Her name is Imszanska; she has an ugly fiancé and a handsome brother; the most interesting (I think) of all the young men present. He asks me politely how I like the country-side here, and then goes on talking to Martha, who in her evening dress looks less comely than her wont, her face being pale and wearing an expression of unnatural constraint.

We take tea; after which dancing begins.

Dancing is to me a pastime as pleasant as riding; and I dance splendidly. Again and again, in one of the long mirrors that reach to the floor, I see myself and the black arms which encircle me, my listless form thrown backwards indolently, sleepily as it were, my red lips contrasting with the white of my set teeth, and sea-green gauze floating round me in loose watery undulations; while about my figure twine the elastic snake-like stalks of great white nenuphar blossoms.

I am soon aware that I have made an impression—an impression so palpable that the women themselves pretend to be, not only unconcerned, but pleased at my success. One of them is so kind as to set a hairpin straight for me. At such an entertainment, the struggle to be first, though depriving it of some of the pleasure which it should directly give, affords us the interest of a game in which, the harder it is to win, the more intoxicating the victory becomes.

After the cotillon, which I danced with Imszanski, I stood up with Janusz for the “Oberek.” He is a perfect master of ceremonies, and as such he is sans peur et sans reproche.

I like to dance with him most of all. He bears me along like a runaway steed. Careering in a tiny orbit, towards the centre of which we lean all the time, we turn round and round with vertiginous speed, like two planets run mad. Locked in each other’s arms, carried onward by our own impetus, we glide along with half-closed eyes, involuntarily, all but unconsciously, with a passive motion, as if by ourselves unable to keep so tremendous a pace. Around us we perceive only a confused mass of thick clotted brightness; the lights, the mirrors, the brilliant circle of lookers-on, are no longer distinguishable as they fly round us: all is merged in one maze of colours.

A wild flame is gleaming in my partner’s eyes, and their pupils are sparkling like sunlit diamonds. Our maddening pace, together with that dancing tune, boisterous with its musically monotonous din, are acting upon him as a war-dance acts upon a primitive race.

As for me, though his hot breath is on me like a flame, I feel quite calm. Tired out, almost fainting, I meekly let his wild “ravishing strides” carry me along as he chooses.

At last I go back to my seat; a deafening thunder of applause greets us both; I bow my head to thank them, but can for some time distinguish nothing. Meanwhile I hear Janusz, who has regained his self-control, and is now ordering the orchestra to play the “Mazur.”

Miss Imszanska, coming up and seating herself by my side, says to me: “You dance with all the grace of a swan; my brother says he never saw anything like it.”