(Kaulen.)
9. That they did put stone to one practical use—the outward casing of their walls and platforms—we have already seen. The blocks must have been cut in the Zagros mountains and brought by water—rafted down the Zab, or some other of the rivers which, springing from those mountains, flow into the Tigris. The process is represented with perfect clearness on some of the sculptures. That reproduced in Fig. [13] is of great interest, as showing a peculiar mode of transport,—rafts floated on inflated skins—which is at the present moment in as general and constant use as it appears to have been in the same parts three thousand years ago and probably more. When Layard wished to send off the bulls and lions which he had moved from Nimrud and Koyunjik down the Tigris to Baghdad and Busrah, (or Bassorah), there to be embarked for Europe, he had recourse to this conveyance, as no other is known for similar purposes. This is how he describes the primitive, but ingenious contrivance: "The skins of full-grown sheep and goats, taken off with as few incisions as possible, are dried and prepared, one aperture being left, through which the air is forced by the lungs. A framework of poplar beams, branches of trees, and reeds, having been constructed of the size of the intended raft, the inflated skins are tied to it by osier twigs. The raft is then complete and is moved to the water and launched. Care is taken to place the skins with their mouths upward, that, in case any should burst or require refilling, they can be easily reached. Upon the framework are piled bales of goods, and property belonging to merchants and travellers.... The raftmen impel these rude vessels by long poles, to the ends of which are fastened a few pieces of split cane. (See Fig. [14].) ... During the floods in spring, or after heavy rains, small rafts may float from Mosul to Baghdad in about eighty-four hours; but the larger are generally six or seven days in performing the voyage. In summer, and when the river is low, they are frequently nearly a month in reaching their destination. When they have been unloaded, they are broken up, and the beams, wood and twigs, sold at considerable profit. The skins are washed and afterward rubbed with a preparation, to keep them from cracking and rotting. They are then brought back, either on the shoulders of the raftmen or upon donkeys, to Mossul and Tekrit, where the men engaged in the navigation of the Tigris usually reside." Numerous sculptures show us that similar skins were also used by swimmers, who rode upon them in the water, probably when they intended to swim a greater distance than they could have accomplished by their unassisted efforts. (See Figure [16].)
15.—EXCAVATIONS AT MUGHEIR (UR).
10. Our imagination longs to reconstruct those gigantic piles as they must have struck the beholder in their towering hugeness, approached from the plain probably by several stairways and by at least one ascent of a slope gentle enough to offer a convenient access to horses and chariots. What an imposing object must have been, for instance, the palace of Sennacherib, on the edge of its battlemented platform (mound of Koyunjik), rising directly above the waters of the Tigris,—named in the ancient language "the Arrow" from the swiftness of its current—into the golden and crimson glory of an Eastern sunset! Although the sameness and unwieldy nature of the material used must have put architectural beauty of outline out of the question, the general effect must have been one of massive grandeur and majesty, aided as it was by the elaborate ornamentation lavished on every portion of the building. Unfortunately the work of reconstruction is left almost entirely to imagination, which derives but little help from the shapeless heaps into which time has converted those ancient, mighty halls.
16.—WARRIORS SWIMMING ON INFLATED SKINS.
(Babelon.)
11. Fergusson, an English explorer and scholar whose works on subjects connected with art and especially architecture hold a high place, has attempted to restore the palace of Sennacherib such as he imagines it to have been, from the hints furnished by the excavations. He has produced a striking and most effective picture, of which, however, an entire half is simply guesswork. The whole nether part—the stone-cased, battlemented platform wall, the broad stairs, the esplanade handsomely paved with patterned slabs, and the lower part of the palace with its casing of sculptured slabs and portals guarded by winged bulls—is strictly according to the positive facts supplied by the excavations. For the rest, there is no authority whatever. We do not even positively know whether there was any second story to Assyrian palaces at all. At all events, no traces of inside staircases have been found, and the upper part of the walls of even the ground-floor has regularly been either demolished or destroyed by fire. As to columns, it is impossible to ascertain how far they may have been used and in what way. Such as were used could have been, as a rule, only of wood—trunks of great trees hewn and smoothed—and consequently every vestige of them has disappeared, though some round column bases in stone have been found.[M] The same remarks apply to the restoration of an Assyrian palace court, also after Fergusson, while that of a palace hall, after Layard, is not open to the same reproach and gives simply the result of actual discoveries. Without, therefore, stopping long to consider conjectures more or less unsupported, let us rather try to reproduce in our minds a clear perception of what the audience hall of an Assyrian king looked like from what we may term positive knowledge. We shall find that our materials will go far towards creating for us a vivid and authentic picture.