But, his first absorption in his own sensations lifted and eased a little, he recognized that something very unusual was in the air.
Kreisler and his friend were not speaking or doing anything visibly. They were just sitting still, two self-possessed malefactors. Nevertheless, Tarr’s arrival to all appearance disturbed and even startled them, as if they had been completely wrapped up in some engrossing game or conspiracy.
Kreisler had his eyes trained across the room. The other man, too, was turned slightly in that direction, although his eyes followed the tapping of his boot against the ironwork of the table, and he only looked up occasionally.
Kreisler turned round, stared at Tarr without at once taking in who it was; then, as though saying to himself, “It’s only Bertha’s Englishman,” he took up his former wilful and patient attitude, his eyes fixed.
Tarr had grinned a little as Kreisler turned his way, rescued from his solemnity. There was just a perceptible twist in the German’s neck and shade of expression that would have said “Ah, there you are? Well, be quiet, we’re having some fun. Just you wait!”
But Tarr was so busy with his own feelings that he didn’t understand this message. He wondered if he had been seen by Kreisler in the distance, and if this reception had been concerted between him and his friend. If so, why?
Sitting, as he was, with his back to the room, he stared at his neighbour. His late boon companion distinctly was waiting, with absurd patience, for something. The poise of his head, the set of his yellow Prussian jaw, were truculent, although otherwise he was peaceful and attentive. His collar looked new rather than clean. His necktie was one not familiar to Tarr. Boots shone impassibly under the table.
Tarr screwed his chair sideways, and faced the room. It was full of people—very athletically dressed American men, all the varieties of the provincial in American women, powdering their noses and ogling Turks, or sitting, the younger ones, with blameless interest and fine complexions. And there were plenty of Turks, Mexicans, Russians and other “types” for the American ladies! In the wide passage-way into the further rooms sat the orchestra, playing the “Moonlight Sonata,” Dvorak and the “Machiche.”