The main social interests, ambition in gardening, ambition in successful Kula, vanity and display of personal charms in dancing — all find their expression in magic. There is a form of beauty magic, performed ceremonially over the dancers, and there is also a kind of safety magic at dances, whose object is to prevent the evil magic of envious sorcerers. Particular garden magic, performed by an individual over his crops and seeds, as well as the evil magic which he casts on the gardens of his rivals, express the private ambitions in gardening, as contrasted with the interests of the whole village, which are catered for by communal garden magic.

Natural forces of great importance to man, such as rain and sunshine, the appropriate alternative operation of which makes his crops thrive; or wind, which must be controlled for purposes of sailing and fishing, are also governed by magic. The magic of rain and sunshine can be used for good, as well as for nefarious purposes, and in this they have a special interest in the Trobriands, because the most powerful system of this magic is in the hands of the paramount chiefs of Kiriwina. By bringing about a prolonged drought, the chiefs of Omarakana have always been able to express their general displeasure with their subjects, and thus enhance their wholesale power, independently of any other mechanism, which they might have used for forcing their will on private individuals or on whole communities.

The basic, food-providing economic activities, which in the Trobriands are mainly gardening and fishing, are also completely magic-ridden. The success of these pursuits is of course largely due to luck, chance or accident, and to the natives they require supernatural assistance. We had examples of economic magic in describing the construction of a canoe, and the fishing for kaloma shell. The communal garden-magic and the fishing magic of certain village communities show to a higher degree even than the cases described, the feature which we found so distinct in canoe magic, namely: that the rites and formulae are not a mere appendage, running side by side with economic efforts, without exercising any influence over these. On the contrary, it may be said that a belief in magic is one of the main, psychological forces which allow for organisation and systemisation of economic effort in the Trobriands93. The capacity for art, as well as the inspiration in it, is also ascribed to the influence of magic.

The passions of hatred, envy, and jealousy, besides finding their expression in the all powerful sorcery of the bwaga’u and mulukwausi, are also responsible for many forms of witchery, known by the generic term of bulubwalata. The classical forms of this magic have as their object the estrangement of the affections of a wife or a sweetheart, or the destruction of the domestic attachment of a pig. The pig is sent away into the bush, having been made to take a dislike to its master and to its domestic habits; the wife, though the spells used to estrange her are slightly different, can be made also to take a dislike to her domestic life, abandon her husband and return to her parents. There is a bulubwalata of gardens, of canoes, of Kula, of kaloma, in fact of everything, and a good deal of beneficial magic is taken up with exorcising the results of bulubwalata.

The list of magic is not quite exhausted yet. There is the magic of conditional curses, performed in order to guard property from possible harm, inflicted by others; there is war-magic; there is magic associated with taboos put on coco-nuts and betel-nuts, in order to make them grow and multiply; there is magic to avert thunder and resuscitate people who are struck by lightning; there is the magic of tooth-ache, and a magic to make food last a long time.

All this shows the wide diffusion of magic, its extreme importance and also the fact that it is always strongest there, where vital interests are concerned; where violent passions or emotions are awakened; when mysterious forces are opposed to man’s endeavours; and when he has to recognise that there is something which eludes his most careful calculations, his most conscientious preparations and efforts.

II

Let us now proceed to formulate some short statement of the essential conception of magic, as it is entertained by the natives. All statement of belief, found among human beings so widely different from us, is full of difficulties and pitfalls, which perhaps beset us most there, where we try to arrive at the very foundation of the belief that is, at the most general ideas which underlie a series of practices and a body of traditions. In dealing with a native community at the stage of development which we find in the Trobriands, we cannot expect to obtain a definite, precise and abstract statement from a philosopher, belonging to the community itself. The native takes his fundamental assumptions for granted, and if he reasons or inquires into matters of belief, it would be always only as regards details and concrete applications. Any attempts on the part of the Ethnographer to induce his informant to formulate such a general statement would have to be in the form of leading questions of the worst type because in these leading questions he would have to introduce words and concepts essentially foreign to the native. Once the informant grasped their meaning, his outlook would be warped by our own ideas having been poured into it. Thus the Ethnographer must draw the generalisation for himself, must formulate the abstract statement without the direct help of a native informant.

I am saying direct help because the generalisation must be entirely based on indirect data supplied by the natives. In the course of collecting information, of discussing formulae and translating their text, a considerable number of opinions on matters of detail will be set forth by the natives. Such spontaneous opinions, if placed in a correctly constructed mosaic, might almost of themselves give us a true picture, might almost cover the whole field of native belief. And then our task would only be to summarise this picture in an abstract formula.

The Ethnographer, however, possesses an even better supply of evidence from which to draw his conclusions. The objective items of culture, into which belief has crystallised in the form of tradition, myth, spell and rite are the most important source of knowledge. In them, we can face the same realities of belief as the native faces in his intimate intercourse with the magical, the same realities which he not only professes with his tongue, but lives through partly in imagination and partly in actual experience. An analysis of the contents of the spells, the study of the manner in which they are uttered; in which the concomitant rites are performed; the study of the natives’ behaviour, of the actors as well as of the spectators; the knowledge of the social position and social functions, of the magical expert — all this reveals to us, not only the bare structure of their ideas on magic, but also the associated sentiments and emotions, and the nature of magic as a social force.