She felt it, and this act, meant to comfort her, seemed to her harder than all to bear. It was a kiss of pure sympathy for suffering, of mere humanity, a last farewell kiss.

The anguish she felt stifled her; she could not breathe,—till her pain tore its way out of her breast in a tempest of weeping.

Then, as in a nightmare, she heard his steps farther, farther away, and the sound of the door closing upon him. She knew it was closing upon him for ever; she knew that he would not return.

And then there came a time when she crept to his feet, like some poor beast that its master has driven away; and when, no longer admitted to his house, she loitered about for him in coffee-houses and in the street, and importuned him with letters incessantly. Whichever way he went, he was doomed to behold that face, pale as a spectre, and those eyes, so reproachful and so full of entreaty!

At present Owinski salutes her distantly, as he would salute some slight acquaintance; but he gives no answer at all to any of her letters. Nor does he any longer call on people at whose houses there is any chance of meeting her.

When I look at Gina, Martha recurs to my mind directly.

Once I thought I had eaten of the fruit of the knowledge that there is neither good nor evil.

And nevertheless, there is a feeling here, in my heart,—a silly persistent feeling,—that all that has happened is evil, most evil, whereas it might just as well have been good.—An adventitious otherness; circumstances, or possibly dispositions, make all the difference....

Yes, but I constantly see those eyes,—those pure dark-blue eyes, which had not merited for her such pangs as she has suffered—and the curve of that mouth, her tiny crimson mouth, set hard with pain, and always ready to burst out into lamentations.

She sometimes appears to me as a fiend, whom I hate for her obstinate will to suffer, for the childish and insensate whim of posing as a victim, for her attitudes and her love to gloat over herself. She comes with black wings and fluttering white hands; with a beggar’s impudence, she opens out her mourning weeds and shows me her bosom; beneath her white transparent flesh, I can see her purple-coloured heart. And she points to it. It is misery that has stained it so deep a red, filling it with red fire; for there is not a single drop of blood in it any more.