Yale University

D. C. HEATH & CO., PUBLISHERS
BOSTON NEW YORK CHICAGO

Copyright, 1908,
By D. C. Heath & Co.

Printed in U. S. A.


[Notes]
[Vocabulary]
[Jornada primera ][Jornada cuarta]
[Escena primera] [Escena primera]
[Escena II] [Escena II]
[Escena III] [Escena III]
[Escena IV] [Escena IV]
[Escena V][Escena V]
[Escena VI]
[Jornada segunda][Escena VII]
[Escena primera][Escena VIII]
[Escena II][Escena IX]
[Escena III]
[Escena IV] [Jornada quinta]
[Escena V][Escena primera]
[Escena VI][Escena II]
[Escena VII][Escena III]
[Escena VIII][Escena IV]
[Escena IX][Escena V]
[Escena VI]
[Jornada tercera][Escena VII]
[Escena primera][Escena VIII]
[Escena II]
[Escena III]
[Escena IV]
[Escena V]
[Escena VI]
[Escena VII]
[Escena VIII]

INTRODUCTION

Antonio García Gutiérrez was born in Chiclina, a small town in Andalusia, July 5, 1813. His father wished him to become a doctor, but his own tendency towards poetry was so strong that he soon gave up all idea of a medical career and went to Madrid to seek his fortune. Here he wrote El Trovador, which was promptly rejected by the dramatic managers. After this disappointment he enlisted as a volunteer against the Carlists, and was in the army when his play was finally produced. Its success was instantaneous and overwhelming, and enabled the author to leave the army and give all his time to his chosen occupation. Among his other works may be cited Simón Bocanegra, Venganza Catalana, and Juan Lorenzo. These plays were not as enthusiastically received as El Trovador, and Gutiérrez regarded the public as unjust to him. In 1844 he went to Havana, and thence to Mérida de Yucatán; returning to Spain after five years' absence. He died August 26, 1884.

El Trovador is undoubtedly Gutiérrez' masterpiece. Interest in the play is quickly aroused, and well sustained by the rapidity of the action. Gutiérrez has not kept the classic unities of time and place, but he has kept the one important unity, that of action; since, although our interest may at times be divided between the protagonists of the drama and a less important character, we never lose interest in the former.