Andastes, [196].
Andean art, compared with Mediterranean, [545].
Angrand, Leonce, [150], [151].
Animal form, as totem, [154];
associated with Four Quarters by Zuñi, [295];
combined with bird, symbol of union of Above and Below, [296];
summary of use in symbolism [296];
in Chinese calendar, [299], in Buddhist mythology, [318];
combined with human in Babylonian symbolism, [335] (see [Human form]).