He passed through her iron gateway with a final stealth, although making his boots sound loudly on the gravel. It was like entering a vault, the trees looked like weeds; the meaning or taste of everything, of course, had died. The concierge looked like a new one.
He had bought a flower for his buttonhole. He kept smelling it as he approached the house.
During the last week or so he had got into the habit of writing his letters at Bertha’s, to fill up the time. Occasionally he would do a drawing of her (a thing he had never done formerly) to vary the monotony. This time there would be no letter-writing. This visit would be more like the old ones.
“Come in, Sorbert,” she said, on opening the door. It was emphasizing the fact of the formality of the terms on which they at present met. Any prerogative of past and more familiar times was proudly rejected.
There was the same depressed atmosphere as the day before, and the days preceding that. She appeared stale, somehow deteriorated and shabby, her worth decreased, and extremely pitiable. Her “reserve” (a natural result of the new equivocal circumstances) removed her to a distance, as it seemed; it also shut her up in herself, in an unhealthy, dreary, and faded atmosphere.
She was shut up with a mass of reserves and secrets, new and old. She seemed sitting on them in rather dismal hen-like fashion, waiting to be asked to come out of herself and reveal something. It was a corpse among other things that she was sitting on, as Kreisler was one of her secrets. Mournfully reproachful, she kept guard over her secrets, a store of bric-à-brac that had gone out of fashion and were getting musty in a neglected shop.
Their meetings sometimes were made painful by activity on Bertha’s part. An attempt at penetration to an intimacy once possessed can be more indecent than the same action on the part of a stranger.
This time he was greeted with long mournful glances. He felt she had thought of what she should say. This interview meant a great deal to her. His friendship meant more to her now than ever. The abject little room seemed to be thrust forward to awaken his memories and ask for pity. An intense atmosphere of Teutonic suicide permeated everything. He could not move an eyelid or a muscle without wounding or slighting something. It was like being in a dark kitchen at night, where you know at every step you will put your foot on a beetle. It had a still closer analogy to this in the disgust he felt for these too naked and familiar things he was treading on. He scowled at Beethoven, who scowled back at him like a reflection in a mirror. It was the fate of both of them to haunt this room. The Mona Lisa was there, and the Breton sabots and jars. She might have a change of scenery sometimes! He felt unreasonably that she must have left things in the same place to reproduce a former mood in him. His photograph was prominent on her writing-table; she seemed to say (with a sort of sickly idiocy), “You see, he is faithful to me!”
She preceded him to her sitting-room. As he looked at her back he thought of her as taking a set number of paces, then turning round abruptly, confronting him. From a typical and similar enervation of the will to that which was at the bottom of his troubles, he could hardly stop himself from putting his arm round her waist while they stood for a moment close to each other. He did not wish to do this as a response to any resuscitating desire. It was only because it was the one thing he must not do. To throw himself into the abyss of perplexity he had just escaped from tempted him. The dykes and simulations of conduct were perpetually threatened by his neurasthenia in this way. He kept his hands in his pockets, however.
When they had reached the room, she turned round, as he had half imagined, and caught hold of his hands.