THE SILENT CANNON
On a hill commanding a valley stretching away toward the Rhine is a dense pine forest. From its edge I looked far across the frontier of Germany.
In a little clearing a French artillery Major came to meet me and my guide. Then we walked for miles, it seemed, through dense shade over paths thick with needles, until we came upon an artillery encampment. From the conversation between my guide—a Captain of the General Staff—and the artillery Major I learned that we were about to see something new in cannon.
I am always eager to see something new in cannon. Since my visit to the great factories at Le Creusot, when I was permitted to cable carefully censored descriptions of the new giant guns France was preparing against Germany, I have always been looking for these guns in operation. So, when I saw that here was no ordinary battery, I began the molding of phrases to use in cabling my impressions. I did not realize then that I was to have the most poignant illustration since the war began of the mighty fundamental differences between the Teutonic and Latin civilizations.
On a gentle slope, where the tops of pine trees below came up level with the brow of the hill, there was a great excavation, such as might have been dug for the foundations of a château. The front part, facing the valley, was all screened with barricades and covered with evergreens.
We entered the excavation from the rear, down winding steps lined on either side with towering trees. These steps were all concrete, as was also the entire bottom of the excavation. The air was very fresh and cool as we descended. Up above the breeze gently swayed the trees, which closed over us so densely, dimming the daylight. I was reminded of a dairy I knew on an up-State farm in New York. I almost looked for jars of butter in the dim recess of the cool concrete cellar. I could almost catch the odor of fresh milk.
But in the center of our cavern was a huge piece of mechanism that I recognized as the "something new in cannon." Above the great steel base the long, ugly barrel stretched many yards through an aperture in front, and was covered over with evergreens. The Major described the gun in detail—its size, range and weight of its projectiles.
I walked to the front of the aperture to look at the barrel lying horizontally on the tops of the pine trees growing on the slope below. The branches had been carefully cut from the higher trees to give a view over the valley. I got out my field glasses and fixed them on the horizon many miles away—just how many miles away I am also not allowed to say. For a long time I studied that horizon just where it melted into mist. Then the sun's rays brightened it, and I could see more clearly.