Lulu took it from the post-office when she went for the mail that evening, dressed in her dark red gown. There was no other letter, and she carried that one letter in her hand all through the streets. She passed those who were surmising what her story might be, who were telling one another what they had heard. But she knew hardly more than they. She passed Cornish in the doorway of his little music shop, and spoke with him; and there was the letter. It was so that Dwight's foster mother's postal card might have looked on its way to be mailed.
Cornish stepped down and overtook her.
"Oh, Miss Lulu. I've got a new song or two—"
She said abstractedly: "Do. Any night. To-morrow night—could you—" It was as if Lulu were too preoccupied to remember to be ill at ease.
Cornish flushed with pleasure, said that he could indeed.
"Come for supper," Lulu said.
Oh, could he? Wouldn't that be.... Well, say! Such was his acceptance.
He came for supper. And Di was not at home. She had gone off in the country with Jenny and Bobby, and they merely did not return.
Mrs. Bett and Lulu and Cornish and Monona supped alone. All were at ease, now that they were alone. Especially Mrs. Bett was at ease. It became one of her young nights, her alive and lucid nights. She was there. She sat in Dwight's chair and Lulu sat in Ina's chair. Lulu had picked flowers for the table—a task coveted by her but usually performed by Ina. Lulu had now picked Sweet William and had filled a vase of silver gilt taken from the parlour. Also, Lulu had made ice-cream.
"I don't see what Di can be thinking of," Lulu said. "It seems like asking you under false—" She was afraid of "pretences" and ended without it.