“Then you mean they aren’t as exact and possible as you’ve been telling me?”
“They are what I said they were,” their author declared. “They could be worked out, with ordinary luck, by any man with an active body, good education and address. The typical thick-witted criminal wouldn’t have a chance.”
It was a curious thing, thought Anthony Trent, that Crosbeigh should mention the very thing that had been running in his mind for weeks. To live in such an elaborate manner as Conington Warren was not his ambition. The squandering of large sums of money on stage favorites of the moment was not to his taste; but he wanted certainly more than he was earning. Trent had a passion for fishing, golf and music. Not the fishing that may be indulged in on Sunday and week-day on fishing steamers, making excursions to the banks where one may lose an ear on another angler’s far flung hook, but the fly fishing where the gallant trout has a chance to escape, the highest type of fishing that may appeal to man.
And his ambitions to lower his golf handicap until it should be scratch could not well be accomplished by his weekly visit to Van Cortlandt Park. He wished to be able to join Garden City or Baltusrol and play a round a day in fast company. And this could not be accomplished on what he was making.
And as to music, he longed to compose an opera. It was a laudable ambition and would commence, he told himself, with a grand piano. He had only a hard-mouthed hired upright so far. Sometimes he had seen himself in the rôle of his hero amply able to indulge himself in his moderate ambitions. It was of this he had been thinking when Mr. Lund came to his room. And now the very editor for whom he had created his characters was making the suggestion.
“I was only joking,” Crosbeigh assured him.
“It is not a good thing to joke about,” Anthony Trent answered, “and an honest man at forty a week is better than an outlaw with four hundred.”
He made this remark to set his thoughts in less dangerous channels, but it sounded dreadfully hollow and false. He half expected that Crosbeigh would laugh aloud at such a hackneyed sentiment, but Crosbeigh looked grave and earnest. “Very true,” he answered. “A man couldn’t think of it.”
“And why not?” Anthony Trent demanded; “would the fictional character I created do as much harm to humanity as some cotton mill owner who enslaved little children and gave millions to charity?”
A telephone call relieved Crosbeigh of the need to answer. Trent swept into his brief case the carbon copy of his story which he had brought by mistake.