. If on that morning I do not see the flash of an oriole’s orange, yellow, and black among the young apple tree leaves, and hear that musical whistle, I shall think something has gone dreadfully wrong with return tickets from Nicaragua.

Of the brown thrush I am not quite so sure. He rarely calls on me. Instead, I have to seek him out on the first few days of his arrival. He likes the sprout land best, and the flash of rufous brown that you get from him as he flits away among the scrub oaks might well be the color of a fox’s brush, yet there is no mistaking his sunrise solo. It is quite the most sonorously musical bird song of early spring, and I have heard it often on the twenty-fifth of April.

I dare say it has always been here as early as that, though some years I have failed of the concert-room and so of the singer. Always he is here by May-day. This morning his rich contralto rang from a birch tip in the pasture where he or some thrush just like him has sung each May-day morning for I do not know how many years. I listened in vain for the chewink, though he too is due. Like the brown thrush he is a thicket-haunting bird, following soon on the trail of the fox sparrow, cultivating the underbrush by claw as he does.

There is no rest for the weary brown leaves of last year, though they may take passage on the March winds to the inmost recesses of the green-brier tangle of the pasture corners. Through March and early April the fox sparrow harries them, and they have hardly settled with a sigh to a brief nap in his trail before the brown thrush and the chewink are at them with bill and toe-nail, and these are here for the summer. About a week later, generally on the very sixth of May, easy going mister catbird will appear with great pretence of bustle. He is a thicket bird, too, but unlike the chewink and the brown thrush his farming is all folderol. He simply potters round on their trail, gleaning. Whatever the thicket-bird name is for Ruth, that is his.

There are sweeter singers in the spring woodland than the brown thrush, but I know of none whose rich voice carries so far, and this one’s rang in my ears through all my wanderings till the sun was high and the dew was well dried off the bushes. Now and then I must needs forget him and even my quest in my joy over the fresh beauties that the shrubs were putting on, seemingly every moment. It is something to look at an olive-brown pasture cedar which has been as demure as a nun all winter and spring, and see it suddenly in bloom from head to foot, as if before your very eyes, coming out all sunclad in cloth of gold. It is no illusion of the sun’s rays or the scintillation of the morning dew, but a rich glow of gold out of the sturdy heart of the plant itself.

Last October I had thought nothing could make a cedar more beautiful than that rich embroidery of blue beading on cloth of olive, which these Indian children of the pasture world donned for winter wear. Now I know their May robes to be lovelier. No doubt they are days in coming out, these tiny blooms of the pasture cedars, yet they always reach the point where I notice them in a flash. One moment they are somber and sedate, the next they are all dipped in sunshine and dimple with a loveliness which is the dearer because it is so unexpected.