Argonauts of the Western Pacific

by Bronisław Malinowski

In the preparation of food, it must be noted that many taboos are associated with cooking, and especially with the cooking pots. The wooden dishes on which the natives serve their food are called kaboma, which means „tabooed wood”. The act of eating is as a rule strictly individual. People eat within their family circles, and even when there is public ceremonial cooking of the taro pudding (mono) in the big clay pots, especially tabooed for this purpose (see Plate XXXV), they do not eat in one body, but in small groups. A clay pot is carried into the different parts of the village, and men from that part squat round it and ejit, followed afterwards by the women. Sometimes again the pudding is taken out, placed on wooden dishes, and eaten within the family.

I cannot enter here into the many details of what could be called the social psychology of eating, but it is important to note that the centre of gravity of the feast lies not in the eating, but in the display and ceremonial preparation of the food (see Plate XXXV). When a pig is to be killed, which is a great culinary and festive event, it will be first carried about, and shown perhaps in one or two villages; then roasted alive, the whole village and neighbours enjoying the spectacle and the squeals of the animal. It is then ceremonially, and with a definite ritual, cut into pieces and distributed. But the eating of it is a casual affair; it will take place either within a hut, or else people will just cook a piece of flesh and eat it on the road, or walking about in the village. The relics of a feast such as pigs’ jaws and fish tails, however, are often collected and displayed in houses or yam stores⁶³.

The quantity of food eaten, whether in prospect or retro- spect, is what matters most. „We shall eat, and eat till we vomit”, is a stock phrase, often heard at feasts, intended to express enjoyment of the occasion, a close parallel to the pleasure felt at the idea of stores rotting away in the yam house. All this shows that the social act of eating and the associated conviviality are not present in the minds or customs of the Trobrianders, and what is socially enjoyed is the common admiration of fine and plentiful food, and the knowledge of its abundance. Naturally, like all animals, human or otherwise, civilised or savage, the Trobrianders enjoy their eating as one of the chief pleasures of life, but this remains an individual act, and neither its performance nor the sentiments attached to it have been socialised.

It is this indirect sentiment, rooted of course in reality in the pleasures of eating, which makes for the value of food in the eyes of the natives. This value again makes accumulated food a symbol, and a vehicle of power. Hence the need for storing and displaying it. Value is not the result of utility and rarity, intellectually compounded, but is the result of a sentiment grown round things, which, through satisfying human needs, are capable of evoking emotions.

The value of manufactured objects of use must also be explained through man’s emotional nature, and not by reference to his logical construction of utilitarian views. Here, however, I think that the explanation must take into account, not so much the user of these objects, as the workman who produces them. These natives are industrious, and keen workers. They do not work under the spur of necessity, or to gain their living, but on the impulse of talent and fancy, with a high sense and enjoyment of their art, which they often conceive as the result of magical inspiration. This refers especially to those who produce objects of high value, and who are always good craftsmen and are fond of their workmanship. Now these native artists have a keen appreciation of good material, and of perfection in craft. When they find a specially good piece of material, it lures them on to lavish on it an excess of labour, and to produce things too good to be used, but only so much the more desirable for possession.

The careful manner of working, the perfection of craftmanship, the discrimination in material, the inexhaustible patience in giving the final touches, have been often noted by those who have seen natives at work. These observations have also come under the notice of some theoretical economists, but it is necessary to see these facts in their bearing upon the theory of value. That is, namely, that this loving attitude towards material and work must produce a sentiment of attachment to rare materials and well-worked objects, and that this must result in their being valued. Value will be attached to rare forms of such materials as the craftsman generally uses: classes of shell which are scarce, lending themselves especially to fashioning and polishing; kinds of wood which are also rare, like ebony; and more particularly, special varieties of that stone out of which implements are made⁶⁴.

We can now compare our results with the fallacious views on Primitive Economic Man, sketched out at the beginning of this Division. We see that value and wealth exist, in spite of abundance of things, that indeed this abundance is valued for its own sake. Great quantities are produced beyond any possible utility they could possess, out of mere love of accumulation for its own sake; food is allowed to rot, and though they have all they could desire in necessities, yet the natives want always more, to serve in its character of wealth. Again, in manufactured objects, and more especially in objects of the vaygu’a type (comp. Chapter III, Div. III), it is not rarity within utility which creates value, but a rarity sought out by human skill within the workable materials. In other words, not those things are valued, which being useful or even indispensable are hard to get, since all the necessities of life are within easy reach of the Trobriand Islander. But such an article is valued where the workman, having found specially fine or sportive material, has been induced to spend a disproportionate amount of labour on it. By doing so, he creates an object which is a kind of economic monstrosity, too good, too big, too frail, or too overcharged with ornament to be used, yet just because of that, highly valued.

V

Thus the first assumption is exploded, „that there is no room for wealth or value in native societies.” What about the other assumption, namely, That there is no need to exchange if anyone can, by industry and skill, produce all that represents value through its quantity or its quality? This assumption is confuted by realising a fundamental fact of native usage and psychology: the love of give and take for its own sake; the active enjoyment in possession of wealth, through handing it over.

In studying any sociological questions in the Trobriands, in describing the ceremonial side of tribal life, or religion and magic, we constantly meet with this give and take, with exchange of gifts and payments. I had occasion several times to mention this general feature, and in the short outline of the Trobriand sociology in Chapter II, I gave some examples of it. Even a walk across the island, such as we imagined in that chapter, would reveal to an open-eyed Ethnographer this economic truth. He would see visiting parties — women carrying big food baskets on their head, men with loads on their shoulders — and on inquiring he would learn that these were gifts to be presented under one of the many names they bear, in fulfilment of some social obligation. Offerings of first fruits are given to the chief or to relatives-in-law, when the mango or bread fruit or sugar cane are ripe. Big quantities of sugar cane being borne to a chief, carried by some twenty to thirty men running along the road, produce the impressions of a tropical Birnam Wood moving through the jungle. At harvest time all the roads are full of big parties of men carrying food, or returning with empty baskets. From the far North of Kiriwina a party will have to run for some twelve miles to the creek of Tukwa’ukwa, get into canoes, punt for miles along the shallow Lagoon, and have another good walk inland from Sinaketa; and all this is in order to fill the yam house of a man who could do it quite well for himself, if it were not that he is under obligation to give all the harvest to his sister’s husband! Displays of gifts associated with marriage, with sagali (food distributions), with payments for magic, all these are some of the most picturesque characteristics of the Trobriand garden, road and village, and must impress themselves upon even a superficial observer.