“Lady-help,” thinks I, a-proceeding down the street. “Lady-help. That’s me. Kind of auxiliarating around. A member of the General Ladies’ Aid Society. Lady-help. Ain’t it a grand feeling?”
I went straight to Abigail Arnold that keeps the Home Bakery. Abigail lives in the Bakery, and I donno a nicer, homier place in town. She didn’t make the mistake of putting up lace curtains in the store, to catch the dust.... I always wonder when the time’ll come that we’ll be content not to have any curtains to any windows in the living rooms of this earth, but just to let the boughs and the sun and the day smile in on us, like loving faces. Fade things? Fade ’em? I wonder they didn’t think of that when they made the sun, and temper it down to keep the carpets good.... Sometimes I dream of a house on a hill, with meadows of grass and the line of the sky and the all-day sun for neighbors, and not a thing to say to ’em: “Keep out. You’ll fade me.” But, “Come in. You’ll feed me.”
Well, Abigail Arnold was making her home-made doughnuts that morning, and the whole place smelled like when you was twelve years old, and struck the back stoop, running, about the time the colander was set on the wing of the stove, heaped up with brown, sizzling, doughnut-smelling doughnuts.
“Set right down,” she says, “and have one.” And so I done. And for a few minutes Silas and Red Barns and Friendship Village and the industrial and social relations of the entire country slipped away and was sunk in that nice-tasting, crumpy cake. Ain’t it wonderful—well, we’d ought not to bother to go off into that; but sometimes I could draw near to the whole human race just thinking how every one of us loves a fresh doughnut, et in somebody’s kitchen. It’s a sign and symbol of how alike we are—and I donno but it means something, something big.
But with the last crumb I come back to commerce.
“Abigail,” I says, “Silas wants to start a club for his and Timothy’s and Eppleby’s employees.”
“Huh!” says Abigail, sticking her fork down in the kettle. “What’s the profit? Ain’t I getting nasty in my old age?” she adds solemn. “I meant, Go on. Tell me about it.”
I done so, winding up about the meeting to be held the coming Friday in Post-Office Hall, at which Silas was to report on the progress of the club, after the business session. And she see it like I see it: That a club laid on to them sixty-one people had got to be managed awful wise—or what was to result would be considerable more like the stuff put into milk to preserve it than like the good, rich, thick cream that milk knows how to give, so be you treat it right.
Abigail said she’d help—she’s one of them new women—oh, I ain’t afraid of the word—she’s one of them new women that catches fire at a big thing to be done in the world just as sure as another kind of woman flares up when her poor little pride is hurt. I’ve seen ’em both in action, and so have you. And we made out a list—in between doughnuts—of them sixty-one women and girls and children that was working in Friendship Village, and we divided up the list according to which of us was best friends with which of ’em—you know that’s a sort of thing you can’t leave out in the sort of commercial enterprise we was embarking on—and we agreed to start out separate, right after supper, and see what turned out to be what.
I went first to see Mary Beach, little David Beach’s sister. They lived about half a mile from the village on a little triangle of land that had been sold off from both sides and left because it was boggy. They had a little drab house, with thick lips. David’s mother set outside the door with a big clothes-basketful of leggings beside her. She was a strong, straight creature with a mass of gray hair, and a way of putting her hands on her knees when she talked, and eyes that said: “I know and I think,” and not “I’m sure I can’t tell,” like so many eyes are built to represent. Mary that I’d come to see might have been a person in a portrait—she was that kind of girl. And little David was there, laying sprawled out on the floor taking a clock to pieces and putting the items in a pie-tin.