Parrh. Decidedly.
Soc. Furthermore, as through some chink or crevice, there pierces through the countenance of a man, through the very posture of his body as he stands or moves, a glimpse of his nobility and freedom, or again of something in him low and grovelling—the calm of self-restraint, and wisdom, or the swagger of insolence and vulgarity?
You are right (he answered).
Soc. Then these too may be imitated?
No doubt (he said).
Soc. And which is the pleasanter type of face to look at, do you think—one on which is imprinted the characteristics of a beautiful, good, and lovable disposition, or one which bears the impress of what is ugly, and bad, and hateful? (8)
(8) For this theory cp. Ruskin, "Mod. P." ii. 94 foll. and indeed
passim.
Parrh. Doubtless, Socrates, there is a vast distinction between the two.
At another time he entered the workshop of the sculptor Cleiton, (9) and in course of conversation with him said:
(9) An unknown artist. Coraes conj. {Kleona}. Cf. Plin. xxxiv. 19;
Paus. v. 17, vi. 3. He excelled in portrait statues. See Jowett,
"Plato," iv.; "Laws," p. 123.