"'Calliope!' says Mis' Sykes, sharp. But Mis' Toplady, she kind of chuckled. And the crowd jostled us—more young folks, talking and laughing and calling each other by nicknames, and we didn't say no more till we got up in the next block.
"There's a vacant store there up towards the wagon shop, and a house or two, and that's where the open stairways was that Silas meant about. Everything had been shut up at six o'clock, and there, sure as the world, 'most every set of steps and every stairway had its couple, sitting and laughing and talking, like the place was differ'nt sofas in a big drawing-room, or rocks on a seashore, or like that.
"'Mercy!' says Mis' Sykes. 'Such goin'-ons! Such bringin'-ups!'
"Just then I recollect I heard a girl laugh out, pretty and pleased, and I thought I recognized Mis' Sykes's Em'ly's voice, and I thought I knew Abe Luck's answering—but I never said a word to Mis' Sykes, because I betted she wouldn't get a step farther than discharging Em'ly, and I was after more steps than that. And besides, same minute, I got the scent of the Bouncing Bet growing by the wagon shop; and right out of thin air, and acrost more years than I like to talk about, come the quick little feeling that made me know the fun, the sheer fun, that Em'ly thought she was having and that she had the right to.
"'Oh, well, whoever it is, maybe they're engaged,' says Mis' Toplady, soothin'.
"'Oh, but the bad taste!' says Mis' Sykes, shuddering. Mis' Sykes is a good cook and a good enough mother, and a fair-to-middling housekeeper, but she looks hard on the fringes and the borders of this life, and to her 'good taste' is both of them.
"They wasn't nobody on the wagon shop steps, for a wonder, and we set down there for a minute to talk it over. And while Mis' Toplady and Mis' Sykes was having it out between them, I set there a-thinking. And all of a sudden the night sort of stretched out and up, and I almost felt us little humans crawling around on the bottom of it. And one little bunch of us was Friendship Village, and in Friendship Village some of us was young. I kind of saw the whole throng of them—the young humans that would some day be the village. There they was, bottled up in school all day, or else boxed in a store or a factory or somebody's kitchen, and when night come, and summer come, and the moon come—land, land! they wanted something, all of them, and they didn't know what they wanted.
"And what had they got? There was the streets stretching out in every direction, each house with its parlour—four-piece plush set, mebbe, and ingrain and Nottinghams, and mebbe not even that, and mebbe the rest of the family flooding the room, anyway. And what was the parlour, even with somebody to set and talk to them—what was the parlour, compared to the magic they was craving and couldn't name? The feeling young and free and springy, and the wanting somehow to express it? Something to do, somewheres to go, something to see, somebody to be with and laugh with—no wonder they swept out into the dark in numbers, no wonder they took the night as they could find it. They didn't have no hotel piazza of their own, no boat-rides, no seashore, no fine parties, no automobiles—no nothing but the big, exciting dark that belongs to us all together. No wonder they took it for their own.
"Why, Friendship Village was no more than a great big ball-room with these young folks leaving the main floor and setting in the alcoves, to unseen music. If the alcoves had been all palms and expense and dressed-up chaperons on the edges, everything would of seemed right. As it was, it was all a danger that made my heart ache for them, and for us all. And yet it come from their same longing for fun, for joy—and where was they to get it?