Presently they reached the main pavilion, where she commanded that they could dispense with the rites and take their seats. A sumptuous banquet was laid out, at which dowager lady Chia and the other ladies occupied the lower seats and entertained each other, while Mrs. Yu, widow Li Wan, lady Feng and the rest presented the soup and handed the cups. The Imperial consort Yuan subsequently directed that the pencils and inkslabs should be brought, and with her own hands she opened the silken paper. She chose the places she liked, and conferred upon them a name; and devising a general designation for the garden, she called it the Ta Kuan garden (Broad vista), while for the tablet of the main pavilion the device she composed ran as follows: "Be mindful of the grace and remember the equity (of His Majesty);" with this inscription on the antithetical scrolls:
Mercy excessive Heaven and earth display,
And it men young and old hail gratefully;
From old till now they pour their bounties great
Those rich gifts which Cathay and all states permeate.
Changing also the text: "A phoenix comes with dignified air for the
Hsiao Hsiang Lodge."
"The red (flowers are) fragrant and the green (banana leaves like) jade," she altered into "Happy red and joyful green"; bestowing upon the place the appellation of the I Hung court (joyful red). The spot where "the fragrance pure of the ligularia and iris," was inscribed, she called "the ligularia and the 'Wu' weed court;" and where was "the sign in the apricot tree is visible," she designated "the cottage in the hills where dolichos is bleached." The main tower she called the Broad Vista Tower. The lofty tower facing the east, she designated "the variegated and flowery Hall;" bestowing on the line of buildings, facing the west, the appellation of "the Hall of Occult Fragrance;" and besides these figured such further names as: "the Hall of peppery wind," "the Arbour of lotus fragrance," "the Islet of purple caltrop," "the Bank of golden lotus," and the like. There were also tablets with four characters such as: "the peach blossom and the vernal rain;" "the autumnal wind prunes the Eloecocca," "the artemisia leaves and the night snow," and other similar names which could not all be placed on record. She furthermore directed that such tablets as were already put up, should not be dismounted, and she forthwith took the lead and composed an heptameter stanza, the burden of which was:
Hills it enclasps, embraces streams, with skill it is laid out:
What task the grounds to raise! the works to start and bring about!
Of scenery in heaven and amongst men store has been made;
The name Broad Vista o'er the fragrant park should be engraved.
When she had finished writing, she observed smilingly, as she addressed herself to all the young ladies: "I have all along lacked the quality of sharpness and never besides been good at verses; as you, sisters, and all of you have ever been aware; but, on a night like this I've been fain to do my best, with the object of escaping censure, and of not reflecting injustice on this scenery and nothing more. But some other day when I've got time, be it ever so little, I shall deem it my duty to make up what remains by inditing a record of the Broad Vista Garden, as well as a song on my visit to my parents and other such literary productions in memory of the events of this day. You sisters and others must, each of you, in like manner compose a stanza on the motto on each tablet, expressing your sentiments, as you please, without being restrained by any regard for my meagre ability. Knowing as I do besides that Pao-yü is, indeed, able to write verses, I feel the more delighted! But among his compositions, those I like the best are those in the two places, 'the Hsiao Hsiang Lodge,' and 'the court of Heng and Wu;' and next those of 'the Joyful red court,' and 'the cottage in the hills, where the dolichos is bleached.' As for grand sites like these four, there should be found some out-of-the-way expressions to insert in the verses so that they should be felicitous. The antithetical lines composed by you, (Pao-yü), on a former occasion are excellent, it is true; but you should now further indite for each place, a pentameter stanza, so that by allowing me to test you in my presence, you may not show yourself ungrateful for the trouble I have taken in teaching you from your youth up."
Pao-yü had no help but to assent, and descending from the hall, he went off all alone to give himself up to reflection.
Of the three Ying Ch'un, T'an Ch'un, and Hsi Ch'un, T'an Ch'un must be considered to have also been above the standard of her sisters, but she, in her own estimation, imagined it, in fact, difficult to compete with Hsüeh Pao-ch'ai and Lin Tai-yü. With no alternative however than that of doing her best, she followed the example of all the rest with the sole purpose of warding off criticism. And Li Wan too succeeded, after much exertion, in putting together a stanza.
The consort of the Chia family perused in due order the verses written by the young ladies, the text of which is given below.
The lines written by Ying Ch'un on the tablet of "Boundless spirits and blissful heart" were: