(Perrot and Chipiez.)
19. To this same class belongs a small bronze statuette, which is to be seen in the Louvre. Mr. Lenormant thus describes it: "It is the image of a horrible demon, standing, with the body of a dog, the talons of an eagle, arms ending in a lion's paws, the tail of a scorpion, the head of a skeleton, but with eyes, and a goat's horns, and with four large wings at the back, unfolded. A ring placed at the back of the head served to hang the figure up. Along the back is an inscription in the Accadian language, informing us that this pretty creature is the Demon of the South-west Wind, and is to be placed at the door or window. For in Chaldea the South-west Wind comes from the deserts of Arabia, its burning breath consumes everything and produces the same ravages as the Simoon in Africa. Therefore this particular talisman is most frequently met with. Our museums contain many other figures of demons, used as talismans to frighten away the evil spirits they were supposed to represent. One has the head of a goat on a disproportionately long neck; another shows a hyena's head, with huge open mouth, on a bear's body with lion's paws." On the principle that possession is best guarded against by the presence of beneficent spirits, the exorcisms—i.e., forms of conjuring designed to drive the evil demons out of a man or dwelling—are usually accompanied with a request to good spirits to enter the one or the other, instead of the wicked ones who have been ejected. The supreme power which breaks that of all incantations, talismans, conjuring rites whatever, is, it would appear, supposed to reside in a great, divine name,—possibly a name of Êa himself. At all events, it is Êa's own secret. For even in his dialogues with Meridug, when entreated for this supreme aid in desperate cases, he is only supposed to impart it to his son to use against the obdurate demons and thereby crush their power, but it is not given, so that the demons are only threatened with it, but it is not actually uttered in the course of the incantations.
56.—HEAD OF DEMON
20. Not entirely unassisted did Êa pursue his gigantic task of protection and healing. Along with him invocations are often addressed to several other spirits conceived as essentially good divine beings, whose beneficent influence is felt in many ways. Such was Im, the Storm-Wind, with its accompanying vivifying showers; such are the purifying and wholesome Waters, the Rivers and Springs which feed the earth; above all, such were the Sun and Fire, also the Moon, objects of double reverence and gratitude because they dispel the darkness of night, which the Shumiro-Accads loathed and feared excessively, as the time when the wicked demons are strongest and the power of bad men for weaving deadly spells is greatest. The third Book of the Collection of Magic Texts is composed almost entirely of hymns to these deities—as well as to Êa and Meridug—which betray a somewhat later stage in the nation's religious development, by the poetical beauty of some of the fragments, and especially by a purer feeling of adoration and a higher perception of moral goodness, which are absent from the oldest incantations.
21. At noon, when the sun has reached the highest point in its heavenly course, the earth lies before it without a shadow; all things, good or bad, are manifest; its beams, after dispelling the unfriendly gloom, pierce into every nook and cranny, bringing into light all ugly things that hide and lurk; the evil-doer cowers and shuns its all-revealing splendor, and, to perform his accursed deeds, waits the return of his dark accomplice, night. What wonder then that to the Shumiro-Accads Ud, the Sun in all its midday glory, was a very hero of protection, the source of truth and justice, the "supreme judge in Heaven and on earth," who "knows lie from truth," who knows the truth that is in the soul of man. The hymns to Ud that have been deciphered are full of beautiful images. Take for instance the following:—
"O Sun,[AE] I have called unto thee in the bright heavens. In the shadow of the cedar art thou;" (i.e., it is thou who makest the cedar to cast its shadow, holy and auspicious as the tree itself.) "Thy feet are on the summits.... The countries have wished for thee, they have longed for thy coming, O Lord! Thy radiant light illumines all countries.... Thou makest lies to vanish, thou destroyest the noxious influence of portents, omens, spells, dreams and evil apparitions; thou turnest wicked plots to a happy issue...."
This is both true and finely expressed. For what most inveterate believer in ghosts and apparitions ever feared them by daylight? and the last touch shows much moral sense and observation of the mysterious workings of a beneficent power which often not merely defeats evil but even turns it into good. There is splendid poetry in the following fragment describing the glory of sunrise:—
"O Sun! thou hast stepped forth from the background of heaven, thou hast pushed back the bolts of the brilliant heaven,—yea, the gate of heaven. O Sun! above the land thou hast raised thy head! O Sun! thou hast covered the immeasurable space of heaven and countries!"