[167] Taine, Philosophie de l’art, p. 50. For a just appreciation of the part of feeling in art see also De l’idéal dans l’art, p. 152; Ruskin, The Laws of Fésole, chap. i. pp. 1-7; Modern Painters, iii. iv. i. §§ 13, 14; Lectures on Art, pp. 80, 81.
[168] Hirth, Aufgaben der Kunstphysiologie, pp. 14-16.
[169] Cf. von Stein, Goethe und Schiller, Ästhetik der deutschen Klassiker, p. 32.
[170] Cf. the quotations from Schiller’s letters to Goethe, adduced by Harnack in Die klassische Ästhetik der Deutschen, pp. 89-92.
[171] Leconte de Lisle, Poèmes barbares, p. 221.
[172] Van Dyke, Principles of Art, p. 281.
[173] Groos, The Play of Animals, pp. 327, 328.
[174] Cf. especially March, “Evolution and Psychology in Art,” in Mind, N.S. v. (1896); Balfour, The Evolution of Decorative Art; Haddon, Evolution in Art, and the papers of Holmes in Rep. Bur. Ethn. iii. iv. vi., and in The American Anthropologist, iii.
[175] For a recent defence of this theory see Tarde, La logique sociale, pp. 445, 446.
[176] Cf. chap. vi. in the preceding.