1382. Ch. Anderson, Za darmo. Przyszłość najbardziej radykalnej z cen, Kraków 2011, s. 51. [przypis autorski]

1383. R. Sanjek, American Popular Music and Its Business: The First Four Hundred Years: Volume III, from 1900 to 1984, New York 1988, s. 85, M. F. Makeen, From „Communication in Public” to „Communication to the Public”; An Examination of the Authors’s Rights of Broadcasting, Cabling, and the Making Available of Works to the Public Under the Copyright Laws of the USA, the UK, and France, King’s College 1999, https://kclpure.kcl.ac.uk/portal/files/2932667/392285.pdf, (dostęp 16.02.2014), s. 69. [przypis autorski]

1384. Ch. May, S. K. Sell, Intellectual property rights. A critical history, London 2006, s. 146. [przypis autorski]

1385. M. Kretschmer, G. M. Klimis, R. Wallis, The Changing Location of Intellectual Property Rights in Music: A Study of Music Publishers, Collecting Societies and Media Conglomerates, „Prometheus: Critical Studies in Innovation”, Volume 17, Issue 2, 1999, s. 170. [przypis autorski]

1386. M. Kretschmer, G. M. Klimis, R. Wallis, The Changing Location..., s. 170, W. Jefferson Davis, Copyrighted Radio, „Virginia Law Review”, Vol. 16, No 1, Nov. 1929, s. 50. [przypis autorski]

1387. M. F. Makeen, From „Communication in Public”..., s. 93. [przypis autorski]

1388. M. F. Makeen, From „Communication in Public”..., s. 82, przypis 92. [przypis autorski]

1389. M. F. Makeen, From „Communication in Public” ..., s. 83. [przypis autorski]

1390. S. Ritterman, Komentarz do ustawy o prawie autorskim, Kraków 1937, s. 106. [przypis autorski]

1391. Cytat za: S. B. G., Infringement of Musical Copyright by Radio Broadcasting, „University of Pennsylvania Law Review and American Law Register”. 75.6 (1927), s. 553. [przypis autorski]