The loud and challenging strains of a band drew Neale toward the center of the main street, where men were pouring into a big tent.
He halted outside and watched. This strident, businesslike, quick-step music and the sight of the men and women attracted thereby made Neale realize that Benton had arisen in a day and would die out in a night; its life would be swift, vile, and deadly.
When the band ceased a sudden roar came from inside the big tent, a commingling of the rough voices of men and the humming of wheels, the clinking of glasses and gold, the rattling of dice, the hoarse call of a dealer, the shuffling of feet—a roar pierced now and then by the shrill, vacant, soundless laugh of a woman.
It was that last sound which almost turned Neale away from the door. He shunned women. But this place fascinated him. He went in under the flaming lamps.
The place was crowded—a huge tent stretched over a framework of wood, and it was full of people, din, smoke, movement. The floor was good planking covered with sand. Walking was possible only round the narrow aisles between groups at tables.
Neale’s sauntering brought him to the bar. It had to him a familiar look, and afterward he learned that it had been brought complete from St. Louis, where he had seen it in a saloon. It seemed a huge, glittering, magnificent monstrosity in that coarse, bare setting. Wide mirrors, glistening bottles, paintings of nude women, row after row of polished glasses, a brawny, villainous barkeeper, with three attendants, all working fast, a line of rough, hoarse men five deep before the counter—all these things constituted a scene that had the aspects of a city and yet was redolent with an atmosphere no city ever knew. The drinkers were not all rough men. There were elegant black-hatted, frock-coated men of leisure in that line—not directors and commissioners and traveling guests of the U. P. R., but gentlemen of chance. Gamblers!
The band now began a different strain of dance music. Neale slowly worked his way around. At the end of the big tent a wide door opened into another big room—a dance-hall, full of dancers.
Neale had seen nothing like this in the other construction camps.
A ball was in progress. Just now it was merry, excited, lively. Neale got inside and behind the row of crowded benches; he stood up against a post to watch. Probably two-hundred people were in the hall, most of them sitting. How singular, it struck Neale, to see good-looking, bare-armed and bare-necked young women dancing there, and dancing well! There were other women—painted, hollow-eyed—sad wrecks of womanhood. The male dancers were young men, as years counted, mostly unfamiliar with the rhythmic motion of feet to a tune, and they bore the rough stamp of soldiers and laborers. But there were others, as there had been before the bar, who wore their clothes differently, who had a different poise and swing—young men, like Neale, whose earlier years had known some of the graces of society. They did not belong there; the young women did not belong there. The place seemed unreal. This was a merry scene, apparently with little sign, at that moment, of what it actually meant. Neale sensed its undercurrent.
He left the dance-hall. Of the gambling games, he liked best both to watch and to play poker. It had interest for him. The winning or losing of money was not of great moment. Poker was not all chance or luck, such as the roll of a ball, the turn of a card, or the facing up of dice. Presently he became one of an interested group round a table watching four men play poker.