THE OLD COUNTESS;
OR,
THE TWO PROPOSALS.
BY
MRS. ANN S. STEPHENS.
AUTHOR OF "LORD HOPE'S CHOICE," "THE REIGNING BELLE," "MARRIED IN HASTE,"
"MABEL'S MISTAKE," "DOUBLY FALSE," "WIVES AND WIDOWS," "MARY DERWENT,"
"THE REJECTED WIFE," "THE SOLDIER'S ORPHANS," "THE OLD HOMESTEAD,"
"FASHION AND FAMINE," "THE HEIRESS," "RUBY GRAY'S STRATEGY,"
"THE CURSE OF GOLD," "SILENT STRUGGLES," "THE WIFE'S SECRET,"
"PALACES AND PRISONS," "THE GOLD BRICK," "A NOBLE WOMAN."

A SEQUEL TO "LORD HOPE'S CHOICE."

PHILADELPHIA:
T. B. PETERSON & BROTHERS;
306 CHESTNUT STREET.

Entered according to Act of Congress, in the year 1873, by
T. B. PETERSON & BROTHERS,
In the Office of the Librarian of Congress, at Washington, D. C.

CONTENTS.

THE OLD COUNTESS;
OR,
THE TWO PROPOSALS.

CHAPTER I.
LOVE-LIGHTS IN TWO HEARTS.

During fourteen years Hepworth Closs had been a wanderer over the earth.

When he was carried out from the court-room after Mrs. Yates' confession of a crime which he had shrinkingly believed committed by another, he had fainted from the suddenness with which a terrible load had been lifted from his soul.

In that old woman's guilt he had no share. It swept the blackness from the marriage he had protested against as hideously wicked. The wrong he had done was divested of the awful responsibilities which had seemed more than he could bear. The revelation had made him, comparatively, an innocent and free man. But a shock had been given to his whole being which unfitted him for the common uses of society.

After all that had passed through his mind he could not bear to think of joining his sister or husband. The keen feelings of a nature, not in its full development wicked or dishonorable, had been startled into life, when he saw into what a gulf he had almost plunged. He saw the sin and the wrong he had done in its true light, and not only repented of it, but abhorred it from the very depths of his soul. He longed to make atonement, and would have given ten years from his life for a chance by which he could have sacrificed himself to any one that poor murdered lady had loved.

These feelings rose up like a barrier between him and his sister. Her influence over his youth had been so powerful that his own better nature never might have asserted itself but for the tragedy which followed his first plunge into deception and wrong-doing. He loved this beautiful young woman yet, as few brothers of any age or class ever did; but the shock of that tragedy was on him, and his impulse was to flee from her and the man for whose sake all this trouble had come.

Hepworth Closs was not the first youth whose life has opened with evil thoughts and evil deeds, from which his manhood shrank appalled.

The unformed intellect and quick passions of youth have wrecked many a noble soul, by the sin of an hour or a day, beyond the redemption of a toiling and regretful after-life. The man who does redeem himself must have a powerful nature, which will force its strength to be recognized, and make its regeneration felt. But to the sins of youth much should be forgiven, which, in the mature man, justice might utterly condemn.

Hepworth Closs arose from that fainting fit humbled and grateful. That moment his resolve was taken. He would not share the benefits which might come to him through his sister's marriage, nor in anything partake of a reward for the evil he had, in mercy, been saved from. The world was before him. He would work his way into prosperity, if possible; if not, bear his fate like a man who had deserved suffering, and could endure it.

One act of restitution was in his power. The property of the unfortunate person, whom he knew as Lady Hope, had fallen into his possession, for the house had been purchased in his name, and, in like manner, her deposits had been made. He had never intended to claim this money as his own, and invested it now, holding himself as the trustee. This done, he threw himself upon the world, quite alone.

During fifteen years he had asserted the honorable manhood that had sprung out of his erring youth. That fearful tragedy had sickened him with deception, and with all ambition which did not spring out of his own honest exertions. He went forth, with all his energies on the alert, and his intellect free from the suspicions that had for a time enthralled it. He had craved riches, and hoped to obtain them through Rachael's marriage. This had been a temptation. He had ambition still, but it took a far more noble direction. With wealth he would gather knowledge; with both, mental force and moral power.

He went. Men saw him in the gold mines of California, in Australia, and among the traders of India and Japan. Then he came back to New York, and was honorably known upon the exchange. Then came a yearning wish to see his sister, the only relative he had on earth; and we find him at the gate of Oakhurst Park, just as Lady Clara dashed through it, as bright a vision of joyous, happy girlhood as ever crossed the path of any man.

That moment I think that Hepworth Closs fell in love with the girl. If so, it was absolutely his first love. The boyish and most unprincipled passion he had felt for that murdered lady had no similitude with the feelings that possessed him now. It was a wicked, insane desire, springing out of his perverted youth—a feeling that he would have shuddered to have recognized as love, in these, his better days.

Yes, it is certain Closs loved the girl at first sight, but was unconscious of it, as the nest is when a dove settles down to its brooding.

As for the girl, she had seen but few men in her life calculated to disturb the repose of a creature so gifted and rich in imagination. At first Hepworth had seemed rather an old person to her, notwithstanding the gloss of his black hair, and the smooth whiteness of his forehead. With a trust in this, which gradually betrayed her, she accepted him frankly as a relative, and in less than three weeks, grew restless as a bird. She wondered what had made the world all at once so gloriously beautiful, and why it was so difficult for her to keep the tears out of her eyes when the soft purple evening came down, and divided the day which had been spent with him, from the night, when she could only hope to see him in shadowy dreams.

Rachael Closs saw all this, and it filled her with bitter rejoicing. How would her powerful old enemy receive the intelligence that a brother of hers had won the heart of the future Lady Carset? that he would be lord of the proud old castle, which must go with the title, and mingle the blood she had so often denounced as base with that which had turned against her, with such hot scorn, ever since she entered England as Lord Hope's wife?

The very thought of that haughty old peeress so humiliated was wonderfully pleasant to the wounded pride of Rachael Closs. But far beyond this was the yearning, almost passionate fondness she felt for her brother and the beautiful girl who had been to her at once a Nemesis and an infatuation.

This was what Lady Hope had hinted at when Hepworth first came. The great wish of her heart had grown to be the union of these two persons, next to one supreme object of love, the dearest beings to her on earth. It seemed to her that those long, weary intervals, which grew more and more frequent, when Lord Hope left her alone in the desolate splendor of that great house, would be more endurable if she were certain that these two persons would always be near her. She was not ambitious for her brother. That feeling had died out years ago; but her love sprang to him, like a freshly-kindled flame.

With Lady Hope, as with Rachael Closs, there was no moderation in her feelings, which were tenacious as they were powerful and exacting. But Rachael, with all her impetuosity, had strong contradictory qualities. She was sagacious, and could rein in her passion of love or hate as an Arab controls his desert steed. That which her soul most desired she could wait for.

One night, when the moonbeams lay like silver on the stone terrace, and the shadow of the peacock fell from the balustrade like a second bird, Lady Hope complained of fatigue, and retreated into her own room, leaving Hepworth and Clara sitting upon a flight of steps which led down to a flower-garden, somewhat neglected of late years, which lay beneath the stone terrace and brightened the grounds nearest to the lady's apartments. Not far from these steps was a noble old cedar of Lebanon, rooted deep, where the drawbridge had been hundreds of years before. Beneath it was a rustic seat, and in its branches innumerable birds were sleeping.

There never was, perhaps, a finer contrast of silver light and black shadow in any landscape than surrounded these two persons, as they sat together side by side, both thinking of the same thing, and both reluctant to break the delicious silence.

At last Hepworth spoke—it was but a single word, which made his companion start and hold her breath.

"Clara!"

She did not answer him; that one word frightened her. She had half a mind to start up and hide herself in the shadows, for he was looking in her face, and the moonlight fell like a glory over his features, which she now saw were grave even to sadness.

"Clara, do you know that I must go away soon?"

"Oh, no! no!"

The girl had not expected this. The infinite tenderness in his voice had led her completely astray, and she broke forth in an eager protest.

"I must, dear child."

"Dear child!" repeated the girl, half crying. "Yes, yes, you treat me like a child—as if I could help being young—as if I could not feel and think and be miserable like other people. It's hard, it's cruel, it's—it's—"

Here Clara burst into a flood of tears, and leaping to her feet, would have run into the room where Lady Hope was sitting, but Closs caught her in his arms.

"What are you crying for, Clara? Why do you wish to run away? It is wrong to say this, but I must go, because of loving you as no man ever loved a woman before."

"A woman?" said Clara, and gleams of mischief peeped out from behind her tears. "You called me a child just now."

"Woman or child, Clara, you are the dearest thing to me on earth."

Clara struggled in his arms, and tried to push him from her.

"I—I don't believe you. There!"

"Don't believe me?"

Hepworth released the girl, and allowed her to stand alone. On any subject touching his honor he was peculiarly sensitive.

"Because—because men who love people don't run away from them. It—it isn't reasonable."

All the mischief in her eyes was drowned in fresh tears. She thought that he was offended, and the estrangement of a moment seems eternal to first love.

"Honorable men do not permit themselves to speak of love at all where they have reason to think it unwelcome," was his grave reply.

"Unwelcome? Oh, Mr. Closs!"

Clara held out both her hands and came nearer to Hepworth, like a child that wants to be forgiven. He drew her close to his side, but spoke a little sadly.

"You see how much I must love you, Clara, to forget all that a guest in your father's house should remember."

"I—I don't know; I can't understand what it is that you have done wrong. I'm sure I'm ready to forgive you."

She might have said more, but he took the breath from her lips, and held her so close to his heart that she could feel its tumultuous beatings.

"But I can never forgive myself, darling."

"Oh, yes you will!"

The creature pursed up her lips and offered them for his kiss—thus, as she thought, tempting him into self-forgiveness.

"Is it that you really—really love me?" questioned Hepworth, searching the honest eyes she lifted to his with a glance half-passionate, half-sorrowful, which brought a glow of blushes to her face.

"Can you ask that now?" she questioned, drooping her head. "Will a good girl take kisses from the man she does not love?"

"God bless you for saying it, darling! Oh, if it could be—if it could be!"

"If what could be, Mr. Closs?"

"That you might be my wife, live with me forever, love me forever."

"Your wife?" answered Clara, pondering over the sweet word in loving tenderness. "Your wife? Are you asking me if I will be that?"

"I dare not ask you, Clara. What would your father say? What would he have a right to say?"

"I'm sure I don't know," answered Clara, ruefully, for she could not honestly say that her father would consent.

"You see, Clara, I have nothing to do but say farewell, and go."

CHAPTER II.
CLARA APPEALS TO HER STEPMOTHER.

Lady Hope had retreated into her own room, for the absence of her husband was beginning to prey upon her; and she was all the more sad and lonely because she knew in her heart that the two persons whom she saw together in the moonlight were thinking, perhaps talking, of the love which she must never know in its fullness again—which she had never known as good and contented wives experience it.

Indeed, love is the one passion that can neither be wrested from fate or bribed into life. It must spring up from the heart, like a wild flower from seed God plants in virgin forest soil, to bring contentment with its blossoming. The sunshine which falls upon it must be pure and bright from heaven. Plant it in an atmosphere of sin, and that which might have been a holy passion becomes a torment, bitter in proportion to its strength.

Ah! how keenly Rachael Closs felt all this as she sat there alone in her bower room, looking wistfully out upon those two lovers, both so dear to her that her very soul yearned with sympathy for the innocent love she had never known, and never could know upon earth! Yet, dear as these two persons were to her, she would have seen that fair girl and the manly form beside her shrouded in their coffins, if that could have brought back one short twelve-months of the passionate insanity which had won Lord Hope to cast aside all restraint and fiercely wrench apart the most sacred ties in order to make her his wife. She asked for impossibilities. Love born in tumult and founded in selfishness must have its reactions, and between those two the shadow of a wronged woman was forever falling; and, struggle as they would, it grew colder and darker every year. But upon these two persons time operated differently. The wild impetuosity of his character had hardened into reserve. His ambition was to stand high among men of his own class—to be known as a statesman of power in the realm.

But, in all this Rachael knew that she was a drawback and a heavy weight upon his aspirations. Was it that she was less bright or beautiful? No, no. Her mirror contradicted the one doubt, and the power which she felt in her own genius rebuked the other.

Once give her a foothold among the men and women who had so persistently considered her as an intruder, and the old vigor and pride of her life would come back with it: the idolatry which had induced that infatuated man to overlook these stumbling blocks to his pride and impediments to his ambition would surely revive.

"Let him see me at court; let him compare me with the women whose cutting disdain wounds me to death, because it disturbs him; let him place me where this intellect can have free scope, and never on this earth was there a woman who would work out a husband's greatness so thoroughly."

In the first years of her marriage, Rachael would say these things to herself, in the bitterness of her humiliation and disappointment. Others, less beautiful and lacking her talent, had been again and again introduced from lower ranks into the nobility of England, accepted by its queen, and honored by society. Why was she alone so persistently excluded? The answer was always ready, full of bitterness. The enmity of old Lady Carset had done it all. It was her influence that had closed the queen's drawing-room against Lord Hope's second wife. It was her charge regarding the Carset diamonds that had made Rachael shrink from wearing the family jewels, which justly belonged to her as Lord Hope's property. It was this which made her so reluctant to pass the boundaries of Oakhurst. It was this that embittered her whole life, and rendered it one long humiliation.

These reflections served to concentrate the hopes and affections of this woman so entirely around one object, that her love for Hope, which had been an overwhelming passion, grew into that idolatry no man, whose life was in the world, could answer to, for isolation was necessary to a feeling of such cruel intensity.

As the hope of sharing his life and his honors gave way, doubts, suspicions, and anxieties grew out of her inordinate love, and the greatest sorrow to her on earth was the absence of her husband. It was not alone that she missed his company, which was, in fact, all the world to her; but, as he went more and more into the world, a terrible dread seized upon her. What if he found, among all the highly born women who received him so graciously, some one who, in the brightness of a happy life, might make him regret the sacrifice he had made for her, the terrible scenes he had gone through in order to obtain her? What if he might yet come to wish her dead, as she sometimes almost wished herself!

In this way the love, which had flowed like a lava stream through that woman's life, engendered its own curse, and her mind was continually haunted by apprehensions which had no foundation, in fact, for, to this day, Lord Hope loved her with deeper passion than he had ever given to that better woman; but with him the distractions of statesmanship, and the allurements of social life, were a resource from intense thought, while she had so little beside himself.

She had striven to bind him to her by kindness to his child, until the bright girl became, as it were, a part of himself, with whom it would be death to part.

Is it strange, then, that this dream of uniting Clara to her only brother should have been very sweet to the unhappy woman?

Lord Hope had been absent a whole month now, and even with the excitement of her brother's presence, Rachael had found those four weeks terribly long.

What would she do if that fair girl were separated from her entirely? Then solitude would be terrible indeed!

But another anxiety came upon her by degrees. In what way would her husband receive Hepworth Closs? How would he accept the position the two persons out yonder were drifting into? Would he consent to a union which even her partiality admitted as unsuitable, or would he, in his cold, calm way, plant his foot upon their hearts and crush her fond desire out of existence?

As Lady Hope pondered over these thoughts in silence and semi-darkness, Clara came through the window, in great excitement.

"Oh! mamma Rachael! He is going away from us. He told me so just now; but you will not let him. You will never let him!"

Lady Hope started out of her reverie.

"Going away? Where? Who? I cannot understand, Clara!"

"Hepworth—Mr. Closs, I mean. Oh, mamma! he threatens to leave us here all alone by ourselves—the most cruel thing that ever was heard of. I thought how angry you would be, and came at once. You can do anything with him—he loves you so dearly. Let him threaten if he likes, but you will not let him go. You will tell him how foolish, how cruel it is to leave us, while papa is away. Oh! mamma Rachael, you can do anything! Do this! Do this!"

"But why, darling—why do you care so much?"

"Why! why!" Clara threw back her head till the curls waved away from her shoulders, then a burning crimson came over her, the shamed face drooped again, and she answered: "I don't know—I don't know."

Rachael bent her face till it almost touched that hot cheek, and whispered:

"Is it that you love him, my own Clara?"

Again Clara lifted her face. A strange light came upon it. Her lips were parted, her blue eyes opened wide.

"Love him—love him? Oh! mamma Rachael, is this love?"

Rachael smiled, and kissed that earnest face, holding it between both hands.

"I think it is, darling. Nay, I am sure that you love him, and that he loves you."

"Loves me? Then why does he go away? I should think so but for that."

"Because of that, I am afraid, Clara."

"Loves me, and goes away because he loves me!" said the girl, bewildered. "I don't understand it."

"There may be many reasons, Clara."

"I can't think of one. Indeed I can't. Papa never was cruel."

"He may not think it quite honorable to let—make you love him, when your father knows nothing about it."

"But papa would not mind."

"Hepworth does not know that; nor do I. Your father is a very proud man, Clara, and has a right to look high, for his only child."

"What then? Mr. Closs is handsomer, brighter, more—more everything that is grand and royal, than any nobleman I have ever seen. What can papa say against that?"

"But he is a man of no family position—simply Hepworth Closs, nothing more. We can scarcely call him an Englishman."

"What then, mamma? He is a gentleman. Who, in all this neighborhood, can compare with him?"

"No one! no one!" answered Rachael, with enthusiasm. "There is but one man on all the earth so far above the rest; but persons who look upon birth and wealth as everything, may not see him with our eyes, my Clara. Then there is another objection. Hepworth is over thirty."

"Mamma Rachael, you know well enough that I never did like boys," said Clara, with childish petulance.

"And compared with the great landed noblemen of England, he is poor."

"Not so, mamma Rachael. He has made lots and lots of money out in those countries where they dig gold from the earth. He described it all to me, about washing dirt in pans, and crushing rocks in great machines, and picking up pure gold in nuggets—why, he found an awful big one himself. I daresay he has got more real money than papa. I do, indeed."

Lady Hope sighed. Perhaps she thought so too; for Oakhurst was closely entailed, and ready money was sometimes scarce in that sumptuous dwelling.

"And then how much shall I have? Let me ask that of papa."

"But you will inherit something with the Carset title in spite of your grandmother."

"Yes, I know. An enormous old castle with just land enough to keep it in repair. That isn't much to boast of, or make a man like Mr. Closs feel modest when he thinks of me."

"But the title. Is it nothing to be a peeress in your own right?"

"I would rather he were an earl, and I a peeress in his right."

"You are a strange girl, Clara."

"But you love me if I am, mamma Rachael."

"Love you, child! You will never know how much!"

"And if it so happened that he did really like me, you wouldn't go against it?"

"But what would my will be opposed to that of your father?"

"Only this—you can do anything with papa. Don't I remember when I was a little girl?"

Rachael sighed heavily.

"That was a long time ago, Clara, and childish wants are easily satisfied."

Clara threw both arms around her stepmother's neck and kissed her.

"Never mind if he is a little stubborn now and then; you can manage him, yet, mamma. Only, don't let Mr. Closs do that horrid thing. I never could ride alone with the ponies after the last three weeks. You don't know how instructive he is! Why, we have travelled all over the world together, and now he wants to throw me overboard; but you won't let him do that, mamma Rachael. What need is there of any thought about what may come? We are all going on beautifully, now, and, I dare say, papa is enjoying himself shooting grouse. When he comes back and sees how much Mr. Closs is like you, everything will be right. Only, mamma Rachael, tell me one thing. Are you sure that—that he isn't thinking me a child, and likes me only for that? This very night he called me 'my child,' and said he was going. That made me wretchedly angry, so I came in here. Now tell me—"

"Hush! hush! I hear his step on the terrace."

The girl darted off like a swallow. For the whole universe she could not have met Hepworth there in the presence of a third person.

As she left the room, Closs entered it.

"Rachael," he said, standing before his sister, in the square of moonlight cast like a block of silver through the window, "I have been weak enough to love this girl whom we both knew as an infant, when I was old enough to be a worse man than I shall ever be again; and, still more reprehensible, I have told her of it within the last half-hour; a pleasant piece of business, which Lord Hope will be likely to relish. Don't you think so?"

"I do not know—I cannot tell. Hope loves his daughter, and has never yet denied anything to her. He may not like it at first; but—oh! Hepworth, I know almost as little of my husband's feelings or ideas as you can."

"But you will not think that I have done wrong?"

"What, in loving Clara? What man on earth could help it?"

"Well, I do love her, and I think she loves me."

"I know she does."

"Thank you, sister; but she is such a child."

"She is woman enough to be firm and faithful."

"You approve it all, then?"

Hepworth sat down by his sister and threw his arm around her.

"My poor Rachael! how I wish this, or anything else, could make you really happy!"

She did not answer; but he felt her form trembling under his arm.

"But I only see in it new troubles for you and dishonor for myself. There is really but one way for me to act—I must leave this place."

"And Clara? After what you have said, that would, indeed, be dishonorable."

"She is so young; the pain would all go with me. In a few months I shall probably have scarcely a place in her memory."

"You wrong the dearest and finest girl in the whole world when you say that, Hepworth! To desert her now would be profound cruelty."

"Then in what way am I to act?"

"Write to Lord Hope; tell him the truth—that you have won the respect of men by your actions, and have, with your own energies, acquired wealth enough to make you a fair match in that respect for his daughter. Make no allusion to the past; he is proud, and terribly sensitive on that point, and might suspect you of making claims to equality because of it."

Hepworth smiled as he stood before her in the moonlight, and she saw it. Wide travel and experience among men had led him to think that, after all, the highest level of humanity did not always range with hereditary titles; but he only said, very calmly:

"Lord Hope cannot accuse me justly of aspiring where he is concerned."

Rachael felt the hot crimson leap to her face. Did Hepworth dare to equal himself with Lord Hope, the one great idol of her own perverted life? She answered, angrily, forgetting that the sinner was her only brother:

"Lord Hope need have no fear that any man living will so aspire."

"Poor foolish girl!" said Hepworth, feeling the flash of her black eyes, and touched with pity, rather than anger, by her quick resentment. "Do not let us quarrel about Hope. If he makes you happy, I have nothing to say against him."

"Happy! happy!"

Rachael shrank back in her seat, uttering these two words in a voice so full of pathetic sorrow, that it brought the pain of coming tears into Hepworth's eyes. He was glad to turn the subject.

"Then you are not willing that I should go away?"

"It would almost kill me to lose you again, Hepworth."

The young man felt that she spoke the truth; the very tones of her voice thrilled him with a tender conviction.

"I will write to Hope," he said; "it must end in that or absence. It shall not be my fault, Rachael, if I ever go far away from you again."

Lady Hope took her brother's hand between hers.

"That is kind, and I really think the only wise thing to be done," she said. "Hope knows that you were born a gentleman."

"And having married into the family himself, can hardly say that it is not good enough for his daughter. This is answer enough for all objections of that kind. In fact, Rachael, I begin to think we can make out a tolerable claim. Now that we have decided on the letter, I will write it at once, here, if you will let me order more lights."

Hepworth rang the bell as he spoke, and directly wax candles were burning on the ebony desk at which Lady Hope was accustomed to write.

Having made up his mind, Closs was not the man to hesitate in doing the thing he had resolved on. He spread a sheet of paper before him, and began his letter at once. Rachael watched him earnestly as his pen flew over the paper.

For the first time she realized, with a pang of apprehension, the step she was so blindly encouraging. What if Lord Hope took offense at the letter, or should condemn her for the intimacy which had led to it? She was afraid of her husband, and each movement of Hepworth's pen struck her with dread. Had she, indeed, laid herself open to the wrath of a man, who was so terrible in his anger, that it made even her brave heart cower?

"There, it is finished," said Hepworth, addressing his letter, and flinging down the pen. "Now let us throw aside care, and be happy as we can till the answer comes."

Lady Hope sighed heavily, and, reaching forth her hand, bade him good-night.

CHAPTER III.
LOVER'S QUARREL.

They were sitting together, under the great cedar tree, declared lovers; perhaps not the less happy because some little doubt rested over their future, so far as the young lady was concerned.

As for Hepworth Closs, he had made up his mind to expect difficulties, and knew how to conquer them, if human ingenuity could do it. He loved the bright young creature, and had resolved within himself that no unreasonable opposition on the part of his former friend should prevent him marrying her, while there was a possibility of conciliating his bride, or working upon the love which he had always evinced for his child.

Hepworth had learned, from conversation with both the ladies, that the Lord Hope of the present day was a very different person from the rash, headstrong, audacious young man whom he had almost threatened with disgrace fourteen years back.

Then he was ready to cast wealth, rank, conscience, everything, aside for the gratification of any wild passion that beset him. Now he held the rank to which he was born sacred above all things; was careful, if not covetous, of wealth, because it added power to rank; and was known the whole country round as one of the proudest noblemen and most punctilious magistrates in the three kingdoms.

This man's daughter he—Hepworth Closs—desired to make his wife. Nay, in spite of fate, meant to make his wife, unless she, in her own self, cast his love from her. Having settled upon this, he cast off all care, and gave himself up to the supreme happiness of loving and being beloved.

So, as the two sat under the cedar tree, that bland autumn day, Clara thought, in her wilful little heart, that the man looked too confident and happy. She had no idea of settling down into a commonplace engagement, sanctioned or unsanctioned. What business had he to look so supremely contented? Did he not know that girls sometimes changed their minds?

In short, Lady Clara was in a wilful mood, and could be provoking enough when the fit came on her. Just now she was embroidering diligently. The golden stamens of a superb cactus glowed out stitch by stitch, as her needle flew in and out of its great purplish and crimson leaves.

"Why don't you look up, Clara? I haven't seen your eyes these ten minutes."

"Indeed! Well, I'm too busy. Pray hand me a thread of that yellow silk."

"Not if I can help it, ladybird. It's very tiresome sitting here, only to watch your sharp little needle as it drops color into that great flower. One never gets a sight of your full face."

"Then you don't like the profile?" said Clara, demurely, and her needle flashed almost into Hepworth's eyes as he bent over her. "That is just what I expected. It isn't three days since you first pretended to care for me."

"Pretended! Clara?"

"That was the word," answered Clara, holding her work at arms' length, and examining it, with her head on one side, like a bird eyeing the cherry he longs to peck at. "Lovely, isn't it?"

"I have been where you could gather armsful of them from the wayside," answered Hepworth. "That is well enough, of course, for silk and worsted; but you never can get that mixture of crimson, purple and glittering steel, that makes the flower so regal in the tropics; then the soft tassel of pale gold, streaming out from the heart, and thrown into relief by this exquisite combination of colors. Ah, some day I will show you what a cactus really is, Clara."

"Perhaps," said the provoking girl, searching her work-basket for the silk she wanted. "Who knows?"

A flash of color flew across Hepworth's forehead. The handsome fellow never had given himself much to the study of women, and even that pretty creature had the power to annoy him, mature man as he was. She saw that he was vexed, and rather liked it; for if the truth must be told, a more natural coquette never lived than Lady Clara.

"Are you beginning to doubt, Clara?"

"Doubt? Oh! not at all. I don't honestly believe that there ever was a more perfect flower than that. See how the colors melt into each other; then the point of that long, prickly leaf coming out behind. I tell you, Mr. Closs, it's perfect."

She was looking down at her work, and he could not detect all the mischief that sparkled under her drooping lashes.

"Clara, what does this mean?"

The girl looked up at him so innocently.

"Mean? Why, it means a cactus-flower."

Hepworth Closs had never been a patient man, and the feelings which that wild girl had awakened in his heart were all too earnest for such trifling. He rose to leave her. Then she gave him a side glance, half comic, half repentant.

"Are you going?"

"Yes."

"Dear me, I am so sorry, because I wanted to tell you something."

The girl spoke and acted like a penitent child. Hepworth sat down again, but his face was clouded.

"You can do anything with mamma Rachael, and I want you to ask a great favor for me."

"Why not ask yourself? My sister denies you nothing."

"But this is something peculiar, and she may think papa would not like it. There is to be a new opera brought out in London, and such a lovely girl is to make her first appearance in it, handsome as the morning, and with a voice like ten thousand nightingales. Now, I do so want to hear her on the first night."

"Well, that is easy."

"Yes, yes—if mamma Rachael would only think so. But papa is awful particular, and she may be afraid to take me. But with you for an escort, there can't really be any harm; so I want your help."

"But how did you know about this? I have not seen it in the journals."

"No, it hasn't got abroad yet. I will tell you all about it. When I was a very, very little girl, my poor mother died in America, where she was travelling among the Indians, I believe, with my father. Well, you see how hard it was on papa to be left with a poor little girl among the savages. I do not know just how it was; but when he married mamma Rachael, ever so long after, of course she got an American nurse in New York, who has been with me ever since. I call her my maid now, and won't have any other, French or not—for she's good as gold, and loves me dearly. You will believe that when I tell you our head gamekeeper wanted to marry her—she loved him, too, but wouldn't leave me. Margaret left a sister behind in New York that she was very fond of, and has been pining to see for years. Just before you came she received a letter from London, saying that her sister was there, travelling with some lady connected with the stage, and asking Margaret to come and visit her. Of course, Margaret went, and has been all this time on a long visit to her relative, who came to Europe with the great prima donna, Olympia. It is her adopted daughter that is coming out."

"Olympia. Yes, I saw her in America last year—a wonderfully beautiful creature, in a certain way; but her style of acting is not exactly what I should choose for you, Lady Clara, though her voice is wonderful."

"Oh, it isn't her I care about, but the young lady. Margaret says she is lovely as an angel, with a heavenly voice, but that she is frightened to death at coming on the stage, and begs and pleads with her mother not to insist on it; but Olympia is determined. My heart quite aches for this poor girl. She is about my age, Margaret says, and so beautiful—not a bit like me. I dare say it's true, for I would give the world to be an actress, and have the whole world go mad over my singing. By-the-way, Mr. Closs, do you know that I can sing? Mamma Rachael often says, if I were not a lady, I might go on the stage and beat half the prima donnas; besides, she says, I am a natural actress, and that seems to displease her."

"I think you are a natural actress," said Closs, with a tinge of sarcasm, for this whole subject displeased him, he scarcely could have told why.

"Now you mean to be unkind," said Clara, rising, with a warm flush in her cheeks; "I will not ask another favor of you."

Clara gathered up her embroidery, and prepared to leave the sheltered seat in which this conversation had been held. She certainly was not acting now, for Closs saw that her eyes were full of tears.

"Clara," he said, holding out both hands; "Clara, forgive me."

She hesitated a minute, then set down her basket, and crept close to his side, wiping the tears with one hand, while he clasped the other. Then she snatched her hand away, and held it behind her.

"No—I won't forgive you."

"Not if I persuade Lady Hope to take you up to London for this appearance?"

"Ah, then, perhaps."

"And go with you myself?"

"That will be splendid."

"That Olympia is a magnificent creature. I took supper with her once in New York."

"You, Mr. Closs! You took supper with her?"

"She sang for us that night, divinely."

"And you admire her so much?"

"Very much."

"Mr. Closs, I do not think I care to go. There is no need of your asking Lady Hope—I decline the whole thing."

"Still, I think we will go, Clara, if it is only to show you how much a woman can be worshipped, and yet despised. Yes, yes, we will go and hear Olympia sing."

But Clara was not to be so easily appeased. She gathered up her worsted and embroidery, huddled them together in her work-basket and went away, refusing to let Closs carry her basket, or even walk by her side.

While he stood watching the haughty little thing, a voice from the other side of the cedar tree arrested him. He turned, and saw a face that had once been familiar, but which he could not at the moment recognize.

The woman came forward with a startled look. She was evidently past thirty, and had an air of independence, which he had never seen in an English domestic.

She came closer, their eyes met, and he knew that it was Maggie Casey, the chambermaid who had led him up to that death-chamber, the last time he visited it. She had recognized him from the first.

"Mr. Hepworth," she said, in a low voice: "Mr. Hepworth!"

Closs had almost been prepared for this, and did not allow himself to be taken by surprise.

"You have got half the name right at any rate," he said, quietly; "Hepworth Closs, and you have it complete. You never could have heard it in full, when you lived in New York, I fancy."

"Closs, Closs? No, I never heard that name given to you; but it once belonged to Lady Hope, I remember."

"And of course, naturally belongs to her brother, my good girl," said Closs, with a quiet smile.

"Her brother? Whose brother? Not the Lady that was—"

The girl broke off, and her voice died in a low whisper.

"No, no!" broke in the man, with sudden impatience; "that was a terrible thing, which you and I will be all the happier in forgetting. The poor woman who did it is suffering a hard penalty, if she is not in fact dead."

"Yes, sir, yes; but how came her grandchild here? How came you there?"

"Hush!" said Hepworth, in a voice of command, that startled the woman; "who gave you authority to ask such questions? What can you know about the old woman's grandchild?"

"I know that the young lady who left you ten minutes ago was the little girl they called her grandchild. I saw the coroner holding the poor little thing up to look on the dead lady. I think that lady was her mother."

"And have told her so, perhaps?"

"No; I never did, and I never will. She called the old woman, Yates, grandmother; but I know better than that, for I know where her grandchild is this very minute."

"You know her grandchild?"

"Yes, I do, and a prettier creature never lived."

"You know her, and will tell me?"

"Indeed, I will do nothing of the sort," answered Margaret, for she had thrown off the jaunty abbreviation of her name. "There is something about all this that puzzles me. People that I never expected to see again keep crossing my path like ghosts, and somehow most of them have something to do with that time. Why can't the whole thing rest? I'm sure that poor old woman, Yates, has had her punishment, and I don't want to talk about what I don't understand."

"You are wise," said Closs, whose face had lost all its cheerfulness; "there is no good in even thinking of a dead past, and, as you say, that poor old woman has her punishment. I am glad you have said nothing of these things to my sister, or Lady Clara."

"Why should I?" said Margaret, with shrewd good sense: "what good would it do? In fact, what do I know? I only hope no such trouble will ever come to this house."

"Heaven forbid!" said Closs, fervently, and the two parted.

CHAPTER IV.
THE ITALIAN TEACHER.

Lady Clara was right. Olympia had brought her daughter to London after a professional tour on the continent, not as her daughter. Olympia would not force herself to admit that the tall Juno-like girl, who outshone her in beauty, and rebuked her flippant grace by a dignity at once calm and regal, could, by any possibility, be her own offspring, at least as yet. She had arranged it with Brown that no public acknowledgment of Caroline's relationship should be made, and that she should pass as an adopted child or protege, at least until her success on the operatic stage was confirmed.

Brown had stipulated, on his part, that the girl should receive her musical training in strict privacy, so far as that was possible, and, in no case, should be moved from his personal supervision, a condition that Olympia accepted with delight, for, after a month or two, she began to feel the presence of her cast-off husband something of a restraint, and regarded the quick growth and blooming loveliness of the young girl as almost a wrong to her own ripe beauty. Still she would not loosen her hold as a parent on the girl's life, but still hoped to reap a golden harvest from her talent, and sun her own charms, as they waned, in the splendor of her child's beauty.

With these feelings, Olympia opened her campaign in Europe, and swept a brilliant career from France to Italy, and from thence to Austria and St. Petersburg, leaving Caroline with her guardian and maid, in a village near Florence, where she could perfect herself in Italian and music at the same time.

There Caroline's life really began. They were staying at a pretty villa, terraced up from the banks of a bright little stream, that emptied itself into the Arno, so isolated and lonely, that it was perfect heaven to Brown, who was set down at once as the young lady's father, and to Eliza, who delighted in the chance of rest this arrangement promised.

While in Florence, Brown had taken his charge to one of the best teachers in Europe, who consented to break through his usual rules and give her lessons in the pretty home she had decided on. He would also charge himself with selecting a teacher of the language, who should make her pronunciation of the sweet Tuscan perfect as her voice, which was, in fact, something wonderful.

Some persons were in the musician's room when these arrangements were made, and one of them, a young man, drew slowly toward the piano, like a bird charmed against its will, and listened with rapt attention while Caroline took her first lesson. The girl looked up once or twice, as her voice rang out with unusual power, and unconsciously answered back the warm smile that enkindled his whole face. A musician himself—she knew by the very expression of his dark eyes.

Brown saw it too, and was delighted with the effect of her genius; which he, in his partial affection, deemed transcendent.

"He is a professor, I dare say, or perhaps a great singer," thought the kind old man; "but she charmed him at once."

Brown was confirmed in this idea when the eminent teacher he had consulted fell into a discussion with the man in Italian, which Caroline did not hear, and Brown himself could not understand, but which evidently turned upon Caroline's performance. They were both delighted with it; that was evident from the very ardor with which they spoke. Brown was pleased with all this, but Caroline, perhaps, remembered it with greater interest than he had felt, for the young man's face haunted her long after she was settled in the pretty villa, and had made herself at home among the vines and flowers that turned those terraces into a jungle of fruit and blossoms.

Nothing could be more lovely than the home Brown had chosen, and certainly no place could have been found more completely isolated. The coming of her teachers even became a matter of deep interest to Caroline.

One morning, when her language-master was expected, she went out early and stood upon the lower terrace, looking down the little stream which led to the Arno, as I have told you, impatient for his coming; impatient to know what sort of a person he would prove, and if his society might not break the monotonous stillness of that beautiful place. It was early yet. She had no reason to believe that her new teacher would be there for hours. She felt it very tiresome, walking up and down those terraces and watching the ripe olives drop one by one into the long grass from the branches overhead. The restlessness of youth was upon her, and she longed for some means of leaping over the next three hours, when the new teacher would come, perhaps with a disappointment.

He might be some poor old soul, whose very presence would prove an annoyance. No matter; a disappointment or an annoyance was better than utter stagnation. She wished the new man would come, she wished there was something for her to work at till he did come.

A flight of stone steps fell down to the water from the lower terrace. Fastened to an iron staple sunk deep into the granite, was a little boat swinging by a cable. Caroline's heart gave a leap at the sight.

She ran down the steps, untied the cable, and in a moment was sweeping down the little stream, pulling her oars like an Indian girl.

It was a lovely flow of water, clear as crystal. The sky was mirrored in it softly blue; the sun struck it with arrows of silver, the flowering shrubs trailed down from its banks, and rippled the waters like the lost plumage of a peacock; fruit-laden vines broke away from the olive branches, and dipped their purple clusters in the stream, where they shone out richly—amethysts gleaming through crystal. Everything was beautiful around her. Full of youth and health she gloried in the exercise of rowing; gloried in the sunshine and quivering shadows through which her pretty boat ploughed its way, breaking up pictured trees and clouds, and turning them to foam.

The current was with her, the wind swept softly down stream, bringing a scent of wall-flowers and jessamines with it. The boat shot downward like the shuttle through a web. The water deepened, the stream grew wider; she could hear the broad, free rush of the Arno, a little way off. Still she went on.

It would be glorious, finding herself in the broad river sweeping toward Florence, in her arrow-like boat. Of course she could turn at any time, but not yet.

Something stopped the boat. A wild vine, hidden in the water, had seized upon it, and swept it half around, then a current tossed it forward into a sweeping whirl of waters. She was close by a vortex near the mouth of the river, a ravenous little whirlpool that threatened to swallow her up. The oars dropped from her hands; she seized the sides of her boat and sat still, rigid as stone, white as death. Then a great arrow, or what seemed to be one, shot through the water close by her, ploughing it white with foam. Then a man leaped into her boat, pitching a pair of oars in before him, and holding the cable of another boat in his hand.

He neither spoke nor looked at her, but twisting the cable around one ankle, and setting the other foot upon it further up, seized his oars, and for a minute or two battled like a tiger with the waters.

The boat rocked, wheeled slowly away from the awful danger, then plunged forward with a shock that brought a sharp cry from Caroline's white lips.

"Do not be afraid. The danger is over."

She turned her pallid face, and over it came a flash of recognition. It was the man who had listened to her first lesson in Florence. He recognized her, pale as she was, and slackened his oars—they were out of danger now.

"Am I so fortunate? My pupil! This is a great happiness."

Caroline leaned forward and held out her trembling hands. Words of gratitude were on her lips, but they only trembled there, without utterance. He leaned over the little hands, as they came quivering toward him, but could not touch them, his own being sufficiently occupied with the oars.

"There is nothing to fear now sweet lady," he said, in Italian, which never sounded so sweet to her before. "The danger is wholly past—but it was danger!"

Caroline shuddered; she almost felt those curling waters sweep over her. The sensation was terrible.

"And you saved me?—you, whose face I have seen before so often, so often. It seems like that of a friend."

"Once—only once. I wish it had been a thousand times, if that could lessen your fright."

"Tell me how it was," said Caroline, beginning to recover herself. "I cannot realize it."

"Nor I, sweet lady, it was all so sudden. I saw a boat whirling toward that treacherous vortex, the flash of a blue mantle, the whiteness of an upturned face. What I did, you know. I cannot tell how it was done; did not dream who the person was. Now, I long to fall upon my knees and thank God."

Caroline clasped the hands which had fallen to her lap, bent her head, and unspoken words of thanksgiving trembled in her heart. The man looked upon her eagerly. That gentle glow of devotion gave her face the sweetness of a madonna.

He thought this, and almost dropped the oars, the longing to fall down upon his knees by her side was so intense.

She saw this, understood it, and smiled for the first time.

"I was asking God to forgive me for being grateful to you before I thought of Him."

"And I was asking Him to make me grateful enough for having saved you. Surely that should bring his blessing on us both."

Caroline bent her head, and a sweet smile crept over her lips. Then she bethought herself of the things of this world, and grew troubled.

"But I am taking you from your course. Forgive me!"

"From my course? Not so. It was for this purpose I come. Perhaps you are not informed that I am to make your Italian more perfect than it is, which is scarcely needed."

"You sir!—you?"

She said no more, but her face lighted up, and he saw her hands softly clasp themselves, as if she were thanking God over again. Then his own head bent forward, and he made a great effort with the oars, but it was only to hide the smile that broke over it.

So up the little river these two people went more and more slowly, for the stillness and the beauty were pleasant beyond anything, and both dreaded the moment when this delicious happiness would end. But they reached the steps at last, and there was Mr. Brown and Eliza, on the lower terrace, in great trouble.

They had missed her and the boat. Dreading they scarcely knew what danger, both were anxious to follow her, but they had no means. Thus an hour of keen anxiety had passed, while they stood watching the river.

"There is your father, looking anxious," said the young man. "I hope he has not suffered much."

Caroline did not answer him, but sprang to the steps and ran up them, holding out her hands.

"My child! my dear, dear child!" cried Brown, throwing both arms around her.

He often used endearing terms like this when much affected, and she thought nothing of it, but kissed his face, and kissed Eliza also, who scolded her terribly, as was her habit when disturbed by a sudden fit of tenderness—a state of feeling she was sure to resent.

"Father Brown, this is my new teacher. The professor sent him. He has just saved my life. I have tried to thank him, but could not. You have more power."

Brown and Eliza both came close to the young man; but he shook his head, and tried to evade them. After her tender thankfulness, their gratitude, generous and pure as it was, seemed coarse to him.

"We must begin the lesson," he said, laughing, and drawing a book from his pocket. "This little accident, which was nothing, has made us lose time."

He said this in Italian, which, of course, silenced them; and at this moment the man could say nothing which his companion would not confirm.

Caroline smiled, and went up the steps from terrace to terrace, while he kept by her side. Her color had come back more vividly than ever. The sunshine struck her hair, and turned all its brown to gold. She was dressed like a peasant of the better class, with some scarlet in her blue bodice, and more bordering the bottom of her skirt. Her neck was uncovered, for the blue mantle had fallen off and now lay in the bottom of the boat. It was a becoming dress, but not for her—she was too queenly.

They went into that old stone dwelling, forming one group; but the moment the parlor was reached, Eliza went off to her work, she said—but if any one had followed her, it would have been to a chamber under the roof, where she was upon her knees full twenty minutes, thanking God for Caroline's escape from death.

Then Brown went away, and seated himself in an arbor on one of the terraces, where he was seen once or twice to take out his handkerchief and wipe his eyes, as if the dust troubled him.

The man up yonder, brave as he was, had rather evaded his gratitude; but he knew that God would listen.

Then Caroline took one of the volumes her new teacher had brought, and retreated to a latticed window, which had a cushioned seat in it large enough for two, though I really do not believe she thought of that. At any rate, he did not accuse her of it, even in his thoughts, but went quietly to the window and took a seat by her side, at which she blushed a little, but did not move.

Caroline was very well grounded in her Italian; so, instead of grammars, these young people fell to reading the native poets, and began with Tasso—a course of studies well calculated to produce more results than one; but Brown did not understand Italian, though he was a splendid musician, and repeated it like a parrot. Besides, what did Eliza know about Tasso, Petrarch, Dante, or any of those wild fellows that disseminate love-poison by the line?

When her teacher was ready to go, Brown asked his name. I have no idea that Caroline had thought of it. The young man seemed quite taken aback for a minute, but answered, after that, something that would have sounded like an English name rendered in Italian, had a thorough Italian scholar been present, which there was not.

Well, for three months those young people sat twice a week in the seat in the lattice-window, and read the poets together. Need I say more about that?

At the end of three months Olympia had an engagement in London, and sent for Brown to join her there with his charge.

CHAPTER V.
THE MOTHER AND DAUGHTER IN OPPOSITION.

Of course there is no such thing as arousing all London into a fit of enthusiasm, because millions of people are not moved at the same moment by anything less than a revolution. But the West End, just then, wanted an excitement, and found it in the coming of Olympia. Her style was new, her action a little too free, perhaps, for the high-bred dames of the aristocracy; but they all went, and were amused, shocked, fascinated, and went again, but only to keep the young people, they said, from utter demoralization—the creature really was irresistible.

At any rate, Olympia was the fashion, and drew famously, till a rival novelty proclaimed itself. Then she was horror-stricken by seeing a few empty seats in the house. To Olympia, an empty seat was desolation.

That night Olympia went to her daughter's room the moment she reached her hotel after a late performance. The cloak which she had worn from the theatre still hung about her shoulders. Her cheeks blazed with rouge, her eyes were restless and anxious.

Caroline started up from her sweet sleep, disturbed and almost terrified.

"What is it, mamma?" she said, holding back the hair from her lovely face with both hands. "Is any one ill—Mr. Brown?"

Olympia sat down on her daughter's bed, and drew the cloak around her; not that she was cold, but to show that her resolution was taken.

"No one is ill, Caroline; as for Brown, I know nothing about him. But I come to prepare you; for this week we shall bring you out. In what opera have you practiced most?"

"Bring me out? Oh, mamma!"

The girl fell back on her pillow, dismayed, and clasping both hands, held them out imploringly.

"Oh! I thought you had given it up."

"Foolish child! I never give anything up. Ask Brown."

It was true; that woman never gave up her own will to any one. The possibility of sacrifice or willing concession could not enter her mind.

"But I cannot, I cannot! Oh, mother! think how little I have seen of crowds. To sing before one would kill me!"

"Mother!" repeated Olympia, "how often must I tell you that I hate the word!—an American vulgarism!"

"Forgive me, mamma; it was only because I was so frightened at the idea of singing in public. But I know that you did not mean it."

The poor girl made a pitiful attempt at disbelief, and tried to win acquiescence with a timid smile.

"I not only mean it, but will have no more evasion or protest. When we left New York, you were dying to get on the stage."

"Oh, that was before I knew—before I dreamed—"

"Before you knew—before you dreamed what?"

"That it made one so—so—"

"Well, speak out!"

"So unhappy. Indeed, indeed, I cannot say what I mean; only, I would rather die than put rouge on my face, and—oh, forgive me! I did not mean to make you look so angry!"

But Olympia was angry. The prima donna of a company does not usually bear much opposition, even in trifles, and here Olympia had great interests at stake.

Through the young girl before her she intended to run a second career, and thus crowd the enjoyment of two lives into one.

"This all comes of Brown," she said. "He would have you kept quiet, and out of the world, pretending that society would distract attention from your practice; but it was all an artful plan to keep you to himself. I have not been so busy as not to understand that, let me tell him."

Caroline started up in bed, almost as much excited as the actress.

There was plenty of good honest character in the girl; and, if she appeared timid, it was from delicacy, not weakness.

"You wrong Mr. Brown. There is not a selfish feeling in his heart. What he does, is always done for my good."

"Yes; I suppose it is for your good when he drinks too much!"

There was a sneer on Olympia's lip, an evil spirit in her eye, which destroyed all its beauty; but even this did not make the girl shrink; she only put out both her hands, and turned her head away.

"Oh! how can you?" she cried. "I never saw him in my life when he was not in all respects a gentleman."

"But I have! I have!"

"Ah, madam, it is cruel to say this. Mr. Brown was my friend, my only friend, long before—before you came and took me away from my poor little home. If you could make me think ill of him, would it be kind?"

"But he has been treacherous; he has taught you hatred of the profession which you were so crazy for at one time."

"No, no; it was not Mr. Brown. I saw for myself."

"Yes, the dark side; never in its brightness or its glory. But you shall, you shall."

Caroline lay back upon her pillow and covered her face with one hand. The sight of that beautiful woman, so hard in her resolve, so completely ignoring all feelings but her own, was hateful to her.

"Please let me rest to-night," she pleaded.

"To-night, yes. It is enough that you understand me now; but, after this, I shall expect no opposition. If you are so stupidly ignorant of the power which lies in your own beauty and genius, I am not. So try and come to your senses before morning. Good-night."

The woman went out, with her head aloft, and her cloak trailing behind her, for, in her excitement, she had flung it away from one shoulder, that she might gesticulate with the arm that was free.

Caroline turned upon her pillow and cried bitterly till morning.

Olympia was right. The girl had been scrupulously kept from all society that her freshness might be preserved, and her education completed.

She had been to the theatres, here and there, when some new piece was presented, but it was rather as a study than an amusement; and after a knowledge of the public idol in private life had slowly swept away all the romance of their first meeting, the innate coarseness of this beautiful, selfish woman was not long in revealing itself to the pure-minded girl, who soon began to grieve that she could not love and still admire the mother she had at first almost worshipped. Olympia, who had found it easy enough to dictate to managers, and oppress subordinates, had far different material to act upon when she broke in upon the midnight sleep of the girl Daniel Yates had grounded in the nobility of true womanhood.

The next day, being Sunday, was Olympia's great day of rest and amusement. She slept till long after mid-day, ate an epicurean breakfast in a little dressing-room with rose-tinted draperies, ran lazily over the pages of some French novel, in the silken depths of a pretty Turkish divan, heaped up with cushions, till long after dark; then threw herself into the mysteries of a superb toilet, and came into her exquisite little drawing-room like a princess—say Marguerite of Navarre—ready to entertain the guests, invariably invited on that evening, in a fashion that made her quite as popular in this particular social strata as she was behind the footlights.

From these little suppers Caroline had been carefully excluded up to this time; but the morning after she had left the young girl in tears upon her pillow, Olympia broke into her day of luxurious repose by sending for her agent, with whom she had a rather stormy interview in the dressing-room, from which Brown came out pale as death, but with an uprightness of the person, and an expression in the eyes that no one had ever seen there before.

About an hour after he had departed, Olympia's French maid was seen hurrying up stairs to the chamber which Caroline occupied, and where she stood that moment, just as she had sprung from her chair, with a wild and startled look; for every knock she heard seemed to come from her mother, whose appearance she dreaded terribly that morning. But, instead of Olympia, the French maid came in, with a creamy-white dress of India gauze thrown over her arm, its whiteness broken up by the blue ripple of a broad sash, with a purple tinge in it; and in her hands the woman carried some half-open moss-roses, with a delicate perfume absolutely breaking from their hearts, as if they were the outgrowth of a generous soil—which they were not, however difficult it might be to decide from a first or second look; these French are so like nature in everything but themselves.

The French maid laid these things daintily on Caroline's bed, where the roses glowed out, as if cast upon the crust of a snow-bank. Then, looking upon the girl's magnificent hair, which was simply turned back from her forehead and done in braids behind, she said, with pretty, broken speech:

"I will do it in crimp and puffs, if mademoiselle pleases. With her face, it will be charming."

Caroline drew a deep breath, and cast a half-frightened, half-pleased glance at her maid, Eliza, who stood near by, looking grimly at preparations she could not understand. This was not half so dreadful as the presence she had expected, and the dress was so lovely that she could not keep her eyes from it.

"What is it all about?" questioned staunch America, with a look at France which was not altogether friendly.

"It is," answered the French maid, spreading out her little hands, "It is that madame will have mademoiselle down to her little supper. The evening will be very charming because of mademoiselle."

Caroline glanced at the blush-roses, and her eyes began to sparkle. Then she caught a glimpse of Eliza's face, and turned her glance resolutely away, looking penitent. Eliza knew something of madame's little suppers, but Caroline did not. If bursts of laughter and a soft tangle of voices sometimes came up to her room in the night, she had no means of knowing that the noise was not from the servants' hall, and Eliza would have died rather than enlighten her. Besides, she had nothing absolutely wrong to tell, for some of the first young noblemen in England came to Olympia's little entertainments; and when Eliza heard their names announced she had not a word to say, having lived long enough to attain a reverence for titles.

In fact, it is doubtful if she did not value her charge a little more highly from the fact that she lived in a house where noblemen came and went with such evident sociability.

At first Eliza had darted fiery glances at the robe of India gauze, thinking it a theatrical costume; but when she learned that it was only a dress which would introduce her darling into the best society, from which a selfish mother had rigidly excluded her, she allowed her features to relax, and absolutely smiled on the little French woman.

Then the smile, which had been struggling all the time about Caroline's mouth, broke over her whole face. She could neither keep her hands from the dress or the moss-roses, but touched them daintily, half doubtful, indeed, if they were intended for her.

"If mademoiselle will please," said the little French woman, drawing a low chair before the dressing-table, and taking an ivory brush, carved at the back like a Chinese puzzle, in her hand.

Caroline sat down, smiling in spite of herself. Eliza stood a little on one side, resolved to be upon her guard.

While she was looking, down came that abundant hair in a torrent, tress upon tress, wave after wave, with tinges of gold rippling through and through the brown. The little French woman held up both hands, brush and all, in astonishment, and burst out in a noisy cataract of French, which delighted Eliza all the more because she could not understand a word of it.

But Caroline did understand, and this outburst of genuine admiration pleased her so much that, in a moment, her face was glowing like a whole thicket of roses, and she hadn't the courage to lift her eyes, from fear that Eliza would see how foolish she was to care about what the little French woman said.

Eliza saw all this, but it only made that grim smile broader and deeper on her own face; and when the golden-brown hair was frizzed and rolled, and dropped in two rich curls on that white shoulder, she turned her face upon the French woman and said, "Very nice!" in a way that made the little woman put her head on one side, and nod it half a dozen times, while she answered:

"Yes, I tink so."

India gauze was dropped like a cloud over Caroline's head; the sash of purplish blue was girded around her waist, and bunched up in superb bows behind; then the cloudy stuff was gathered up in drapery from a silken under-skirt, tinted like the sash, and fastened back with clusters of the moss-roses.

This completed the toilet. No jewels were there, not even a string of pearls, though Olympia had ropes of them; and Caroline rather sighed for their completeness when she took a full-length view of herself in the mirror, as foolish girls will, who never learn the value of simplicity and freshness until both are lost.

Then the little French woman went away to Olympia, giving Caroline plenty of time for reflection. The first thing the girl did was to look shyly at Eliza, who pursed up her lips, and did her best to keep from smiling. Then she took courage, and said:

"Eliza."

"I hear," answered the grim hand-maiden.

"Eliza, do you think he would know me in this dress? Or, if so, would he like it, as he did that dear Italian costume?"

"I don't know," answered Eliza. "Them Italians have queer notions about dress. Now, for my part, them short skirts and low-necked waists did well enough for common-sized girls; but you're too tall, and carry your head too high, for anything but a skirt that sweeps out and puffs up like that."

"Still, I shall always like the dear old costume, Eliza. Oh, what a happy, happy life madame broke up when she sent for us!"

"Yes, I suppose so. You seemed to enjoy it; and as for that young fellow, what with his boating on the river, his shooting birds—which I hate—on the hills, and his lessons—well, really, he might about as well have lived with us."

"Oh! Eliza, shall we ever be so happy again?" cried the girl, kindling up with bright memories.

"Not just in the same way; real folks never are. But I suppose people have a pretty equal share of the good and bad things of life, as they go along. Now I haven't an idea but that the young fellow thought all was up with him when he got the letter you left at the house."

"I should not wonder," said Caroline, and her bosom began to heave with an after-swell of the indignation which had stormed it, when she left Italy at an hour's notice. "It was a cruel thing. I never will forgive you or Mr. Brown. A few hours would have made no difference, and he was coming the next day."

"What then? If he was a teacher, Mr. Brown left his money, with two months' overpay."

"His money!" repeated Caroline, with infinite scorn.

"If not money, what did he come for?" questioned the hand-maiden, sharply.

"Eliza, you shall never think that—it degrades him and me. He never touched—he never thought of money. If Mr. Brown left it, as you say, I am sure he felt insulted."

"Then what did he come for?" inquired Eliza, with dry emphasis.

"Because—because he loved me, and could not live without seeing me, because I—I—"

"Loved him," said the maid.

But Caroline had broken down wholly with this first passionate confession. The poor girl sank to a couch, flushed all over with such shame as only a woman of fine sensibilities can feel for that of which she has no reason to be ashamed at all.

"Oh! Eliza, how can you be so cruel?" she exclaimed, dropping her hands, and revealing a face of crimson, wet with tears. "I never meant to keep it from you."

"Of course, you never meant it, and you didn't do it, which is more. You supposed I didn't know. Men may be blind as bats—they usually are; and our Brown is worse than the commonality. But trust an old maid for spying out a love secret. It's like exploring a strange land for her, you know. Lord! Miss Carry, you can't keep a secret from Eliza Casey; but then, why should you? Isn't she bound to be your staunch friend forever and ever?"

These words opened a new source of anxiety to the really unhappy girl, who forgot her love-shame, and plunged at once into a new subject.

"Oh! Eliza, if you could help me. Madame is determined. That is, she wishes me to go on the stage."

"Well, you have been told that from the first."

"I know—I know; but it seemed so far off then, like death, or any other evil that you know will come, but cannot tell when. But now she says it must be at once. Oh! Eliza, I never can do it. The very fear of it makes me shudder."

"But why? I remember, when we first came out here, you had no other wish but to be like her—your mother, I mean. Like her! I would rather see you dead!"

Eliza muttered the last words under her breath, and Caroline only heard the question.

"Yes, I know. Everything seemed so bright then—she brightest of all; but I was getting to shrink from it before we went up to that dear little villa, and since then it has seemed like death. Oh! tell her this, Eliza, and beg of her to let me be as I am."

"But shall I tell her all, and say that is the reason?"

"No, no, no! You may think it. Mr. Brown may think it. That is like myself having a secret; but do not tell her for the whole world."

"Tell her! Well, well, I aint likely to; but if she is set upon it, what can I say? Madame is not a woman to give up her plans, and you have got such a voice! Sometimes I think it would be splendid to see you taking the wind out of her sails."

"But it would kill me!"

"Poor thing! Well, never mind—I will stand by you, right or wrong; but this will be a tough battle. Tell me, though, did that young fellow have anything to do with setting you against the profession?"

"There it is, Eliza. He never knew that I thought of it, and used to speak of female performers with such careless contempt, as if they were ten thousand degrees beneath him."

"And he only a teacher!" said Eliza, lifting her head in the air.

"And he only a teacher; but so proud, so sensitive, so regal in all he said or did. Oh! Eliza, if he knew that Olympia, grand, beautiful, and worshipped as she is, were my mother, I fear he would never care for me again."

"Why, how on earth could you help that?"

"I could not, and it would be wicked to desire it. But, Eliza, I ought to have had the courage to tell him, and I put it off. Every day I said to myself, the very next time he comes, and at last you know how it was. I had no chance, and now I may never see him again. He will always think me Mr. Brown's daughter, and I shall feel like an impostor. I cannot help this; but to go on the stage, when he has said so much against it, that I will not do, unless forced there by my mother's authority."

"Well, as I said before, I will stand by you, right or wrong; and so will Mr. Brown, I know. I only wish he was your father."

"He could not be kinder if he was," said Caroline.

Just then the door opened, and Olympia's French maid looked through.

"Madame is in the drawing-room, and waits for mademoiselle."

"I will come! I will come!" exclaimed Caroline, breathlessly, and she hurried down stairs.

CHAPTER VI.
SOME OLD ACQUAINTANCES GET INTO A CONJUGAL DIFFICULTY.

Lord Hope had a house in Belgravia, that could always be made ready for the family at a day's notice. So Rachael, who could refuse nothing to her brother, sent up her steward to make preparations one day, and followed him the next with Lady Clara and Hepworth Closs; Margaret Casey and other servants in attendance, of course.

These persons reached London on the very Saturday when Olympia was stricken with dismay by finding an empty seat or two in her usually well packed houses. When this discovery first broke upon the prima donna, Hepworth Closs was sitting quietly in the pit, where he found himself, as if by accident. They had reached town only in time for a late dinner, when the ladies, being greatly fatigued, proclaimed their intention of retiring early, which was, in fact, casting him adrift for the evening. Being thus let loose upon the world, he very naturally brought up at the opera, and was seated so near the stage that his eyes more than once caught those of Olympia, who gave him one of those quick glances of recognition, which seemed aimed at the whole audience, but hit only one person.

"I beg your pardon, sir, but isn't she a stunner!" said a voice, as the first act closed. Hepworth might not have recognized these words as addressed to himself, but for the weight of a large hand which was laid on his arm. As it was, he turned promptly, and encountered a stout, heavy man, handsomely dressed, but for a massive gold chain which passed across his bosom into his vest pocket, and drooped in glittering lengths far down the rotundity of his capacious person, and a large diamond that blazed on his plaited shirt bosom. From the chain and the diamond, Hepworth's first thought was, that the person must be some Californian or Australian acquaintance, belonging to his old mining days, but the man soon set that idea aside.

"You don't happen to remember me, Mr. Hepworth, but I knew you at the first sight. Ask my lady here. Didn't I say, Mrs. Stacy, that gentleman with the coal-black mustacher, and them splendid eyes, is Mr. Hepworth, if ever I set my two eyes on Mr. Hepworth, which I did many a time, when he used to come to Forty-third street?"

Hepworth started. Forty-third street! Was he to be forever haunted by the place and people connected with that awful tragedy? Why was this? The guilt was not his, yet he could not feel himself near any person, however remotely connected with it, without thrills of dread.

The man had been talking on, but Hepworth heard nothing at first, he had been too painfully startled; when he did listen, these words fell on his ear:

"That was an awful affair, Mr. Hepworth; most people was astonished, but I never was; always had my suspicions of that old woman; believe she robbed the house of lots and lots of things, after the lady was dead; in fact, am sure of it. Mrs. Stacy here is of my opinion. There was a girl in the house—perhaps you remember her, sir—Maggie we used to call her; she and the old woman Yates was thick as thieves, and both laid their heads together. It wasn't for nothing, let me tell you; their nests were feathered, you may believe. There never was a sharper girl than Maggie Casey."

"She was just a forerd, imperdent cretur as set her cap at you like a fiery draggon," broke out the woman, who occupied a seat by the stout man, and was evidently his wife; "a cretur as I wouldn't wipe my shoes on, after a long walk—no, not if she'd give me fifty pair for doing of it."

"I am not saying anything to the contrary, my dear, am I? That girl was after me sharp enough, but I never encouraged her. Mr. Hepworth can satisfy you on that point, my own Harriet, for I remember, as if it was yesterday, he and I talking about it the very day afore that murder, and we both agreed that her conduct was scandalous."

Hepworth shuddered. How well he remembered that artful conversation. How hideous it appeared to him now.

"But I don't think Mr. Hepworth remembers us for positive, even now," said the woman; "just look in my face, young gent, and say if you do."

"Harriet, my dear, isn't that a little, just a little, promiscous?" said the husband, as a broad, red face, with a pointed nose, turning up in the centre, and two small leaden blue eyes looking across it, was bent forward, and challenged Hepworth's inspection. "Remember, things have changed since we knew this gentleman."

"In course they have changed, and I haven't no doubt that is just what is a puzzling him now; but when I ask Mr. Hepworth if he remembers the first punken-pie he ever eat in his born days, and who made it, he'll be sure to remember Harriet, and I ain't ashamed to say that I am her, if I do wear an Injur shawl, and if that diment in your bozzom is a flashing right in his eyes. Self-made men, and women too, mayn't be of much account in England, but in New York, the aristocracy are always a trying to make out that they were born next door to the alms-house, and started life with just twenty-five cents in their pockets, so you and I needn't be ashamed."

Hepworth was not cosmopolitan, and managed to get the truth out of this confusion of cockney, Irish, and Yankee dialect. In fact, at the first moment, he had recognized Matthew Stacy and Harriet Long in the persons who claimed his acquaintance, and they stung his memory like a nest of serpents.

"You'll be glad to know," said Stacy, "that Harriet has been, in all respects, up to the 'casion whenever I've made a rise in the world. There's smartness in that woman, I can tell you. When I was elected alderman of our ward, she just went into the saloon and dealt out licker to my constituents with her own hand. There is no telling the number of votes she got for me by that perseeding. You'd be astonished."

Here the curtain went up with a rush, and Stacy could only make himself heard by sharp whispers, which reached Hepworth in fragments, when the music sank lowest.

"Got into a first-rate thing. Mayor with us—street contracts—cut through, widened—got hold of a dead charter—revived it—stock went up like winking—kept the Irish vote of the ward in my fist—no counting the presents that woman got. I never took one, of course; such a woman!"

Here Olympia's voice swept through the house, with an outpouring of melody that brought the audience to its feet, but when the tumult subsided, Hepworth found that the man had been talking on and on, with an under-tow of political gossip, that reached him in words at last.

"They wanted the Legislature, which wasn't to be had without money, you know; two or three men had been seen—nothing less than a hundred thousand would do it. I was president of the board, went up myself, saw the members, who sent me to their confidential men—jackals we call 'em, ha! ha!—got it done for sixty thousand—said nothing, but divided the rest—jackals got twenty, the other twenty—you understand. She got an Inger shawl out of that operation, the very one she has on."

"No, it isn't nothing of the sort. This one was the other," whispered Mrs. Stacy, holding up a corner of the magnificent shawl she wore.

Hepworth turned and gazed upon the shawl until his face grew white as death, in the gaslight. The very sight of that rich garment made him faint.

The mistake he had made had a silencing effect upon Stacy too. He had no wish that the history of that garment should be produced, and when his wife was about to speak, silenced her at once.

"My dear Harriet," he said, "how often have I told you that talking at a theater or the operer is awfully vulgar. I wonder you can persist in it, and Mr. Hepworth by. Just listen to that music! Haven't you no taste? If you haven't, just take a look around the boxes. That young feller there is the Prince of Wales."

Mrs. Stacy took a mother-of-pearl opera glass from her lap, and obediently turned it upon the royal box.

Before the performance was over, and while Hepworth was drawn back, in spite of himself, to the most painful scenes of his life, an usher came down the nearest passage, and put a little twisted note into his hand. It was from Olympia, inviting him to supper the next evening.

Hepworth crushed the pretty missive in his hand, while he turned to send a verbal refusal, but the usher had withdrawn, and he had no other way of sending a reply that night.

The opera was at its close now, and Hepworth left the house, irritated and restless. Could he find no place in which this miserable past would not haunt him? He had hardly made his way through the crowd when his arm was seized, and Stacy almost wheeled him around on the pavement.

"My dear sir, this way. Mrs. Stacy is already in the carriage. Of course we would not ride and let you go afoot. Have been a poor man myself once—needn't deny that to you. Know what it is to keep up a show without capital. But no old friend of mine shall go afoot while I have the wherewith to pay for a carriage, and an empty seat in it. Shall set in the back seat with Mrs. Stacy, upon my soul you shall, and that's an honor I don't offer to every man. Now just tell me where you are putting up."

Hepworth laughed, in spite of his annoyance. The patronizing fussiness of the ex-alderman struck a keen sense of the ridiculous, which was strong in his character.

"If you insist," he said. "But you are too generous."

"Not at all, not at all. When Alderman Stacy does a thing, he does it handsomely. This way, this way!"

Hepworth seated himself in the carriage where Mrs. Stacy squeezed herself in one corner, and gathered up her skirts to make room for him, and Stacy had his foot on the step, when a new poster, just placed at the door of the opera house, struck his attention, and he stepped back to examine it.

"'First appearance of a young American, a protege of Olympia.' Just read that poster, Mr. Hepworth, and tell me what you think of it," he said, lifting himself into the carriage. "Mrs. Stacy, my dear, just look that way, and tell me if you can guess who it is that will make a first appearance Monday night? You know that young lady, and so does Mr. Hepworth. Now, make a guess."

"How can you?" said Mrs. Stacy. "You know, Matthew, dear, I never was good at conundrums and such like."

Matthew puffed himself out with a deep, long breath, and clasping two huge hands encased in flame-colored gloves on his knee, leaned toward Hepworth.

"You try, now."

Hepworth shook his head, and Stacy burst out with his mystery.

"It's the identical child that was brought up at the inquest in Forty-third street—Daniel Yates' little daughter."

"No!" exclaimed Mrs. Stacy. "That little creature?"

"It ain't nobody else—you may bet high on that, Mrs. Stacy."

Hepworth kept perfectly still, but his heart fairly stopped beating.

"But how did you find out, Matthew, dear?"

"Oh! we aldermen find out everything. The girl was brought up in the country, near Sing-Sing, in a cedar-post cottage that the executor wanted to raise some money on. I went up to see it, and had a good look at the girl. Yes, my dear, she was, to say, very handsome, but proud. Daniel Yates had brought her up like a queen, and I give you my word she looked it; but there was no mistake about it. The executor had just gobbled up everything Yates left, and there was no one to look after him, so that the girl was just nowhere financially. I found out that the cottage could not be sold or mortgaged, nor let either, according to law, though the executor tried it on hard, and came again and again about it, especially after she left it. So I found out everything about the girl. That primer donner took a fancy to her, and adopted her right out of hand because of her voice, and to-morrow night you can both of you see her, for I mean to have a box up among the British arrestocracy that night, and I invite you both free gratis for nothing."

"Are you sure of this?" questioned Hepworth, who had not spoken till now.

"Just as sure as I am that Alderman Stacy sits before you. But if you don't believe it, ask the girl yourself. I mean to call on her, and Mrs. Stacy will do likewise. You can go along. That is, we will call, if she comes out first chop on Monday night."

"Mr. Stacy," said the superb matron in the back seat, drawing herself up with wonderful dignity, "I don't mean to put on airs nor nothing because I'm your lady and richer than some folks, or Mr. Hepworth wouldn't be an honored guest in this here carriage; but I must set my foot square aginst actresses and primmer donners—in short, theatre-clers in general."

"Just you hear that," said Stacy, looking at Hepworth. "Isn't she coming it down strong, and lifting of her head high?"

"It isn't that, Mr. Stacy, but because I am a wife and a—a woman—that I feel called upon to stand between them creturs and the sect. Pay them your money, Mr. Stacy—pay them any amount of money from the front—but nothing beyond that, Mr. Stacy!"

"Oh, humbug," said Mr. Stacy; "that is putting it too strong, Harriet—as if I couldn't pay money or not, just as I please."

"It isn't humbug, Mr. Stacy, but a question of benignant morality, which it is every woman's duty to take up and hurl back, till she totters on the brink, martyr-like, between heaven and earth! Don't you think so, Mr. Hepworth?"

"Did you ever hear anything up to that?" exclaimed Stacy, swelling with pompous satisfaction. "Harriet is the sort of woman that a man of substance can depend on, morrerly, financierly, and—and—. Not that I'm going to give in, you know; but it's satisfaction to know that your money has lifted such a person into her proper spear."

"That's very kind of you, and I feel it, Stacy, dear; but when you speak of lifting me up with your money, who was it that owned the first five hundred dollars you, or me, Mr. Stacy?"

"Harriet!"

"It's no use thundering out my baptismal name against me, Mr. Stacy, for that's a thing I won't bear at no price! Truth is truth, Mr. Hepworth, and rich as that man is, rolling over and over in gold, like a porpose in salt water, it was my five hundred dollars that did it! Let him say if I didn't own that much?"

"But didn't I marry you, and then didn't you own me? Would you set down good looks, financial ability, and moral character A number one, at five hundred dollars, and you—"

What was coming next Hepworth was destined never to learn, for Mrs. Stacy, overcome by a fit of conjugal remorse, leaned forward and placed one substantial hand in the flame-colored glove of her husband.

"Matthew, forgive me! I didn't mean it. That mention of the primmer donner and her protager upset me; but I am your wife yet, Stacy, dear—your true and lawful wife—just as ready to travel with you into every tropical climate of Europe as I ever was."

Stacy would not clasp his flame-colored fingers around that hand, but let it drop with ignominious looseness, while he drew a handkerchief from his pocket and buried his face in it.

"Harriet! Harriet! you have hurt my feelings, mortified my—my manhood before an old friend!"

It was in the night, the carriage was close, the lamps dim, and Hepworth only knew that there a heap of drapery launched itself into the front seat, that a voice came from the midst, saying:

"Oh, Matthew! Matthew!"

Then the white handkerchief dropped like a flag at half mast, and the reconciliation was complete.

CHAPTER VII.
THE OPERATIC SUPPER.

"Indeed, Mr. Closs, I insist!"

"But, my dear child, I have no particular desire to go."

"That is because you think that I care about it. Why should I? In fact, it is unbearable that you should have the idea."

Hepworth Closs had in all loyalty told Lady Clara of the invitation he had received from Olympia, and, instead of resenting it as he expected, she met his vague desire more than half-way—one of the wisest things any woman can do, for half the sins in the world are committed because they are forbidden; not that this young girl knew of the wisdom. With her, it was half pride, half bravado; she was indignant that Hepworth should think of going—more indignant that he should have refused the invitation at once, without telling her of it.

The result was, she insisted on his accepting it, though her heart was burning with jealousy all the time.

Closs, as I have said somewhere, had learned many things in his travels; but in Japan and the frontier countries of America girls like Clara had not often come under his observation, and he was far too deeply in love for a cool examination of her character or actions.

So her impulse of unbounded generosity deceived him utterly, and having some shrinking curiosity regarding Daniel Yates' daughter, he resolved to accept Olympia's invitation.

Of course, Clara found a dozen absurd reasons for quarreling with him that day, not one of which seemed to relate to Olympia; yet that beautiful woman was the root of them all, if Hepworth could have understood it.

But he only comprehended that every room in that sumptuous dwelling was dull as a wilderness on that particular Sabbath day. Rachael kept her room; Clara would not make herself agreeable; and he felt it a relief when night came and took him to the little bijou of a mansion where Olympia was waiting the advent of her guests.

Hepworth had seen this woman in New York, and knew something of the fantastic elegance with which she could surround herself; but the house he entered surpassed anything he had ever seen in that republican city.

Nothing sad or even grave in art or nature was ever permitted to visit the Queen of Song in her own home. Her servants were expected to be smiling and cheerful. There was not a sombre corner in her dwelling.

The very hall was a marvel of art; statuettes of snow-white marble, airy and graceful as stone could be chiselled, seemed ready to escort the guest into the unique drawing-room beyond.

Delicate bric-a-brac occupied gilded brackets on the walls, or crowded the statuettes upon the floor; a laughing faun held back the silken curtain that concealed the entrance to that inner room where the goddess herself presided; a soft mellow light fell upon these treasures, making their beauty still more exquisite.

A servant in silver and blue livery admitted Hepworth, and pointed to the faun, who seemed inviting him forward with a fantastic gesture.

The servant disappeared, his duties ended when the outer door was opened.

Those who visited Olympia were supposed to know their way to her presence. Hepworth lingered a moment in the hall. Those beautiful marble people seemed enticing him to stay, and, for the instant, he felt an unaccountable reluctance to present himself before the actress; a feeling of humiliation came upon him that he should be willing to visit any woman whom the lady of his love could not meet on equal terms. What right had he there?

This question was almost upon his lips, when a silken rustle made him hold his breath. It was a young girl, tall, stately, beautiful, coming down the marble stairs. He was standing near the centre of the floor, but drew back, step by step, as the girl descended, turning white and cold, as if there had been some wrong in his admiration of an antique group in bronze, which occupied a bracket on the wall close by him.

The girl paused, looked toward him, and, after a little hesitation, crossed the hall.

"Permit me to show you the way," she said. "The servant should not have left you so."

Hepworth did not speak, but stood gazing upon her blankly. Her beauty had struck him dumb.

She made a little gesture with her hand and moved on. He followed, without a word, by the marble faun, through the lifted curtains, and into the presence of Olympia, who was walking up and down the Gobelin carpet, with the light of a Venetian chandelier falling over her.

She was becoming impatient for the arrival of her guests. Yet the room seemed peopled fully; for, on every hand, mirrors that seemed framed in a network of gold, threw back and duplicated the group that stood there, the rich coloring of the draperies, two vases of Malachite and Sevres, the gifts of emperors, and the carpet, where masses of blossoms seemed starting into fresh bloom, wherever a footstep trod them down.

"Mr. Hepworth!" cried Olympia; "my good American friend! This is a happiness!"

Hepworth bowed over the white hand she held out; but did not kiss it, as she might have expected, being used to all sorts of homage.

She looked at him in pleasant astonishment, dropped her hand with a faint laugh, and turned to the young girl.

"Caroline, you have never seen Mr. Hepworth, I think."

"Closs, Hepworth Closs, dear lady; you forget."

"Do I? Well, it is very likely, though, I am sure, we always called you Hepworth; but that's nothing; in our Bohemian set we generally preferred the given name, and sometimes only took half of that. Ah, ho! here come our friends at last!"

The curtain was flung back, revealing what seemed a crowd in the hall, which soon came forward, with little ceremony, and some rather riotous noise.

Olympia was in her element now. Heart and soul she loved society, and all these persons were picked people of her own choice—brilliant persons in their various capacities, each bringing a store of wit or some accomplishment to swell the general gaiety. Artists, dilettanti noblemen, epicures, and persons who would have accompanied Orpheus in all his explorations for the music he could give them.

Of course, there was high mirth and some sparkling wit among a group like this, in which several females mingled brilliantly, and sang like sirens after Olympia had set them the example. These were professional, of course, but wonderfully clever, and talked charmingly, as women who are reckless of criticism usually do; but in all that was said, a certain vein of doubtful license sometimes brought the color to Caroline's cheek. She could not thoroughly understand the conversation of these people. They seemed to have come out of another world to astonish and bewilder her. She knew that some of the men present were noblemen, and saw that their manners, and even the tones of their voices, changed when they addressed her.

From the secluded life she had led, this girl was incapable of making quick comparisons. She only knew that none of these men possessed the gentle tenderness or the proud bearing of the teacher, who had become to her a beau-ideal of true manhood. Of all the men present she felt the most sympathy with Hepworth Closs. He had been in America, had known the places she loved so well, and could understand her loneliness in a scene like that; but there was something even in this man that startled her a little.

His fine eyes were frequently lifted to her face with a look that troubled her, a look that seemed to go beyond her and far away into the past or future. What was he thinking of? Why were his answers about America so dreamy and vague? Why did he look so sad while the voice of Olympia was filling the whole house with such glorious bursts of music?

Before she could answer any of these questions, Olympia arose from the piano, and, with a light wave of her hand, said:

"Come, Caroline, let them hear what is in your voice."

How careless and natural it all seemed! What a tumult of smiles and entreaties followed these few caressing words!

They were words of iron to that proud, shrinking girl. She knew how much of stern, selfish power lay under the peach-like softness of that voice. Her color went and came; her lips parted in absolute terror. She understood now why she had been permitted to join her mother's guests for the first time.

"Come, my darling!"

Olympia's voice grew softer, sweeter; but there was an undertone in it that Caroline dared not disobey. She arose, white and cold, her limbs trembling, her eyes turned upon Olympia like those of a hunted doe appealing for its life; but there was no relenting in that beautiful face—nothing but smiles.

Hepworth Closs saw how cruelly the proud girl suffered, and was by her side in an instant. The firm clasp of his hand, as he led her to the piano, gave her strength. She thanked him with a look, and those frightened eyes implored him to stay by her, as if he were the only friend she recognized in the room.

It must be a terrible fright that can entirely overcome real genius.

The first notes of Caroline's voice trembled out from her lips like the cry of a young bird when it first tempts the air. The intense stillness with which the little group listened, took away her breath. But all this passed away; her voice gathered up its tones and swelled into a power of music that Olympia, in her best days, had never reached. She forgot the people around her—forgot everything but the glorious genius which thrilled her whole being with ecstasies of harmony. The nightingale, nested in clustering roses and bathed with moonlight, never poured forth its song with a sweeter impulse.

At first it was the desperation of genius, but that soon merged itself into an exquisite power that held her little audience in amazement.

Olympia grew restless. Had she, with her own hands, given her crown and sceptre to another? How superbly beautiful the creature looked with that glow of inspiration on her face! How her own devoted adorers crowded around the piano, leaving her on the outskirts of the crowd quite alone!

The woman's self-love and most active vanity were disturbed; but above that rose another passion that had of late years grown strong within her—avarice. She recognized the sure ring of gold in those notes, and exulted over it.

As Caroline turned from the piano flushed, and, as it were, inspired by a new life, a little storm of bravos broke over her. Just then the supper-room was thrown open; but even the exquisite picture it presented failed to draw the crowd from its new idol.

But Caroline was falling back to her normal state, and all this tumultuous admiration terrified her.

This annoyed Olympia, also. She made a signal to the servant who stood waiting, and his announcement, in a loud voice, that supper was served, broke up the crowd which held Caroline prisoner.

Olympia led the way into the most superb little supper-room that even an artist could imagine. It was, in fact, a temple, connected only by one compartment with the house.

A shallow dome, with ground glass, through which a tender light shone like sunbeams through sifted snow, by a gilded network over ground glass, which also reflected hidden lights like a chain of clouded stars.

This gallery was connected with the floor by slender marble shafts, around which passion flowers, white jessamines, creeping dwarf roses, and other clinging plants wove their blossoms up to the lighted gallery, whence they fell in delicate spray, forming arches of flowers all around the room.

The recesses thus garlanded in were lined with mirrors, in which the crimson cushions of couch and chair, the splendid supper table, with all its rich paraphernalia of frosted plate, sparkling glass, translucent wines, and fruit in all its mellow gorgeousness of coloring were reflected over and over again.

When that gay crowd came into the room, led by Olympia, every recess seemed to fill with its own merry company, and in each that handsome prima donna presided like a goddess; while the tall figure of a proud, beautiful girl sat near, looking strangely wild and anxious as a loud, bacchanalian spirit broke into the scene, and turned it into a revel. Amid the gurgle of wine and the mellow crush of fruit, some one called out:

"Fill up! fill up! A bumper to our new Queen of Song!"

With a half-suppressed shout and a waving of glasses, the party sprang up, drops of amber and ruby wine rained down to the table from a reckless overflow of the uplifted goblets.

Every recess gave back the picture with endless change of view; and then the voice called out again:

"To-morrow night we will show her how England can receive American genius and American beauty. Lady, we drink to you."

To-morrow night! Every vestige of color fled from that poor girl's face. She attempted to rise, supported herself with one hand on the table a moment, then in the midst of that riotous toast, sank back to her chair, with her face turned imploringly on Hepworth Closs.

When the revellers had drained their glasses and turned to look for a reward in the face they had pronounced divine, it had disappeared. Amid the confusion, Hepworth had led Caroline from the room.

"It is too much for her," said Olympia, tossing half a dozen peaches on the table in her search for the mellowest. "She is such a noble, grateful creature, and has not yet learned how to receive homage."

"While our Olympia almost disdains it. Fill up for our goddess, The Olympia!"

"Wait a minute!"

It was the young noble next the actress who spoke. He had taken some grape-leaves from a crystal vase near him, and was weaving the smallest amber-hued and purple clusters with them in a garland, with which he crowned the goddess before her libation was poured out. She accepted the homage, laughing almost boisterously, and when the grape-wreath was settled in her golden hair, stood up, a Bacchante that Rubens would have worshipped; for it made no difference to her in what form adulation came, so long as she monopolized it.

That moment Caroline was lying upon her bed up-stairs, shaking in every limb, and crying in bitterness of spirit.

CHAPTER VIII.
BEHIND THE SCENES.

Olympia had selected an auspicious time for the first appearance of her protege, as she always persisted in calling Caroline.

It was the fashion just then to recognize American genius with something like enthusiasm, and the very suddenness with which this young girl had been brought forward operated in her favor.

A glowing account of her voice and beauty had reached the public just at a time when no special excitement occupied it, and this served to draw a crowd around the opera house long before the hour of opening.

On the outskirts of this crowd, the carriage which contained Olympia and her victim—for such the heroine of the evening really was—made its way toward the stage door. Olympia leaned out of the window, and cried exultingly:

"Look, child, look! Hundreds of people waiting already!"

Caroline cast one frightened glance at the crowd, and shrank back with a faint moan.

Just as the audience began to pour in through the opened doors the carriage drove up to the stage entrance, and Olympia took a leap from the steps and held the carriage door open with her own hand, while Caroline descended more slowly. The light from a neighboring lamp fell upon her face, and revealed the tears that stood upon her cheeks, and a half rebellious look in the eyes, which Olympia saw, and met with angry bitterness.

"Crying again? Shooting spiteful looks at me, as if I were a monster, instead of a tender, considerate, self-sacrificing mother, ready to share everything with you, even my glory! Was ever such ingratitude?"

Caroline did not answer, but walked into the narrow door, and stood upon the dreary stage, panting for breath, like some superb animal from the wild woods, hunted down, and without hopes of escape.

"This way—come this way," said Olympia, taking hold of her arm. "Perhaps you will remember that we are late. The audience was crowding in like a torrent when we passed the door. Come!"

Caroline allowed herself to be led along the stage, through yawning vistas of scenery ready placed for use, and along dark passages, until she came to Olympia's dressing-room, in which a blaze of light was reflected by half-a-dozen mirrors, and fell like sunshine on a pile of gorgeous vestments laid out for her use.

Caroline shrank back with a faint, sick feeling. Oh, how everything had changed since she was so fascinated by a scene like that! Her delicate, proud nature revolted from the splendid confusion. From her very heart she loathed the sumptuous garments with which Olympia had hoped to tempt her.

"Is there no hope?" she cried, desperately. "I would rather suffer anything than undertake this part!"

"Hope? Yes, there is everything to hope. The house is crowded already. There never was so fine an opening. Come, make ready!"

"Not if I have the power to resist."

She spoke in a low but resolute voice, which frightened Olympia, who stood gazing at the pale young face turned upon her with a frown of terrible anger gathering on her forehead.

"Caroline, you cannot resist. My word is given, the contract signed, my honor pledged. Would you disgrace me forever?"

"Your honor pledged, and I belong to you," said the girl. "I see, I see—there is no escaping! It is my miserable destiny!"

Caroline took off the cloak in which she was wrapped, flung down all her magnificent hair, and seated herself before one of the mirrors.

"Do with me as you please," she said, turning a weary glance upon the mirror. "It may be my death, but you will have it so."

The next moment that unhappy girl found herself in the hands of a clever French maid, who fairly revelled in her task, as she shook out that rich mass of hair, and held it up for the light to shine through. But Caroline took no heed. The toilet only reminded her of that most hideous one when Marie Antoinette was prepared for the scaffold. For the moment she almost wished it possible to change places with that unhappy woman.

But the French waiting-maid went on with her work, while Olympia stood by, directing her.

Not till she felt a soft touch on her cheek did the girl rebel. Then she started up, and, pushing the maid away, rubbed her cheek with a handkerchief so resolutely that the maid clapped her hands, declaring that it was enough—no roses could be more lovely.

Then she fell to her task again, muttering to herself:

"Oh, it will come in time! Youth is so satisfied with itself. But it all ends in that."

Here the maid nodded toward a tiny jar of rouge, as if to encourage it, and went on with her task.

"Now look at yourself!" said Olympia, tossing aside some garment that had been flung over the swinging-glass. "What do you think of that?"

Caroline looked, and saw a beautiful woman, with sweeping garments of rose-colored silk, and a cloud of frost-like lace flung over her head and trailing down her shoulders. Splendid jewels—whether real or false, she did not care to ask—twinkled like stars through the lace, both on her head and bosom. The pictures thus reflected were beautiful, but stormy.

Olympia saw that the rebellious spirit was but half subdued.

"What can I do?" she said, in her perplexity, addressing the maid, who lifted up both hands and shook her head as she answered:

"Ah, madame! if a toilet like that fails, who can say?"

"I will send for Brown. She will listen to him," said Olympia, driven to desperation. "With that spirit, she will never get the rollicking air for her first act."

She went to the door, and found the teacher lingering near, restless and anxious almost as herself.

"Brown—I say, Brown—come in! She is dressed, but so obstinate! If she were about to play Norma, it would be worth everything, but in this part—! Do come in, dear Brown, and get her up to the proper feeling."

Brown entered the room in absolute distress. He would gladly have kept that young creature from the stage; but having no power to aid her in avoiding it, was nervously anxious that she should make a success.

Caroline turned to him at once, and came forward with her hands held out.

"Oh, Mr. Brown, help me! It is not too late. Let them say I am sick. Indeed, indeed, it will be true! She can take the part, and leave me in peace. Ask her, beg of her; say that I will go into her kitchen, be her maid, go out as a teacher—anything on earth, if she will only spare me this once! Ask her, Mr. Brown. Sometimes she will listen to you!"

Brown held both her hands. They were cold as ice, and he felt that she was trembling all over.

"My dear, dear child! I have pleaded with her. I have done my best."

"But again—again! Oh, Mr. Brown, do!"

Brown drew Olympia on one side, and entreated her to give the unhappy girl more time; but he knew well enough that he was asking almost an impossibility—that the woman had no power to grant that which he implored of her. In her arrogant power she had pledged that young creature, body and soul, to the public. How could she draw back, when the crowding rush of the audience might now be heard from the place where they stood.

Still the man pleaded with her, for he loved the girl better than anything on earth, and, knowing something of the feelings which made the stage so repulsive to her, would have died to save her from the pain of that night's experience.

Olympia was impatient, nervous, angry. What did the man think? Was she to throw away the chances of a great success and a brilliant fortune, because a romantic girl did not know her own mind? Was she to disgrace herself before all London?

Brown had no answer. The whole thing was unreasonable—he knew that well enough; but his heart ached for the poor girl. So he had done his best, and failed miserably.

"Go back and cheer the foolish thing up," said Olympia. "You can do it. She loves you better than any one in the world. Now, if you want to oblige me, give her courage, soothe her. I never saw such a creature! With the genius and voice of an angel, she has no ambition; but it will come. Before the drinking song is over, she will forget herself. Go, Brown, and give her courage."

Brown went back to the dressing-room, feeling like an executioner.

Caroline met him eagerly; but when she saw his face, her heart turned to stone.

"I see! I see!" she said. "I am doomed! But, remember, I was forced into this. Of my own choice, I would have died first; but she is my mother, and, in my ignorance, I promised her. Tell him this, if you should ever see him. I never shall. After what he said of parts like this, I should perish with shame. Ha! what's that?"

"They are calling you," faltered Brown.

She caught a sharp breath and sprang away from him, like a deer when the hounds are in full cry.

CHAPTER IX.
THE FIRST PERFORMANCE.

The opera-house was full from floor to dome. A cheerful multitude crowded the body of the house with smiling faces, and filled it with gay colors, till it shone out gorgeously, like a thickly-planted flower-garden. The boxes filled, more slowly; but, after half an hour of soft, silken rustle and answering smiles, they, too, were crowded with distinguished men and beautiful women of the British aristocracy, and the whole arena was lighted up with the splendor of their garments and the flaming brightness of their jewels. Then came a movement, and a low murmur of discontent, which the grandest efforts of the orchestra could not silence. The hour had arrived, but the curtain was still down. Was there to be a disappointment, after all?

In the midst of this growing confusion a party entered one of the most prominent boxes that drew the general attention in that part of the house. A lady in crimson velvet, with some gossamer lace about her arms and bosom, and a cobweb of the same rich material floating from the thick braids of her coal-black hair, came into the box, followed by a gentleman so like her that people exclaimed at once:

"It is her brother!"

These two persons were accompanied by a bright young girl, in white muslin, with a blue ribbon drawn through her hair like a snood, and a string of large pearls on her neck. The girl was beautiful as a Hebe, and bright as a star—so bright and so beautiful that a whole battery of glasses was turned on the box the moment she entered it. Then a murmur ran from lip to lip.

"It is Lady Hope, that person who was once a governess, and the young lady must be Hope's daughter by his first marriage—the future Lady Carset, if the old countess ever dies, which she never will, if it is only to spite that woman yonder, whom she hates. Beautiful!"

"You are speaking of Lady Hope? Yes, very; but strange! Night and morning are not farther apart than those two. Yet I am told they are devoted to each other."

"Not unlikely. See how the woman smiles when the Hebe speaks to her! Wonderful fascination in that face. Just the person to carry away a man like Hope."

Here the conversation was broken off by an impatient outburst of the audience.

In obedience to it the curtain rolled up, and the first act of "Traviata" commenced.

The tumult stopped instantly, and every face was turned with expectation on the stage, ready to greet "the lost one" with a generous welcome.

She came in hurriedly, with her head erect, her hand clenching that cloud of lace to her bosom, and her eyes bright as stars. A stag hunted to desperation would have turned at bay with a look like that; and the poor animal might have recoiled as she did, when that wild burst of admiration stormed over her. For the outcry of the most vicious hounds that ever ran could not have been more appalling to a victim than that generous welcome was to her.

She did not bow or smile, but retreated slowly back, step by step, until a voice from behind the scene startled her. Then she bent her tall figure a little forward, her head drooped to her bosom, and her hands were clenched passionately under the laces.

Again those who were nearest heard the voice, but did not understand it as that poor girl did. In her panic the little acting that belonged to the scene was utterly overlooked; but this proud indifference was something new, and charmed the audience, which took her wounded pride for superb disdain of a pampered beauty, and accepted it as a graceful innovation; while she stood trembling from head to foot, conscious only of a burning desire to break away from it all and hide herself forever. She did once move swiftly toward the wing, but there stood Olympia, and the first glimpse of that frowning face drove her back, panting for breath.

The audience, seeing her panic, encouraged her with applause less stormy and more sustaining.

She felt this kindness. The multitude were less her enemy than the woman who stood in the shadows, hounding her on. Among all that sea of faces she saw one—that of a young girl, leaning over the crimson cushions of a box near the stage, so eager, so earnest, so bright with generous sympathy, that youth answered back to youth; a smile broke over her own face, and with it came her voice, fresh, pure, soaring like a bird suddenly let loose on the air.

The audience listened in breathless sympathy, which encouraged her. There was no doubt now; fear could not long hold such genius in thrall; her movements became free, her features brightened. She flung the lace back from her head, and gave herself up to the joyous riot of that drinking song.

In the midst of this scene, when every one present, on and off the stage, was lavishing homage upon her, she lifted her eyes to the young girl who leaned forward, poising herself in the box, like a bird preparing for flight, and clapped her little hand with the glee of a delighted child.

Once more their smiles met. Then a deathly faintness came over the debutante, and without a word or motion she sank upon the stage, like a statue of snow which the sun had touched.

In the next box, leaning forward like that young girl—but oh! with what a different expression—she had seen the Italian teacher, her lover.

The drinking-song was hushed in its most exultant swell—the revellers drew around the fainting girl and carried her from the stage, helpless as an infant, white as the lace that clouded her.

The audience watched them bear her away in silence; then it broke into murmurs of regret and sympathy.

"The effort had been too much for her. Of course, such genius was accompanied with corresponding sensitiveness, but she would speedily recover. It was only a little interruption."

They were mistaken. The debutante did not return that night; but in her place came Olympia, with a little tragedy in her face, and a touching speech, which excited admiration for herself and unbounded sympathy for her protege; after which, she entered into the character of Violette, with a grace of action and a power of voice that carried the management through what had threatened to be a serious dilemma.

The truth is, this woman, Olympia, was a remarkably clever person, and knew how to manage her subjects a great deal better than some monarchs of England have done. But she was in a raging passion that night, and the excitement lent her force, which she exhausted in the part, while her child lay moaning on the dressing-room sofa.

In the midst of the first confusion, that young girl in the box had started up, and laid her hand on Hepworth Closs's arm.

"Go back to where they have taken her. You know the way. Tell my maid, Margaret, to come to me at once. No, no; take me with you. I may be of use. Poor girl! poor girl! They have almost killed her."

"But it is impossible," said Closs, looking toward Lady Hope, who was leaning against the side of the box, with her face turned away. "She would not permit it."

"She does not object. We need not be seen. No one will recognize us. Come! come!"

She took Hepworth's arm, and almost forced him from the box.

"Which way? Come! come! I will go."

Hepworth had been too often behind the scenes not to know how to gain admittance there on this occasion. He knew how resolute that young creature was, when a generous or daring idea possessed her, and, after waiting a moment for Lady Hope to speak, led Lady Clara away.

Clara was bewildered and almost terrified by the black darkness of the passage, which was lighted only by fitful gleams from the stage; but excitement kept up her courage, and she entered Olympia's dressing-room with the air of a person born to the tragic purple.

CHAPTER X.
THE TWO FOSTER-CHILDREN MEET.

Caroline was lying upon a heap of rich garments piled on the sofa. She was trembling still, and every few moments a burst of bitter sobs broke from her. Three women were standing by—her own maid, Eliza, upon whose sympathetic face tears were trembling; Margaret, her sister; and, most conspicuous of all, Olympia's French maid, who bent over the poor girl, with a bottle of perfume in each hand, with which she insisted on assuaging the unhappy girl's anguish.

Lady Clara comprehended the scene at a glance, went up to the sofa, took the French maid by the shoulders, and wheeled her away so swiftly that the bottles jingled; then she fell upon her knees by the sofa, and flung one arm over Caroline.

"Don't mind them; don't let them bother you. Just tell me what has come over you, and I'll set it right, or know the reason why."

The voice, so sweet, so round and cheering, aroused Caroline.

She rose up on her elbow, and seeing the bright, honest face which had bent toward her so kindly from the box, reached out her arms, and wound them over Clara's neck.

"That's right; that's sisterly. I wish you were my sister; but what's the use of wishing? There! kiss me again, for I mean to be a mother to you—I do, indeed! Now tell me, what was it that struck you down so? It was frightful; it took away my breath. Tell me all about it. My maid here and yours were sisters, and I shouldn't wonder if we knew each other in America. But that is so long ago, it wouldn't signify, but for the maids, who love us so, that it makes a sort of tie. Don't you think so?"

"Oh, if it could! if it could! I have no relative but one, and she will not pity me!" cried Caroline, clinging to Lady Clara. "She will make me go back to that hateful part! It was bad enough before, but now I should die of shame!"

"Why? Why now more than at first?" inquired Clara.

"I will tell you. I know who you are, and how good every one thinks you. I hate the stage!"

"How strange! I cannot understand it. You don't know how I envied you when all those people started up, waving their handkerchiefs and shouting—to see them so sorry and disappointed when you did not come back. I could hardly keep myself from leaping over the box, and asking the crowd to let me try!"

Caroline looked into that animated face with wonder. The tears stood still on her cheeks, a faint smile crept into her eyes. Then she shook her head.

"Ah! I understand. There was a time when I thought like you, but that was before—before—"

"Before what? Margaret and the rest of you, just go outside. The room isn't large enough for so many. There, we are alone now. Just tell me all about it. You can trust me."

"I know it. Well, Lady Clara—you see I know your name—"

"Exactly. But just call me Clara—nothing more. I really don't care for being a lady—at any rate, not much. That one thing is going to give me any amount of trouble yet, you'll see. Well, now, having settled the lady, tell me why and when you began to hate the stage so. I think it is a glorious life. Just put me where you stand, without a sovereign to help myself with, and I'd give up the ladyship to you in a minute."

"But that is because you own your life."

"Own my life? Of course I do. That is just what every soul must own."

"Not if—if she cares for some one more than her life."

"Oh-e! oh-e! That is the secret! And he don't like it? The heathen! I wish he had seen you just now!"

"He did. He was standing in the box close by you. I saw his face, for the first time in months. He was leaning forward; his eyes met mine. They were full of reproach—contempt, perhaps. I could not tell, for the house swam round, the lights seemed leaping toward me. Then I felt as if the noise were putting them out, for everything grew dark."

"And you fainted dead away, poor dear! I know how to pity you. Not that I have had trouble yet; but it is sure to come, and then, of course, you will be sorry for me."

"I shall, indeed."

"Just as I am sorry for you now. But who is the man?"

"I hardly think I know. He gave me an Italian name, but I feel sure it was not his."

"That accounts for his antipathy to the stage. If he had really been an Italian, your singing would have entranced him. It was heavenly; but an Englishman—. Well, well, we must see!"

That moment the door swung open, and Olympia came in, radiant with jewels and fierce with anger. She saw Lady Clara, and stopped upon the threshold in haughty astonishment. Caroline shrank from the stormy expression of her face, but faltered out:

"Madame, it is Lady Clara, the daughter of Lord Hope."

Instantly the frown lost itself in a bland smile. Olympia was equal to her part at all times. She did not often see a lady of rank in her dressing-room, and the honor drove away the indignant wrath intended for Caroline.

"Ah!" she said, "this poor child—it was so unfortunate! But she will recover. In a day or two she will get back her courage. What a voice she has, my lady! Did you hear? So fresh, so powerful, up to the very time when she broke down. What could have occasioned it?"

"It is indeed a misfortune," said Clara, with some dignity; "because I am sure she will never do for the stage. Her voice is superb, but so uncertain! When we compare it with yours, madame, it is to regret that she ever ventured so far."

Olympia seated herself. She had a few moments to spare before the call-boy would summon her back to the stage.

"There you mistake, my lady. When I was her age no one ever dreamed that I would succeed as a singer; but you see what resolution and study can do."

"But you had study; your guardians gave plenty of time. Let her have that time; let her friends have an opportunity to think what is best for her."

"Her friends? I did not know that she had any in England."

"Oh, yes! I am one; Lady Hope is another. Then there is Mr. Closs."

"Oh!" said Olympia. "It is to that gentleman we owe the honor of this visit?"

"Yes," answered Clara. "He escorted me here. Being Lady Hope's brother, it was proper, you understand."

Olympia was looking in Clara's face. The girl pleased her. The bright mobility of her features, the graceful gestures with which she emphasized her expressions, charmed the experienced actress.

"Ah, if my daughter had your abandon!" she exclaimed, with enthusiasm.

"Or if I had her sweet dignity. But fortune is sometimes very perverse. Now I should glory in the applause which makes her faint away."

"Ah! she is sensitive as a child, proud as a duchess; but, where we have plenty of genius, these things only serve to brighten it. I shall take Caroline into my own training. When you come to hear her sing again, it will be a different affair."

"Oh, madam, do not ask it!" cried Caroline, in a panic. "I never, never can go on to that stage again!"

"We shall see," answered Olympia, blandly. "Here comes the call-boy; I must say adieu, with many thanks for this visit."

"But I have a request to make. You will give her time?"

"Oh! yes, my lady. She shall have sufficient time."

Olympia went out smiling; but Caroline understood the craft that lay under her soft words.

"You see that I have accomplished something," said Clara, delighted with her success; "we have gained time."

"No, no! She will have her way."

"What! that soft, handsome creature?"

"Has a will of iron!"

"And so have I!" exclaimed the young girl, "and my will is that she shall not force you into a life you do not like; but I wonder at it. Upon my word, if it were not for one thing, I should like to change places with you."

Caroline shook her head.

"You have no idea what the life is!"

"Oh! yes, I have; and it must be charming. No dignity to keep up, no retinue of servants to pass every time you come and go; but all sorts of homage, plenty of work, while everything you have brings in a swift recompense. Talent, beauty, grace discounted every night. Oh! it must be charming."

"I thought so once," answered Caroline, with a heavy sigh.

"Well, never trouble yourself to think about it again. If that lovely woman has an iron will, you must get up one of steel; but here comes Margaret. I suppose Mr. Closs is getting tired of staying out there in the dark. Besides, Lady Hope will be frightened. Adieu, my friend; I will manage to see you again."

CHAPTER XI.
LADY CLARA QUARRELS WITH HER STEPMOTHER.

Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it. She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd. She opened her eyes wearily, as if the effort were a pain. Then a wild light broke through their darkness. She cast a quick glance upon the stage and over the crowd. Then turning to look for her companions, she found that they were gone. A sense of relief came to the woman from a certainty that she was alone. She leaned back against the side of the box in utter depression. Her lips moved, her hands were tightly clasped—she seemed in absolute terror.

What had Rachael Closs heard or seen to agitate her thus? That no one could tell. The cause of those faint shudders that shook her from time to time was known only to herself and her God.

When Hepworth and Lady Clara came back, Lady Hope rose, and gathering her ermine cloak close to her throat, said that she was tired of the confusion, and would go home, unless they very much wished to stay and see Olympia.

They consented to go at once. The pallor of that beautiful face, as it turned so imploringly upon them, was appeal enough.

On their way home Lady Clara told her stepmother of her visit behind the scenes.

Rachael listened, and neither rebuked her for going nor asked questions; but when Clara broke forth, in her impetuous way, exclaiming, "Oh, mamma Rachael, you will help us! You will get this poor girl out of her mother's power! You will let me ask her down to Oakhurst!" Rachael almost sprang to her feet in the force of her sudden passion.

"What! I—I, Lady Hope of Oakhust, invite that girl to be your companion, my guest! Clara, are you mad? or am I?"

The girl was struck dumb with amazement. Never in her existence had she been so addressed before—for, with her, Rachael had been always kind and delicately tender. Why had she broken forth now, when she asked the first serious favor of her life?

"Mamma! mamma Rachael!" she cried. "What is the matter? What have I done that you are so cross with me?"

"Nothing," said Rachael, sighing heavily, "only you ask an unreasonable thing, and one your father would never forgive me for granting."

"But she is so lovely! papa would like her, I know. She is so unhappy, too! I could feel her shudder when the stage was mentioned. Oh, mamma Rachael, we might save her from that!"

"I cannot! Do not ask me; I cannot!"

"But I promised that you would be her friend."

"Make no promises for me, Clara, for I will redeem none. Drive this girl from your thoughts. To-morrow morning we go back to Oakhurst."

"To-morrow morning! And I promised to see her again."

"It is impossible. Let this subject drop. In my wish to give you pleasure, I have risked the anger of Lord Hope. He would never forgive me if I permitted this entanglement."

Lady Clara turned to Hepworth Closs.

"Plead for me—plead for that poor girl!" she cried, with the unreasoning persistence of a child; but, to her astonishment, Hepworth answered even more resolutely than his sister.

"I cannot, Clara. There should be nothing in common between the daughter of Olympia and Lord Hope's only child."

"Oh, how cruel! What is the use of having rank and power if one is not to use it for the good of others?"

"We will not argue the matter, dear child."

"But I will argue it, and if I cannot convince, I will hate you, Hepworth Closs, just as long as I live."

"Not quite so bad as that, I trust," answered Hepworth, sadly. "To own the truth, Clara, I fear your mother will have enough to do in reconciling Lord Hope to the position another person has assumed in his household. Do not let us add new difficulties to her position."

Clara began to cry.

"I'm sure I never thought of troubling her or offending my father. It is so natural for them to be good and kind, why should I doubt them now, when the grandest, sweetest, most beautiful girl in the whole world wants help—just the help they can give, too? Well, well, when papa comes home, I will lay the whole case before him."

"Not for the world!" cried Rachael, suddenly. "I tell you, cast this subject from your mind. I will not have my lord annoyed by it. For once, Clara, I must and will be obeyed."

Clara sank back in her seat, aghast with surprise.

"Oh, mamma Rachael, you are getting to be awfully cruel."

"Cruel? No! In this I am acting kindly. It is you who are cruel in pressing a distasteful and impossible thing upon me."

"I don't understand it; I can't believe it. You are always so free, so generous, to those who need help. It is just because this poor girl is my friend. Oh! I only wish old Lady Carset would just die, and leave me everything! I would let the world see a specimen of independence—I would! Don't speak to me, don't attempt to touch my hand, Mr. Closs! You haven't a spark of human nature in you. I have a good mind to leave you all, and go on the stage myself."

Again Lady Hope broke into a storm of impatience so unlike her usual self-restraint, that Clara was really terrified.

"Hush, girl! Not another word of this. I will not endure it."

This severe reprimand took away Clara's breath for an instant; then she burst into a passion of sobs and tears, huddling herself up into a corner of the carriage, and utterly refused all consolation from Hepworth, who was generously disturbed by her grief.

Lady Hope did nothing, but sat in silence, lost in thought, or perhaps striving to subdue the tumult of feelings that had so suddenly broke forth from her usual firm control.

Thus they drove home in distrust and excitement. A few low murmurs from Hepworth, bursts of grief from Lady Clara, and dead silence on the part of Rachael Closs, attended the first disagreement that had ever set the stepmother and daughter in opposition.

When they reached home, Clara, her face all bathed in tears, and her bosom heaving with sobs, ran up to her room, without the usual kiss or "Good-night."

She was bitterly offended, and expressed the feeling in her own childish fashion.

Rachael sat down in the hall, and watched the girl as she glided up the broad staircase, perhaps hoping that she would look back, or, it may be, regretting the course she had taken, for her face was unutterably sad, and her attitude one of great despondency.

At last, when Clara was out of sight, she turned a wistful look on her brother.

"She will hate me now."

Her voice was more plaintive than the words. The confidence of that young girl was all the world to her; for, independent of everything else, it was the one human link that bound her to the man she loved with such passionate idolatry. Her kindness to his child was the silver cord which even his strong will could not sunder, even if he should wish it.

Hepworth saw her anguish, and pitied it.

"Let her go," he said, stooping down and kissing his sister on the forehead, which, with her neck and arms, was cold as marble. "She is disappointed, vexed, and really indignant with us both; but a good night's sleep will set her heart right again. I wish we had never chanced to come here."

"Oh, Heavens! so do I."

"Rachael," said Hepworth, "what is it troubles you so?"

"What? Is it not enough that the child I have made a part of my own life should quarrel with me and with you, because of me, for a stranger?"

"No; because her own generous nature assures us that the evil will die of itself before morning. This is not enough to account for the fact that you quiver as if with cold, and the very touch of your forehead chills me."

"Do I?" questioned Rachael. "I did not know it. My cloak has fallen off—that is all."

"Mamma Rachael!"

They both started, for leaning over the banisters was the sweet, tearful face of Lady Clara.

"My own darling!" cried Rachael, lifting her arms.

Down the staircase sprang that generous young creature, her feet scarcely touching the polished oak, her hair all unbound and rolling in waves down her back. Struck with sweet compunctions, she had broken from the hands of her maid, and left her with the blue ribbon fluttering in her hand, while she ran back to make peace with the woman who was almost dearer to her than a mother.

She fell upon her knees by Rachael, and shook the hair from her face, which was glowing with sweet penitence.

"Kiss me, mamma Rachael, not on this saucy mouth of mine, but here upon my forehead. I cannot sleep till you have kissed me good night."

Rachael laid one hand on that bright young head, but it was quivering like a shot bird. She bent the face back a little, and pored over the features with yearning scrutiny, as if she longed to engrave every line on her heart.

Something in those black eyes disturbed the girl afresh. She reached up her arms, and cried out:

"Don't be angry with me, mamma Rachael, but kiss me good night, and ask God to make me a better girl."

Instead of kissing her, Rachael Closs fell upon her neck and broke into a passion of tears such as Clara had never seen her shed before.

CHAPTER XII.
THE OLD PRISONER.

In America again. Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall. Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

In the midst of this desolation, that old woman had lived and suffered fourteen years, without a complaint, without once asking for the freedom, which would have been so sweet to her, even of her God. She had sinned deeply—how far, she and the Almighty, who knows all things, alone could tell; but she had borne her punishment with much humility; in her quiet way, had made her presence in that dreary place a blessing to those more wretched than herself.

During that long, weary time many a poor prisoner had felt the comfort of her presence near her sick couch and her grave. Kind looks had cheered other desponding souls when words of compassion were forbidden to her lips.

One day this woman sat at her task sewing on some heavy prison garments. A skein of coarse thread hung about her neck, and a steel thimble was upon her long, slender finger, where it had worn a ring about the nail with incessant use.

She did not look up when the matron entered the room, but worked on, with steady purpose, not caring to see that strange gentleman who came in with the matron, and stood looking kindly upon her.

"Mrs. Yates."

The old woman lifted her head with a suddenness that almost shook the iron spectacles from her face. Her eyes encountered those of the gentleman, and she stood up meekly, like a school-girl aroused from her task, and remained, with her eyes bent on the floor, waiting for the man to pass on. He did not move, however, but stood gazing upon her snow-white hair, her thin old face, and the gentle stoop that had, at last, bent her shoulders a little, with infinite compassion in his face.

"Mrs. Yates, why do you stand so motionless? How is it that your eyes turn so steadily to the floor?"

The old woman lifted her eyes slowly to that calm, thin face. She did not know it, had never seen it before in her life; but it was so seldom any one spoke to her, that a soft glow of comfort stole to her heart as she looked, and two great tears rolled from under her spectacles. Then she remembered that he had asked something.

"In prison, here, we get a down look," she said, with pathetic simplicity.

"But you will look in my face now."

She did gaze at him earnestly; but shook her head and dropped her eyes, for the force of habit was still upon her.

"I do not know you," she murmured.

"Did you then expect some friend?" asked the gentleman.

"I have no friends," was the sad reply.

"Does no one come to see you?"

"Years ago my son used to come and his wife, too; but they are both dead."

"Poor woman!"

She looked up again with a glance of earnest surprise. She was so unused to pity that the compassionate voice brought a dry sob to her throat.

"Are you content here? Tell me."

"Yes, I am content."

Her voice was low, but inexpressibly mournful.

"I know the crime for which you were committed," said the gentleman, "and have read the case over. Tell me, were you guilty?"

The old woman lifted her eyes slowly, and replied:

"Yes, I was a guilty woman."

"But were you, before God, guilty of murder?"

She met his eyes steadily. He saw a quiver of pain sweep over her features, and the thin lips began to stir.

"He is dead, my innocent, my honest son. Nothing can harm him now. I have not suffered in vain. Before God I was not guilty of murder, but terribly guilty in taking this crime on myself: but it was to save him, and I cannot repent, I cannot repent, and in that lies double guilt!"

The stranger searched her features keenly as she spoke. Perhaps he was prepared for this answer; but the light that came over his face was full of compassion.

"Have you done with me?" questioned the old woman, in the meek, sad voice that had become habitual to her. "Perhaps you will not believe me; but God knows!"

The man turned from her and stepped into the matron's room.

The old woman sat down upon the bench from which she had arisen, took the coarse needle from the bosom of her dress, where she had fastened it when spoken to, and threaded it again; but her hand shook a little, and the thread baffled her confused vision. Then the strange gentleman came back again, smiling, and with moisture in his eyes.

"My good woman," he said, "put up your work. You did not know it, but I am the Governor of New York, and your pardon has just gone to the warden."

The needle dropped from one quivering old hand—a thread fell from its companion.

"Pardon for me!"

Her lips were white, and the words trembled from them one by one. She did not comprehend that this man had given her back to the world.

"It is true," said the matron, weeping the glad, sweet tears of a benevolent heart, "His Excellency has pardoned you. This very hour you are free to leave the prison."

"God help me! Oh! God help me!" cried the poor old woman, looking around at her rude work and seating herself among it. "Where can I go?"

The Governor took some money from his pocket and laid it in her lap. Then he went hastily from the room.

The matron sat down upon the bench, and clasped the withered hand in hers.

"Have you no friend?"

"None."

"No duties left undone?"

The old woman drew herself up. Duties last longer than friends. Yes, she had duties, and God had taken the shackles from her limbs that she might perform them. Freedom was before her and an object. She arose gently and looked around a little wildly.

"I will go now."

The matron went out and returned with a bundle of clothes and a black bonnet upon which was some rusty crape; a huge, old-fashioned thing that framed in her silver-white hair like a pent-house. The very shape and fashion of this bonnet was pathetic—it spoke of so long ago. The black dress and soft shawl with which she had come to the prison were a little moth-eaten, but not much, for they had been carefully hoarded; but the poor old woman looked with a sigh on her prison-dress as it fell to the floor, and wept bitterly before she went out, as if that gloomy mass of stones had been a pleasant home to her.

Slowly, and with a downcast look, the old woman went out of the prison, up through the rugged quarries, where a gang of men were at work, dragging their weary limbs from stone to stone, with the listless, haggard effort of forced labor. Some of these men looked up, as she passed them, and watched her with bitter envy.

"There goes a pardon," they said to each other; "and that old woman with one foot in the grave, while we are young and strong! Freedom would be everything to us; but what good will it do to her?"

So the poor old prisoner passed on, sadly bewildered and afraid, like a homeless child, but thanking God for a mercy she could not yet realize.

There was one place to which she must go. It might be empty and desolate, but there her son had died, and she had seen the roof of his dwelling from the graveyard when they let her come out from prison to see him buried.

She knew the road, for her path led to the grave first, and after that she could find the way, for every step, so far, had been marked by a pang, to which her heart was answering back now.

At sunset, that day, some workmen, passing the village burying-place, saw an old woman sitting by a grave that had been almost forgotten in the neighborhood.

She was looking dreary and forlorn in the damp enclosure, for clouds were drifting low in the sky, and a cold rain was beginning to fall; but they did not know that this poor woman had a home-feeling by that grave, even with the rain falling, which belonged to no other place on earth.

A little later, when the gray darkness was creeping on, this same tall figure might have been discovered moving through the rough cedar pillars of the Yates cottage. There was no light in the house, for no human soul lived beneath its roof; but a door was so lightly fastened that she got it open with some effort, and entered what seemed to her like the kitchen; for the last tenant had left some kindling-wood in the fireplace, and two or three worn-out cooking utensils stood near the hearth, where they were beginning to rust.

When she left the prison, the matron had, with many kind words, thrust a parcel into the old woman's hand. Knowing her helplessness, she had provided food for a meal or two, and to this had added some matches and candles.

In the gray light which came through one of the windows, she untied this parcel and found the candles. It seemed to the forlorn creature as if a merciful God had sent them directly to her, and she fell upon her knees, thanking Him. The light which she struck gave her the first gleam of hope that her freedom had yet brought. She was at liberty to build a fire on that dark hearth, and to sit there just as long as she pleased, enjoying its warmth. The rain that began to rattle down on the low roof made her shelter more pleasant. She began to realize that even in such desolation liberty was sweet.

She built a fire with the dry wood, and its blaze soon filled the kitchen with a golden glow. Her garments were wet, and a soft steam arose from them as she sat, enveloping her in a gray cloud. The loneliness might have been terrible to another person, but she had been so long accustomed to the darkness and gloom of a prison cell, that this illuminated space seemed broad as the universe to her.

After her clothes were dry, the old woman lighted her candle and began to examine the house. The parlor was almost empty, and a gust of wind took her candle as she opened the door, flaring back the flame into her face. The wind came from a broken pane of glass in the oriel window, through which a branch of ivy, and the long tendril of a Virginia creeper had penetrated, and woven themselves in a garland along the wall. A wren had followed the creeping greenness and built her nest in the cornice, from which she flew frightened, when a light entered the room.

The old woman went out disappointed. The thing she sought was not there; perhaps it had been utterly destroyed. The man who had promised to keep it sacred, lay sleeping up yonder in the graveyard. How could she expect strangers to take up his trust? But if the object she sought could not be found, what was the use of liberty to her. The one aim of her life would be extinguished. She took up the candle and mounted a flight of narrow stairs which led to the chambers.

They were all empty except one small room, where she found an iron bedstead, on which some old quilts and refuse blankets were heaped. Behind this bed, pressed into a corner, was an old chair, covered with dust.

When she saw this, the light shook in her hand. She sat down upon the bedstead, and reaching the candle out, examined the old chair, through its veil of cobwebs. It was the same. How well she remembered that night when her own hands had put on that green cover.

The chair was broken. One of its castors dropped to the floor as Mrs. Yates drew it from the corner, and the carved wood-work came off in her hand; the cushion was stained and torn in places, but this dilapidation she knew had not reached her secret.

She took the chair in her arms and carried it down to the kitchen. Some of the brass nails dropped loose on the stairs, but she took no heed of them. All she wanted was some instrument with which she could turn the ricketty thing into a complete wreck. In the drawer of a broken kitchen table she found an old knife, with the blade half ground away. This she whetted to an edge on the hearth, and directly the little brass nails flew right and left, a mass of twisted fringe lay on the hearth, when the old woman stood in a cloud of dust, holding the torn rep in her hand. It dropped in a heap with the fringe, then the inner lining was torn away, handsful of hair were pulled out from among the springs, and that casket with a package of papers rustled and shook in the old woman's hands.

Mrs. Yates trembled from head to foot. It was many long years since she had touched heavy work like that, and it shocked her whole frame.

The dull monotony of sewing upon prison garments had undermined all her great natural strength. She sat there panting for breath, and white to the lips. The excitement had been too much for this poor prison woman.

She sat like a dazed creature, looking down into the casket which lay open in her lap, with ten thousand rainbow fires leaping out of it, as the blaze in the chimney quivered and danced and blazed over the diamonds. That morning the old woman had crept out of prison in her moth-eaten garments, and a little charity money in her bosom. Now a fortune blazed up from her lap.

There was money, too, a purse heavy with sovereigns, dropped there from the gold contained in that malachite box, from which all her awful sorrows had sprung. She gathered up these things in the skirt of her dress and sat brooding over them a long time, while the fire rose and crackled, and shed warm floods of light all around her, and the rain poured down in torrents. She was completely worn out at last, and thought itself became a burden; then her head fell back upon the ruined cushions of the chair, which held her in a half-sitting position, as the heaviest sleep that ever came to mortal eyes fell upon her.

Still the rain poured down continually upon the roof and overran the gutters in torrents. Up from the darkness of a hollow near by, the rush and roar of a stream, swollen into a torrent, came through the beating storm like a heavy bass voice pouring its low thunders through a strain of music. The great elm tree at the end of the house tossed its streaming branches, and beat them upon the roof, till a host of warriors seemed breaking their way through, while the old vines were seized by the wind and ripped from the sides of the house, as the storm seizes upon the cords of a vessel, and tears them up into a net work of tangled floss.

The old woman who had left her stone cell in the prison for the first time in fourteen years, heard nothing of this, but lay half upon the floor half on the broken chair, with the broad blaze of the fire flashing over her white hair, and kindling up the diamonds in her lap to a bed of living coals. She was perfectly safe with those treasures, even in that lonely house, for in the pouring rain no human being was likely to go about from his own free will. But one poor fellow, whose child was desperately sick, did pass the house, and saw the blaze of a fire breaking through a window, where the shutters were dashing to and fro on their hinges, and found breath to say, as he sped on in search of a doctor:

"So the cedar cottage has got another tenant at last. I wonder who it is?"

When the man went by to his work, the next morning, he saw the shutters swaying to and fro yet, and wondering at it, went into the enclosure, in hopes of meeting some of the new inmates; but everything was still, the doors were fastened, and through the kitchen window he saw nothing but a heap of ashes on the hearth, and an old chair, torn to pieces, standing before it.

CHAPTER XIII.
THE OLD COUNTESS.

When the old countess of Carset threw out her flag from the battlements of Houghton castle, it could be seen from all the country around, for the grim old pile was built upon the uplands, and the gray towers rose up from the groves of the park like the peaks of a mountain.

For many a long year that broad flag had streamed like a meteor over the intense greenness of oaks and chestnuts; for, when the head of the house was at home, the crimson pennant was always to be seen floating against the sky, and over that sea of billowy foliage. The old lady of Houghton had not been absent from the castle in many years, for she was a childless woman, and so aged, that a home among her own people was most befitting her infirmities and her pride.

One day, as the sun was going down behind those massive castle towers, filling the sky so richly with gold and crimson, that the red flag was lost among its fiery billows, an old woman stood on the highway, with a hand uplifted to shade her eyes, as she searched for the old flag.

There was dust upon her leathern shoes and on the black folds of her alpaca dress, for she had walked from the railway station, and the roads were dry.

"Ah, how the trees have grown!" she said, mournfully, dropping her hand. "I never, never thought to be so near Houghton and not see the flag. Is my lady dead?"

The old woman was so distressed by the thought, that she sat down on a bank by the wayside, and over her came that dry, hard foreboding, which forbids tears to old eyes, but holds the worn heart like a vise. Thus, with her eyes fixed on the dusty road, she sat till all those bright clouds melted into the coming night; then she looked up and saw the great red flag streaming out against a sea of purplish gray, as it had done when she was a girl, seventy years ago.

"My lady is alive. She is there. Oh! my God! make me thankful!" she exclaimed, standing up in the road. "Through all, I shall see her again."

So she moved on, carrying a leathern travelling bag, worn and rusty, in her feeble hand. Along the highway, up to the gates of that noble park, she travelled with the slow, toilsome step of old age; but when she came to the gates they were closed, and her voice was so feeble that it failed to reach the lodge, from which she could see lights gleaming through the twinkling ivy leaves.

In patient disappointment the old woman turned from the gate, and walked on half a mile farther, for she knew of a small public house where a night's lodging could be obtained. She reached this low stone building after dark, and entered it quietly, like a gray ghost.

It was a strange guest to enter that tap-room, with her dusty garments and her old satchel. The villagers, who were taking their beer comfortably, lifted their eyes in astonishment at her sudden appearance, and they rounded with wonder, as she passed through the room and entered the kitchen naturally, as if she had belonged to the premises all her life.

No one in the house remembered the old woman. A curly-headed girl named Susan, had flitted like a bird about that kitchen the last time she had entered it, and now, when a man's voice called out "Susan!" she started and looked around in a dazed way, expecting the bright eyed girl would come dancing through the door. But instead appeared an elderly woman, with quantities of coarse black hair, smoothed under her cap. A linen apron, large and ample, protected her stuff dress, and a steel chatelaine, to which were suspended scissors, a needle case and tiny money box rattled at her side.

"Well, what is to do now, Stephen?" said the landlady, brushing some crumbs from her apron, for she had been cutting bread.

"Not much, only look sharp. Here is an old body just come off the tramp. Ah, there she sits. See to her while I mind the bar, for she seems a little above the common, and is quiet."

The landlord sank his voice as he made the communication, and, after a glance at the old woman, went back to his guests, while the matron addressed Mrs. Yates.

"Ye will be wanting something, no doubt. Will it be tea or a cup of ale posset?"

The old heart in that bosom stirred with a tender recollection of long ago, as this almost forgotten dish was mentioned, a dish so purely English, that she had never once heard it mentioned in her American life.

"I will thank you for a posset," she said, taking off her bonnet and smoothing her milk-white hair with both hands. "It is long since I have tasted one."

"Yes," answered the landlady, "there is more refreshment in a cup of warm posset, than in quarts of tea from China. Wait a bit and you shall have one of my own making; the maids never will learn how to curdle the milk properly, but I am a rare hand at it, as was my mother before me."

"Aye, a good housewife was your mother," said the old woman, as tender recollections stirred in her bosom, "for now I see that it is little Susan."

"Little Susan, and you know of her? That was what they used to call me when I was a lass, so high."

"But now, what is the name you go by?"

"What name should a woman go by but that of her own husband? You have just seen the master. The neighbors call him Stephen Burke."

"What, the son of James Burke, gamekeeper at the castle?"

"Why, did you know him, too?"

"Aye, that did I. A brave young fellow he was, and every one at the castle up yonder—"

The old woman checked herself. She had not intended to make herself known, but old recollections had thronged upon her so warmly, that it seemed impossible to keep silent.

"You speak of the castle as if you knew about it," said the landlady, eyeing her askance.

"And no wonder," answered the old woman; "people have told me about it, and I was in the neighborhood years ago, when you were a slip of a lass."

It was strange, but this old woman, since her entrance to that room, had fallen back upon phrases and words familiar to her lips once, but which had not made any part of her speech for years. There was a home sound in them that warmed her heart.

"Did ye ever know any of them up yonder?" asked the landlady, as she placed a broad porringer before the fire, and poured some milk into it.

"Yes. I have seen the countess, but it was long ago."

"May-be it was when the young lady was at home. Oh! them were blithe times, when young Lord Hope came a courting, and we could see them driving like turtle doves through the park and down the village; or, walking along by the hedges and gathering hyacinths and violets. It was a sorry time, though, when he took her away for good and all."

"Is the young lady living near this?" inquired Mrs. Yates, with an effort.

"Near this, my good woman! Why, she has been dead these many years, and Lord Hope had been married to his second wife ten years, when my first lass was born; but he lives at Oakhurst, and never comes here now. No one, in these parts, has seen his second lady, for the countess was sadly put out with the marriage, and all her household was forbidden to mention Lord Hope's name before her. She never got over the death of our own young lady in foreign parts, off in America among the red Indians, who tomahawk people, and no one asks why. This was where Lord Hope took his wife and child. Can any one wonder that our countess could not forgive him, especially when he came back home with a new wife, and stood out that his daughter should never come to Houghton, till our old lady up yonder was ready to be gracious to the new woman."

"So the child was never at the castle?" inquired the old woman.

"No one hereabouts has ever seen her, though we are told that she is a beautiful young lady, sweet and pleasant, but with a will of her own. The old countess sent for her once, for she must be heiress of Houghton, you know; but she sent back word that nothing could entice her into a house where her stepmother was forbidden to come, and this so offended our countess, that she has taken no notice of her since."

While she was talking, the landlady poured a measure of frothing ale into the porringer, and became all at once silent. The delicate art of curding the milk into whey took up all her attention. Thus the old lady was allowed to drop into a fit of thought, from which she was aroused, with a start, when the hostess poured the warm posset into a china bowl and began stirring it with a heavy silver spoon, as she called out:

"Come to the table, grandame, and sup the posset while it is hot. You'll not get its fellow till I turn my hand to another for ye. Come, come!"

Mrs. Yates drew her chair to the table, and took up the silver spoon, eagerly. Poor woman! She had travelled all day without tasting food, and the posset took her from a very painful train of thought.

The hostess sat down at one end of the table, smiling blandly over the keen appetite of her guest. With her arms folded on the white cloth, and her ruddy face bending forward, she went on with her talk. But this time she turned from the castle, and began to ask questions, for the presence of this singular old woman in her house had fully aroused her curiosity.

But the traveller was on her guard now, and escaped these blunt questions with quiet adroitness. When they became oppressive, she arose from the table and asked permission to seek her bed, as the day's travel had left her tired beyond anything.

The hostess took a candle from the table and led the way up stairs, somewhat baffled, but full of kindly feeling. There was something about the manner and speech of this old woman that set all her warm-hearted interest afloat. Who was she? From what part of England had she travelled with that rusty little bag and those thick-soled shoes? That quiet manner and gentle voice might have belonged to any lady of the land.

In the midst of these conjectures the quiet old woman reached out her hand for the candle, and with a soft "good-night," closed the chamber-door.

CHAPTER XIV.
THE OLD COUNTESS AND HER SERVANT.

The next morning Mrs. Yates was early at the park-gate. She found no trouble in passing through now, and was soon in the avenue, making slow progress toward the castle, under the shade of those vast oaks and chestnuts. The way was long, and the avenue swept upward with what, to the old woman, was a toilsome ascent. The bag, which she carried in her hand, was of some weight, too, and the cramped inaction of so many years had rendered walking a slow and painful process.

At last she stood in full view of that grand old building—a castle of the olden times—kept, so far as possible to elegance or comfort, in its ponderous mediæval grandeur. But Madam Art had softened all its ruder features. Plate-glass was sunk into those thick walls; circular rooms in those twin towers, commanded a splendid view of the valley, over which the castle was built. The broad stone terrace connecting the towers, and fronting the main building was connected with a velvet lawn by a forest of hot-house plants, that clung around the stone parapet in a sumptuous garland of vines and flowers, that shed a soft and delicious fragrance over everything in and around the building.

Across this lawn and over the stone terrace the old woman toiled toward the main entrance. She was beginning to tremble now with something beside weariness. Her satchel bore down the feeble hand that carried it, till it dragged along the stones with a low, rasping sound, as she climbed the terrace-steps. She lifted the ponderous bronze knocker, and let it fall from her shaking hand with a crash that startled herself, and brought a man, all glittering in silver gray and scarlet, to the door, where he stood, with his insolent lips ajar, waiting to know what miracle had brought that forlorn creature to the grand entrance of Houghton Castle.

"I wish to speak with the countess."

That sweet old voice could not counteract the effect of her dress and worn satchel. The parted lips of the man in scarlet fell together, and drooped scornfully down at the corners.

"There is a proper entrance for servants and village-people," said this high functionary, with his powdered head thrown back.

"I know," answered the woman, quietly; "but I wish to see my lady, and do not care to seek her from the servants' hall. Go to her and say that Hannah Yates, an old servant of the family, is below, waiting to see her."

The man hesitated. Then the old woman stepped softly into the hall, passing him so suddenly that he drew back aghast.

"If you will not go, I must find the way for myself," she said, still in a voice so gentle that he could take little offence at it.

Her composure rather disturbed the man, who gave his powdered head a toss, and mounted the broad oaken staircase, with an indignant swell of the chest. Through a long passage, carpeted with the thickness of forest turf, he went, giving forth no sound till he opened a door in one of the lower chambers, and, sweeping a curtain of crimson silk back with his arm, announced the name that old woman had given him at the door.

Something lying under the rich colors of a great India shawl moved quickly; the shawl dropped to the floor, and a little old woman sat up on the couch where she had been resting.

"Yates—Hannah Yates? Did you say Yates, Henry?"

"That was the name, my lady."

"An old woman like me?"

"Old enough, my lady; but Heaven forbid I should say like your ladyship. I could not force myself to do it."

"Bring her here, Henry."

The door closed, and the old countess drew herself gradually upright.

She was a pale, little woman, with hair as soft and white as the delicate lace that fell like a spider's web over it. The child-like hands, which lay in relief among the folds of her black-satin dress, were withered in their whiteness, like the leaves of a frost-bitten lily. They were quivering, too; and now that she was alone, you might have seen that delicate head begin to vibrate with a slow, perpetual motion, which had been stopped a moment by the surprise which had fallen upon her. She sat with her eyes on the curtain, which shut the door from view. The trembling of her head extended to her whole body, and her small feet pattered freely on the carpet, like those of a child in the impotence of sickness.

As she looked the red curtain was lifted, and into the luxurious splendor of that room came a tall, old woman, who was trembling like herself, and stood in her presence, apparently afraid to look up.

The old countess arose from her couch, trampling the India shawl under her feet, and moved with feeble slowness toward her strange visitor.

"Hannah Yates!"

At these words the down prison-look that had fallen upon Hannah was lifted from her, and those large gray eyes were bent on the little patrician with a look of intense mournfulness.

"My mistress!"

"Hannah Yates, I never expected to see you again on this earth, and now you come before me like a ghost."

"Ah, my mistress," answered the old servant, with pathetic humility. "I am a ghost of the woman who once loved and served you."

"And I? Look upon me, Yates. How have God and time dealt with your mistress? Has my head been respected more than yours?"

They stood for a moment looking solemnly at each other—that tall, stately woman, born a peasant, and the delicate, proud, sensitive peeress, whose blue blood rolled through a series of dead greatness back to the Conqueror. The contrast was touching. Both had begun to stoop at the shoulders, both had suffered, and they were as far apart in station as social power could place them; but a host of memories linked them together, and the common sympathies of humanity thrilled in the hearts of both with such pain and pleasure that, unconsciously, the little withered hand of the countess clasped that of her old servant.

"Come in, Yates, and sit down. You are trembling, poor old soul! The world must have gone hard with you when the touch of my hand makes you shiver so. Sit down. We are both old women now, and may rest ourselves together."

So the woman, whose last home had been a convict's cell, and the lady whose head had always been sheltered beneath the roofs of a palace, sat down and looked, with sad timidity, at each other. Still the feeling of caste was strong in the servant. She had drawn an ottoman up to the couch, and placed herself on that; but not until she had taken the shawl from the carpet, and placed it around her mistress, did she thus sit down, as it were, at her feet.

"Where did you come from, Hannah Yates?"

"From America. I came from the ship three days ago."

At the word America the old countess shrank back, and held out her hands, as if to avoid a blow. After a little she spoke again, but it was now with a voice sharp with pain.

"Yates, did you in America ever know anything of my child?"

The anguish in that voice startled Hannah Yates, and her old face whitened. How much did the mistress know? If little, perfect candor might kill her. She had not come there to wound an old woman with the horrors that had darkened her life; so she answered, cautiously:

"Yes, I saw Lady Hope more than once after she came to America."

"Thank God!" exclaimed the countess. "I may now learn how and when she died."

"I was not with her when she died," answered the servant, in a low voice.

"But you saw her before?"

"Yes, I saw her often."

"And the child?"

"Yes; the child was with me a good deal."

"Yates, was my child happy in that strange land?"

"How can I answer that, my lady?"

"Did you see Hope there?"

"Once, only once, and that for a moment."

"And you can tell me no particulars. You have no information to give me with regard to the woman who is Lord Hope's wife?"

"Of her I know but little. Remember, my lady, I am but a servant."

"You were my child's nurse. I never looked on you as a common servant, but rather as a faithful friend. So did my poor child. When I learned she was in the same country with you and her foster-brother, my heart was somewhat at rest. But her letters were so studied, so unsatisfactory; yet there was nothing in them of sadness or complaint. Only this, Yates, she never mentioned her husband, not once! I should hardly have known that he was with her but for the letter in which he told me that I was a childless old woman."

Mrs. Yates drew a long, heavy sigh. She understood now that the secret of that awful tragedy in New York had been kept from her old mistress, and resolved that it never should reach her—never while her will could keep back the horrible truth.

"My lady," she said, with an effort, "there is one thing which our—which my young mistress bade me bring to you if—if she should not live to place them in your own hands herself. It is this which brought me across the ocean."

As she spoke, Mrs. Yates took up the leathern satchel, which lay against her feet, and opened its rusty clasp with her trembling hands. She drew forth a casket from the scant garments it contained, and, still kneeling on the floor, opened it. A blaze of diamonds broke up from the box. The old countess uttered a feeble cry, and clasped two quivering hands over her eyes.

"She was troubled about bringing them out of England, and sent them to her foster-mother with this letter."

"Is there a letter? Yates, give it to me!"

Mrs. Yates reached forth the letter, which had begun to turn yellow with age.

The countess took it, and attempted to open her glasses; but those little hands trembled so fearfully that she could not loosen the gold which clasped them in.

"Read it for me. I cannot! I cannot!"

Two great tears trembled out of the pain in that aged heart, and fell upon her cheeks like frost upon the white leaves of a withered rose.

Hannah Yates read the letter—a sweet, touching epistle, full of mournful affection, which that murdered lady had written only a few days before her death, when some presentiment of coming evil was no doubt upon her. The diamonds were her mother's, she wrote, and had only crossed the ocean with her because of the haste with which the voyage to America had been arranged. Fearing for their safety, she was about to intrust them to her foster-mother, who had promised to bring them back to England with her own hands, if any evil should fall upon her, or if her sojourn in America was protracted.

"The jewels which belong to the Carset estate, and the child, which will inherit them, I entrust to my dear foster-mother, when I am gone, and I sometimes think that we may never meet again, my mother. This good woman will bring the diamonds, which I will not have endangered, and will tell you about the child, dearer to me than my own life, nay, than my own soul! Tell Lord Hope, if he should seek to take her, that it was the dying wish of his wife that her child should pass at once into the protection of her own most beloved mother, when Hannah Yates brings her to England. I think he will not deny this to a woman who has loved him better, oh! how much better! than herself—who would die, if she could, rather than be in the way of his happiness. Give him this letter. I think he will not deny the last request I may ever make of him. I will not say farewell, my mother, because the gloom that is upon me in this strange land may be only the homesickness of a heart separated from those it loves. But, if this is given to you by my foster-mother, know that a cloud of gloom has settled down upon me forever."

This much fell upon the ears of the countess as she held her breath and listened.

When Hannah Yates folded the letter, she felt that a gleam of angry fire broke into the eyes bent upon her.

"Yates," said the countess, sharply, "read the date of that letter."

The old servant read the date.

"Fourteen years and more! Why was that letter kept from me so long?"

"I could not bring it."

"I know you were not young even then, Yates; but your son, my own protege! Surely, when my poor child gave you this charge, she gave money also? Why was the child kept from me and sent to that man?"

"Yes, there was money; but my son could not come. We had no power to bring her."

"Then Hope took her from you by force?" questioned the countess. "Where is your son, Yates? He was wrong to permit it!"

"With my young lady."

"Dead! Then you, also, are childless?"

Hannah Yates remembered how the news of her bereavement had reached her in that stone cell which was cold as a grave, and shuddered while the lady in her palace questioned her. Then the old prison-look fell upon her, and she sat motionless, with her eyes upon the floor, saying nothing. How could she explain to that proud lady the bondage in which she had been held?

"Ah! if you had come earlier," said the countess, "the child of my child might have been here! That man would not have dared to keep her! She would not have been taught to return my advances with insolence by his evil wife."

"I could not come before," repeated the old woman, humbly.

"And now it may be too late."

"God forbid!" said the old woman. "No! no! He will show me how to complete my task. It is for that I have been kept alive."

"Yates, you are brave and faithful. I was wrong to question you so. Forgive me, old servant."

Mrs. Yates took the child-like hand held out to her and pressed it to her lips.

"I have tried, dear mistress."

"Go, now, old friend, and let me have time to think. Only this is certain, we do not part again."

"Mistress, that cannot be. I have yet a task to perform. It may be many, many miles to travel. When that is done, I will come back and spend the few days left to me here. Oh, it seems like home—it seems like Heaven to sit within the sound of your voice once more! But I must depart at once."

"Where, old friend?"

"I do not know yet; but God will direct me."

"As I trust that He will direct me," answered the countess, lifting her eyes in momentary prayer. "Yates, you will never know what fearful suspicions have haunted me—how hard and bitter they have made me. Oh, had this letter come earlier!"

"I could not! I could not!"

"I know that, knowing you."

Hannah Yates lifted her grateful eyes for a moment, and dropped them again.

"Now that I am free from the weight of these," she said, lifting the casket in her hands, "the toil of my errand will be less."

The countess looked wistfully into the box, and shook her head.

"I have been unjust. I have accused that woman falsely. Until this moment, Yates, I have not hesitated to proclaim my belief that the woman they call Lady Hope had possessed herself of these diamonds as she had won my daughter's husband. This is a wrong which wounds me to the soul. It must be atoned for."

Hannah Yates moved toward the door, but heavily, and with the reluctance of a woman whose strength had been overtasked. The old countess sat gazing upon the jewels. How trivial and worthless they seemed to her now! Yet the retention of these very diamonds had been a great cause of offence against Lord Hope's second wife. How unjust, how cruel she had been in this! Was it possible that, in other things, she had been equally mistaken? She took up her daughter's letter and read it over. The first shock of its reception had passed away, and nothing but the quivering of the head remained of the fearful agitation that had shook her little form like a reed.

Hannah Yates stood near the curtain, regarding her with a look of yearning sympathy. How much she had suffered—how terribly she had struggled to save that delicate creature from deeper sorrow—no human being but herself would ever know; but the thought filled her heart with infinite tenderness. She stepped back to the couch, took the hand which lay in the lap of her old mistress, and kissed it.

The old lady lifted her eyes from the letter. They were full of tears—those painful, cold tears which come in such scant drops to the aged.

"Your hands are cold; you look tired. Ring for some wine and biscuit. That poor, white face is a reproach to your mistress, Yates."

"Yes, I will take some wine and bread before I go—it will make me strong; but not here! not here!"

Again the old countess turned to that letter, motioning with her hand that Yates should stay; but the old woman did not see that gentle motion of the hand—her eyes, also, were full of tears.

When the Countess of Carset had thrice perused her daughter's letter, she laid it down, and resting her hand tenderly upon it, fell into thought.

She was a proud but just woman, on whose haughty power old age had fallen like dew, softening all that was imperious, and shading down strong personal pride into thoughtful mercy.

But for some injustice that she had to repent of, this simple, affectionate letter, coming as it were from the grave, would have aroused nothing but tender grief. It contained no complaint of the man she had married—did not even mention the governess, who now filled her place; and the possibility that she had terribly wronged these two persons dawned steadily upon her.

She looked up at last, and spoke to Hannah Yates; but there was no answer. The old woman was on her road to the railroad station, burdened only with a secret she dared not reveal, and the gold which had been saved with the diamonds.

CHAPTER XV.
THE EARL'S RETURN.

Days passed, and Caroline heard nothing of the new friend she had made; but one day Eliza brought her a letter which had come, inclosed in one from Margaret, who had left town with her mistress so suddenly that she found no time to say farewell.

This was the letter which broke down so many hopes for the unhappy girl:

"My dear, dear friend—

"For that you always will be, so long as I have a pulse in my heart or a purpose in my brain! It does not require an eternity for two young girls like us to become firm friends; but it will take more than that to destroy the faith and love we feel for each other. I know that you will believe every word that I say, though I may be compelled to seem cruel and faithless. I cannot come to see you. They tell me it might offend my father. I cannot ask you to his house, because it is his, and I have no authority in it. But the time will come when I shall have a house of my own, and then no guest shall be so honored. Why do I love you so? Is it that I remember something? Or has any person told me that you and I have slept in each other's arms, and breathed upon the same pillow, with an old woman bending over us—a noble-faced old woman, with gray hair, and a queenly way of carrying the head? Have you any remembrance of a woman like that? Do you remember a hot, red fire, streams of water gushing over it, a ladder, a crowd, and great pipes coiling like a tangle of huge snakes along a street full of people? I do—and this no one has ever told me.

"I want to ask all these things in person. You are from America. I was there once, and after that fire I remember the ocean and a great black ship, which sent banners of smoke over us day after day.

"Then Oakhurst. I was not four years old then, but my life began in America, so far as I know of it.

"I cannot help you now; but if you hate the stage so much, be firm, and madame cannot force you upon it. Besides, I am determined to redeem my pledge; so, if it can be done in no other way, I will just have an early time set for my marriage with Mr. Closs, and then you shall come to us if any one attempts to oppress you.

"Pray do not suppose that any one here dislikes you. On the contrary, Lady Hope admits that you are charming. The trouble is that here, in England, there is so much prejudice against the stage. I cannot advise you, having broken down so miserably in my promises; but I shall not be helpless forever, and when I have power you shall share it.

"If she insists, if the worst comes to the worst, run away, and come down here—I mean into the neighborhood. I have plenty of pocket-money, and drive my ponies just where I please. Margaret will help us.

"I am sure you will forgive me that I cannot do all I promised. It does not grieve you more than it humiliates me. To think that I should offer so much and perform nothing! But it is not my fault, nor is it the fault of any one here.

"Believe in me, trust me, and love me, for I will deserve it all.

"Yours affectionately,

"CLARA."

Lady Clara wrote this letter on the very night of her return to Oakhurst. That much she insisted on doing. Less, she said, would be cruel treachery.

Neither Lady Hope nor her brother were disposed to interfere, and so the little missive went, carrying both hope and pain with it.

It was some days before Hepworth Closs was able to make his entire peace with the young lady. She could not find it in her heart to oppose her stepmother, whose sad, heavy eyes touched her sympathy; but it was pleasant to tyrannize over a man so much older than herself, whom love had made her slave.

With him quarreling was delicious, and she was in no haste to cut her enjoyment short. But even the pleasure of tormenting one's lover has its reaction; so one day, as the sun went down, pouring a flood of crimson into the bosom of that old cedar of Lebanon, Clara relented a little, and allowed Hepworth to kiss her hand. It was impossible to hold out longer, with all the leaves quivering in that soft air, and the little birds hiding away among them, chirping to each other, and setting a sweet example to the lovers.

Of course an ardent man, very much in love, is not likely to rest content with the touch of his lady-love's hand after he has been kept in quarantine four or five days. Hepworth was ardent, and desperately in love; so he took advantage of her soft relenting, and drew her close to his side, laid her head against his heart, and, with his cheek touching the thick waves of her hair, began to talk of the future, when they would be all in all to each other.

Clara shut her eyes, and allowed her head to rest so close to her lover's heart that it rose and fell with its strong beating. She loved the music of that full, warm pulse, and a smile parted her lips as she listened.

Thus they rested awhile in silence, she, carried into a dreamy elysium by the swell of those full heart-beats; he, calmed by the stir of the cedar-leaves, looking into her face, and wondering, in the humility of true affection, how that bright young creature had ever been won to love him. He bent his head down softly, and kissed the blue veins on her temple.

"Are you sure, very, very sure, that you love me, Clara?"

She reached up one arm, wound it about his neck, laid her cheek against his, and whispered:

"Don't you think so?"

"Lady Clara! Mr. Hepworth Closs!"

It was a man's voice, stern and clear as the clash of bells. Both the lover and the girl sprang to their feet.

"Father!"

"Lord Hope!"

For a moment the two men stood face to face. They had changed since their last parting; still that was but dimly seen in the light of a young moon, which was rising over the trees as the rich crimson faded away.

Hepworth saw that all the wild passion of those times had died out of that face, leaving it calm and hard; but other change was concealed by the silvery quiver of light that fell upon it through the leaves.

Hepworth was the first to speak.

"My lord, you have received my letter, I trust?"

"Yes—and came at once to answer it."

"By your tone, by your manner, I should fear—"

"While this young lady is by, we will not speak of your fears," said the earl, with a slow motion of the hand. "Clara, you will find your—Lady Hope. She will, perhaps, be glad to hear that I have returned."

"Not while you meet me and—and Hepworth in this fashion, papa. I don't like it. One would think you intended to make trouble."

"Foolish child! Go as I tell you."