“How are your convictions, Miss Lavvy?” he had once been heard to say.
“My convictions?” she answered him. “They are that there isn’t enough difference in the three to be so solemn and so expensive over. Especially the expensive,” she added. “Is there now?”
“No,” young Elbert Kinsman had unexpectedly replied, “I myself don’t think there is. But——”
“The only thing is,” Lavvy had put in irreverent, “you can’t get rid of that ‘but,’ and I have!”
“You send for Lavvy,” I says now to our minister’s wife. “She’ll think of something.”
So there we were, with a kind of revival on our hands to plan before we knew it, because our minister’s wife was like that, much more like that than he was. He had a great deal of emphasis, but she had a great deal of force.
Going home that morning, I went a little out of my way and come round by Shepherd’s Grove. Shepherd’s Grove lays just on the edge of the village, not far from the little grassy triangle in the residence part—and it always rests me to go there. Walking through it that morning I remember I thought:
“Yes, I s’pose this kind of extry effort must be all right—even Nature enters into it real extensive. Every Summer is an extry effort—a real revival, I guess. But oh,” I says to myself, wishful, “that’s so spontaneous and unanimous! I wish’t folks was more like that....”
I was filling in for organist while ours was away on a vacation to her husband’s relatives. That sounds so grand and I’d ought to explain that I can only play pieces that are written in the natural. But by picking out judicious, I can get along through the morning and evening services very nice. I don’t dare ever attempt prayer-meeting, because then somebody is likely to pipe up and give out a hymn that’s in sharps or flats, without thinking. I remember one night, though, when I just had to play for prayer-meeting being the only one present that knew white notes from black. There was a visiting minister. And when he give out his first hymn, I see it was “There is a Calm for Those That Weep” in three flats, and I turned around on the stool, and I says, “Wouldn’t you just as lief play the piece on the opposite page? That’s wrote natural.” He done so, looking some puzzled, and well he might, for the one I mentioned happened to be, “Master, the Tempest is Raging.” I was a kind of a limited organist but then I filled in, vacations and such, anyhow. And it was so I was doing that Summer.
And so they left it to me to kind of plan the order of services for them four Sundays in September that they decided on. That was nice to do—I’d been hankering to get my hands on the services many a time. And a night or two afterwards, our minister come down to talk this over with me. I’d been ironing all that blessed day, and just before supper my half bushel of cherries had come down on me, unexpected. I was sitting on the front porch in the cool of the day, pitting them. The sun wasn’t down yet, and folks was watering lawns and tinkering with blinds and screens and fences, or walking round pinching off dead leaves; and being out there sort of rested me.