in Zuñi symbolism, [130];
in architecture at Uxmal, [131];
used to denote social status by Peruvians, Mayas, Mexicans and Zuñis, [192];
associated with four Quarters and Above and Below, [192], [251];
used for face and body painting, [193];
Huaxtecan mantle of five hundred colors, [208];
painting of caryatids in Chichen Itza, [212];
symbolic at Copan and Quirigua, [233];
emblematic, in China, [286];
assigned to elements by Mexicans, Zuñis and Chinese, [200], [293];