The fact that the “All-mother, the female creator of mankind,” is represented as the only occupant of the throne, reveals a distinct [pg 343] phase in the evolution of the Babylonian state religion, which curiously concurs with the supremacy of female sovereignty at Babylon, at the period of its greatest power under Semiramis. It may be safely assumed that it was at this time, when the queen represented the goddess, that the cult of the female principle of nature reached its highest development.

At Nippur the clay images chiefly represent Bel and Belit either separately or in combination, but figurines of Ishtar have also been found, in some cases representing her as nursing a child (Jastrow, op. cit. p. 674). It is probable that the symbols of duality connected with Ishtar had some reference to the mystic unity and duality of the mother and unborn child, and suggested the installation of the goddess as the most appropriate personification of creative and life-giving central power.[98]

It is as interesting to follow the complex train of thought which created an Ishtar as it is to realize that curious fact that, contrary to views held elsewhere, it was the male principle that was at one time most distinctly associated with earth in Babylonia-Assyria, while femininity was linked to the nocturnal heaven. It is probable that priesthood encouraged the popular adoption of Bel, the masculine Polaris, as an earth, sun and morning-star god, while his consort Belit became a heaven, moon and evening-star goddess. Doubtlessly at an early period the cult of Polaris and the registration of circumpolar rotation was guarded in secrecy by the astronomer-priests. Tempting as it is to linger among the gods and goddesses of the Babylonian-Assyrian pantheon and to follow the spread of their influence, I shall limit myself to pointing out the change of [pg 344] government that accompanied the development and establishment of various divergent cults.

Indications that, as in China at the present day, a combined heaven and earth cult was practised in Babylonia-Assyria by male and female representatives of heaven and earth, are furnished by various detached pieces of information gleaned from Professor Jastrow's work. The priest-king was the “child” of Bel, and his living representative. As such he bore the divine titles of supreme lord, ruled the four regions of the earth, and became the representative of earth. Pagan authorities state that a virgin priestess officiated at times in the sanctuary of Bel and that there were three classes of priestesses devoted to the cult of Ishtar. They were called “the sacred ones” and carried out a mysterious ritual which had, however, originated “from naïve conceptions connected with the worship of the goddess of fertility.”

The use of sacred water and of fermented intoxicating wine entered into the cult of the life-giving principle and Babylonia ultimately becomes associated with “Mystery” and “the golden cup full of abominations” (Revelations xvii). Large terra cotta vases or jars have been found at Nippur and elsewhere, standing in front of the altar, and “the depth at which they were found is an indication of the antiquity and stability of the forms of worship in Babylonian temples. It may be proper to recall that, in the Solomonic temple likewise, there were a series of jars that stood near the great altar in the court” (Jastrow, p. 653). One of the oldest sacred basins found in the ruins of a Babylonian temple “has a frieze of female figures in it, holding in their outstretched hands flagons from which they pour water,” a fact which establishes the ritualistic association of female priestesses with water.

The later association of Ishtar with the moon and with the evening star, “the leader of the heavenly procession of stars,” naturally exerted an influence over the ceremonial rites performed by the high priestess or queen, the living image of the goddess. “Mythological associations appear to have played a part in identifying the planet Venus with the goddess.... A widely spread nature myth, symbolizing the change of seasons, represents Ishtar the personification of fertility, the great mother of all that manifests life, as proceeding to the region of darkness and remaining there for some time. The disappearance of the planet Venus at [pg 345] certain seasons ... [and re-appearance] ... suggested the identification of this planet with Ishtar.” The foregoing affords an explanation why Ishtar should have become identified with the west and also naturally suggests the probability that the cult of Ishtar gradually imposed upon its priestesses and its votaries of the female sex, the ceremonial observance of periods of retirement and seclusion, coinciding with the disappearance of the moon and evening star.

A critical examination of the accounts preserved of the Phœnician or Canaanite religion reveals that it consisted of an idealistic development of the Ishtar cult of Assyria. The fact that, ultimately, in Phœnicia, the cult of the female Astarte almost superseded that of the male Baal and that their joint cult, introduced into Palestine, seriously rivalled the monotheism of the Israelites, furnishes another indication that we have to deal here with the same marked divergence of cults which we have seen to result from a common basis in ancient America. In studying the Phœnician conception of Astarte as recorded by various authors, one is struck by its comparative refinement and ideality although, as in ancient America, the cult of the female principle of nature was also accompanied by secret licentious ceremonials.

In the Astarte cult of Phœnicia we have precisely what might be expected to have been evolved by the descendants of an ancient race of star-watchers who, powerfully impressed by the antithesis of light and darkness and having become a nation of traders and seafarers, naturally adopted the nocturnal heaven and guiding stars as their chief object of worship. It does not seem improbable that it was to the less degrading association of the female principle with the nocturnal heaven[99] that woman owed, in lapse of time, the higher position she was accorded in the countries directly influenced by the Phœnician civilization, and notably in Greece and Rome.

In Phœnicia, Astarte-Ishtar became the goddess of love and marriage. In Babylonia-Assyria the high-priestess, the living representative of the goddess, who, like the planet-goddess, periodically retired into darkness and seclusion and led a shadowy existence, appears to have originally shared equal honors with the “lord of earth” and to have delivered oracular utterances in subterraneous chambers. Throughout Babylonia, New Year's Day, which coincided with the beginning of the rainy season, was the occasion of “the marriage of the god and the goddess” par excellence, a rite which symbolized the “meeting of Heaven and Earth.” Circumstantial evidence seems to prove, moreover, that, as in Peru, the annual consecrated union of the male and female personification of heaven and earth was followed by the marriage of young persons throughout the land, a custom which furnishes another indication of the original existence of an annual mating season for the human race. As it was at this period also that the priesthood approached the papakhu, the inner sanctuary, also termed the “assembly-room,” “chamber of the oracle” and “of fates,” and transmitted to the people the irrevocable decrees of Marduk, it seems as though these ancient rulers practised a similar “abundance of lying and deceit for the advantage of the governed” as that advocated by Plato in his Republic;[100] exerted a stern control over the alliances formed and the number of marriages celebrated and endeavored to make these, as far as possible, sacred. The mere record that the Assyrian king Ashurbanipal claims to be the offspring of a pair of divinities personifying heaven and earth, appears to show that he was the offspring of the sacred divine union of the high priest and priestess, i. e. of divine birth. It is interesting to collate a few disconnected facts which appear to illustrate the natural and inevitable result of the institution of two cults ruled by separate representatives.

Sin-Gashid, of the dynasty of Uruk, mentions a temple built for the god and his consort, as “the seat of their joy.” At Babylon, the “mother of great gods” dwelt within the precincts of the temple on the east side of the Euphrates known as Esagila, “the lofty house.” When the city of Babylon extended as far as to include Borsippa, the temple known as Ezida, “the true house,” was built for Marduk=Bel. At Lagash the temple of the “good lady” and mother stood in one quarter known as the “brilliant [pg 347] town” while the temple of her consort stood in the other of the two most ancient quarters of the town. The above facts acquire double significance when collated with the well-known fact that the palace of Semiramis, the great queen of Babylon, was built on the west bank of the Euphrates, opposite to the ancient palace of the king. A bridge united these royal residences which were otherwise separated by the river.