“Yesterday” he had not been there! Whatever he asked at the present moment would draw a softly thudding answer, heavy German reproach concealed in it with tireless ingenuity. These photographs would under other circumstances have been produced on his arrival with considerable noise.
Tarr had looked rather askance at this portrait and Bertha’s occupation. There was his photograph, calmly, with an air of permanence, taking up its position on her writing-table, just as he was preparing to vanish for good.
“Let’s see yours,” he said, still holding the photograph.
What strange effects all this complicated activity inside had on the surface, his face. A set sulky stagnation, every violence dropping an imperceptible shade on to it, the features overgrown with this strange stuff—that twist of the head that was him, and that could only be got rid of by breaking.
“They’re no good,” she said, closing the drawer, handing her photographs, sandwiched with tissue-paper, to Sorbert. “That one”—a sitting pose, face yearning from photograph, lighted, not with a smile, but a sort of sentimental illumination, the drapery arranged like a poster—“I don’t think that’s so bad,” she said slangily, meant to be curt and “cheeky.”
“What an idiot!” he thought; “what a face!”
A consciously pathetic ghost of a smile, a clumsy sweetness, the energetic sentimental claim of a rather rough but frank self.
There was a photograph of her in riding habit. This was the best of them. He softened.
Then came a photograph of them together.
How strangely that twist of his, or set angle of the head, fitted in with the corresponding peculiarities of the woman’s head and bust. What abysms of idiocy! Rubbishy hours and months formed the atmosphere around these two futile dolls!