1202. S. Albinsson, Early Music Copyrights..., s. 267. [przypis autorski]

1203. P. Tschmuck, Creativity without a copyright..., s. 214. [przypis autorski]

1204. D. Hunter, Music Copyright in Britain to 1800, „Music & Letters”, Vol. 67, No. 3 (Jul., 1986), s. 282; W. M. Carroll, The Struggle for Music Copyright, „Villanova Law/Public Policy Research Paper” No. 2005-7, http://ssrn.com/abstract=687963, (dostęp 11.03.2014), s. 927. [przypis autorski]

1205. M. W. Carroll,The Struggle for Music Copyright..., s. 926. [przypis autorski]

1206. Por. szerzej: M. W. Carroll, Whose Music is it Anyway..., s. 1479; M. W. Carroll, The Struggle for Music Copyright, „Villanova Law/Public Policy Research Paper” No. 2005–7, http://ssrn.com/abstract=687963, (dostęp 11.03.2014), s. 926-928. [przypis autorski]

1207. S. Albinsson, Early Music Copyrights: Did They Matter for Beethoven and Schumann?, „International Review of the Aesthetics and Sociology of Music” Vol. 43, No. 2 (December 2012), s. 276 [przypis autorski]

1208. Olufunmilayo Arewa, From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context, „Case Legal Studies Research Paper” No. 04–21; ”North Carolina Law Review”, Vol. 84, p. 547, 2006, http://ssrn.com/abstract=633241 (10.11.2013), s. 594. [przypis autorski]

1209. S. Albinsson, Early Music Copyrights: Did They Matter for Beethoven and Schumann?, „International Review of the Aesthetics and Sociology of Music” Vol. 43, No. 2 (December 2012), s. 277. [przypis autorski]

1210. S. Albinsson, Early Music Copyrights:..., s. 280. [przypis autorski]

1211. F. M. Scherer, The emergence of musical copyright in Europe prom 1709 to 1850, „Review of economic research on copyright issues”, 2008, vol. 5(2), s. 6–7, M. W. Carroll, The Struggle for Music Copyright, „Villanova Law/Public Policy Research Paper” No. 2005–7, http://ssrn.com/abstract=687963, (dostęp 11.03.2014), s. 926, P. Tschmuck, Creativity without a copyright: music production in Vienna in the late eighteenth century, [w:] R. Towse [red.], Copyright in the cultural industries, Cheltenham 2002, s. 218. [przypis autorski]