THE COMPLETE ESSAYS
OF
CHARLES DUDLEY WARNER

[ [!-- H2 anchor --] ]

BACKLOG EDITION

THE COMPLETE WRITINGS

OF CHARLES DUDLEY WARNER

1904


CONTENTS


[ AS WE WERE SAYING ]

[ ROSE AND CHRYSANTHEMUM ]

[ THE RED BONNET ]

[ THE LOSS IN CIVILIZATION ]

[ SOCIAL SCREAMING ]

[ DOES REFINEMENT KILL INDIVIDUALITY? ]

[ THE DIRECTOIRE GOWN ]

[ THE MYSTERY OF THE SEX ]

[ THE CLOTHES OF FICTION ]

[ THE BROAD A ]

[ CHEWING GUM ]

[ WOMEN IN CONGRESS ]

[ SHALL WOMEN PROPOSE? ]

[ FROCKS AND THE STAGE ]

[ ALTRUISM ]

[ SOCIAL CLEARING-HOUSE ]

[ DINNER-TABLE TALK ]

[ NATURALIZATION ]

[ ART OF GOVERNING ]

[ LOVE OF DISPLAY ]

[ VALUE OF THE COMMONPLACE ]

[ THE BURDEN OF CHRISTMAS ]

[ THE RESPONSIBILITY OF WRITERS ]

[ THE CAP AND GOWN ]

[ A TENDENCY OF THE AGE ]

[ A LOCOED NOVELIST ]


[ AS WE GO ]

[ OUR PRESIDENT ]

[ THE NEWSPAPER-MADE MAN ]

[ INTERESTING GIRLS ]

[ GIVE THE MEN A CHANCE ]

[ THE ADVENT OF CANDOR ]

[ THE AMERICAN MAN ]

[ THE ELECTRIC WAY ]

[ CAN A HUSBAND OPEN HIS WIFE'S LETTERS? ]

[ A LEISURE CLASS ]

[ WEATHER AND CHARACTER ]

[ BORN WITH AN “EGO” ]

[ JUVENTUS MUNDI ]

[ A BEAUTIFUL OLD AGE ]

[ THE ATTRACTION OF THE REPULSIVE ]

[ GIVING AS A LUXURY ]

[ CLIMATE AND HAPPINESS ]

[ THE NEW FEMININE RESERVE ]

[ REPOSE IN ACTIVITY ]

[ WOMEN—IDEAL AND REAL ]

[ THE ART OF IDLENESS ]

[ IS THERE ANY CONVERSATION ]

[ THE TALL GIRL ]

[ THE DEADLY DIARY ]

[ THE WHISTLING GIRL ]

[ BORN OLD AND RICH ]

[ THE “OLD SOLDIER” ]

[ THE ISLAND OF BIMINI ]

[ JUNE ]


[ NINE SHORT ESSAYS ]

[ A NIGHT IN THE GARDEN OF THE TUILERIES ]

[ TRUTHFULNESS ]

[ THE PURSUIT OF HAPPINESS ]

[ LITERATURE AND THE STAGE ]

[ THE LIFE-SAVING AND LIFE PROLONGING ART ]

[ “H.H.” IN SOUTHERN CALIFORNIA ]

[ SIMPLICITY ]

[ THE ENGLISH VOLUNTEERS DURING THE LATE INVASION ]

[ NATHAN HALE—1887 ]


[ FASHIONS IN LITERATURE ]

[ INTRODUCTION ]

[ THE AMERICAN NEWSPAPER ]

[ CERTAIN DIVERSITIES OF AMERICAN LIFE ]

[ THE PILGRIM, AND THE AMERICAN OF TODAY—1892 ]

[ SOME CAUSES OF THE PREVAILING DISCONTENT ]

[ THE EDUCATION OF THE NEGRO ]

[ THE INDETERMINATE SENTENCE ]

[ LITERARY COPYRIGHT ]


[ THE RELATION OF LITERATURE TO LIFE ]

[ BIOGRAPHICAL SKETCH ]

[ THE RELATION OF LITERATURE TO LIFE ]


[ “EQUALITY” ]

[ WHAT IS YOUR CULTURE TO ME? ]

[ MODERN FICTION ]

[ THOUGHTS SUGGESTED BY MR. FROUDE'S “PROGRESS” ]

[ ENGLAND ]

[ THE NOVEL AND THE COMMON SCHOOL ]

[ THE PEOPLE FOR WHOM SHAKESPEARE WROTE ]

[ [!-- H2 anchor --] ]

AS WE WERE SAYING

By Charles Dudley Warner

AS WE WERE SAYING

[ [!-- H2 anchor --] ]

ROSE AND CHRYSANTHEMUM

The Drawer will still bet on the rose. This is not a wager, but only a strong expression of opinion. The rose will win. It does not look so now. To all appearances, this is the age of the chrysanthemum. What this gaudy flower will be, daily expanding and varying to suit the whim of fashion, no one can tell. It may be made to bloom like the cabbage; it may spread out like an umbrella—it can never be large enough nor showy enough to suit us. Undeniably it is very effective, especially in masses of gorgeous color. In its innumerable shades and enlarging proportions, it is a triumph of the gardener. It is a rival to the analine dyes and to the marabout feathers. It goes along with all the conceits and fantastic unrest of the decorative art. Indeed, but for the discovery of the capacities of the chrysanthemum, modern life would have experienced a fatal hitch in its development. It helps out our age of plush with a flame of color. There is nothing shamefaced or retiring about it, and it already takes all provinces for its own. One would be only half-married—civilly, and not fashionably—without a chrysanthemum wedding; and it lights the way to the tomb. The maiden wears a bunch of it in her corsage in token of her blooming expectations, and the young man flaunts it on his coat lapel in an effort to be at once effective and in the mode. Young love that used to express its timid desire with the violet, or, in its ardor, with the carnation, now seeks to bring its emotions to light by the help of the chrysanthemum. And it can express every shade of feeling, from the rich yellow of prosperous wooing to the brick-colored weariness of life that is hardly distinguishable from the liver complaint. It is a little stringy for a boutonniere, but it fills the modern-trained eye as no other flower can fill it. We used to say that a girl was as sweet as a rose; we have forgotten that language. We used to call those tender additions to society, on the eve of their event into that world which is always so eager to receive fresh young life, “rose-buds”; we say now simply “buds,” but we mean chrysanthemum buds. They are as beautiful as ever; they excite the same exquisite interest; perhaps in their maiden hearts they are one or another variety of that flower which bears such a sweet perfume in all literature; but can it make no difference in character whether a young girl comes out into the garish world as a rose or as a chrysanthemum? Is her life set to the note of display, of color and show, with little sweetness, or to that retiring modesty which needs a little encouragement before it fully reveals its beauty and its perfume? If one were to pass his life in moving in a palace car from one plush hotel to another, a bunch of chrysanthemums in his hand would seem to be a good symbol of his life. There are aged people who can remember that they used to choose various roses, as to their color, odor, and degree of unfolding, to express the delicate shades of advancing passion and of devotion. What can one do with this new favorite? Is not a bunch of chrysanthemums a sort of take-it-or-leave-it declaration, boldly and showily made, an offer without discrimination, a tender without romance? A young man will catch the whole family with this flaming message, but where is that sentiment that once set the maiden heart in a flutter? Will she press a chrysanthemum, and keep it till the faint perfume reminds her of the sweetest moment of her life?

Are we exaggerating this astonishing rise, development, and spread of the chrysanthemum? As a fashion it is not so extraordinary as the hoop-skirt, or as the neck ruff, which is again rising as a background to the lovely head. But the remarkable thing about it is that heretofore in all nations and times, and in all changes of fashion in dress, the rose has held its own as the queen of flowers and as the finest expression of sentiment. But here comes a flaunting thing with no desirable perfume, looking as if it were cut with scissors out of tissue-paper, but capable of taking infinite varieties of color, and growing as big as a curtain tassel, that literally captures the world, and spreads all over the globe, like the Canada thistle. The florists have no eye for anything else, and the biggest floral prizes are awarded for the production of its eccentricities. Is the rage for this flower typical of this fast and flaring age?

The Drawer is not an enemy to the chrysanthemum, nor to the sunflower, nor to any other gorgeous production of nature. But it has an old-fashioned love for the modest and unobtrusive virtues, and an abiding faith that they will win over the strained and strident displays of life. There is the violet: all efforts of cultivation fail to make it as big as the peony, and it would be no more dear to the heart if it were quadrupled in size. We do, indeed, know that satisfying beauty and refinement are apt to escape us when we strive too much and force nature into extraordinary display, and we know how difficult it is to get mere bigness and show without vulgarity. Cultivation has its limits. After we have produced it, we find that the biggest rose even is not the most precious; and lovely as woman is, we instinctively in our admiration put a limit to her size. There being, then, certain laws that ultimately fetch us all up standing, so to speak, it does seem probable that the chrysanthemum rage will end in a gorgeous sunset of its splendor; that fashion will tire of it, and that the rose, with its secret heart of love; the rose, with its exquisite form; the rose, with its capacity of shyly and reluctantly unfolding its beauty; the rose, with that odor—of the first garden exhaled and yet kept down through all the ages of sin —will become again the fashion, and be more passionately admired for its temporary banishment. Perhaps the poet will then come back again and sing. What poet could now sing of the “awful chrysanthemum of dawn”?

[ [!-- H2 anchor --] ]

THE RED BONNET

The Drawer has no wish to make Lent easier for anybody, or rather to diminish the benefit of the penitential season. But in this period of human anxiety and repentance it must be said that not enough account is made of the moral responsibility of Things. The doctrine is sound; the only difficulty is in applying it. It can, however, be illustrated by a little story, which is here confided to the reader in the same trust in which it was received. There was once a lady, sober in mind and sedate in manner, whose plain dress exactly represented her desire to be inconspicuous, to do good, to improve every day of her life in actions that should benefit her kind. She was a serious person, inclined to improving conversation, to the reading of bound books that cost at least a dollar and a half (fifteen cents of which she gladly contributed to the author), and she had a distaste for the gay society which was mainly a flutter of ribbons and talk and pretty faces; and when she meditated, as she did in her spare moments, her heart was sore over the frivolity of life and the emptiness of fashion. She longed to make the world better, and without any priggishness she set it an example of simplicity and sobriety, of cheerful acquiescence in plainness and inconspicuousness.

One day—it was in the autumn—this lady had occasion to buy a new hat. From a great number offered to her she selected a red one with a dull red plume. It did not agree with the rest of her apparel; it did not fit her apparent character. What impulse led to this selection she could not explain. She was not tired of being good, but something in the jauntiness of the hat and the color pleased her. If it were a temptation, she did not intend to yield to it, but she thought she would take the hat home and try it. Perhaps her nature felt the need of a little warmth. The hat pleased her still more when she got it home and put it on and surveyed herself in the mirror. Indeed, there was a new expression in her face that corresponded to the hat. She put it off and looked at it. There was something almost humanly winning and temptatious in it. In short, she kept it, and when she wore it abroad she was not conscious of its incongruity to herself or to her dress, but of the incongruity of the rest of her apparel to the hat, which seemed to have a sort of intelligence of its own, at least a power of changing and conforming things to itself. By degrees one article after another in the lady's wardrobe was laid aside, and another substituted for it that answered to the demanding spirit of the hat. In a little while this plain lady was not plain any more, but most gorgeously dressed, and possessed with the desire to be in the height of the fashion. It came to this, that she had a tea-gown made out of a window-curtain with a flamboyant pattern. Solomon in all his glory would have been ashamed of himself in her presence.

But this was not all. Her disposition, her ideas, her whole life, was changed. She did not any more think of going about doing good, but of amusing herself. She read nothing but stories in paper covers. In place of being sedate and sober-minded, she was frivolous to excess; she spent most of her time with women who liked to “frivol.” She kept Lent in the most expensive way, so as to make the impression upon everybody that she was better than the extremest kind of Lent. From liking the sedatest company she passed to liking the gayest society and the most fashionable method of getting rid of her time. Nothing whatever had happened to her, and she is now an ornament to society.

This story is not an invention; it is a leaf out of life. If this lady that autumn day had bought a plain bonnet she would have continued on in her humble, sensible way of living. Clearly it was the hat that made the woman, and not the woman the hat. She had no preconception of it; it simply happened to her, like any accident—as if she had fallen and sprained her ankle. Some people may say that she had in her a concealed propensity for frivolity; but the hat cannot escape the moral responsibility of calling it out if it really existed. The power of things to change and create character is well attested. Men live up to or live down to their clothes, which have a great moral influence on manner, and even on conduct. There was a man run down almost to vagabondage, owing to his increasingly shabby clothing, and he was only saved from becoming a moral and physical wreck by a remnant of good-breeding in him that kept his worn boots well polished. In time his boots brought up the rest of his apparel and set him on his feet again. Then there is the well-known example of the honest clerk on a small salary who was ruined by the gift of a repeating watch—an expensive timepiece that required at least ten thousand a year to sustain it: he is now in Canada.

Sometimes the influence of Things is good and sometimes it is bad. We need a philosophy that shall tell us why it is one or the other, and fix the responsibility where it belongs. It does no good, as people always find out by reflex action, to kick an inanimate thing that has offended, to smash a perverse watch with a hammer, to break a rocking-chair that has a habit of tipping over backward. If Things are not actually malicious, they seem to have a power of revenging themselves. We ought to try to understand them better, and to be more aware of what they can do to us. If the lady who bought the red hat could have known the hidden nature of it, could have had a vision of herself as she was transformed by it, she would as soon have taken a viper into her bosom as have placed the red tempter on her head. Her whole previous life, her feeling of the moment, show that it was not vanity that changed her, but the inconsiderate association with a Thing that happened to strike her fancy, and which seemed innocent. But no Thing is really powerless for good or evil.

[ [!-- H2 anchor --] ]

THE LOSS IN CIVILIZATION

Have we yet hit upon the right idea of civilization? The process which has been going on ever since the world began seems to have a defect in it; strength, vital power, somehow escapes. When you've got a man thoroughly civilized you cannot do anything more with him. And it is worth reflection what we should do, what could we spend our energies on, and what would evoke them, we who are both civilized and enlightened, if all nations were civilized and the earth were entirely subdued. That is to say, are not barbarism and vast regions of uncultivated land a necessity of healthful life on this globe? We do not like to admit that this process has its cycles, that nations and men, like trees and fruit, grow, ripen, and then decay. The world has always had a conceit that the globe could be made entirely habitable, and all over the home of a society constantly growing better. In order to accomplish this we have striven to eliminate barbarism in man and in nature:

Is there anything more unsatisfactory than a perfect house, perfect grounds, perfect gardens, art and nature brought into the most absolute harmony of taste and culture? What more can a man do with it? What satisfaction has a man in it if he really gets to the end of his power to improve it? There have been such nearly ideal places, and how strong nature, always working against man and in the interest of untamed wildness, likes to riot in them and reduce them to picturesque destruction! And what sweet sadness, pathos, romantic suggestion, the human mind finds in such a ruin! And a society that has attained its end in all possible culture, entire refinement in manners, in tastes, in the art of elegant intellectual and luxurious living—is there nothing pathetic in that? Where is the primeval, heroic force that made the joy of living in the rough old uncivilized days? Even throw in goodness, a certain amount of altruism, gentleness, warm interest in unfortunate humanity—is the situation much improved? London is probably the most civilized centre the world has ever seen; there are gathered more of the elements of that which we reckon the best. Where in history, unless some one puts in a claim for the Frenchman, shall we find a Man so nearly approaching the standard we have set up of civilization as the Englishman, refined by inheritance and tradition, educated almost beyond the disturbance of enthusiasm, and cultivated beyond the chance of surprise? We are speaking of the highest type in manner, information, training, in the acquisition of what the world has to give. Could these men have conquered the world? Is it possible that our highest civilization has lost something of the rough and admirable element that we admire in the heroes of Homer and of Elizabeth? What is this London, the most civilized city ever known? Why, a considerable part of its population is more barbarous, more hopelessly barbarous, than any wild race we know, because they are the barbarians of civilization, the refuse and slag of it, if we dare say that of any humanity. More hopeless, because the virility of savagery has measurably gone out of it. We can do something with a degraded race of savages, if it has any stamina in it. What can be done with those who are described as “East-Londoners”?

Every great city has enough of the same element. Is this an accident, or is it a necessity of the refinement that we insist on calling civilization? We are always sending out missionaries to savage or perverted nations, we are always sending out emigrants to occupy and reduce to order neglected territory. This is our main business. How would it be if this business were really accomplished, and there were no more peoples to teach our way of life to, and no more territory to bring under productive cultivation? Without the necessity of putting forth this energy, a survival of the original force in man, how long would our civilization last? In a word, if the world were actually all civilized, wouldn't it be too weak even to ripen? And now, in the great centres, where is accumulated most of that we value as the product of man's best efforts, is there strength enough to elevate the degraded humanity that attends our highest cultivation? We have a gay confidence that we can do something for Africa. Can we reform London and Paris and New York, which our own hands have made?

If we cannot, where is the difficulty? Is this a hopeless world? Must it always go on by spurts and relapses, alternate civilization and barbarism, and the barbarism being necessary to keep us employed and growing? Or is there some mistake about our ideal of civilization? Does our process too much eliminate the rough vigor, courage, stamina of the race? After a time do we just live, or try to live, on literature warmed over, on pretty coloring and drawing instead of painting that stirs the soul to the heroic facts and tragedies of life? Where did this virile, blood-full, throbbing Russian literature come from; this Russian painting of Verestchagin, that smites us like a sword with the consciousness of the tremendous meaning of existence? Is there a barbaric force left in the world that we have been daintily trying to cover and apologize for and refine into gentle agreeableness?

These questions are too deep for these pages. Let us make the world pleasant, and throw a cover over the refuse. We are doing very well, on the whole, considering what we are and the materials we have to work on. And we must not leave the world so perfectly civilized that the inhabitants, two or three centuries ahead, will have nothing to do.

[ [!-- H2 anchor --] ]

SOCIAL SCREAMING

Of all the contrivances for amusement in this agreeable world the “Reception” is the most ingenious, and would probably most excite the wonder of an angel sent down to inspect our social life. If he should pause at the entrance of the house where one is in progress, he would be puzzled. The noise that would greet his ears is different from the deep continuous roar in the streets, it is unlike the hum of millions of seventeen-year locusts, it wants the musical quality of the spring conventions of the blackbirds in the chestnuts, and he could not compare it to the vociferation in a lunatic asylum, for that is really subdued and infrequent. He might be incapable of analyzing this, but when he caught sight of the company he would be compelled to recognize it as the noise of our highest civilization. It may not be perfect, for there are limits to human powers of endurance, but it is the best we can do. It is not a chance affair. Here are selected, picked out by special invitation, the best that society can show, the most intelligent, the most accomplished, the most beautiful, the best dressed persons in the community—all receptions have this character. The angel would notice this at once, and he would be astonished at the number of such persons, for the rooms would be so crowded that he would see the hopelessness of attempting to edge or wedge his way through the throng without tearing off his wings. An angel, in short, would stand no chance in one of these brilliant assemblies on account of his wings, and he probably could not be heard, on account of the low, heavenly pitch of his voice. His inference would be that these people had been selected to come together by reason of their superior power of screaming. He would be wrong.

—They are selected on account of their intelligence, agreeableness, and power of entertaining each other. They come together, not for exercise, but pleasure, and the more they crowd and jam and struggle, and the louder they scream, the greater the pleasure. It is a kind of contest, full of good-humor and excitement. The one that has the shrillest voice and can scream the loudest is most successful. It would seem at first that they are under a singular hallucination, imagining that the more noise there is in the room the better each one can be heard, and so each one continues to raise his or her voice in order to drown the other voices. The secret of the game is to pitch the voice one or two octaves above the ordinary tone. Some throats cannot stand this strain long; they become rasped and sore, and the voices break; but this adds to the excitement and enjoyment of those who can scream with less inconvenience. The angel would notice that if at any time silence was called, in order that an announcement of music could be made, in the awful hush that followed people spoke to each other in their natural voices, and everybody could be heard without effort. But this was not the object of the Reception, and in a moment more the screaming would begin again, the voices growing higher and higher, until, if the roof were taken off, one vast shriek would go up to heaven.

This is not only a fashion, it is an art. People have to train for it, and as it is a unique amusement, it is worth some trouble to be able to succeed in it. Men, by reason of their stolidity and deeper voices, can never be proficients in it; and they do not have so much practice—unless they are stock-brokers. Ladies keep themselves in training in their ordinary calls. If three or four meet in a drawing-room they all begin to scream, not that they may be heard—for the higher they go the less they understand each other—but simply to acquire the art of screaming at receptions. If half a dozen ladies meeting by chance in a parlor should converse quietly in their sweet, ordinary home tones, it might be in a certain sense agreeable, but it would not be fashionable, and it would not strike the prevailing note of our civilization. If it were true that a group of women all like to talk at the same time when they meet (which is a slander invented by men, who may be just as loquacious, but not so limber-tongued and quick-witted), and raise their voices to a shriek in order to dominate each other, it could be demonstrated that they would be more readily heard if they all spoke in low tones. But the object is not conversation; it is the social exhilaration that comes from the wild exercise of the voice in working off a nervous energy; it is so seldom that in her own house a lady gets a chance to scream.

The dinner-party, where there are ten or twelve at table, is a favorite chance for this exercise. At a recent dinner, where there were a dozen uncommonly intelligent people, all capable of the most entertaining conversation, by some chance, or owing to some nervous condition, they all began to speak in a high voice as soon as they were seated, and the effect was that of a dynamite explosion. It was a cheerful babel of indistinguishable noise, so loud and shrill and continuous that it was absolutely impossible for two people seated on the opposite sides of the table, and both shouting at each other, to catch an intelligible sentence. This made a lively dinner. Everybody was animated, and if there was no conversation, even between persons seated side by side, there was a glorious clatter and roar; and when it was over, everybody was hoarse and exhausted, and conscious that he had done his best in a high social function.

This topic is not the selection of the Drawer, the province of which is to note, but not to criticise, the higher civilization. But the inquiry has come from many cities, from many women, “Cannot something be done to stop social screaming?” The question is referred to the scientific branch of the Social Science Association. If it is a mere fashion, the association can do nothing. But it might institute some practical experiments. It might get together in a small room fifty people all let loose in the ordinary screaming contest, measure the total volume of noise and divide it by fifty, and ascertain how much throat power was needed in one person to be audible to another three feet from the latter's ear. This would sift out the persons fit for such a contest. The investigator might then call a dead silence in the assembly, and request each person to talk in a natural voice, then divide the total noise as before, and see what chance of being heard an ordinary individual had in it. If it turned out in these circumstances that every person present could speak with ease and hear perfectly what was said, then the order might be given for the talk to go on in that tone, and that every person who raised the voice and began to scream should be gagged and removed to another room. In this room could be collected all the screamers to enjoy their own powers. The same experiment might be tried at a dinner-party, namely, to ascertain if the total hum of low voices in the natural key would not be less for the individual voice to overcome than the total scream of all the voices raised to a shriek. If scientific research demonstrated the feasibility of speaking in an ordinary voice at receptions, dinner-parties, and in “calls,” then the Drawer is of opinion that intelligible and enjoyable conversation would be possible on these occasions, if it becomes fashionable not to scream.

[ [!-- H2 anchor --] ]

DOES REFINEMENT KILL INDIVIDUALITY?

Is it true that cultivation, what we call refinement, kills individuality? Or, worse than that even, that one loses his taste by over-cultivation? Those persons are uninteresting, certainly, who have gone so far in culture that they accept conventional standards supposed to be correct, to which they refer everything, and by which they measure everybody. Taste usually implies a sort of selection; the cultivated taste of which we speak is merely a comparison, no longer an individual preference or appreciation, but only a reference to the conventional and accepted standard. When a man or woman has reached this stage of propriety we are never curious any more concerning their opinions on any subject. We know that the opinions expressed will not be theirs, evolved out of their own feeling, but that they will be the cut-and-dried results of conventionality.

It is doubtless a great comfort to a person to know exactly how to feel and what to say in every new contingency, but whether the zest of life is not dulled by this ability is a grave question, for it leaves no room for surprise and little for emotion. O ye belles of Newport and of Bar Harbor, in your correct and conventional agreement of what is proper and agreeable, are you wasting your sweet lives by rule? Is your compact, graceful, orderly society liable to be monotonous in its gay repetition of the same thing week after week? Is there nothing outside of that envied circle which you make so brilliant? Is the Atlantic shore the only coast where beauty may lounge and spread its net of enchantment? The Atlantic shore and Europe? Perhaps on the Pacific you might come back to your original selves, and find again that freedom and that charm of individuality that are so attractive. Some sparkling summer morning, if you chanced to drive four-in-hand along the broad beach at Santa Barbara, inhaling, the spicy breeze from the Sandwich Islands, along the curved shore where the blue of the sea and the purple of the mountains remind you of the Sorrentine promontory, and then dashed away into the canon of Montecito, among the vineyards and orange orchards and live-oaks and palms, in vales and hills all ablaze with roses and flowers of the garden and the hothouse, which bloom the year round in the gracious sea-air, would you not, we wonder, come to yourselves in the sense of a new life where it is good form to be enthusiastic and not disgraceful to be surprised? It is a far cry from Newport to Santa Barbara, and a whole world of new sensations lies on the way, experiences for which you will have no formula of experience. To take the journey is perhaps too heroic treatment for the disease of conformity—the sort of malaria of our exclusive civilization.

The Drawer is not urging this journey, nor any break-up of the social order, for it knows how painful a return to individuality may be. It is easier to go on in the subordination of one's personality to the strictly conventional life. It expects rather to record a continually perfected machinery, a life in which not only speech but ideas are brought into rule. We have had something to say occasionally of the art of conversation, which is in danger of being lost in the confused babel of the reception and the chatter of the dinner-party—the art of listening and the art of talking both being lost. Society is taking alarm at this, and the women as usual are leaders in a reform. Already, by reason of clubs-literary, scientific, economic—woman is the well-informed part of our society. In the “Conversation Lunch” this information is now brought into use. The lunch, and perhaps the dinner, will no longer be the occasion of satisfying the appetite or of gossip, but of improving talk. The giver of the lunch will furnish the topic of conversation. Two persons may not speak at once; two persons may not talk with each other; all talk is to be general and on the topic assigned, and while one is speaking, the others must listen. Perhaps each lady on taking her seat may find in her napkin a written slip of paper which shall be the guide to her remarks. Thus no time is to be wasted on frivolous topics. The ordinary natural flow of rejoinder and repartee, the swirling of talk around one obstacle and another, its winding and rippling here and there as individual whim suggests, will not be allowed, but all will be improving, and tend to that general culture of which we have been speaking. The ladies' lunch is not to be exactly a debating society, but an open occasion for the delivery of matured thought and the acquisition of information.

The object is not to talk each other down, but to improve the mind, which, unguided, is apt to get frivolous at the convivial board. It is notorious that men by themselves at lunch or dinner usually shun grave topics and indulge in persiflage, and even descend to talk about wine and the made dishes. The women's lunch of this summer takes higher ground. It will give Mr. Browning his final estimate; it will settle Mr. Ibsen; it will determine the suffrage question; it will adjudicate between the total abstainers and the halfway covenant of high license; it will not hesitate to cut down the tariff.

The Drawer anticipates a period of repose in all our feverish social life. We shall live more by rule and less by impulse. When we meet we shall talk on set topics, determined beforehand. By this concentration we shall be able as one man or one woman to reach the human limit of cultivation, and get rid of all the aberrations of individual assertion and feeling. By studying together in clubs, by conversing in monotone and by rule, by thinking the same things and exchanging ideas until we have none left, we shall come into that social placidity which is one dream of the nationalists—one long step towards what may be called a prairie mental condition—the slope of Kansas, where those who are five thousand feet above the sea-level seem to be no higher than those who dwell in the Missouri Valley.

[ [!-- H2 anchor --] ]

THE DIRECTOIRE GOWN

We are all more or less devoted to 'liberte', 'egalite', and considerable 'fraternite', and we have various ways of showing it. It is the opinion of many that women do not care much about politics, and that if they are interested at all in them, they are by nature aristocrats. It is said, indeed, that they care much more about their dress than they do about the laws or the form of government. This notion arises from a misapprehension both of the nature of woman and of the significance of dress.

Men have an idea that fashions are haphazard, and are dictated and guided by no fixed principles of action, and represent no great currents in politics or movements of the human mind. Women, who are exceedingly subtle in all their operations, feel that it is otherwise. They have a prescience of changes in the drift of public affairs, and a delicate sensitiveness that causes them to adjust their raiment to express these changes. Men have written a great deal in their bungling way about the philosophy of clothes. Women exhibit it, and if we should study them more and try to understand them instead of ridiculing their fashions as whims bred of an inconstant mind and mere desire for change, we would have a better apprehension of the great currents of modern political life and society.

Many observers are puzzled by the gradual and insidious return recently to the mode of the Directoire, and can see in it no significance other than weariness of some other mode. We need to recall the fact of the influence of the centenary period upon the human mind. It is nearly a century since the fashion of the Directoire. What more natural, considering the evidence that we move in spirals, if not in circles, that the signs of the anniversary of one of the most marked periods in history should be shown in feminine apparel? It is woman's way of hinting what is in the air, the spirit that is abroad in the world. It will be remembered that women took a prominent part in the destruction of the Bastile, helping, indeed, to tear down that odious structure with their own hands, the fall of which, it is well known, brought in the classic Greek and republican simplicity, the subtle meaning of the change being expressed in French gowns. Naturally there was a reaction from all this towards aristocratic privileges and exclusiveness, which went on for many years, until in France monarchy and empire followed the significant leadership of the French modistes. So strong was this that it passed to other countries, and in England the impulse outlasted even the Reform Bill, and skirts grew more and more bulbous, until it did not need more than three or four women to make a good-sized assembly. This was not the result of, a whim about clothes, but a subtle recognition of a spirit of exclusiveness and defense abroad in the world. Each woman became her own Bastile. Men surrounded it and thundered against it without the least effect. It seemed as permanent as the Pyramids. At every male attack it expanded, and became more aggressive and took up more room. Women have such an exquisite sense of things—just as they have now in regard to big obstructive hats in the theatres. They know that most of the plays are inferior and some of them are immoral, and they attend the theatres with head-dresses that will prevent as many people as possible from seeing the stage and being corrupted by anything that takes place on it. They object to the men seeing some of the women who are now on the stage. It happened, as to the private Bastiles, that the women at last recognized a change in the sociological and political atmosphere of the world, and without consulting any men of affairs or caring for their opinion, down went the Bastiles. When women attacked them, in obedience to their political instincts, they collapsed like punctured balloons. Natural woman was measurably (that is, a capacity of being measured) restored to the world. And we all remember the great political revolutionary movements of 1848.

Now France is still the arbiter of the modes. Say what we may about Berlin, copy their fashion plates as we will, or about London, or New York, or Tokio, it is indisputable that the woman in any company who has on a Paris gown—the expression is odious, but there is no other that in these days would be comprehended—“takes the cake.” It is not that the women care for this as a mere matter of apparel. But they are sensitive to the political atmosphere, to the philosophical significance that it has to great impending changes. We are approaching the centenary of the fall of the Bastile. The French have no Bastile to lay low, nor, indeed, any Tuileries to burn up; but perhaps they might get a good way ahead by demolishing Notre Dame and reducing most of Paris to ashes. Apparently they are on the eve of doing something. The women of the world may not know what it is, but they feel the approaching recurrence of a period. Their movements are not yet decisive. It is as yet only tentatively that they adopt the mode of the Directoire. It is yet uncertain—a sort of Boulangerism in dress. But if we watch it carefully we shall be able to predict with some assurance the drift in Paris. The Directoire dress points to another period of republican simplicity, anarchy, and the rule of a popular despot.

It is a great pity, in view of this valuable instinct in women and the prophetic significance of dress, that women in the United States do not exercise their gifts with regard to their own country. We should then know at any given time whether we are drifting into Blaineism, or Clevelandism, or centralization, or free-trade, or extreme protection, or rule by corporations. We boast greatly of our smartness. It is time we were up and dressed to prove it.

[ [!-- H2 anchor --] ]

THE MYSTERY OF THE SEX

There appears to be a great quantity of conceit around, especially concerning women. The statement was recently set afloat that a well-known lady had admitted that George Meredith understands women better than any writer who has preceded him. This may be true, and it may be a wily statement to again throw men off the track; at any rate it contains the old assumption of a mystery, practically insoluble, about the gentler sex. Women generally encourage this notion, and men by their gingerly treatment of it seemed to accept it. But is it well-founded, is there any more mystery about women—than about men? Is the feminine nature any more difficult to understand than the masculine nature? Have women, conscious of inferior strength, woven this notion of mystery about themselves as a defense, or have men simply idealized them for fictitious purposes? To recur to the case cited, is there any evidence that Mr. Meredith understands human nature—as exhibited in women any better than human nature—in men, or is more consistent in the production of one than of the other? Historically it would be interesting to trace the rise of this notion of woman as an enigma. The savage races do not appear to have it. A woman to the North American Indian is a simple affair, dealt with without circumlocution. In the Bible records there is not much mystery about her; there are many tributes to her noble qualities, and some pretty severe and uncomplimentary things are said about her, but there is little affectation of not understanding her. She may be a prophetess, or a consoler, or a snare, but she is no more “deceitful and desperately wicked” than anybody else. There is nothing mysterious about her first recorded performance. Eve trusted the serpent, and Adam trusted Eve. The mystery was in the serpent. There is no evidence that the ancient Egyptian woman was more difficult to comprehend than the Egyptian man. They were both doubtless wily as highly civilized people are apt to be; the “serpent of old Nile” was in them both. Is it in fact till we come to mediaeval times, and the chivalric age, that women are set up as being more incomprehensible than men? That is, less logical, more whimsical, more uncertain in their mental processes? The play-writers and essayists of the seventeenth and eighteenth centuries “worked” this notion continually. They always took an investigating and speculating attitude towards women, that fostered the conceit of their separateness and veiled personality. Every woman was supposed to be playing a part behind a mask. Montaigne is always investigating woman as a mystery. It is, for instance, a mystery he does not relish that, as he says, women commonly reserve the publication of their vehement affections for their husbands till they have lost them; then the woful countenance “looks not so much back as forward, and is intended rather to get a new husband than to lament the old.” And he tells this story:

“When I was a boy, a very beautiful and virtuous lady who is yet living, and the widow of a prince, had, I know not what, more ornament in her dress than our laws of widowhood will well allow, which being reproached with as a great indecency, she made answer 'that it was because she was not cultivating more friendships, and would never marry again.'” This cynical view of woman, as well as the extravagantly complimentary one sometimes taken by the poets, was based upon the notion that woman was an unexplainable being. When she herself adopted the idea is uncertain. Of course all this has a very practical bearing upon modern life, the position of women in it, and the so-called reforms. If woman is so different from man, to the extent of being an unexplainable mystery, science ought to determine the exact state of the case, and ascertain if there is any remedy for it. If it is only a literary creation, we ought to know it. Science could tell, for instance, whether there is a peculiarity in the nervous system, any complications in the nervous centres, by which the telegraphic action of the will gets crossed, so that, for example, in reply to a proposal of marriage, the intended “Yes” gets delivered as “No.” Is it true that the mental process in one sex is intuitive, and in the other logical, with every link necessary and visible? Is it true, as the romancers teach, that the mind in one sex acts indirectly and in the other directly, or is this indirect process only characteristic of exceptions in both sexes? Investigation ought to find this out, so that we can adjust the fit occupations for both sexes on a scientific basis. We are floundering about now in a sea of doubt. As society becomes more complicated, women will become a greater and greater mystery, or rather will be regarded so by themselves and be treated so by men.

Who can tell how much this notion of mystery in the sex stands in the way of its free advancement all along the line? Suppose the proposal were made to women to exchange being mysterious for the ballot? Would they do it? Or have they a sense of power in the possession of this conceded incomprehensibility that they would not lay down for any visible insignia of that power? And if the novelists and essayists have raised a mist about the sex, which it willingly masquerades in, is it not time that the scientists should determine whether the mystery exists in nature or only in the imagination?

[ [!-- H2 anchor --] ]

THE CLOTHES OF FICTION

The Drawer has never undervalued clothes. Whatever other heresies it may have had, however it may have insisted that the more a woman learns, the more she knows of books, the higher her education is carried in all the knowledges, the more interesting she will be, not only for an hour, but as a companion for life, it has never said that she is less attractive when dressed with taste and according to the season. Love itself could scarcely be expected to survive a winter hat worn after Easter. And the philosophy of this is not on the surface, nor applicable to women only. In this the highest of created things are under a law having a much wider application. Take as an item novels, the works of fiction, which have become an absolute necessity in the modern world, as necessary to divert the mind loaded with care and under actual strain as to fill the vacancy in otherwise idle brains. They have commonly a summer and a winter apparel. The publishers understand this. As certainly as the birds appear, comes the crop of summer novels, fluttering down upon the stalls, in procession through the railway trains, littering the drawing-room tables, in light paper, covers, ornamental, attractive in colors and fanciful designs, as welcome and grateful as the girls in muslin. When the thermometer is in the eighties, anything heavy and formidable is distasteful. The housekeeper knows we want few solid dishes, but salads and cooling drinks. The publisher knows that we want our literature (or what passes for that) in light array. In the winter we prefer the boards and the rich heavy binding, however light the tale may be; but in the summer, though the fiction be as grave and tragic as wandering love and bankruptcy, we would have it come to us lightly clad—out of stays, as it were.

It would hardly be worth while to refer to this taste in the apparel of our fiction did it not have deep and esoteric suggestions, and could not the novelists themselves get a hint from it. Is it realized how much depends upon the clothes that are worn by the characters in the novels —clothes put on not only to exhibit the inner life of the characters, but to please the readers who are to associate with them? It is true that there are novels that almost do away with the necessity of fashion magazines and fashion plates in the family, so faithful are they in the latest millinery details, and so fully do they satisfy the longing of all of us to know what is chic for the moment. It is pretty well understood, also, that women, and even men, are made to exhibit the deepest passions and the tenderest emotions in the crises of their lives by the clothes they put on. How the woman in such a crisis hesitates before her wardrobe, and at last chooses just what will express her innermost feeling! Does she dress for her lover as she dresses to receive her lawyer who has come to inform her that she is living beyond her income? Would not the lover be spared time and pain if he knew, as the novelist knows, whether the young lady is dressing for a rejection or an acceptance? Why does the lady intending suicide always throw on a waterproof when she steals out of the house to drown herself? The novelist knows the deep significance of every article of toilet, and nature teaches him to array his characters for the summer novel in the airy draperies suitable to the season. It is only good art that the cover of the novel and the covers of the characters shall be in harmony. He knows, also, that the characters in the winter novel must be adequately protected. We speak, of course, of the season stories. Novels that are to run through a year, or maybe many years, and are to set forth the passions and trials of changing age and varying circumstance, require different treatment and wider millinery knowledge. They are naturally more expensive. The wardrobe required in an all-round novel would bankrupt most of us.

But to confine ourselves to the season novel, it is strange that some one has not invented the patent adjustable story that with a slight change would do for summer or winter, following the broad hint of the publishers, who hasten in May to throw whatever fiction they have on hand into summer clothes. The winter novel, by this invention, could be easily fitted for summer wear. All the novelist need do would be to change the clothes of his characters. And in the autumn, if the novel proved popular, he could change again, with the advantage of being in the latest fashion. It would only be necessary to alter a few sentences in a few of the stereotype pages. Of course this would make necessary other slight alterations, for no kind-hearted writer would be cruel to his own creations, and expose them to the vicissitudes of the seasons. He could insert “rain” for “snow,” and “green leaves” for “skeleton branches,” make a few verbal changes of that sort, and regulate the thermometer. It would cost very little to adjust the novel in this way to any season. It is worth thinking of.

And this leads to a remark upon the shocking indifference of some novelists to the ordinary comfort of their characters. In practical life we cannot, but in his realm the novelist can, control the weather. He can make it generally pleasant. We do not object to a terrific thunder-shower now and then, as the sign of despair and a lost soul, but perpetual drizzle and grayness and inclemency are tedious to the reader, who has enough bad weather in his private experience. The English are greater sinners in this respect than we are. They seem to take a brutal delight in making it as unpleasant as possible for their fictitious people. There is R—b—rt 'lsm—r', for example. External trouble is piled on to the internal. The characters are in a perpetual soak. There is not a dry rag on any of them, from the beginning of the book to the end. They are sent out in all weathers, and are drenched every day. Often their wet clothes are frozen on them; they are exposed to cutting winds and sleet in their faces, bedrabbled in damp grass, stood against slippery fences, with hail and frost lowering their vitality, and expected under these circumstances to make love and be good Christians. Drenched and wind-blown for years, that is what they are. It may be that this treatment has excited the sympathy of the world, but is it legitimate? Has a novelist the right to subject his creations to tortures that he would not dare to inflict upon his friends? It is no excuse to say that this is normal English weather; it is not the office of fiction to intensify and rub in the unavoidable evils of life. The modern spirit of consideration for fictitious characters that prevails with regard to dress ought to extend in a reasonable degree to their weather. This is not a strained corollary to the demand for an appropriately costumed novel.

[ [!-- H2 anchor --] ]

THE BROAD A

It cannot for a moment be supposed that the Drawer would discourage self-culture and refinement of manner and of speech. But it would not hesitate to give a note of warning if it believed that the present devotion to literature and the pursuits of the mind were likely, by the highest authorities, to be considered bad form. In an intellectually inclined city (not in the northeast) a club of ladies has been formed for the cultivation of the broad 'a' in speech. Sporadic efforts have hitherto been made for the proper treatment of this letter of the alphabet with individual success, especially with those who have been in England, or have known English men and women of the broad-gauge variety. Discerning travelers have made the American pronunciation of the letter a a reproach to the republic, that is to say, a means of distinguishing a native of this country. The true American aspires to be cosmopolitan, and does not want to be “spotted”—if that word may be used—in society by any peculiarity of speech, that is, by any American peculiarity. Why, at the bottom of the matter, a narrow 'a' should be a disgrace it is not easy to see, but it needs no reason if fashion or authority condemns it. This country is so spread out, without any social or literary centre universally recognized as such, and the narrow 'a' has become so prevalent, that even fashion finds it difficult to reform it. The best people, who are determined to broaden all their 'a' 's, will forget in moments of excitement, and fall back into old habits. It requires constant vigilance to keep the letter 'a' flattened out. It is in vain that scholars have pointed out that in the use of this letter lies the main difference between the English and the American speech; either Americans generally do not care if this is the fact, or fashion can only work a reform in a limited number of people. It seems, therefore, necessary that there should be an organized effort to deal with this pronunciation, and clubs will no doubt be formed all over the country, in imitation of the one mentioned, until the broad a will become as common as flies in summer. When this result is attained it will be time to attack the sound of 'u' with clubs, and make universal the French sound. In time the American pronunciation will become as superior to all others as are the American sewing-machines and reapers. In the Broad A Club every member who misbehaves—that is, mispronounces—is fined a nickel for each offense. Of course in the beginning there is a good deal of revenue from this source, but the revenue diminishes as the club improves, so that we have the anomaly of its failure to be self-supporting in proportion to its excellence. Just now if these clubs could suddenly become universal, and the penalty be enforced, we could have the means of paying off the national debt in a year.

We do not wish to attach too much importance to this movement, but rather to suggest to a continent yearning for culture in letters and in speech whether it may not be carried too far. The reader will remember that there came a time in Athens when culture could mock at itself, and the rest of the country may be warned in time of a possible departure from good form in devotion to language and literature by the present attitude of modern Athens. Probably there is no esoteric depth in literature or religion, no refinement in intellectual luxury, that this favored city has not sounded. It is certainly significant, therefore, when the priestesses and devotees of mental superiority there turn upon it and rend it, when they are heartily tired of the whole literary business. There is always this danger when anything is passionately pursued as a fashion, that it will one day cease to be the fashion. Plato and Buddha and even Emerson become in time like a last season's fashion plate. Even a “friend of the spirit” will have to go. Culture is certain to mock itself in time.

The clubs for the improvement of the mind—the female mind—and of speech, which no doubt had their origin in modern Athens, should know, then, that it is the highest mark of female culture now in that beautiful town to despise culture, to affect the gayest and most joyous ignorance —ignorance of books, of all forms of so-called intellectual development, and all literary men, women, and productions whatsoever! This genuine movement of freedom may be a real emancipation. If it should reach the metropolis, what a relief it might bring to thousands who are, under a high sense of duty, struggling to advance the intellectual life. There is this to be said, however, that it is only the very brightest people, those who have no need of culture, who have in fact passed beyond all culture, who can take this position in regard to it, and actually revel in the delights of ignorance. One must pass into a calm place when he is beyond the desire to know anything or to do anything.

It is a chilling thought, unless one can rise to the highest philosophy of life, that even the broad 'a', when it is attained, may not be a permanence. Let it be common, and what distinction will there be in it? When devotion to study, to the reading of books, to conversation on improving topics, becomes a universal fashion, is it not evident that one can only keep a leadership in fashion by throwing the whole thing overboard, and going forward into the natural gayety of life, which cares for none of these things? We suppose the Constitution of the United States will stand if the day comes—nay, now is—when the women of Chicago call the women of Boston frivolous, and the women of Boston know their immense superiority and advancement in being so, but it would be a blank surprise to the country generally to know that it was on the wrong track. The fact is that culture in this country is full of surprises, and so doubles and feints and comes back upon itself that the most diligent recorder can scarcely note its changes. The Drawer can only warn; it cannot advise.

[ [!-- H2 anchor --] ]

CHEWING GUM

No language that is unfortunately understood by the greater portion of the people who speak English, thousands are saying on the first of January—in 1890, a far-off date that it is wonderful any one has lived to see—“Let us have a new deal!” It is a natural exclamation, and does not necessarily mean any change of purpose. It always seems to a man that if he could shuffle the cards he could increase his advantages in the game of life, and, to continue the figure which needs so little explanation, it usually appears to him that he could play anybody else's hand better than his own. In all the good resolutions of the new year, then, it happens that perhaps the most sincere is the determination to get a better hand. Many mistake this for repentance and an intention to reform, when generally it is only the desire for a new shuffle of the cards. Let us have a fresh pack and a new deal, and start fair. It seems idle, therefore, for the moralist to indulge in a homily about annual good intentions, and habits that ought to be dropped or acquired, on the first of January. He can do little more than comment on the passing show.

It will be admitted that if the world at this date is not socially reformed it is not the fault of the Drawer, and for the reason that it has been not so much a critic as an explainer and encourager. It is in the latter character that it undertakes to defend and justify a national industry that has become very important within the past ten years. A great deal of capital is invested in it, and millions of people are actively employed in it. The varieties of chewing gum that are manufactured would be a matter of surprise to those who have paid no attention to the subject, and who may suppose that the millions of mouths they see engaged in its mastication have a common and vulgar taste. From the fact that it can be obtained at the apothecary's, an impression has got abroad that it is medicinal. This is not true. The medical profession do not use it, and what distinguishes it from drugs-that they also do not use—is the fact that they do not prescribe it. It is neither a narcotic nor a stimulant. It cannot strictly be said to soothe or to excite. The habit of using it differs totally from that of the chewing of tobacco or the dipping of snuff. It might, by a purely mechanical operation, keep a person awake, but no one could go to sleep chewing gum. It is in itself neither tonic nor sedative. It is to be noticed also that the gum habit differs from the tobacco habit in that the aromatic and elastic substance is masticated, while the tobacco never is, and that the mastication leads to nothing except more mastication. The task is one that can never be finished. The amount of energy expended in this process if capitalized or conserved would produce great results. Of course the individual does little, but if the power evolved by the practice in a district school could be utilized, it would suffice to run the kindergarten department. The writer has seen a railway car—say in the West—filled with young women, nearly every one of whose jaws and pretty mouths was engaged in this pleasing occupation; and so much power was generated that it would, if applied, have kept the car in motion if the steam had been shut off—at least it would have furnished the motive for illuminating the car by electricity.

This national industry is the subject of constant detraction, satire, and ridicule by the newspaper press. This is because it is not understood, and it may be because it is mainly a female accomplishment: the few men who chew gum may be supposed to do so by reason of gallantry. There might be no more sympathy with it in the press if the real reason for the practice were understood, but it would be treated more respectfully. Some have said that the practice arises from nervousness—the idle desire to be busy without doing anything—and because it fills up the pauses of vacuity in conversation. But this would not fully account for the practice of it in solitude. Some have regarded it as in obedience to the feminine instinct for the cultivation of patience and self-denial —patience in a fruitless activity, and self-denial in the eternal act of mastication without swallowing. It is no more related to these virtues than it is to the habit of the reflective cow in chewing her cud. The cow would never chew gum. The explanation is a more philosophical one, and relates to a great modern social movement. It is to strengthen and develop and make more masculine the lower jaw. The critic who says that this is needless, that the inclination in women to talk would adequately develop this, misses the point altogether. Even if it could be proved that women are greater chatterers than men, the critic would gain nothing. Women have talked freely since creation, but it remains true that a heavy, strong lower jaw is a distinctively masculine characteristic. It is remarked that if a woman has a strong lower jaw she is like a man. Conversation does not create this difference, nor remove it; for the development of a lower jaw in women constant mechanical exercise of the muscles is needed. Now, a spirit of emancipation, of emulation, is abroad, as it ought to be, for the regeneration of the world. It is sometimes called the coming to the front of woman in every act and occupation that used to belong almost exclusively to man. It is not necessary to say a word to justify this. But it is often accompanied by a misconception, namely, that it is necessary for woman to be like man, not only in habits, but in certain physical characteristics. No woman desires a beard, because a beard means care and trouble, and would detract from feminine beauty, but to have a strong and, in appearance, a resolute under-jaw may be considered a desirable note of masculinity, and of masculine power and privilege, in the good time coming. Hence the cultivation of it by the chewing of gum is a recognizable and reasonable instinct, and the practice can be defended as neither a whim nor a vain waste of energy and nervous force. In a generation or two it may be laid aside as no longer necessary, or men may be compelled to resort to it to preserve their supremacy.

[ [!-- H2 anchor --] ]

WOMEN IN CONGRESS

It does not seem to be decided yet whether women are to take the Senate or the House at Washington in the new development of what is called the dual government. There are disadvantages in both. The members of the Senate are so few that the women of the country would not be adequately represented in it; and the Chamber in which the House meets is too large for women to make speeches in with any pleasure to themselves or their hearers. This last objection is, however, frivolous, for the speeches will be printed in the Record; and it is as easy to count women on a vote as men. There is nothing in the objection, either, that the Chamber would need to be remodeled, and the smoking-rooms be turned into Day Nurseries. The coming woman will not smoke, to be sure; neither will she, in coming forward to take charge of the government, plead the Baby Act. Only those women, we are told, would be elected to Congress whose age and position enable them to devote themselves exclusively to politics. The question, therefore, of taking to themselves the Senate or the House will be decided by the women themselves upon other grounds—as to whether they wish to take the initiative in legislation and hold the power of the purse, or whether they prefer to act as a check, to exercise the high treaty-making power, and to have a voice in selecting the women who shall be sent to represent us abroad. Other things being equal, women will naturally select the Upper House, and especially as that will give them an opportunity to reject any but the most competent women for the Supreme Bench. The irreverent scoffers at our Supreme Court have in the past complained (though none do now) that there were “old women” in gowns on the bench. There would be no complaint of the kind in the future. The judges would be as pretty as those who assisted in the judgment of Paris, with changed functions; there would be no monotony in the dress, and the Supreme Bench would be one of the most attractive spectacles in Washington. When the judges as well as the advocates are Portias, the law will be an agreeable occupation.

This is, however, mere speculation. We do not understand that it is the immediate purpose of women to take the whole government, though some extravagant expectations are raised by the admission of new States that are ruled by women. They may wish to divide—and conquer. One plan is, instead of dual Chambers of opposite sexes, to mingle in both the Senate and the House. And this is more likely to be the plan adopted, because the revolution is not to be violent, and, indeed, cannot take place without some readjustment of the home life. We have at present what Charles Reade would have called only a right-handed civilization. To speak metaphorically, men cannot use their left hands, or, to drop the metaphor, before the government can be fully reorganized men must learn to do women's work. It may be a fair inference from this movement that women intend to abandon the sacred principle of Home Rule. This abandonment is foreshadowed in a recent election in a small Western city, where the female voters made a clean sweep, elected an entire city council of women and most of the other officers, including the police judge and the mayor. The latter lady, by one of those intrusions of nature which reform is not yet able to control, became a mother and a mayor the same week. Her husband had been city clerk, and held over; but fortunately an arrangement was made with him to stay at home and take care of the baby, unofficially, while the mayor attends to her public duties. Thus the city clerk will gradually be initiated into the duties of home rule, and when the mayor is elected to Congress he will be ready to accompany her to Washington and keep house. The imagination likes to dwell upon this, for the new order is capable of infinite extension. When the State takes care of all the children in government nurseries, and the mayor has taken her place in the United States Senate, her husband, if he has become sufficiently reformed and feminized, may go to the House, and the reunited family of two, clubbing their salaries, can live in great comfort.

All this can be easily arranged, whether we are to have a dual government of sexes or a mixed House and Senate. The real difficulty is about a single Executive. Neither sex will be willing to yield to the other this vast power. We might elect a man and wife President and Vice-President, but the Vice-President, of whatever sex, could not well preside over the Senate and in the White House at the same time. It is true that the Constitution provides that the President and Vice-President shall not be of the same State, but residence can be acquired to get over this as easily as to obtain a divorce; and a Constitution that insists upon speaking of the President as “he” is too antiquated to be respected. When the President is a woman, it can matter little whether her husband or some other woman presides in the Senate. Even the reformers will hardly insist upon two Presidents in order to carry out the equality idea, so that we are probably anticipating difficulties that will not occur in practice.

The Drawer has only one more practical suggestion. As the right of voting carries with it the right to hold any elective office, a great change must take place in Washington life. Now for some years the divergence of society and politics has been increasing at the capital. With women in both Houses, and on the Supreme Bench, and at the heads of the departments, social and political life will become one and the same thing; receptions and afternoon teas will be held in the Senate and House, and political caucuses in all the drawing-rooms. And then life will begin to be interesting.

[ [!-- H2 anchor --] ]

SHALL WOMEN PROPOSE?

The shyness of man—meaning the “other sex” referred to in the woman's journals—has often been noticed in novels, and sometimes in real life. This shyness is, however, so exceptional as to be suspicious. The shy young man may provoke curiosity, but he does not always inspire respect. Roughly estimated, shyness is not considered a manly quality, while it is one of the most pleasing and attractive of the feminine traits, and there is something pathetic in the expression “He is as shy as a girl;” it may appeal for sympathy and the exercise of the protective instinct in women. Unfortunately it is a little discredited, so many of the old plays turning upon its assumption by young blades who are no better than they should be.

What would be the effect upon the masculine character and comfort if this shyness should become general, as it may in a contingency that is already on the horizon? We refer, of course, to the suggestion, coming from various quarters, that women should propose. The reasonableness of this suggestion may not lie on the surface; it may not be deduced from the uniform practice, beginning with the primitive men and women; it may not be inferred from the open nature of the two sexes (for the sake of argument two sexes must still be insisted on); but it is found in the advanced civilization with which we are struggling. Why should not women propose? Why should they be at a disadvantage in an affair which concerns the happiness of the whole life? They have as much right to a choice as men, and to an opportunity to exercise it. Why should they occupy a negative position, and be restricted, in making the most important part of their career, wholly to the choice implied in refusals? In fact, marriage really concerns them more than it does men; they have to bear the chief of its burdens. A wide and free choice for them would, then, seem to be only fair. Undeniably a great many men are inattentive, unobserving, immersed in some absorbing pursuit, undecided, and at times bashful, and liable to fall into union with women who happen to be near them, rather than with those who are conscious that they would make them the better wives. Men, unaided by the finer feminine instincts of choice, are so apt to be deceived. In fact, man's inability to “match” anything is notorious. If he cannot be trusted in the matter of worsted-work, why should he have such distinctive liberty in the most important matter of his life? Besides, there are many men—and some of the best who get into a habit of not marrying at all, simply because the right woman has not presented herself at the right time. Perhaps, if women had the open privilege of selection, many a good fellow would be rescued from miserable isolation, and perhaps also many a noble woman whom chance, or a stationary position, or the inertia of the other sex, has left to bloom alone, and waste her sweetness on relations, would be the centre of a charming home, furnishing the finest spectacle seen in this uphill world —a woman exercising gracious hospitality, and radiating to a circle far beyond her home the influence of her civilizing personality. For, notwithstanding all the centrifugal forces of this age, it is probable that the home will continue to be the fulcrum on which women will move the world.

It may be objected that it would be unfair to add this opportunity to the already, overpowering attractions of woman, and that man would be put at an immense disadvantage, since he might have too much gallantry, or not enough presence of mind, to refuse a proposal squarely and fascinatingly made, although his judgment scarcely consented, and his ability to support a wife were more than doubtful. Women would need to exercise a great deal of prudence and discretion, or there would be something like a panic, and a cry along the male line of 'Sauve qui peut'; for it is matter of record that the bravest men will sometimes run away from danger on a sudden impulse.

This prospective social revolution suggests many inquiries. What would be the effect upon the female character and disposition of a possible, though not probable, refusal, or of several refusals? Would she become embittered and desperate, and act as foolishly as men often do? Would her own sex be considerate, and give her a fair field if they saw she was paying attention to a young man, or an old one? And what effect would this change in relations have upon men? Would it not render that sporadic shyness of which we have spoken epidemic? Would it frighten men, rendering their position less stable in their own eyes, or would it feminize them—that is, make them retiring, blushing, self-conscious beings? And would this change be of any injury to them in their necessary fight for existence in this pushing world? What would be the effect upon courtship if both the men and the women approached each other as wooers? In ordinary transactions one is a buyer and one is a seller—to put it coarsely. If seller met seller and buyer met buyer, trade would languish. But this figure cannot be continued, for there is no romance in a bargain of any sort; and what we should most fear in a scientific age is the loss of romance.

This is, however, mere speculation. The serious aspect of the proposed change is the effect it will have upon the character of men, who are not enough considered in any of these discussions. The revolution will be a radical one in one respect. We may admit that in the future woman can take care of herself, but how will it be with man, who has had little disciplinary experience of adversity, simply because he has been permitted to have his own way? Heretofore his life has had a stimulus. When he proposes to a woman, he in fact says: “I am able to support you; I am able to protect you from the rough usage of the world; I am strong and ambitious, and eager to take upon myself the lovely bondage of this responsibility. I offer you this love because I feel the courage and responsibility of my position.” That is the manly part of it. What effect will it have upon his character to be waiting round, unselected and undecided, until some woman comes to him, and fixes her fascinating eyes upon him, and says, in effect: “I can support you; I can defend you. Have no fear of the future; I will be at once your shield and your backbone. I take the responsibility of my choice.” There are a great many men now, who have sneaked into their positions by a show of courage, who are supported one way and another by women. It might be humiliating to know just how many men live by the labors of their wives. And what would be the effect upon the character of man if the choice, and the responsibility of it, and the support implied by it in marriage, were generally transferred to woman?

[ [!-- H2 anchor --] ]

FROCKS AND THE STAGE

The condescension to literature and to the stage is one of the notable characteristics of this agreeable time. We have to admit that literature is rather the fashion, without the violent presumption that the author and the writer have the same social position that is conferred by money, or by the mysterious virtue there is in pedigree. A person does not lose caste by using the pen, or even by taking the not-needed pay for using it. To publish a book or to have an article accepted by a magazine may give a sort of social distinction, either as an exhibition of a certain unexpected capacity or a social eccentricity. It is hardly too much to say that it has become the fashion to write, as it used to be to dance the minuet well, or to use the broadsword, or to stand a gentlemanly mill with a renowned bruiser. Of course one ought not to do this professionally exactly, ought not to prepare for doing it by study and severe discipline, by training for it as for a trade, but simply to toss it off easily, as one makes a call, or pays a compliment, or drives four-in-hand. One does not need to have that interior impulse which drives a poor devil of an author to express himself, that something to say which torments the poet into extreme irritability unless he can be rid of it, that noble hunger for fame which comes from a consciousness of the possession of vital thought and emotion.

The beauty of this condescension to literature of which we speak is that it has that quality of spontaneity that does not presuppose either a capacity or a call. There is no mystery about the craft. One resolves to write a book, as he might to take a journey or to practice on the piano, and the thing is done. Everybody can write, at least everybody does write. It is a wonderful time for literature. The Queen of England writes for it, the Queen of Roumania writes for it, the Shah of Persia writes for it, Lady Brassey, the yachtswoman, wrote for it, Congressmen write for it, peers write for it. The novel is the common recreation of ladies of rank, and where is the young woman in this country who has not tried her hand at a romance or made a cast at a popular magazine? The effect of all this upon literature is expansive and joyous. Superstition about any mystery in the art has nearly disappeared. It is a common observation that if persons fail in everything else, if they are fit for nothing else, they can at least write. It is such an easy occupation, and the remuneration is in such disproportion to the expenditure! Isn't it indeed the golden era of letters? If only the letters were gold!

If there is any such thing remaining as a guild of authors, somewhere on the back seats, witnessing this marvelous Kingdom Come of Literature, there must also be a little bunch of actors, born for the stage, who see with mixed feelings their arena taken possession of by fairer if not more competent players. These players are not to be confounded with the play-actors whom the Puritans denounced, nor with those trained to the profession in the French capital.

In the United States and in England we are born to enter upon any avocation, thank Heaven! without training for it. We have not in this country any such obstacle to universal success as the Theatre Francais, but Providence has given us, for wise purposes no doubt, Private Theatricals (not always so private as they should be), which domesticate the drama, and supply the stage with some of the most beautiful and best dressed performers the world has ever seen. Whatever they may say of it, it is a gallant and a susceptible age, and all men bow to loveliness, and all women recognize a talent for clothes. We do not say that there is not such a thing as dramatic art, and that there are not persons who need as severe training before they attempt to personate nature in art as the painter must undergo who attempts to transfer its features to his canvas. But the taste of the age must be taken into account. The public does not demand that an actor shall come in at a private door and climb a steep staircase to get to the stage. When a Star from the Private Theatricals descends upon the boards, with the arms of Venus and the throat of Juno, and a wardrobe got out of Paris and through our stingy Custom-house in forty trunks, the plodding actor, who has depended upon art, finds out, what he has been all the time telling us, that all the world's a stage, and men and women merely players. Art is good in its way; but what about a perfect figure? and is not dressing an art? Can training give one an elegant form, and study command the services of a man milliner? The stage is broadened out and re-enforced by a new element. What went ye out for to see?

A person clad in fine raiment, to be sure. Some of the critics may growl a little, and hint at the invasion of art by fashionable life, but the editor, whose motto is that the newspaper is made for man, not man for the newspaper, understands what is required in this inspiring histrionic movement, and when a lovely woman condescends to step from the drawing-room to the stage he confines his descriptions to her person, and does not bother about her capacity; and instead of wearying us with a list of her plays and performances, he gives us a column about her dresses in beautiful language that shows us how closely allied poetry is to tailoring. Can the lady act? Why, simpleminded, she has nearly a hundred frocks, each one a dream, a conception of genius, a vaporous idea, one might say, which will reveal more beauty than it hides, and teach the spectator that art is simply nature adorned. Rachel in all her glory was not adorned like one of these. We have changed all that. The actress used to have a rehearsal. She now has an “opening.” Does it require nowadays, then, no special talent or gift to go on the stage? No more, we can assure our readers, than it does to write a book. But homely people and poor people can write books. As yet they cannot act.

[ [!-- H2 anchor --] ]

ALTRUISM

Christmas is supposed to be an altruistic festival. Then, if ever, we allow ourselves to go out to others in sympathy expressed by gifts and good wishes. Then self-forgetfulness in the happiness of others becomes a temporary fashion. And we find—do we not?—the indulgence of the feeling so remunerative that we wish there were other days set apart to it. We can even understand those people who get a private satisfaction in being good on other days besides Sunday. There is a common notion that this Christmas altruistic sentiment is particularly shown towards the unfortunate and the dependent by those more prosperous, and in what is called a better social position. We are exhorted on this day to remember the poor. We need to be reminded rather to remember the rich, the lonely, not-easy-to-be-satisfied rich, whom we do not always have with us. The Drawer never sees a very rich person that it does not long to give him something, some token, the value of which is not estimated by its cost, that should be a consoling evidence to him that he has not lost sympathetic touch with ordinary humanity. There is a great deal of sympathy afloat in the world, but it is especially shown downward in the social scale. We treat our servants—supposing that we are society —better than we treat each other. If we did not, they would leave us. We are kinder to the unfortunate or the dependent than to each other, and we have more charity for them.

The Drawer is not indulging in any indiscriminate railing at society. There is society and society. There is that undefined something, more like a machine than an aggregate of human sensibilities, which is set going in a “season,” or at a watering-place, or permanently selects itself for certain social manifestations. It is this that needs a missionary to infuse into it sympathy and charity. If it were indeed a machine and not made up of sensitive personalities, it would not be to its members so selfish and cruel. It would be less an ambitious scramble for place and favor, less remorseless towards the unsuccessful, not so harsh and hard and supercilious. In short, it would be much more agreeable if it extended to its own members something of the consideration and sympathy that it gives to those it regards as its inferiors. It seems to think that good-breeding and good form are separable from kindliness and sympathy and helpfulness. Tender-hearted and charitable enough all the individuals of this “society” are to persons below them in fortune or position, let us allow, but how are they to each other? Nothing can be ruder or less considerate of the feelings of others than much of that which is called good society, and this is why the Drawer desires to turn the altruistic sentiment of the world upon it in this season, set apart by common consent for usefulness. Unfortunate are the fortunate if they are lifted into a sphere which is sapless of delicacy of feeling for its own. Is this an intangible matter? Take hospitality, for instance. Does it consist in astonishing the invited, in overwhelming him with a sense of your own wealth, or felicity, or family, or cleverness even; in trying to absorb him in your concerns, your successes, your possessions, in simply what interests you? However delightful all these may be, it is an offense to his individuality to insist that he shall admire at the point of the social bayonet. How do you treat the stranger? Do you adapt yourself and your surroundings to him, or insist that he shall adapt himself to you? How often does the stranger, the guest, sit in helpless agony in your circle (all of whom know each other) at table or in the drawing-room, isolated and separate, because all the talk is local and personal, about your little world, and the affairs of your clique, and your petty interests, in which he or she cannot possibly join? Ah! the Sioux Indian would not be so cruel as that to a guest. There is no more refined torture to a sensitive person than that. Is it only thoughtlessness? It is more than that. It is a want of sympathy of the heart, or it is a lack of intelligence and broad-minded interest in affairs of the world and in other people. It is this trait—absorption in self—pervading society more or less, that makes it so unsatisfactory to most people in it. Just a want of human interest; people do not come in contact.

Avid pursuit of wealth, or what is called pleasure, perhaps makes people hard to each other, and infuses into the higher social life, which should be the most unselfish and enjoyable life, a certain vulgarity, similar to that noticed in well-bred tourists scrambling for the seats on top of a mountain coach. A person of refinement and sensibility and intelligence, cast into the company of the select, the country-house, the radiant, twelve-button society, has been struck with infinite pity for it, and asks the Drawer to do something about it. The Drawer cannot do anything about it. It can only ask the prayers of all good people on Christmas Day for the rich. As we said, we do not have them with us always—they are here today, they are gone to Canada tomorrow. But this is, of course, current facetiousness. The rich are as good as anybody else, according to their lights, and if what is called society were as good and as kind to itself as it is to the poor, it would be altogether enviable. We are not of those who say that in this case, charity would cover a multitude of sins, but a diffusion in society of the Christmas sentiment of goodwill and kindliness to itself would tend to make universal the joy on the return of this season.

[ [!-- H2 anchor --] ]

SOCIAL CLEARING-HOUSE

The Drawer would like to emphasize the noble, self-sacrificing spirit of American women. There are none like them in the world. They take up all the burdens of artificial foreign usage, where social caste prevails, and bear them with a heroism worthy of a worse cause. They indeed represent these usages to be a burden almost intolerable, and yet they submit to them with a grace and endurance all their own. Probably there is no harder-worked person than a lady in the season, let us say in Washington, where the etiquette of visiting is carried to a perfection that it does not reach even in New York, Boston, or Philadelphia, and where woman's effort to keep the social fabric together requires more expenditure of intellect and of physical force than was needed to protect the capital in its peril a quarter of a century ago. When this cruel war is over, the monument to the women who perished in it will need to be higher than that to the Father of his Country. Merely in the item of keeping an account of the visits paid and due, a woman needs a bookkeeper. Only to know the etiquette of how and when and to whom and in what order the visits are to be paid is to be well educated in a matter that assumes the first importance in her life. This is, however, only a detail of bookkeeping and of memory; to pay and receive, or evade, these visits of ceremony is a work which men can admire without the power to imitate; even on the supposition that a woman has nothing else to do, it calls for our humble gratitude and a recognition of the largeness of nature that can put aside any duties to husband or children in devotion to the public welfare. The futile round of society life while it lasts admits of no rival. It seems as important as the affairs of the government. The Drawer is far from saying that it is not. Perhaps no one can tell what confusion would fall into all the political relations if the social relations of the capital were not kept oiled by the system of exchange of fictitious courtesies among the women; and it may be true that society at large—men are so apt, when left alone, to relapse—would fall into barbarism if our pasteboard conventions were neglected. All honor to the self-sacrifice of woman!

What a beautiful civilization ours is, supposed to be growing in intelligence and simplicity, and yet voluntarily taking upon itself this artificial burden in an already overtaxed life! The angels in heaven must admire and wonder. The cynic wants to know what is gained for any rational being when a city-full of women undertake to make and receive formal visits with persons whom for the most part they do not wish to see. What is gained, he asks, by leaving cards with all these people and receiving their cards? When a woman makes her tedious rounds, why is she always relieved to find people not in? When she can count upon her ten fingers the people she wants to see, why should she pretend to want to see the others? Is any one deceived by it? Does anybody regard it as anything but a sham and a burden? Much the cynic knows about it! Is it not necessary to keep up what is called society? Is it not necessary to have an authentic list of pasteboard acquaintances to invite to the receptions? And what would become of us without Receptions? Everybody likes to give them. Everybody flocks to them with much alacrity. When society calls the roll, we all know the penalty of being left out. Is there any intellectual or physical pleasure equal to that of jamming so many people into a house that they can hardly move, and treating them to a Babel of noises in which no one can make herself heard without screaming? There is nothing like a reception in any uncivilized country. It is so exhilarating! When a dozen or a hundred people are gathered together in a room, they all begin to raise their voices and to shout like pool-sellers in the noble rivalry of “warious langwidges,” rasping their throats into bronchitis in the bidding of the conversational ring. If they spoke low, or even in the ordinary tone, conversation would be possible. But then it would not be a reception, as we understand it. We cannot neglect anywhere any of the pleasures of our social life. We train for it in lower assemblies. Half a dozen women in a “call” are obliged to shout, just for practice, so that they can be heard by everybody in the neighborhood except themselves. Do not men do the same? If they do, it only shows that men also are capable of the higher civilization.

But does society—that is, the intercourse of congenial people—depend upon the elaborate system of exchanging calls with hundreds of people who are not congenial? Such thoughts will sometimes come by a winter fireside of rational-talking friends, or at a dinner-party not too large for talk without a telephone, or in the summer-time by the sea, or in the cottage in the hills, when the fever of social life has got down to a normal temperature. We fancy that sometimes people will give way to a real enjoyment of life and that human intercourse will throw off this artificial and wearisome parade, and that if women look back with pride, as they may, upon their personal achievements and labors, they will also regard them with astonishment. Women, we read every day, long for the rights and privileges of men, and the education and serious purpose in life of men. And yet, such is the sweet self-sacrifice of their nature, they voluntarily take on burdens which men have never assumed, and which they would speedily cast off if they had. What should we say of men if they consumed half their time in paying formal calls upon each other merely for the sake of paying calls, and were low-spirited if they did not receive as many cards as they had dealt out to society? Have they not the time? Have women more time? and if they have, why should they spend it in this Sisyphus task? Would the social machine go to pieces—the inquiry is made in good faith, and solely for information—if they made rational business for themselves to be attended to, or even if they gave the time now given to calls they hate to reading and study, and to making their household civilizing centres of intercourse and enjoyment, and paid visits from some other motive than “clearing off their list”? If all the artificial round of calls and cards should tumble down, what valuable thing would be lost out of anybody's life?

The question is too vast for the Drawer, but as an experiment in sociology it would like to see the system in abeyance for one season. If at the end of it there had not been just as much social enjoyment as before, and there were not fewer women than usual down with nervous prostration, it would agree to start at its own expense a new experiment, to wit, a kind of Social Clearing-House, in which all cards should be delivered and exchanged, and all social debts of this kind be balanced by experienced bookkeepers, so that the reputation of everybody for propriety and conventionality should be just as good as it is now.

[ [!-- H2 anchor --] ]

DINNER-TABLE TALK

Many people suppose that it is the easiest thing in the world to dine if you can get plenty to eat. This error is the foundation of much social misery. The world that never dines, and fancies it has a grievance justifying anarchy on that account, does not know how much misery it escapes. A great deal has been written about the art of dining. From time to time geniuses have appeared who knew how to compose a dinner; indeed, the art of doing it can be learned, as well as the art of cooking and serving it. It is often possible, also, under extraordinarily favorable conditions, to select a company congenial and varied and harmonious enough to dine together successfully. The tact for getting the right people together is perhaps rarer than the art of composing the dinner. But it exists. And an elegant table with a handsome and brilliant company about it is a common conjunction in this country. Instructions are not wanting as to the shape of the table and the size of the party; it is universally admitted that the number must be small. The big dinner-parties which are commonly made to pay off social debts are generally of the sort that one would rather contribute to in money than in personal attendance. When the dinner is treated as a means of discharging obligations, it loses all character, and becomes one of the social inflictions. While there is nothing in social intercourse so agreeable and inspiring as a dinner of the right sort, society has invented no infliction equal to a large dinner that does not “go,” as the phrase is. Why it does not go when the viands are good and the company is bright is one of the acknowledged mysteries.

There need be no mystery about it. The social instinct and the social habit are wanting to a great many people of uncommon intelligence and cultivation—that sort of flexibility or adaptability that makes agreeable society. But this even does not account for the failure of so many promising dinners. The secret of this failure always is that the conversation is not general. The sole object of the dinner is talk—at least in the United States, where “good eating” is pretty common, however it may be in England, whence come rumors occasionally of accomplished men who decline to be interrupted by the frivolity of talk upon the appearance of favorite dishes. And private talk at a table is not the sort that saves a dinner; however good it is, it always kills it. The chance of arrangement is that the people who would like to talk together are not neighbors; and if they are, they exhaust each other to weariness in an hour, at least of topics which can be talked about with the risk of being overheard. A duet to be agreeable must be to a certain extent confidential, and the dinner-table duet admits of little except generalities, and generalities between two have their limits of entertainment. Then there is the awful possibility that the neighbors at table may have nothing to say to each other; and in the best-selected company one may sit beside a stupid man—that is, stupid for the purpose of a 'tete-a-tete'. But this is not the worst of it. No one can talk well without an audience; no one is stimulated to say bright things except by the attention and questioning and interest of other minds. There is little inspiration in side talk to one or two. Nobody ought to go to a dinner who is not a good listener, and, if possible, an intelligent one. To listen with a show of intelligence is a great accomplishment. It is not absolutely essential that there should be a great talker or a number of good talkers at a dinner if all are good listeners, and able to “chip in” a little to the general talk that springs up. For the success of the dinner does not necessarily depend upon the talk being brilliant, but it does depend upon its being general, upon keeping the ball rolling round the table; the old-fashioned game becomes flat when the balls all disappear into private pockets. There are dinners where the object seems to be to pocket all the balls as speedily as possible. We have learned that that is not the best game; the best game is when you not only depend on the carom, but in going to the cushion before you carom; that is to say, including the whole table, and making things lively. The hostess succeeds who is able to excite this general play of all the forces at the table, even using the silent but not non-elastic material as cushions, if one may continue the figure. Is not this, O brothers and sisters, an evil under the sun, this dinner as it is apt to be conducted? Think of the weary hours you have given to a rite that should be the highest social pleasure! How often when a topic is started that promises well, and might come to something in a general exchange of wit and fancy, and some one begins to speak on it, and speak very well, too, have you not had a lady at your side cut in and give you her views on it—views that might be amusing if thrown out into the discussion, but which are simply impertinent as an interruption! How often when you have tried to get a “rise” out of somebody opposite have you not had your neighbor cut in across you with some private depressing observation to your next neighbor! Private talk at a dinner-table is like private chat at a parlor musicale, only it is more fatal to the general enjoyment. There is a notion that the art of conversation, the ability to talk well, has gone out. That is a great mistake. Opportunity is all that is needed. There must be the inspiration of the clash of minds and the encouragement of good listening. In an evening round the fire, when couples begin, to whisper or talk low to each other, it is time to put out the lights. Inspiring interest is gone. The most brilliant talker in the world is dumb. People whose idea of a dinner is private talk between seat-neighbors should limit the company to two. They have no right to spoil what can be the most agreeable social institution that civilization has evolved.

[ [!-- H2 anchor --] ]

NATURALIZATION

Is it possible for a person to be entirely naturalized?—that is, to be denationalized, to cast off the prejudice and traditions of one country and take up those of another; to give up what may be called the instinctive tendencies of one race and take up those of another. It is easy enough to swear off allegiance to a sovereign or a government, and to take on in intention new political obligations, but to separate one's self from the sympathies into which he was born is quite another affair. One is likely to remain in the inmost recesses of his heart an alien, and as a final expression of his feeling to hoist the green flag, or the dragon, or the cross of St. George. Probably no other sentiment is, so strong in a man as that of attachment to his own soil and people, a sub-sentiment always remaining, whatever new and unbreakable attachments he may form. One can be very proud of his adopted country, and brag for it, and fight for it; but lying deep in a man's nature is something, no doubt, that no oath nor material interest can change, and that is never naturalized. We see this experiment in America more than anywhere else, because here meet more different races than anywhere else with the serious intention of changing their nationality. And we have a notion that there is something in our atmosphere, or opportunities, or our government, that makes this change more natural and reasonable than it has been anywhere else in history. It is always a surprise to us when a born citizen of the United States changes his allegiance, but it seems a thing of course that a person of any other country should, by an oath, become a good American, and we expect that the act will work a sudden change in him equal to that wrought in a man by what used to be called a conviction of sin. We expect that he will not only come into our family, but that he will at once assume all its traditions and dislikes, that whatever may have been his institutions or his race quarrels, the moving influence of his life hereafter will be the “Spirit of '76.”

What is this naturalization, however, but a sort of parable of human life? Are we not always trying to adjust ourselves to new relations, to get naturalized into a new family? Does one ever do it entirely? And how much of the lonesomeness of life comes from the failure to do it! It is a tremendous experiment, we all admit, to separate a person from his race, from his country, from his climate, and the habits of his part of the country, by marriage; it is only an experiment differing in degree to introduce him by marriage into a new circle of kinsfolk. Is he ever anything but a sort of tolerated, criticised, or admired alien? Does the time ever come when the distinction ceases between his family and hers? They say love is stronger than death. It may also be stronger than family—while it lasts; but was there ever a woman yet whose most ineradicable feeling was not the sentiment of family and blood, a sort of base-line in life upon which trouble and disaster always throw her back? Does she ever lose the instinct of it? We used to say in jest that a patriotic man was always willing to sacrifice his wife's relations in war; but his wife took a different view of it; and when it becomes a question of office, is it not the wife's relations who get them? To be sure, Ruth said, thy people shall be my people, and where thou goest I will go, and all that, and this beautiful sentiment has touched all time, and man has got the historic notion that he is the head of things. But is it true that a woman is ever really naturalized? Is it in her nature to be? Love will carry her a great way, and to far countries, and to many endurances, and her capacity of self-sacrifice is greater than man's; but would she ever be entirely happy torn from her kindred, transplanted from the associations and interlacings of her family life? Does anything really take the place of that entire ease and confidence that one has in kin, or the inborn longing for their sympathy and society? There are two theories about life, as about naturalization: one is that love is enough, that intention is enough; the other is that the whole circle of human relations and attachments is to be considered in a marriage, and that in the long-run the question of family is a preponderating one. Does the gate of divorce open more frequently from following the one theory than the other? If we were to adopt the notion that marriage is really a tremendous act of naturalization, of absolute surrender on one side or the other of the deepest sentiments and hereditary tendencies, would there be so many hasty marriages—slip-knots tied by one justice to be undone by another? The Drawer did not intend to start such a deep question as this. Hosts of people are yearly naturalized in this country, not from any love of its institutions, but because they can more easily get a living here, and they really surrender none of their hereditary ideas, and it is only human nature that marriages should be made with like purpose and like reservations. These reservations do not, however, make the best citizens or the most happy marriages. Would it be any better if country lines were obliterated, and the great brotherhood of peoples were established, and there was no such thing as patriotism or family, and marriage were as free to make and unmake as some people think it should be? Very likely, if we could radically change human nature. But human nature is the most obstinate thing that the International Conventions have to deal with.

[ [!-- H2 anchor --] ]

ART OF GOVERNING

He was saying, when he awoke one morning, “I wish I were governor of a small island, and had nothing to do but to get up and govern.” It was an observation quite worthy of him, and one of general application, for there are many men who find it very difficult to get a living on their own resources, to whom it would be comparatively easy to be a very fair sort of governor. Everybody who has no official position or routine duty on a salary knows that the most trying moment in the twenty-four hours is that in which he emerges from the oblivion of sleep and faces life. Everything perplexing tumbles in upon him, all the possible vexations of the day rise up before him, and he is little less than a hero if he gets up cheerful.

It is not to be wondered at that people crave office, some salaried position, in order to escape the anxieties, the personal responsibilities, of a single-handed struggle with the world. It must be much easier to govern an island than to carry on almost any retail business. When the governor wakes in the morning he thinks first of his salary; he has not the least anxiety about his daily bread or the support of his family. His business is all laid out for him; he has not to create it. Business comes to him; he does not have to drum for it. His day is agreeably, even if sympathetically, occupied with the troubles of other people, and nothing is so easy to bear as the troubles of other people. After he has had his breakfast, and read over the “Constitution,” he has nothing to do but to “govern” for a few hours, that is, to decide about things on general principles, and with little personal application, and perhaps about large concerns which nobody knows anything about, and which are much easier to dispose of than the perplexing details of private life. He has to vote several times a day; for giving a decision is really casting a vote; but that is much easier than to scratch around in all the anxieties of a retail business. Many men who would make very respectable Presidents of the United States could not successfully run a retail grocery store. The anxieties of the grocery would wear them out. For consider the varied ability that the grocery requires-the foresight about the markets, to take advantage of an eighth per cent. off or on here and there; the vigilance required to keep a “full line” and not overstock, to dispose of goods before they spoil or the popular taste changes; the suavity and integrity and duplicity and fairness and adaptability needed to get customers and keep them; the power to bear the daily and hourly worry; the courage to face the ever-present spectre of “failure,” which is said to come upon ninety merchants in a hundred; the tact needed to meet the whims and the complaints of patrons, and the difficulty of getting the patrons who grumble most to pay in order to satisfy the creditors. When the retail grocer wakens in the morning he feels that his business is not going to come to him spontaneously; he thinks of his rivals, of his perilous stock, of his debts and delinquent customers. He has no “Constitution” to go by, nothing but his wits and energy to set against the world that day, and every day the struggle and the anxiety are the same. What a number of details he has to carry in his head (consider, for instance, how many different kinds of cheese there are, and how different people hate and love the same kind), and how keen must be his appreciation of the popular taste. The complexities and annoyances of his business are excessive, and he cannot afford to make many mistakes; if he does he will lose his business, and when a man fails in business (honestly), he loses his nerve, and his career is ended. It is simply amazing, when you consider it, the amount of talent shown in what are called the ordinary businesses of life.

It has been often remarked with how little wisdom the world is governed. That is the reason it is so easy to govern. “Uneasy lies the head that wears a crown” does not refer to the discomfort of wearing it, but to the danger of losing it, and of being put back upon one's native resources, having to run a grocery or to keep school. Nobody is in such a pitiable plight as a monarch or politician out of business. It is very difficult for either to get a living. A man who has once enjoyed the blessed feeling of awaking every morning with the thought that he has a certain salary despises the idea of having to drum up a business by his own talents. It does not disturb the waking hour at all to think that a deputation is waiting in the next room about a post-office in Indiana or about the codfish in Newfoundland waters—the man can take a second nap on any such affair; but if he knows that the living of himself and family that day depends upon his activity and intelligence, uneasy lies his head. There is something so restful and easy about public business! It is so simple! Take the average Congressman. The Secretary of the Treasury sends in an elaborate report—a budget, in fact—involving a complete and harmonious scheme of revenue and expenditure. Must the Congressman read it? No; it is not necessary to do that; he only cares for practical measures. Or a financial bill is brought in. Does he study that bill? He hears it read, at least by title. Does he take pains to inform himself by reading and conversation with experts upon its probable effect? Or an international copyright law is proposed, a measure that will relieve the people of the United States from the world-wide reputation of sneaking meanness towards foreign authors. Does he examine the subject, and try to understand it? That is not necessary. Or it is a question of tariff. He is to vote “yes” or “no” on these proposals. It is not necessary for him to master these subjects, but it is necessary for him to know how to vote. And how does he find out that? In the first place, by inquiring what effect the measure will have upon the chance of election of the man he thinks will be nominated for President, and in the second place, what effect his vote will have on his own reelection. Thus the principles of legislation become very much simplified, and thus it happens that it is comparatively so much easier to govern than it is to run a grocery store.

[ [!-- H2 anchor --] ]

LOVE OF DISPLAY

It is fortunate that a passion for display is implanted in human nature; and if we owe a debt of gratitude to anybody, it is to those who make the display for us. It would be such a dull, colorless world without it! We try in vain to imagine a city without brass bands, and military marchings, and processions of societies in regalia and banners and resplendent uniforms, and gayly caparisoned horses, and men clad in red and yellow and blue and gray and gold and silver and feathers, moving in beautiful lines, proudly wheeling with step elate upon some responsive human being as axis, deploying, opening, and closing ranks in exquisite precision to the strains of martial music, to the thump of the drum and the scream of the fife, going away down the street with nodding plumes, heads erect, the very port of heroism. There is scarcely anything in the world so inspiring as that. And the self-sacrifice of it! What will not men do and endure to gratify their fellows! And in the heat of summer, too, when most we need something to cheer us! The Drawer saw, with feelings that cannot be explained, a noble company of men, the pride of their city, all large men, all fat men, all dressed alike, but each one as beautiful as anything that can be seen on the stage, perspiring through the gala streets of another distant city, the admiration of crowds of huzzaing men and women and boys, following another company as resplendent as itself, every man bearing himself like a hero, despising the heat and the dust, conscious only of doing his duty. We make a great mistake if we suppose it is a feeling of ferocity that sets these men tramping about in gorgeous uniform, in mud or dust, in rain or under a broiling sun. They have no desire to kill anybody. Out of these resplendent clothes they are much like other people; only they have a nobler spirit, that which leads them to endure hardships for the sake of pleasing others. They differ in degree, though not in kind, from those orders, for keeping secrets, or for encouraging a distaste for strong drink, which also wear bright and attractive regalia, and go about in processions, with banners and music, and a pomp that cannot be distinguished at a distance from real war. It is very fortunate that men do like to march about in ranks and lines, even without any distinguishing apparel. The Drawer has seen hundreds of citizens in a body, going about the country on an excursion, parading through town after town, with no other distinction of dress than a uniform high white hat, who carried joy and delight wherever they went. The good of this display cannot be reckoned in figures. Even a funeral is comparatively dull without the military band and the four-and-four processions, and the cities where these resplendent corteges of woes are of daily occurrence are cheerful cities. The brass band itself, when we consider it philosophically, is one of the most striking things in our civilization. We admire its commonly splendid clothes, its drums and cymbals and braying brass, but it is the impartial spirit with which it lends itself to our varying wants that distinguishes it. It will not do to say that it has no principles, for nobody has so many, or is so impartial in exercising them. It is equally ready to play at a festival or a funeral, a picnic or an encampment, for the sons of war or the sons of temperance, and it is equally willing to express the feeling of a Democratic meeting or a Republican gathering, and impartially blows out “Dixie” or “Marching through Georgia,” “The Girl I Left Behind Me” or “My Country, 'tis of Thee.” It is equally piercing and exciting for St. Patrick or the Fourth of July.

There are cynics who think it strange that men are willing to dress up in fantastic uniform and regalia and march about in sun and rain to make a holiday for their countrymen, but the cynics are ungrateful, and fail to credit human nature with its trait of self-sacrifice, and they do not at all comprehend our civilization. It was doubted at one time whether the freedman and the colored man generally in the republic was capable of the higher civilization. This doubt has all been removed. No other race takes more kindly to martial and civic display than it. No one has a greater passion for societies and uniforms and regalias and banners, and the pomp of marchings and processions and peaceful war. The negro naturally inclines to the picturesque, to the flamboyant, to vivid colors and the trappings of office that give a man distinction. He delights in the drum and the trumpet, and so willing is he to add to what is spectacular and pleasing in life that he would spend half his time in parading. His capacity for a holiday is practically unlimited. He has not yet the means to indulge his taste, and perhaps his taste is not yet equal to his means, but there is no question of his adaptability to the sort of display which is so pleasing to the greater part of the human race, and which contributes so much to the brightness and cheerfulness of this world. We cannot all have decorations, and cannot all wear uniforms, or even regalia, and some of us have little time for going about in military or civic processions, but we all like to have our streets put on a holiday appearance; and we cannot express in words our gratitude to those who so cheerfully spend their time and money in glittering apparel and in parades for our entertainment.

[ [!-- H2 anchor --] ]

VALUE OF THE COMMONPLACE

The vitality of a fallacy is incalculable. Although the Drawer has been going many years, there are still remaining people who believe that “things which are equal to the same thing are equal to each other.” This mathematical axiom, which is well enough in its place, has been extended into the field of morals and social life, confused the perception of human relations, and raised “hob,” as the saying is, in political economy. We theorize and legislate as if people were things. Most of the schemes of social reorganization are based on this fallacy. It always breaks down in experience. A has two friends, B and C—to state it mathematically. A is equal to B, and A is equal to C. A has for B and also for C the most cordial admiration and affection, and B and C have reciprocally the same feeling for A. Such is the harmony that A cannot tell which he is more fond of, B or C. And B and C are sure that A is the best friend of each. This harmony, however, is not triangular. A makes the mistake of supposing that it is—having a notion that things which are equal to the same thing are equal to each other—and he brings B and C together. The result is disastrous. B and C cannot get on with each other. Regard for A restrains their animosity, and they hypocritically pretend to like each other, but both wonder what A finds so congenial in the other. The truth is that this personal equation, as we call it, in each cannot be made the subject of mathematical calculation. Human relations will not bend to it. And yet we keep blundering along as if they would. We are always sure, in our letter of introduction, that this friend will be congenial to the other, because we are fond of both. Sometimes this happens, but half the time we should be more successful in bringing people into accord if we gave a letter of introduction to a person we do not know, to be delivered to one we have never seen. On the face of it this is as absurd as it is for a politician to indorse the application of a person he does not know for an office the duties of which he is unacquainted with; but it is scarcely less absurd than the expectation that men and women can be treated like mathematical units and equivalents. Upon the theory that they can, rest the present grotesque schemes of Nationalism.

In saying all this the Drawer is well aware that it subjects itself to the charge of being commonplace, but it is precisely the commonplace that this essay seeks to defend. Great is the power of the commonplace. “My friends,” says the preacher, in an impressive manner, “Alexander died; Napoleon died; you will all die!” This profound remark, so true, so thoughtful, creates a deep sensation. It is deepened by the statement that “man is a moral being.” The profundity of such startling assertions cows the spirit; they appeal to the universal consciousness, and we bow to the genius that delivers them. “How true!” we exclaim, and go away with an enlarged sense of our own capacity for the comprehension of deep thought. Our conceit is flattered. Do we not like the books that raise us to the great level of the commonplace, whereon we move with a sense of power? Did not Mr. Tupper, that sweet, melodious shepherd of the undisputed, lead about vast flocks of sheep over the satisfying plain of mediocrity? Was there ever a greater exhibition of power, while it lasted? How long did “The Country Parson” feed an eager world with rhetorical statements of that which it already knew? The thinner this sort of thing is spread out, the more surface it covers, of course. What is so captivating and popular as a book of essays which gathers together and arranges a lot of facts out of histories and cyclopaedias, set forth in the form of conversations that any one could have taken part in? Is not this book pleasing because it is commonplace? And is this because we do not like to be insulted with originality, or because in our experience it is only the commonly accepted which is true? The statesman or the poet who launches out unmindful of these conditions will be likely to come to grief in her generation. Will not the wise novelist seek to encounter the least intellectual resistance?

Should one take a cynical view of mankind because he perceives this great power of the commonplace? Not at all. He should recognize and respect this power. He may even say that it is this power that makes the world go on as smoothly and contentedly as it does, on the whole. Woe to us, is the thought of Carlyle, when a thinker is let loose in this world! He becomes a cause of uneasiness, and a source of rage very often. But his power is limited. He filters through a few minds, until gradually his ideas become commonplace enough to be powerful. We draw our supply of water from reservoirs, not from torrents. Probably the man who first said that the line of rectitude corresponds with the line of enjoyment was disliked as well as disbelieved. But how impressive now is the idea that virtue and happiness are twins!

Perhaps it is true that the commonplace needs no defense, since everybody takes it in as naturally as milk, and thrives on it. Beloved and read and followed is the writer or the preacher of commonplace. But is not the sunshine common, and the bloom of May? Why struggle with these things in literature and in life? Why not settle down upon the formula that to be platitudinous is to be happy?

[ [!-- H2 anchor --] ]

THE BURDEN OF CHRISTMAS

It would be the pity of the world to destroy it, because it would be next to impossible to make another holiday as good as Christmas. Perhaps there is no danger, but the American people have developed an unexpected capacity for destroying things; they can destroy anything. They have even invented a phrase for it—running a thing into the ground. They have perfected the art of making so much of a thing as to kill it; they can magnify a man or a recreation or an institution to death. And they do it with such a hearty good-will and enjoyment. Their motto is that you cannot have too much of a good thing. They have almost made funerals unpopular by over-elaboration and display, especially what are called public funerals, in which an effort is made to confer great distinction on the dead. So far has it been carried often that there has been a reaction of popular sentiment and people have wished the man were alive. We prosecute everything so vigorously that we speedily either wear it out or wear ourselves out on it, whether it is a game, or a festival, or a holiday. We can use up any sport or game ever invented quicker than any other people. We can practice anything, like a vegetable diet, for instance, to an absurd conclusion with more vim than any other nation. This trait has its advantages; nowhere else will a delusion run so fast, and so soon run up a tree—another of our happy phrases. There is a largeness and exuberance about us which run even into our ordinary phraseology. The sympathetic clergyman, coming from the bedside of a parishioner dying of dropsy, says, with a heavy sigh, “The poor fellow is just swelling away.”

Is Christmas swelling away? If it is not, it is scarcely our fault. Since the American nation fairly got hold of the holiday—in some parts of the country, as in New England, it has been universal only about fifty years—we have made it hum, as we like to say. We have appropriated the English conviviality, the German simplicity, the Roman pomp, and we have added to it an element of expense in keeping with our own greatness. Is anybody beginning to feel it a burden, this sweet festival of charity and good-will, and to look forward to it with apprehension? Is the time approaching when we shall want to get somebody to play it for us, like base-ball? Anything that interrupts the ordinary flow of life, introduces into it, in short, a social cyclone that upsets everything for a fortnight, may in time be as hard to bear as that festival of housewives called housecleaning, that riot of cleanliness which men fear as they do a panic in business. Taking into account the present preparations for Christmas, and the time it takes to recover from it, we are beginning—are we not?—to consider it one of the most serious events of modern life.

The Drawer is led into these observations out of its love for Christmas. It is impossible to conceive of any holiday that could take its place, nor indeed would it seem that human wit could invent another so adapted to humanity. The obvious intention of it is to bring together, for a season at least, all men in the exercise of a common charity and a feeling of good-will, the poor and the rich, the successful and the unfortunate, that all the world may feel that in the time called the Truce of God the thing common to all men is the best thing in life. How will it suit this intention, then, if in our way of exaggerated ostentation of charity the distinction between rich and poor is made to appear more marked than on ordinary days? Blessed are those that expect nothing. But are there not an increasing multitude of persons in the United States who have the most exaggerated expectations of personal profit on Christmas Day? Perhaps it is not quite so bad as this, but it is safe to say that what the children alone expect to receive, in money value would absorb the national surplus, about which so much fuss is made. There is really no objection to this—the terror of the surplus is a sort of nightmare in the country—except that it destroys the simplicity of the festival, and belittles small offerings that have their chief value in affection. And it points inevitably to the creation of a sort of Christmas “Trust”—the modern escape out of ruinous competition. When the expense of our annual charity becomes so great that the poor are discouraged from sharing in it, and the rich even feel it a burden, there would seem to be no way but the establishment of neighborhood “Trusts” in order to equalize both cost and distribution. Each family could buy a share according to its means, and the division on Christmas Day would create a universal satisfaction in profit sharing—that is, the rich would get as much as the poor, and the rivalry of ostentation would be quieted. Perhaps with the money question a little subdued, and the female anxieties of the festival allayed, there would be more room for the development of that sweet spirit of brotherly kindness, or all-embracing charity, which we know underlies this best festival of all the ages. Is this an old sermon? The Drawer trusts that it is, for there can be nothing new in the preaching of simplicity.

[ [!-- H2 anchor --] ]

THE RESPONSIBILITY OF WRITERS

It is difficult enough to keep the world straight without the interposition of fiction. But the conduct of the novelists and the painters makes the task of the conservators of society doubly perplexing. Neither the writers nor the artists have a due sense of the responsibilities of their creations. The trouble appears to arise from the imitativeness of the race. Nature herself seems readily to fall into imitation. It was noticed by the friends of nature that when the peculiar coal-tar colors were discovered, the same faded, aesthetic, and sometimes sickly colors began to appear in the ornamental flower-beds and masses of foliage plants. It was hardly fancy that the flowers took the colors of the ribbons and stuffs of the looms, and that the same instant nature and art were sicklied o'er with the same pale hues of fashion. If this relation of nature and art is too subtle for comprehension, there is nothing fanciful in the influence of the characters in fiction upon social manners and morals. To convince ourselves of this, we do not need to recall the effect of Werther, of Childe Harold, and of Don Juan, and the imitation of their sentimentality, misanthropy, and adventure, down to the copying of the rakishness of the loosely-knotted necktie and the broad turn-over collar. In our own generation the heroes and heroines of fiction begin to appear in real life, in dress and manner, while they are still warm from the press. The popular heroine appears on the street in a hundred imitations as soon as the popular mind apprehends her traits in the story. We did not know the type of woman in the poems of the aesthetic school and on the canvas of Rossetti—the red-haired, wide-eyed child of passion and emotion, in lank clothes, enmeshed in spider-webs —but so quickly was she multiplied in real life that she seemed to have stepped from the book and the frame, ready-made, into the street and the drawing-room. And there is nothing wonderful about this. It is a truism to say that the genuine creations in fiction take their places in general apprehension with historical characters, and sometimes they live more vividly on the printed page and on canvas than the others in their pale, contradictory, and incomplete lives. The characters of history we seldom agree about, and are always reconstructing on new information; but the characters of fiction are subject to no such vicissitudes.

The importance of this matter is hardly yet perceived. Indeed, it is unreasonable that it should be, when parents, as a rule, have so slight a feeling of responsibility for the sort of children they bring into the world. In the coming scientific age this may be changed, and society may visit upon a grandmother the sins of her grandchildren, recognizing her responsibility to the very end of the line. But it is not strange that in the apathy on this subject the novelists should be careless and inconsiderate as to the characters they produce, either as ideals or examples. They know that the bad example is more likely to be copied than to be shunned, and that the low ideal, being easy to, follow, is more likely to be imitated than the high ideal. But the novelists have too little sense of responsibility in this respect, probably from an inadequate conception of their power. Perhaps the most harmful sinners are not those who send into the world of fiction the positively wicked and immoral, but those who make current the dull, the commonplace, and the socially vulgar. For most readers the wicked character is repellant; but the commonplace raises less protest, and is soon deemed harmless, while it is most demoralizing. An underbred book—that is, a book in which the underbred characters are the natural outcome of the author's own, mind and apprehension of life—is worse than any possible epidemic; for while the epidemic may kill a number of useless or vulgar people, the book will make a great number. The keen observer must have noticed the increasing number of commonplace, undiscriminating people of low intellectual taste in the United States. These are to a degree the result of the feeble, underbred literature (so called) that is most hawked about, and most accessible, by cost and exposure, to the greater number of people. It is easy to distinguish the young ladies—many of them beautifully dressed, and handsome on first acquaintance—who have been bred on this kind of book. They are betrayed by their speech, their taste, their manners. Yet there is a marked public insensibility about this. We all admit that the scrawny young woman, anaemic and physically undeveloped, has not had proper nourishing food: But we seldom think that the mentally-vulgar girl, poverty-stricken in ideas, has been starved by a thin course of diet on anaemic books. The girls are not to blame if they are as vapid and uninteresting as the ideal girls they have been associating with in the books they have read. The responsibility is with the novelist and the writer of stories, the chief characteristic of which is vulgar commonplace.

Probably when the Great Assize is held one of the questions asked will be, “Did you, in America, ever write stories for children?” What a quaking of knees there will be! For there will stand the victims of this sort of literature, who began in their tender years to enfeeble their minds with the wishy-washy flood of commonplace prepared for them by dull writers and commercial publishers, and continued on in those so-called domestic stories (as if domestic meant idiotic) until their minds were diluted to that degree that they could not act upon anything that offered the least resistance. Beginning with the pepsinized books, they must continue with them, and the dull appetite by-and-by must be stimulated with a spice of vulgarity or a little pepper of impropriety. And fortunately for their nourishment in this kind, the dullest writers can be indecent.

Unfortunately the world is so ordered that the person of the feeblest constitution can communicate a contagious disease. And these people, bred on this pabulum, in turn make books. If one, it is now admitted, can do nothing else in this world, he can write, and so the evil widens and widens. No art is required, nor any selection, nor any ideality, only capacity for increasing the vacuous commonplace in life. A princess born may have this, or the leader of cotillons. Yet in the judgment the responsibility will rest upon the writers who set the copy.

[ [!-- H2 anchor --] ]

THE CAP AND GOWN

One of the burning questions now in the colleges for the higher education of women is whether the undergraduates shall wear the cap and gown. The subject is a delicate one, and should not be confused with the broader one, what is the purpose of the higher education? Some hold that the purpose is to enable a woman to dispense with marriage, while others maintain that it is to fit a woman for the higher duties of the married life. The latter opinion will probably prevail, for it has nature on its side, and the course of history, and the imagination. But meantime the point of education is conceded, and whether a girl is to educate herself into single or double blessedness need not interfere with the consideration of the habit she is to wear during her college life. That is to be determined by weighing a variety of reasons.

Not the least of these is the consideration whether the cap-and-gown habit is becoming. If it is not becoming, it will not go, not even by an amendment to the Constitution of the United States; for woman's dress obeys always the higher law. Masculine opinion is of no value on this point, and the Drawer is aware of the fact that if it thinks the cap and gown becoming, it may imperil the cap-and-gown cause to say so; but the cold truth is that the habit gives a plain girl distinction, and a handsome girl gives the habit distinction. So that, aside from the mysterious working of feminine motive, which makes woman a law unto herself, there should be practical unanimity in regard to this habit. There is in the cap and gown a subtle suggestion of the union of learning with womanly charm that is very captivating to the imagination. On the other hand, all this may go for nothing with the girl herself, who is conscious of the possession of quite other powers and attractions in a varied and constantly changing toilet, which can reflect her moods from hour to hour. So that if it is admitted that this habit is almost universally becoming today, it might, in the inscrutable depths of the feminine nature—the something that education never can and never should change—be irksome tomorrow, and we can hardly imagine what a blight to a young spirit there might be in three hundred and sixty-five days of uniformity.

The devotees of the higher education will perhaps need to approach the subject from another point of view—namely, what they are willing to surrender in order to come into a distinctly scholastic influence. The cap and gown are scholastic emblems. Primarily they marked the student, and not alliance with any creed or vows to any religious order. They belong to the universities of learning, and today they have no more ecclesiastic meaning than do the gorgeous robes of the Oxford chancellor and vice-chancellor and the scarlet hood. From the scholarly side, then, if not from the dress side, there is much to be said for the cap and gown. They are badges of devotion, for the time being, to an intellectual life.

They help the mind in its effort to set itself apart to unworldly pursuits; they are indications of separateness from the prevailing fashions and frivolities. The girl who puts on the cap and gown devotes herself to the society which is avowedly in pursuit of a larger intellectual sympathy and a wider intellectual life. The enduring of this habit will have a confirming influence on her purposes, and help to keep her up to them. It is like the uniform to the soldier or the veil to the nun—a sign of separation and devotion. It is difficult in this age to keep any historic consciousness, any proper relations to the past. In the cap and gown the girl will at least feel that she is in the line of the traditions of pure learning. And there is also something of order and discipline in the uniforming of a community set apart for an unworldly purpose. Is it believed that three or four years of the kind of separateness marked by this habit in the life of a girl will rob her of any desirable womanly quality?

The cap and gown are only an emphasis of the purpose to devote a certain period to the higher life, and if they cannot be defended, then we may begin to be skeptical about the seriousness of the intention of a higher education. If the school is merely a method of passing the time until a certain event in the girl's life, she had better dress as if that event were the only one worth considering. But if she wishes to fit herself for the best married life, she may not disdain the help of the cap and gown in devoting herself to the highest culture. Of course education has its dangers, and the regalia of scholarship may increase them. While our cap-and-gown divinity is walking in the groves of Academia, apart from the ways of men, her sisters outside may be dancing and dressing into the affections of the marriageable men. But this is not the worst of it. The university girl may be educating herself out of sympathy with the ordinary possible husband. But this will carry its own cure. The educated girl will be so much more attractive in the long-run, will have so many more resources for making a life companionship agreeable, that she will be more and more in demand. And the young men, even those not expecting to take up a learned profession, will see the advantage of educating themselves up to the cap-and-gown level. We know that it is the office of the university to raise the standard of the college, and of the college to raise the standard of the high school. It will be the inevitable result that these young ladies, setting themselves apart for a period to the intellectual life, will raise the standard of the young men, and of married life generally. And there is nothing supercilious in the invitation of the cap-and-gown brigade to the young men to come up higher.

There is one humiliating objection made to the cap and gown-made by members of the gentle sex themselves—which cannot be passed by. It is of such a delicate nature, and involves such a disparagement of the sex in a vital point, that the Drawer hesitates to put it in words. It is said that the cap and gown will be used to cover untidiness, to conceal the makeshift of a disorderly and unsightly toilet. Undoubtedly the cap and gown are democratic, adopted probably to equalize the appearance of rich and poor in the same institution, where all are on an intellectual level. Perhaps the sex is not perfect; it may be that there are slovens (it is a brutal word) in that sex which is our poetic image of purity. But a neat and self-respecting girl will no more be slovenly under a scholastic gown than under any outward finery. If it is true that the sex would take cover in this way, and is liable to run down at the heel when it has a chance, then to the “examination” will have to be added a periodic “inspection,” such as the West-Pointers submit to in regard to their uniforms. For the real idea of the cap and gown is to encourage discipline, order, and neatness. We fancy that it is the mission of woman in this generation to show the world that the tendency of woman to an intellectual life is not, as it used to be said it was, to untidy habits.

[ [!-- H2 anchor --] ]

A TENDENCY OF THE AGE

This ingenious age, when studied, seems not less remarkable for its division of labor than for the disposition of people to shift labor on to others' shoulders. Perhaps it is only another aspect of the spirit of altruism, a sort of backhanded vicariousness. In taking an inventory of tendencies, this demands some attention.

The notion appears to be spreading that there must be some way by which one can get a good intellectual outfit without much personal effort. There are many schemes of education which encourage this idea. If one could only hit upon the right “electives,” he could become a scholar with very little study, and without grappling with any of the real difficulties in the way of an education. It is no more a short-cut we desire, but a road of easy grades, with a locomotive that will pull our train along while we sit in a palace-car at ease. The discipline to be obtained by tackling an obstacle and overcoming it we think of small value. There must be some way of attaining the end of cultivation without much labor. We take readily to proprietary medicines. It is easier to dose with these than to exercise ordinary prudence about our health. And we readily believe the doctors of learning when they assure us that we can acquire a new language by the same method by which we can restore bodily vigor: take one small patent-right volume in six easy lessons, without even the necessity of “shaking,” and without a regular doctor, and we shall know the language. Some one else has done all the work for us, and we only need to absorb. It is pleasing to see how this theory is getting to be universally applied. All knowledge can be put into a kind of pemican, so that we can have it condensed. Everything must be chopped up, epitomized, put in short sentences, and italicized. And we have primers for science, for history, so that we can acquire all the information we need in this world in a few hasty bites. It is an admirable saving of time-saving of time being more important in this generation than the saving of ourselves.

And the age is so intellectually active, so eager to know! If we wish to know anything, instead of digging for it ourselves, it is much easier to flock all together to some lecturer who has put all the results into an hour, and perhaps can throw them all upon a screen, so that we can acquire all we want by merely using the eyes, and bothering ourselves little about what is said. Reading itself is almost too much of an effort. We hire people to read for us—to interpret, as we call it —Browning and Ibsen, even Wagner. Every one is familiar with the pleasure and profit of “recitations,” of “conversations” which are monologues. There is something fascinating in the scheme of getting others to do our intellectual labor for us, to attempt to fill up our minds as if they were jars. The need of the mind for nutriment is like the need of the body, but our theory is that it can be satisfied in a different way. There was an old belief that in order that we should enjoy food, and that it should perform its function of assimilation, we must work for it, and that the exertion needed to earn it brought the appetite that made it profitable to the system. We still have the idea that we must eat for ourselves, and that we cannot delegate this performance, as we do the filling of the mind, to some one else. We may have ceased to relish the act of eating, as we have ceased to relish the act of studying, but we cannot yet delegate it, even although our power of digesting food for the body has become almost as feeble as the power of acquiring and digesting food for the mind.

It is beautiful to witness our reliance upon others. The house may be full of books, the libraries may be as free and as unstrained of impurities as city water; but if we wish to read anything or study anything we resort to a club. We gather together a number of persons of like capacity with ourselves. A subject which we might grapple with and run down by a few hours of vigorous, absorbed attention in a library, gaining strength of mind by resolute encountering of difficulties, by personal effort, we sit around for a month or a season in a club, expecting somehow to take the information by effortless contiguity with it. A book which we could master and possess in an evening we can have read to us in a month in the club, without the least intellectual effort. Is there nothing, then, in the exchange of ideas? Oh yes, when there are ideas to exchange. Is there nothing stimulating in the conflict of mind with mind? Oh yes, when there is any mind for a conflict. But the mind does not grow without personal effort and conflict and struggle with itself. It is a living organism, and not at all like a jar or other receptacle for fluids. The physiologists say that what we eat will not do us much good unless we chew it. By analogy we may presume that the mind is not greatly benefited by what it gets without considerable exercise of the mind.

Still, it is a beautiful theory that we can get others to do our reading and thinking, and stuff our minds for us. It may be that psychology will yet show us how a congregate education by clubs may be the way. But just now the method is a little crude, and lays us open to the charge—which every intelligent person of this scientific age will repudiate—of being content with the superficial; for instance, of trusting wholly to others for our immortal furnishing, as many are satisfied with the review of a book for the book itself, or—a refinement on that—with a review of the reviews. The method is still crude. Perhaps we may expect a further development of the “slot” machine. By dropping a cent in the slot one can get his weight, his age, a piece of chewing-gum, a bit of candy, or a shock that will energize his nervous system. Why not get from a similar machine a “good business education,” or an “interpretation” of Browning, or a new language, or a knowledge of English literature? But even this would be crude. We have hopes of something from electricity. There ought to be somewhere a reservoir of knowledge, connected by wires with every house, and a professional switch-tender, who, upon the pressure of a button in any house, could turn on the intellectual stream desired. —[Prophecy of the Internet of the year 2000 from 110 years ago. D.W.] —There must be discovered in time a method by which not only information but intellectual life can be infused into the system by an electric current. It would save a world of trouble and expense. For some clubs even are a weariness, and it costs money to hire other people to read and think for us.

[ [!-- H2 anchor --] ]

A LOCOED NOVELIST

Either we have been indulging in an expensive mistake, or a great foreign novelist who preaches the gospel of despair is locoed.

This word, which may be new to most of our readers, has long been current in the Far West, and is likely to be adopted into the language, and become as indispensable as the typic words taboo and tabooed, which Herman Melville gave us some forty years ago. There grows upon the deserts and the cattle ranges of the Rockies a plant of the leguminosae family, with a purple blossom, which is called the 'loco'. It is sweet to the taste; horses and cattle are fond of it, and when they have once eaten it they prefer it to anything else, and often refuse other food. But the plant is poisonous, or, rather, to speak exactly, it is a weed of insanity. Its effect upon the horse seems to be mental quite as much as physical. He behaves queerly, he is full of whims; one would say he was “possessed.” He takes freaks, he trembles, he will not go in certain places, he will not pull straight, his mind is evidently affected, he is mildly insane. In point of fact, he is ruined; that is to say, he is 'locoed'. Further indulgence in the plant results in death, but rarely does an animal recover from even one eating of the insane weed.

The shepherd on the great sheep ranges leads an absolutely isolated life. For weeks, sometimes for months together, he does not see a human being. His only companions are his dogs and the three or four thousand sheep he is herding. All day long, under the burning sun, he follows the herd over the rainless prairie, as it nibbles here and there the short grass and slowly gathers its food. At night he drives the sheep back to the corral, and lies down alone in his hut. He speaks to no one; he almost forgets how to speak. Day and night he hears no sound except the melancholy, monotonous bleat, bleat of the sheep. It becomes intolerable. The animal stupidity of the herd enters into him. Gradually he loses his mind. They say that he is locoed. The insane asylums of California contain many shepherds.

But the word locoed has come to have a wider application than to the poor shepherds or the horses and cattle that have eaten the loco. Any one who acts queerly, talks strangely, is visionary without being actually a lunatic, who is what would be called elsewhere a “crank,” is said to be locoed. It is a term describing a shade of mental obliquity and queerness something short of irresponsible madness, and something more than temporarily “rattled” or bewildered for the moment. It is a good word, and needed to apply to many people who have gone off into strange ways, and behave as if they had eaten some insane plant—the insane plant being probably a theory in the mazes of which they have wandered until they are lost.

Perhaps the loco does not grow in Russia, and the Prophet of Discouragement may never have eaten of it; perhaps he is only like the shepherd, mainly withdrawn from human intercourse and sympathy in a morbid mental isolation, hearing only the bleat, bleat, bleat of the 'muxhiks' in the dullness of the steppes, wandering round in his own sated mind until he has lost all clew to life. Whatever the cause may be, clearly he is 'locoed'. All his theories have worked out to the conclusion that the world is a gigantic mistake, love is nothing but animality, marriage is immorality; according to astronomical calculations this teeming globe and all its life must end some time; and why not now? There shall be no more marriage, no more children; the present population shall wind up its affairs with decent haste, and one by one quit the scene of their failure, and avoid all the worry of a useless struggle.

This gospel of the blessedness of extinction has come too late to enable us to profit by it in our decennial enumeration. How different the census would have been if taken in the spirit of this new light! How much bitterness, how much hateful rivalry would have been spared! We should then have desired a reduction of the population, not an increase of it. There would have been a pious rivalry among all the towns and cities on the way to the millennium of extinction to show the least number of inhabitants; and those towns would have been happiest which could exhibit not only a marked decline in numbers, but the greater number of old people. Beautiful St. Paul would have held a thanksgiving service, and invited the Minneapolis enumerators to the feast, Kansas City and St. Louis and San Francisco, and a hundred other places, would not have desired a recount, except, perhaps, for overestimate; they would not have said that thousands were away at the sea or in the mountains, but, on the contrary, that thousands who did not belong there, attracted by the salubrity of the climate, and the desire to injure the town's reputation, had crowded in there in census time. The newspapers, instead of calling on people to send in the names of the unenumerated, would have rejoiced at the small returns, as they would have done if the census had been for the purpose of levying the federal tax upon each place according to its population. Chicago—well, perhaps the Prophet of the Steppes would have made an exception of Chicago, and been cynically delighted to push it on its way of increase, aggregation, and ruin.

But instead of this, the strain of anxiety was universal and heart-rending. So much depended upon swelling the figures. The tension would have been relieved if our faces were all set towards extinction, and the speedy evacuation of this unsatisfactory globe. The writer met recently, in the Colorado desert of Arizona, a forlorn census-taker who had been six weeks in the saddle, roaming over the alkali plains in order to gratify the vanity of Uncle Sam. He had lost his reckoning, and did not know the day of the week or of the month. In all the vast territory, away up to the Utah line, over which he had wandered, he met human beings (excluding “Indians and others not taxed “) so rarely that he was in danger of being locoed. He was almost in despair when, two days before, he had a windfall, which raised his general average in the form of a woman with twenty-six children, and he was rejoicing that he should be able to turn in one hundred and fifty people. Alas, the revenue the government will derive from these half-nomads will never pay the cost of enumerating them.

And, alas again, whatever good showing we may make, we shall wish it were larger; the more people we have the more we shall want. In this direction there is no end, any more than there is to life. If extinction, and not life and growth, is the better rule, what a costly mistake we have been making!

[ [!-- H2 anchor --] ]

AS WE GO

By Charles Dudley Warner

[ [!-- H2 anchor --] ]

[ [!-- H2 anchor --] ]

OUR PRESIDENT

We are so much accustomed to kings and queens and other privileged persons of that sort in this world that it is only on reflection that we wonder how they became so. The mystery is not their continuance, but how did they get a start? We take little help from studying the bees —originally no one could have been born a queen. There must have been not only a selection, but an election, not by ballot, but by consent some way expressed, and the privileged persons got their positions because they were the strongest, or the wisest, or the most cunning. But the descendants of these privileged persons hold the same positions when they are neither strong, nor wise, nor very cunning. This also is a mystery. The persistence of privilege is an unexplained thing in human affairs, and the consent of mankind to be led in government and in fashion by those to whom none of the original conditions of leadership attach is a philosophical anomaly. How many of the living occupants of thrones, dukedoms, earldoms, and such high places are in position on their own merits, or would be put there by common consent? Referring their origin to some sort of an election, their continuance seems to rest simply on forbearance. Here in America we are trying a new experiment; we have adopted the principle of election, but we have supplemented it with the equally authoritative right of deposition. And it is interesting to see how it has worked for a hundred years, for it is human nature to like to be set up, but not to like to be set down. If in our elections we do not always get the best—perhaps few elections ever did—we at least do not perpetuate forever in privilege our mistakes or our good hits.

The celebration in New York, in 1889, of the inauguration of Washington was an instructive spectacle. How much of privilege had been gathered and perpetuated in a century? Was it not an occasion that emphasized our republican democracy? Two things were conspicuous. One was that we did not honor a family, or a dynasty, or a title, but a character; and the other was that we did not exalt any living man, but simply the office of President. It was a demonstration of the power of the people to create their own royalty, and then to put it aside when they have done with it. It was difficult to see how greater honors could have been paid to any man than were given to the President when he embarked at Elizabethport and advanced, through a harbor crowded with decorated vessels, to the great city, the wharves and roofs of which were black with human beings —a holiday city which shook with the tumult of the popular welcome. Wherever he went he drew the swarms in the streets as the moon draws the tide. Republican simplicity need not fear comparison with any royal pageant when the President was received at the Metropolitan, and, in a scene of beauty and opulence that might be the flowering of a thousand years instead of a century, stood upon the steps of the “dais” to greet the devoted Centennial Quadrille, which passed before him with the courageous five, 'Imperator, morituri te salutamus'. We had done it—we, the people; that was our royalty. Nobody had imposed it on us. It was not even selected out of four hundred. We had taken one of the common people and set him up there, creating for the moment also a sort of royal family and a court for a background, in a splendor just as imposing for the passing hour as an imperial spectacle. We like to show that we can do it, and we like to show also that we can undo it. For at the banquet, where the Elected ate his dinner, not only in the presence of, but with, representatives of all the people of all the States, looked down on by the acknowledged higher power in American life, there sat also with him two men who had lately been in his great position, the centre only a little while ago, as he was at the moment, of every eye in the republic, now only common citizens without a title, without any insignia of rank, able to transmit to posterity no family privilege. If our hearts swelled with pride that we could create something just as good as royalty, that the republic had as many men of distinguished appearance, as much beauty, and as much brilliance of display as any traditional government, we also felicitated ourselves that we could sweep it all away by a vote and reproduce it with new actors next day.

It must be confessed that it was a people's affair. If at any time there was any idea that it could be controlled only by those who represented names honored for a hundred years, or conspicuous by any social privilege, the idea was swamped in popular feeling. The names that had been elected a hundred years ago did not stay elected unless the present owners were able to distinguish themselves. There is nothing so to be coveted in a country as the perpetuity of honorable names, and the “centennial” showed that we are rich in those that have been honorably borne, but it also showed that the century has gathered no privilege that can count upon permanence.

But there is another aspect of the situation that is quite as serious and satisfactory. Now that the ladies of the present are coming to dress as ladies dressed a hundred years ago, we can make an adequate comparison of beauty. Heaven forbid that we should disparage the women of the Revolutionary period! They looked as well as they could under all the circumstances of a new country and the hardships of an early settlement. Some of them looked exceedingly well—there were beauties in those days as there were giants in Old Testament times. The portraits that have come down to us of some of them excite our admiration, and indeed we have a sort of tradition of the loveliness of the women of that remote period. The gallant men of the time exalted them. Yet it must be admitted by any one who witnessed the public and private gatherings of April, 1889, in New York, contributed to as they were by women from every State, and who is unprejudiced by family associations, that the women of America seem vastly improved in personal appearance since the days when George Washington was a lover: that is to say, the number of beautiful women is greater in proportion to the population, and their beauty and charm are not inferior to those which have been so much extolled in the Revolutionary time. There is no doubt that if George Washington could have been at the Metropolitan ball he would have acknowledged this, and that while he might have had misgivings about some of our political methods, he would have been more proud than ever to be still acknowledged the Father of his Country.

[ [!-- H2 anchor --] ]

THE NEWSPAPER-MADE MAN

A fair correspondent—has the phrase an old-time sound?—thinks we should pay more attention to men. In a revolutionary time, when great questions are in issue, minor matters, which may nevertheless be very important, are apt to escape the consideration they deserve. We share our correspondent's interest in men, but must plead the pressure of circumstances. When there are so many Woman's Journals devoted to the wants and aspirations of women alone, it is perhaps time to think of having a Man's journal, which should try to keep his head above-water in the struggle for social supremacy. When almost every number of the leading periodicals has a paper about Woman—written probably by a woman —Woman Today, Woman Yesterday, Woman Tomorrow; when the inquiry is daily made in the press as to what is expected of woman, and the new requirements laid upon her by reason of her opportunities, her entrance into various occupations, her education—the impartial observer is likely to be confused, if he is not swept away by the rising tide of femininity in modern life.

But this very superiority of interest in the future of women is a warning to man to look about him, and see where in this tide he is going to land, if he will float or go ashore, and what will be his character and his position in the new social order. It will not do for him to sit on the stump of one of his prerogatives that woman has felled, and say with Brahma, “They reckon ill who leave me out,” for in the day of the Subjection of Man it may be little consolation that he is left in.

It must be confessed that man has had a long inning. Perhaps it is true that he owed this to his physical strength, and that he will only keep it hereafter by intellectual superiority, by the dominance of mind. And how in this generation is he equipping himself for the future? He is the money-making animal. That is beyond dispute. Never before were there such business men as this generation can show—Napoleons of finance, Alexanders of adventure, Shakespeares of speculation, Porsons of accumulation. He is great in his field, but is he leaving the intellectual province to woman? Does he read as much as she does? Is he becoming anything but a newspaper-made person? Is his mind getting to be like the newspaper? Speaking generally of the mass of business men—and the mass are business men in this country—have they any habit of reading books? They have clubs, to be sure, but of what sort? With the exception of a conversation club here and there, and a literary club, more or less perfunctory, are they not mostly social clubs for comfort and idle lounging, many of them known, as other workmen are, by their “chips”? What sort of a book would a member make out of “Chips from my Workshop”? Do the young men, to any extent, join in Browning clubs and Shakespeare clubs and Dante clubs? Do they meet for the study of history, of authors, of literary periods, for reading, and discussing what they read? Do they in concert dig in the encyclopaedias, and write papers about the correlation of forces, and about Savonarola, and about the Three Kings? In fact, what sort of a hand would the Three Kings suggest to them? In the large cities the women's clubs, pursuing literature, art, languages, botany, history, geography, geology, mythology, are innumerable. And there is hardly a village in the land that has not from one to six clubs of young girls who meet once a week for some intellectual purpose. What are the young men of the villages and the cities doing meantime? How are they preparing to meet socially these young ladies who are cultivating their minds? Are they adapting themselves to the new conditions? Or are they counting, as they always have done, on the adaptability of women, on the facility with which the members of the bright sex can interest themselves in base-ball and the speed of horses and the chances of the “street”? Is it comfortable for the young man, when the talk is about the last notable book, or the philosophy of the popular poet or novelist, to feel that laughing eyes are sounding his ignorance?

Man is a noble creation, and he has fine and sturdy qualities which command the admiration of the other sex, but how will it be when that sex, by reason of superior acquirements, is able to look down on him intellectually? It used to be said that women are what men wish to have them, that they endeavored to be the kind of women who would win masculine admiration. How will it be if women have determined to make themselves what it pleases them to be, and to cultivate their powers in the expectation of pleasing men, if they indulge any such expectation, by their higher qualities only? This is not a fanciful possibility. It is one that young men will do well to ponder. It is easy to ridicule the literary and economic and historical societies, and the naive courage with which young women in them attack the gravest problems, and to say that they are only a passing fashion, like decorative art and a mode of dress. But a fashion is not to be underestimated; and when a fashion continues and spreads like this one, it is significant of a great change going on in society. And it is to be noticed that this fashion is accompanied by other phenomena as interesting. There is scarcely an occupation, once confined almost exclusively to men, in which women are not now conspicuous. Never before were there so many women who are superior musicians, performers themselves and organizers of musical societies; never before so many women who can draw well; never so many who are successful in literature, who write stories, translate, compile, and are acceptable workers in magazines and in publishing houses; and never before were so many women reading good books, and thinking about them, and talking about them, and trying to apply the lessons in them to the problems of their own lives, which are seen not to end with marriage. A great deal of this activity, crude much of it, is on the intellectual side, and must tell strongly by-and-by in the position of women. And the young men will take notice that it is the intellectual force that must dominate in life.

[ [!-- H2 anchor --] ]

INTERESTING GIRLS

It seems hardly worth while to say that this would be a more interesting country if there were more interesting people in it. But the remark is worth consideration in a land where things are so much estimated by what they cost. It is a very expensive country, especially so in the matter of education, and one cannot but reflect whether the result is in proportion to the outlay. It costs a great many thousands of dollars and over four years of time to produce a really good base-ball player, and the time and money invested in the production of a society young woman are not less. No complaint is made of the cost of these schools of the higher education; the point is whether they produce interesting people. Of course all women are interesting. It has got pretty well noised about the world that American women are, on the whole, more interesting than any others. This statement is not made boastfully, but simply as a market quotation, as one might say. They are sought for; they rule high. They have a “way”; they know how to be fascinating, to be agreeable; they unite freedom of manner with modesty of behavior; they are apt to have beauty, and if they have not, they know how to make others think they have. Probably the Greek girls in their highest development under Phidias were never so attractive as the American girls of this period; and if we had a Phidias who could put their charms in marble, all the antique galleries would close up and go out of business.

But it must be understood that in regard to them, as to the dictionaries, it is necessary to “get the best.” Not all women are equally interesting, and some of those on whom most educational money is lavished are the least so. It can be said broadly that everybody is interesting up to a certain point. There is no human being from whom the inquiring mind cannot learn something. It is so with women. Some are interesting for five minutes, some for ten, some for an hour; some are not exhausted in a whole day; and some (and this shows the signal leniency of Providence) are perennially entertaining, even in the presence of masculine stupidity. Of course the radical trouble of this world is that there are not more people who are interesting comrades, day in and day out, for a lifetime. It is greatly to the credit of American women that so many of them have this quality, and have developed it, unprotected, in free competition with all countries which have been pouring in women without the least duty laid upon their grace or beauty. We, have a tariff upon knowledge—we try to shut out all of that by a duty on books; we have a tariff on piety and intelligence in a duty on clergymen; we try to exclude art by a levy on it; but we have never excluded the raw material of beauty, and the result is that we can successfully compete in the markets of the world.

This, however, is a digression. The reader wants to know what this quality of being interesting has to do with girls' schools. It is admitted that if one goes into a new place he estimates the agreeableness of it according to the number of people it contains with whom it is a pleasure to converse, who have either the ability to talk well or the intelligence to listen appreciatingly even if deceivingly, whose society has the beguiling charm that makes even natural scenery satisfactory. It is admitted also that in our day the burden of this end of life, making it agreeable, is mainly thrown upon women. Men make their business an excuse for not being entertaining, or the few who cultivate the mind (aside from the politicians, who always try to be winning) scarcely think it worth while to contribute anything to make society bright and engaging. Now if the girls' schools and colleges, technical and other, merely add to the number of people who have practical training and knowledge without personal charm, what becomes of social life? We are impressed with the excellence of the schools and colleges for women —impressed also with the co-educating institutions. There is no sight more inspiring than an assemblage of four or five hundred young women attacking literature, science, and all the arts. The grace and courage of the attack alone are worth all it costs. All the arts and science and literature are benefited, but one of the chief purposes that should be in view is unattained if the young women are not made more interesting, both to themselves and to others. Ability to earn an independent living may be conceded to be important, health is indispensable, and beauty of face and form are desirable; knowledge is priceless, and unselfish amiability is above the price of rubies; but how shall we set a value, so far as the pleasure of living is concerned, upon the power to be interesting? We hear a good deal about the highly educated young woman with reverence, about the emancipated young woman with fear and trembling, but what can take the place of the interesting woman? Anxiety is this moment agitating the minds of tens of thousands of mothers about the education of their daughters. Suppose their education should be directed to the purpose of making them interesting women, what a fascinating country this would be about the year 1900.

[ [!-- H2 anchor --] ]

GIVE THE MEN A CHANCE

Give the men a chance. Upon the young women of America lies a great responsibility. The next generation will be pretty much what they choose to make it; and what are they doing for the elevation of young men? It is true that there are the colleges for men, which still perform a good work—though some of them run a good deal more to a top-dressing of accomplishments than to a sub-soiling of discipline—but these colleges reach comparatively few. There remain the great mass who are devoted to business and pleasure, and only get such intellectual cultivation as society gives them or they chance to pick up in current publications. The young women are the leisure class, consequently—so we hear—the cultivated class. Taking a certain large proportion of our society, the women in it toil not, neither do they spin; they do little or no domestic work; they engage in no productive occupation. They are set apart for a high and ennobling service—the cultivation of the mind and the rescue of society from materialism. They are the influence that keeps life elevated and sweet—are they not? For what other purpose are they set apart in elegant leisure? And nobly do they climb up to the duties of their position. They associate together in esoteric, intellectual societies. Every one is a part of many clubs, the object of which is knowledge and the broadening of the intellectual horizon. Science, languages, literature, are their daily food. They can speak in tongues; they can talk about the solar spectrum; they can interpret Chaucer, criticise Shakespeare, understand Browning. There is no literature, ancient or modern, that they do not dig up by the roots and turn over, no history that they do not drag before the club for final judgment. In every little village there is this intellectual stir and excitement; why, even in New York, readings interfere with the german;—['Dances', likely referring to the productions of the Straus family in Vienna. D.W.]—and Boston! Boston is no longer divided into wards, but into Browning “sections.”

All this is mainly the work of women. The men are sometimes admitted, are even hired to perform and be encouraged and criticised; that is, men who are already highly cultivated, or who are in sympathy with the noble feminization of the age. It is a glorious movement. Its professed object is to give an intellectual lift to society. And no doubt, unless all reports are exaggerated, it is making our great leisure class of women highly intellectual beings. But, encouraging as this prospect is, it gives us pause. Who are these young women to associate with? with whom are they to hold high converse? For life is a two-fold affair. And meantime what is being done for the young men who are expected to share in the high society of the future? Will not the young women by-and-by find themselves in a lonesome place, cultivated away beyond their natural comrades? Where will they spend their evenings? This sobering thought suggests a duty that the young women are neglecting. We refer to the education of the young men. It is all very well for them to form clubs for their own advancement, and they ought not to incur the charge of selfishness in so doing; but how much better would they fulfill their mission if they would form special societies for the cultivation of young men!—sort of intellectual mission bands. Bring them into the literary circle. Make it attractive for them. Women with their attractions, not to speak of their wiles, can do anything they set out to do. They can elevate the entire present generation of young men, if they give their minds to it, to care for the intellectual pursuits they care for. Give the men a chance, and——

Musing along in this way we are suddenly pulled up by the reflection that it is impossible to make an unqualified statement that is wholly true about anything. What chance have I, anyway? inquires the young man who thinks sometimes and occasionally wants to read. What sort of leading-strings are these that I am getting into? Look at the drift of things. Is the feminization of the world a desirable thing for a vigorous future? Are the women, or are they not, taking all the virility out of literature? Answer me that. All the novels are written by, for, or about women—brought to their standard. Even Henry James, who studies the sex untiringly, speaks about the “feminization of literature.” They write most of the newspaper correspondence—and write it for women. They are even trying to feminize the colleges. Granted that woman is the superior being; all the more, what chance is there for man if this sort of thing goes on? Are you going to make a race of men on feminine fodder? And here is the still more perplexing part of it. Unless all analysis of the female heart is a delusion, and all history false, what women like most of all things in this world is a Man, virile, forceful, compelling, a solid rock of dependence, a substantial unfeminine being, whom it is some satisfaction and glory and interest to govern and rule in the right way, and twist round the feminine finger. If women should succeed in reducing or raising—of course raising—men to the feminine standard, by feminizing society, literature, the colleges, and all that, would they not turn on their creations—for even the Bible intimates that women are uncertain and go in search of a Man? It is this sort of blind instinct of the young man for preserving himself in the world that makes him so inaccessible to the good he might get from the prevailing culture of the leisure class.

[ [!-- H2 anchor --] ]

THE ADVENT OF CANDOR

Those who are anxious about the fate of Christmas, whether it is not becoming too worldly and too expensive a holiday to be indulged in except by the very poor, mark with pleasure any indications that the true spirit of the day—brotherhood and self-abnegation and charity—is infusing itself into modern society. The sentimental Christmas of thirty years ago could not last; in time the manufactured jollity got to be more tedious and a greater strain on the feelings than any misfortune happening to one's neighbor. Even for a day it was very difficult to buzz about in the cheery manner prescribed, and the reaction put human nature in a bad light. Nor was it much better when gradually the day became one of Great Expectations, and the sweet spirit of it was quenched in worry or soured in disappointment. It began to take on the aspect of a great lottery, in which one class expected to draw in reverse proportion to what it put in, and another class knew that it would only reap as it had sowed. The day, blessed in its origin, and meaningless if there is a grain of selfishness in it, was thus likely to become a sort of Clearing-house of all obligations and assume a commercial aspect that took the heart out of it—like the enormous receptions for paying social debts which take the place of the old-fashioned hospitality. Everybody knew, meantime, that the spirit of good-will, the grace of universal sympathy, was really growing in the world, and that it was only our awkwardness that, by striving to cram it all for a year into twenty-four hours, made it seem a little farcical. And everybody knows that when goodness becomes fashionable, goodness is likely to suffer a little. A virtue overdone falls on t'other side. And a holiday that takes on such proportions that the Express companies and the Post-office cannot handle it is in danger of a collapse. In consideration of these things, and because, as has been pointed out year after year, Christmas is becoming a burden, the load of which is looked forward to with apprehension—and back on with nervous prostration—fear has been expressed that the dearest of all holidays in Christian lands would have to go again under a sort of Puritan protest, or into a retreat for rest and purification. We are enabled to announce for the encouragement of the single-minded in this best of all days, at the close of a year which it is best not to characterize, that those who stand upon the social watch-towers in Europe and America begin to see a light—or, it would be better to say, to perceive a spirit—in society which is likely to change many things, and; among others, to work a return of Christian simplicity. As might be expected in these days, the spirit is exhibited in the sex which is first at the wedding and last in the hospital ward. And as might have been expected, also, this spirit is shown by the young woman of the period, in whose hands are the issues of the future. If she preserve her present mind long enough, Christmas will become a day that will satisfy every human being, for the purpose of the young woman will pervade it. The tendency of the young woman generally to simplicity, of the American young woman to a certain restraint (at least when abroad), to a deference to her elders, and to tradition, has been noted. The present phenomenon is quite beyond this, and more radical. It is, one may venture to say, an attempt to conform the inner being to the outward simplicity. If one could suspect the young woman of taking up any line not original, it might be guessed that the present fashion (which is bewildering the most worldly men with a new and irresistible fascination) was set by the self-revelations of Marie Bashkirtseff. Very likely, however, it was a new spirit in the world, of which Marie was the first publishing example. Its note is self-analysis, searching, unsparing, leaving no room for the deception of self or of the world. Its leading feature is extreme candor. It is not enough to tell the truth (that has been told before); but one must act and tell the whole truth. One does not put on the shirt front and the standing collar and the knotted cravat of the other sex as a mere form; it is an act of consecration, of rigid, simple come-out-ness into the light of truth. This noble candor will suffer no concealments. She would not have her lover even, still more the general world of men, think she is better, or rather other, than she is. Not that she would like to appear a man among men, far from that; but she wishes to talk with candor and be talked to candidly, without taking advantage of that false shelter of sex behind which women have been accused of dodging. If she is nothing else, she is sincere, one might say wantonly sincere. And this lucid, candid inner life is reflected in her dress. This is not only simple in its form, in its lines; it is severe. To go into the shop of a European modiste is almost to put one's self into a truthful and candid frame of mind. Those leave frivolous ideas behind who enter here. The 'modiste' will tell the philosopher that it is now the fashion to be severe; in a word, it is 'fesch'. Nothing can go beyond that. And it symbolizes the whole life, its self-examination, earnestness, utmost candor in speech and conduct.

The statesman who is busy about his tariff and his reciprocity, and his endeavor to raise money like potatoes, may little heed and much undervalue this advent of candor into the world as a social force. But the philosopher will make no such mistake. He knows that they who build without woman build in vain, and that she is the great regenerator, as she is the great destroyer. He knows too much to disregard the gravity of any fashionable movement. He knows that there is no power on earth that can prevent the return of the long skirt. And that if the young woman has decided to be severe and candid and frank with herself and in her intercourse with others, we must submit and thank God.

And what a gift to the world is this for the Christmas season! The clear-eyed young woman of the future, always dear and often an anxiety, will this year be an object of enthusiasm.

[ [!-- H2 anchor --] ]

THE AMERICAN MAN

The American man only develops himself and spreads himself and grows “for all he is worth” in the Great West. He is more free and limber there, and unfolds those generous peculiarities and largenesses of humanity which never blossomed before. The “environment” has much to do with it. The great spaces over which he roams contribute to the enlargement of his mental horizon. There have been races before who roamed the illimitable desert, but they traveled on foot or on camelback, and were limited in their range. There was nothing continental about them, as there is about our railway desert travelers, who swing along through thousands of miles of sand and sage-bush with a growing contempt for time and space. But expansive and great as these people have become under the new conditions, we have a fancy that the development of the race has only just begun, and that the future will show us in perfection a kind of man new to the world. Out somewhere on the Santa Fe route, where the desert of one day was like the desert of the day before, and the Pullman car rolls and swings over the wide waste beneath the blue sky day after day, under its black flag of smoke, in the early gray of morning, when the men were waiting their turns at the ablution bowls, a slip of a boy, perhaps aged seven, stood balancing himself on his little legs, clad in knicker-bockers, biding his time, with all the nonchalance of an old campaigner. “How did you sleep, cap?” asked a well-meaning elderly gentleman. “Well, thank you,” was the dignified response; “as I always do on a sleeping-car.” Always does? Great horrors! Hardly out of his swaddling-clothes, and yet he always sleeps well in a sleeper! Was he born on the wheels? was he cradled in a Pullman? He has always been in motion, probably; he was started at thirty miles an hour, no doubt, this marvelous boy of our new era. He was not born in a house at rest, but the locomotive snatched him along with a shriek and a roar before his eyes were fairly open, and he was rocked in a “section,” and his first sensation of life was that of moving rapidly over vast arid spaces, through cattle ranges and along canons. The effect of quick and easy locomotion on character may have been noted before, but it seems that here is the production of a new sort of man, the direct product of our railway era. It is not simply that this boy is mature, but he must be a different and a nobler sort of boy than one born, say, at home or on a canal-boat; for, whether he was born on the rail or not, he belongs to the railway system of civilization. Before he gets into trousers he is old in experience, and he has discounted many of the novelties that usually break gradually on the pilgrim in this world. He belongs to the new expansive race that must live in motion, whose proper home is the Pullman (which will probably be improved in time into a dustless, sweet-smelling, well-aired bedroom), and whose domestic life will be on the wing, so to speak. The Inter-State Commerce Bill will pass him along without friction from end to end of the Union, and perhaps a uniform divorce law will enable him to change his marital relations at any place where he happens to dine. This promising lad is only a faint intimation of what we are all coming to when we fully acquire the freedom of the continent, and come into that expansiveness of feeling and of language which characterizes the Great West. It is a burst of joyous exuberance that comes from the sense of an illimitable horizon. It shows itself in the tender words of a local newspaper at Bowie, Arizona, on the death of a beloved citizen: “'Death loves a shining mark,' and she hit a dandy when she turned loose on Jim.” And also in the closing words of a New Mexico obituary, which the Kansas Magazine quotes: “Her tired spirit was released from the pain-racking body and soared aloft to eternal glory at 4.30 Denver time.” We die, as it were, in motion, as we sleep, and there is nowhere any boundary to our expansion. Perhaps we shall never again know any rest as we now understand the term—rest being only change of motion—and we shall not be able to sleep except on the cars, and whether we die by Denver time or by the 90th meridian, we shall only change our time. Blessed be this slip of a boy who is a man before he is an infant, and teaches us what rapid transit can do for our race! The only thing that can possibly hinder us in our progress will be second childhood; we have abolished first.

[ [!-- H2 anchor --] ]

THE ELECTRIC WAY

We are quite in the electric way. We boast that we have made electricity our slave, but the slave whom we do not understand is our master. And before we know him we shall be transformed. Mr. Edison proposes to send us over the country at the rate of one hundred miles an hour. This pleases us, because we fancy we shall save time, and because we are taught that the chief object in life is to “get there” quickly. We really have an idea that it is a gain to annihilate distance, forgetting that as a matter of personal experience we are already too near most people. But this speed by rail will enable us to live in Philadelphia and do business in New York. It will make the city of Chicago two hundred miles square. And the bigger Chicago is, the more important this world becomes. This pleasing anticipation—that of traveling by lightning, and all being huddled together—is nothing to the promised universal illumination by a diffused light that shall make midnight as bright as noonday. We shall then save all the time there is, and at the age of thirty-five have lived the allotted seventy years, and long, if not for 'Gotterdammerung', at least for some world where, by touching a button, we can discharge our limbs of electricity and take a little repose. The most restless and ambitious of us can hardly conceive of Chicago as a desirable future state of existence.

This, however, is only the external or superficial view of the subject; at the best it is only symbolical. Mr. Edison is wasting his time in objective experiments, while we are in the deepest ignorance as to our electric personality or our personal electricity. We begin to apprehend that we are electric beings, that these outward manifestations of a subtile form are only hints of our internal state. Mr. Edison should turn his attention from physics to humanity electrically considered in its social condition. We have heard a great deal about affinities. We are told that one person is positive and another negative, and that representing socially opposite poles they should come together and make an electric harmony, that two positives or two negatives repel each other, and if conventionally united end in divorce, and so on. We read that such a man is magnetic, meaning that he can poll a great many votes; or that such a woman thrilled her audience, meaning probably that they were in an electric condition to be shocked by her. Now this is what we want to find out—to know if persons are really magnetic or sympathetic, and how to tell whether a person is positive or negative. In politics we are quite at sea. What is the good of sending a man to Washington at the rate of a hundred miles an hour if we are uncertain of his electric state? The ideal House of Representatives ought to be pretty nearly balanced—half positive, half negative. Some Congresses seem to be made up pretty much of negatives. The time for the electrician to test the candidate is before he is put in nomination, not dump him into Congress as we do now, utterly ignorant of whether his currents run from his heels to his head or from his head to his heels, uncertain, indeed, as to whether he has magnetism to run in at all. Nothing could be more unscientific than the process and the result.

In social life it is infinitely worse. You, an electric unmarried man, enter a room full of attractive women. How are you to know who is positive and who is negative, or who is a maiden lady in equilibrium, if it be true, as scientists affirm, that the genus old maid is one in whom the positive currents neutralize the negative currents? Your affinity is perhaps the plainest woman in the room. But beauty is a juggling sprite, entirely uncontrolled by electricity, and you are quite likely to make a mistake. It is absurd the way we blunder on in a scientific age. We touch a button, and are married. The judge touches another button, and we are divorced. If when we touched the first button it revealed us both negatives, we should start back in horror, for it is only before engagement that two negatives make an affirmative. That is the reason that some clergymen refuse to marry a divorced woman; they see that she has made one electric mistake, and fear she will make another. It is all very well for the officiating clergyman to ask the two intending to commit matrimony if they have a license from the town clerk, if they are of age or have the consent of parents, and have a million; but the vital point is omitted. Are they electric affinities? It should be the duty of the town-clerk, by a battery, or by some means to be discovered by electricians, to find out the galvanic habit of the parties, their prevailing electric condition. Temporarily they may seem to be in harmony, and may deceive themselves into the belief that they are at opposite poles equidistant from the equator, and certain to meet on that imaginary line in matrimonial bliss. Dreadful will be the awakening to an insipid life, if they find they both have the same sort of currents. It is said that women change their minds and their dispositions, that men are fickle, and that both give way after marriage to natural inclinations that were suppressed while they were on the good behavior that the supposed necessity of getting married imposes. This is so notoriously true that it ought to create a public panic. But there is hope in the new light. If we understand it, persons are born in a certain electrical condition, and substantially continue in it, however much they may apparently wobble about under the influence of infirm minds and acquired wickedness. There are, of course, variations of the compass to be reckoned with, and the magnet may occasionally be bewitched by near and powerful attracting objects. But, on the whole, the magnet remains the same, and it is probable that a person's normal electric condition is the thing in him least liable to dangerous variation. If this be true, the best basis for matrimony is the electric, and our social life would have fewer disappointments if men and women went about labeled with their scientifically ascertained electric qualities.

[ [!-- H2 anchor --] ]

CAN A HUSBAND OPEN HIS WIFE'S LETTERS?

Can a husband open his wife's letters? That would depend, many would say, upon what kind of a husband he is. But it cannot be put aside in that flippant manner, for it is a legal right that is in question, and it has recently been decided in a Paris tribunal that the husband has the right to open the letters addressed to his wife. Of course in America an appeal would instantly be taken from this decision, and perhaps by husbands themselves; for in this world rights are becoming so impartially distributed that this privilege granted to the husband might at once be extended to the wife, and she would read all his business correspondence, and his business is sometimes various and complicated. The Paris decision must be based upon the familiar formula that man and wife are one, and that that one is the husband. If a man has the right to read all the letters written to his wife, being his property by reason of his ownership of her, why may he not have a legal right to know all that is said to her? The question is not whether a wife ought to receive letters that her husband may not read, or listen to talk that he may not hear, but whether he has a sort of lordship that gives him privileges which she does not enjoy. In our modern notion of marriage, which is getting itself expressed in statute law, marriage is supposed to rest on mutual trust and mutual rights. In theory the husband and wife are still one, and there can nothing come into the life of one that is not shared by the other; in fact, if the marriage is perfect and the trust absolute, the personality of each is respected by the other, and each is freely the judge of what shall be contributed to the common confidence; and if there are any concealments, it is well believed that they are for the mutual good. If every one were as perfect in the marriage relation as those who are reading these lines, the question of the wife's letters would never arise. The man, trusting his wife, would not care to pry into any little secrets his wife might have, or bother himself about her correspondence; he would know, indeed, that if he had lost her real affection, a surveillance of her letters could not restore it.

Perhaps it is a modern notion that marriage is a union of trust and not of suspicion, of expectation of faithfulness the more there is freedom. At any rate, the tendency, notwithstanding the French decision, is away from the common-law suspicion and tyranny towards a higher trust in an enlarged freedom. And it is certain that the rights cannot all be on one side and the duties on the other. If the husband legally may compel his wife to show him her letters, the courts will before long grant the same privilege to the wife. But, without pressing this point, we hold strongly to the sacredness of correspondence. The letters one receives are in one sense not his own. They contain the confessions of another soul, the confidences of another mind, that would be rudely treated if given any sort of publicity. And while husband and wife are one to each other, they are two in the eyes of other people, and it may well happen that a friend will desire to impart something to a discreet woman which she would not intrust to the babbling husband of that woman. Every life must have its own privacy and its own place of retirement. The letter is of all things the most personal and intimate thing. Its bloom is gone when another eye sees it before the one for which it was intended. Its aroma all escapes when it is first opened by another person. One might as well wear second-hand clothing as get a second-hand letter. Here, then, is a sacred right that ought to be respected, and can be respected without any injury to domestic life. The habit in some families for the members of it to show each other's letters is a most disenchanting one. It is just in the family, between persons most intimate, that these delicacies of consideration for the privacy of each ought to be most respected. No one can estimate probably how much of the refinement, of the delicacy of feeling, has been lost to the world by the introduction of the postal-card. Anything written on a postal-card has no personality; it is banal, and has as little power of charming any one who receives it as an advertisement in the newspaper. It is not simply the cheapness of the communication that is vulgar, but the publicity of it. One may have perhaps only a cent's worth of affection to send, but it seems worth much more when enclosed in an envelope. We have no doubt, then, that on general principles the French decision is a mistake, and that it tends rather to vulgarize than to retain the purity and delicacy of the marriage relation. And the judges, so long even as men only occupy the bench, will no doubt reverse it when the logical march of events forces upon them the question whether the wife may open her husband's letters.

[ [!-- H2 anchor --] ]

A LEISURE CLASS

Foreign critics have apologized for real or imagined social and literary shortcomings in this country on the ground that the American people have little leisure. It is supposed that when we have a leisure class we shall not only make a better showing in these respects, but we shall be as agreeable—having time to devote to the art of being agreeable—as the English are. But we already have a considerable and increasing number of people who can command their own time if we have not a leisure class, and the sociologist might begin to study the effect of this leisureliness upon society. Are the people who, by reason of a competence or other accidents of good-fortune, have most leisure, becoming more agreeable? and are they devoting themselves to the elevation of the social tone, or to the improvement of our literature? However this question is answered, a strong appeal might be made to the people of leisure to do not only what is expected of them by foreign observers, but to take advantage of their immense opportunities. In a republic there is no room for a leisure class that is not useful. Those who use their time merely to kill it, in imitation of those born to idleness and to no necessity of making an exertion, may be ornamental, but having no root in any established privilege to sustain them, they will soon wither away in this atmosphere, as a flower would which should set up to be an orchid when it does not belong to the orchid family. It is required here that those who are emancipated from the daily grind should vindicate their right to their position not only by setting an example of self-culture, but by contributing something to the general welfare. It is thought by many that if society here were established and settled as it is elsewhere, the rich would be less dominated by their money and less conscious of it, and having leisure, could devote themselves even more than they do now to intellectual and spiritual pursuits.

Whether these anticipations will ever be realized, and whether increased leisure will make us all happy, is a subject of importance; but it is secondary, and in a manner incidental, to another and deeper matter, which may be defined as the responsibility of attractiveness. And this responsibility takes two forms the duty of every one to be attractive, and the danger of being too attractive. To be winning and agreeable is sometimes reckoned a gift, but it is a disposition that can be cultivated; and, in a world so given to grippe and misapprehension as this is, personal attractiveness becomes a duty, if it is not an art, that might be taught in the public schools. It used to be charged against New Englanders that they regarded this gift as of little value, and were inclined to hide it under a bushel, and it was said of some of their neighbors in the Union that they exaggerated its importance, and neglected the weightier things of the law. Indeed, disputes have arisen as to what attractiveness consisted in—some holding that beauty or charm of manner (which is almost as good) and sweetness and gayety were sufficient, while others held that a little intelligence sprinkled in was essential. But one thing is clear, that while women were held to strict responsibility in this matter, not stress enough was laid upon the equal duty of men to be attractive in order to make the world agreeable. Hence it is, probably, that while no question has been raised as to the effect of the higher education upon the attractiveness of men, the colleges for girls have been jealously watched as to the effect they were likely to have upon the attractiveness of women. Whether the college years of a young man, during which he knows more than he will ever know again, are his most attractive period is not considered, for he is expected to develop what is in him later on; but it is gravely questioned whether girls who give their minds to the highest studies are not dropping those graces of personal attractiveness which they will find it difficult to pick up again. Of course such a question as this could never arise except in just such a world as this is. For in an ideal world it could be shown that the highest intelligence and the highest personal charm are twins. If, therefore, it should turn out, which seems absurd, that college-educated girls are not as attractive as other women with less advantages, it will have to be admitted that something is the matter with the young ladies, which is preposterous, or that the system is still defective. For the postulate that everybody ought to be attractive cannot be abandoned for the sake of any system. Decision on this system cannot be reached without long experience, for it is always to be remembered that the man's point of view of attractiveness may shift, and he may come to regard the intellectual graces as supremely attractive; while, on the other hand, the woman student may find that a winning smile is just as effective in bringing a man to her feet, where he belongs, as a logarithm.

The danger of being too attractive, though it has historic illustration, is thought by many to be more apparent than real. Merely being too attractive has often been confounded with a love of flirtation and conquest, unbecoming always in a man, and excused in a woman on the ground of her helplessness. It could easily be shown that to use personal attractiveness recklessly to the extent of hopeless beguilement is cruel, and it may be admitted that woman ought to be held to strict responsibility for her attractiveness. The lines are indeed hard for her. The duty is upon her in this poor world of being as attractive as she can, and yet she is held responsible for all the mischief her attractiveness produces. As if the blazing sun should be called to account by people with weak eyes.

[ [!-- H2 anchor --] ]

WEATHER AND CHARACTER

The month of February in all latitudes in the United States is uncertain. The birth of George Washington in it has not raised it in public esteem. In the North, it is a month to flee from; in the South, at best it is a waiting month—a month of rain and fickle skies. A good deal has been done for it. It is the month of St. Valentine, it is distinguished by the leap-year addition of a day, and ought to be a favorite of the gentle sex; but it remains a sort of off period in the year. Its brevity recommends it, but no one would take any notice of it were it not for its effect upon character. A month of rigid weather is supposed to brace up the moral nature, and a month of gentleness is supposed to soften the asperities of the disposition, but February contributes to neither of these ends. It is neither a tonic nor a soother; that is, in most parts of our inexplicable land. We make no complaint of this. It is probably well to have a period in the year that tests character to the utmost, and the person who can enter spring through the gate of February a better man or woman is likely to adorn society the rest of the year.

February, however, is merely an illustration of the effect of weather upon the disposition. Persons differ in regard to their sensitiveness to cloudy, rainy, and gloomy days. We recognize this in a general way, but the relation of temper and disposition to the weather has never been scientifically studied. Our observation of the influence of climate is mostly with regard to physical infirmities. We know the effect of damp weather upon rheumatics, and of the east wind upon gouty subjects, but too little allowance is made for the influence of weather upon the spirits and the conduct of men. We know that a long period of gloomy weather leads to suicides, and we observe that long-continued clouds and rain beget “crossness” and ill-temper, and we are all familiar with the universal exhilaration of sunshine and clear air upon any company of men and women. But the point we wish to make is that neither society nor the law makes any allowance for the aberrations of human nature caused by dull and unpleasant weather. And this is very singular in this humanitarian age, when excuse is found for nearly every moral delinquency in heredity or environment, that the greatest factor of discontent and crookedness, the weather, should be left out of consideration altogether. The relation of crime to the temperature and the humidity of the atmosphere is not taken into account. Yet crime and eccentricity of conduct are very much the result of atmospheric conditions, since they depend upon the temper and the spirit of the community. Many people are habitually blue and down-hearted in sour weather; a long spell of cloudy, damp, cold weather depresses everybody, lowers hope, tends to melancholy; and people when they are not cheerful are more apt to fall into evil ways, as a rule, than when they are in a normal state of good-humor. And aside from crimes, the vexation, the friction, the domestic discontent in life, are provoked by bad weather. We should like to have some statistics as to incompatibility between married couples produced by damp and raw days, and to know whether divorces are more numerous in the States that suffer from a fickle climate than in those where the climate is more equable. It is true that in the Sandwich Islands and in Egypt there is greater mental serenity, less perturbation of spirit, less worry, than in the changeable United States. Something of this placidity and resignation to the ills inevitable in human life is due to an even climate, to the constant sun and the dry air. We cannot hope to prevent crime and suffering by statistics, any more than we have been able to improve our climate (which is rather worse now than before the scientists took it in charge) by observations and telegraphic reports; but we can, by careful tabulation of the effects of bad weather upon the spirits of a community, learn what places in the Union are favorable to the production of cheerfulness and an equal mind. And we should lift a load of reprobation from some places which now have a reputation for surliness and unamiability. We find the people of one place hospitable, lighthearted, and agreeable; the people of another place cold, and morose, and unpleasant. It would be a satisfaction to know that the weather is responsible for the difference. Observation of this sort would also teach us doubtless what places are most conducive to literary production, what to happy homes and agreeing wives and husbands. All our territory is mapped out as to its sanitary conditions; why not have it colored as to its effect upon the spirits and the enjoyment of life? The suggestion opens a vast field of investigation.

[ [!-- H2 anchor --] ]

BORN WITH AN “EGO”

There used to be a notion going round that it would be a good thing for people if they were more “self-centred.” Perhaps there was talk of adding a course to the college curriculum, in addition to that for training the all-competent “journalist,” for the self-centring of the young. To apply the term to a man or woman was considered highly complimentary. The advisers of this state of mind probably meant to suggest a desirable equilibrium and mental balance; but the actual effect of the self-centred training is illustrated by a story told of Thomas H. Benton, who had been described as an egotist by some of the newspapers. Meeting Colonel Frank Blair one day, he said: “Colonel Blair, I see that the newspapers call me an egotist. I wish you would tell me frankly, as a friend, if you think the charge is true.” “It is a very direct question, Mr. Benton,” replied Colonel Blair, “but if you want my honest opinion, I am compelled to say that I think there is some foundation for the charge.” “Well, sir,” said Mr. Benton, throwing his head back and his chest forward, “the difference between me and these little fellows is that I have an EGO!” Mr. Benton was an interesting man, and it is a fair consideration if a certain amount of egotism does not add to the interest of any character, but at the same time the self-centred conditions shut a person off from one of the chief enjoyments to be got out of this world, namely, a recognition of what is admirable in others in a toleration of peculiarities. It is odd, almost amusing, to note how in this country people of one section apply their local standards to the judgment of people in other sections, very much as an Englishman uses his insular yardstick to measure all the rest of the world. It never seems to occur to people in one locality that the manners and speech of those of another may be just as admirable as their own, and they get a good deal of discomfort out of their intercourse with strangers by reason of their inability to adapt themselves to any ways not their own. It helps greatly to make this country interesting that nearly every State has its peculiarities, and that the inhabitants of different sections differ in manner and speech. But next to an interesting person in social value, is an agreeable one, and it would add vastly to the agreeableness of life if our widely spread provinces were not so self-centred in their notion that their own way is the best, to the degree that they criticise any deviation from it as an eccentricity. It would be a very nice world in these United States if we could all devote ourselves to finding out in communities what is likable rather than what is opposed to our experience; that is, in trying to adapt ourselves to others rather than insisting that our own standard should measure our opinion and our enjoyment of them.

When the Kentuckian describes a man as a “high-toned gentleman” he means exactly the same that a Bostonian means when, he says that a man is a “very good fellow,” only the men described have a different culture, a different personal flavor; and it is fortunate that the Kentuckian is not like the Bostonian, for each has a quality that makes intercourse with him pleasant. In the South many people think they have said a severe thing when they say that a person or manner is thoroughly Yankee; and many New Englanders intend to express a considerable lack in what is essential when they say of men and women that they are very Southern. When the Yankee is produced he may turn out a cosmopolitan person of the most interesting and agreeable sort; and the Southerner may have traits and peculiarities, growing out of climate and social life unlike the New England, which are altogether charming. We talked once with a Western man of considerable age and experience who had the placid mind that is sometimes, and may more and more become, the characteristic of those who live in flat countries of illimitable horizons, who said that New Yorkers, State and city, all had an assertive sort of smartness that was very disagreeable to him. And a lady of New York (a city whose dialect the novelists are beginning to satirize) was much disturbed by the flatness of speech prevailing in Chicago, and thought something should be done in the public schools to correct the pronunciation of English. There doubtless should be a common standard of distinct, rounded, melodious pronunciation, as there is of good breeding, and it is quite as important to cultivate the voice in speaking as in singing, but the people of the United States let themselves be immensely irritated by local differences and want of toleration of sectional peculiarities. The truth is that the agreeable people are pretty evenly distributed over the country, and one's enjoyment of them is heightened not only by their differences of manner, but by the different, ways in which they look at life, unless he insists upon applying everywhere the yardstick of his own locality. If the Boston woman sets her eyeglasses at a critical angle towards the 'laisser faire' flow of social amenity in New Orleans, and the New Orleans woman seeks out only the prim and conventional in Boston, each may miss the opportunity to supplement her life by something wanting and desirable in it, to be gained by the exercise of more openness of mind and toleration. To some people Yankee thrift is disagreeable; to others, Southern shiftlessness is intolerable. To some travelers the negro of the South, with his tropical nature, his capacity for picturesque attitudes, his abundant trust in Providence, is an element of restfulness; and if the chief object of life is happiness, the traveler may take a useful hint from the race whose utmost desire, in a fit climate, would be fully satisfied by a shirt and a banana-tree. But to another traveler the dusky, careless race is a continual affront.

If a person is born with an “Ego,” and gets the most enjoyment out of the world by trying to make it revolve about himself, and cannot make-allowances for differences, we have nothing to say except to express pity for such a self-centred condition; which shuts him out of the never-failing pleasure there is in entering into and understanding with sympathy the almost infinite variety in American life.

[ [!-- H2 anchor --] ]

JUVENTUS MUNDI

Sometimes the world seems very old. It appeared so to Bernard of Cluny in the twelfth century, when he wrote:

“The world is very evil,
The times are waning late.”

There was a general impression among the Christians of the first century of our era that the end was near. The world must have seemed very ancient to the Egyptians fifteen hundred years before Christ, when the Pyramid of Cheops was a relic of antiquity, when almost the whole circle of arts, sciences, and literature had been run through, when every nation within reach had been conquered, when woman had been developed into one of the most fascinating of beings, and even reigned more absolutely than Elizabeth or Victoria has reigned since: it was a pretty tired old world at that time. One might almost say that the further we go back the older and more “played out” the world appears, notwithstanding that the poets, who were generally pessimists of the present, kept harping about the youth of the world and the joyous spontaneity of human life in some golden age before their time. In fact, the world is old in spots—in Memphis and Boston and Damascus and Salem and Ephesus. Some of these places are venerable in traditions, and some of them are actually worn out and taking a rest from too much civilization—lying fallow, as the saying is. But age is so entirely relative that to many persons the landing of the Mayflower seems more remote than the voyage of Jason, and a Mayflower chest a more antique piece of furniture than the timbers of the Ark, which some believe can still be seen on top of Mount Ararat. But, speaking generally, the world is still young and growing, and a considerable portion of it unfinished. The oldest part, indeed, the Laurentian Hills, which were first out of water, is still only sparsely settled; and no one pretends that Florida is anything like finished, or that the delta of the Mississippi is in anything more than the process of formation. Men are so young and lively in these days that they cannot wait for the slow processes of nature, but they fill up and bank up places, like Holland, where they can live; and they keep on exploring and discovering incongruous regions, like Alaska, where they can go and exercise their juvenile exuberance.

In many respects the world has been growing younger ever since the Christian era. A new spirit came into it then which makes youth perpetual, a spirit of living in others, which got the name of universal brotherhood, a spirit that has had a good many discouragements and set-backs, but which, on the whole, gains ground, and generally works in harmony with the scientific spirit, breaking down the exclusive character of the conquests of nature. What used to be the mystery and occultism of the few is now general knowledge, so that all the playing at occultism by conceited people now seems jejune and foolish. A little machine called the instantaneous photograph takes pictures as quickly and accurately as the human eye does, and besides makes them permanent. Instead of fooling credulous multitudes with responses from Delphi, we have a Congress which can enact tariff regulations susceptible of interpretations enough to satisfy the love of mystery of the entire nation. Instead of loafing round Memnon at sunrise to catch some supernatural tones, we talk words into a little contrivance which will repeat our words and tones to the remotest generation of those who shall be curious to know whether we said those words in jest or earnest. All these mysteries made common and diffused certainly increase the feeling of the equality of opportunity in the world. And day by day such wonderful things are discovered and scattered abroad that we are warranted in believing that we are only on the threshold of turning to account the hidden forces of nature. There would be great danger of human presumption and conceit in this progress if the conceit were not so widely diffused, and where we are all conceited there is no one to whom it will appear unpleasant. If there was only one person who knew about the telephone he would be unbearable. Probably the Eiffel Tower would be stricken down as a monumental presumption, like that of Babel, if it had not been raised with the full knowledge and consent of all the world.

This new spirit, with its multiform manifestations, which came into the world nearly nineteen hundred years ago, is sometimes called the spirit of Christmas. And good reasons can be given for supposing that it is. At any rate, those nations that have the most of it are the most prosperous, and those people who have the most of it are the most agreeable to associate with. Know all men by these Presents, is an old legal form which has come to have a new meaning in this dispensation. It is by the spirit of brotherhood exhibited in giving presents that we know the Christmas proper, only we are apt to take it in too narrow a way. The real spirit of Christmas is the general diffusion of helpfulness and good-will. If somebody were to discover an elixir which would make every one truthful, he would not, in this age of the world, patent it. Indeed, the Patent Office would not let him make a corner on virtue as he does in wheat; and it is not respectable any more among the real children of Christmas to make a corner in wheat. The world, to be sure, tolerates still a great many things that it does not approve of, and, on the whole, Christmas, as an ameliorating and good-fellowship institution, gains a little year by year. There is still one hitch about it, and a bad one just now, namely, that many people think they can buy its spirit by jerks of liberality, by costly gifts. Whereas the fact is that a great many of the costliest gifts in this season do not count at all. Crumbs from the rich man's table don't avail any more to open the pearly gates even of popular esteem in this world. Let us say, in fine, that a loving, sympathetic heart is better than a nickel-plated service in this world, which is surely growing young and sympathetic.

[ [!-- H2 anchor --] ]

A BEAUTIFUL OLD AGE

In Autumn the thoughts lightly turn to Age. If the writer has seemed to be interested, sometimes to the neglect of other topics, in the American young woman, it was not because she is interested in herself, but because she is on the way to be one of the most agreeable objects in this lovely world. She may struggle against it; she may resist it by all the legitimate arts of the coquette and the chemist; she may be convinced that youth and beauty are inseparable allies; but she would have more patience if she reflected that the sunset is often finer than the sunrise, commonly finer than noon, especially after a stormy day. The secret of a beautiful old age is as well worth seeking as that of a charming young maidenhood. For it is one of the compensations for the rest of us, in the decay of this mortal life, that women, whose mission it is to allure in youth and to tinge the beginning of the world with romance, also make the end of the world more serenely satisfactory and beautiful than the outset. And this has been done without any amendment to the Constitution of the United States; in fact, it is possible that the Sixteenth Amendment would rather hinder than help this gracious process. We are not speaking now of what is called growing old gracefully and regretfully, as something to be endured, but as a season to be desired for itself, at least by those whose privilege it is to be ennobled and cheered by it. And we are not speaking of wicked old women. There is a unique fascination—all the novelists recognize it—in a wicked old woman; not very wicked, but a woman of abundant experience, who is perfectly frank and a little cynical, and delights in probing human nature and flashing her wit on its weaknesses, and who knows as much about life as a club man is credited with knowing. She may not be a good comrade for the young, but she is immensely more fascinating than a semi-wicked old man. Why, we do not know; that is one of the unfathomable mysteries of womanhood. No; we have in mind quite another sort of woman, of which America has so many that they are a very noticeable element in all cultivated society. And the world has nothing more lovely. For there is a loveliness or fascination sometimes in women between the ages of sixty and eighty that is unlike any other—a charm that woos us to regard autumn as beautiful as spring.

Perhaps these women were great beauties in their day, but scarcely so serenely beautiful as now when age has refined all that was most attractive. Perhaps they were plain; but it does not matter, for the subtle influence of spiritualized-intelligence has the power of transforming plainness into the beauty of old age. Physical beauty is doubtless a great advantage, and it is never lost if mind shines through it (there is nothing so unlovely as a frivolous old woman fighting to keep the skin-deep beauty of her youth); the eyes, if the life has not been one of physical suffering, usually retain their power of moving appeal; the lines of the face, if changed, may be refined by a certain spirituality; the gray hair gives dignity and softness and the charm of contrast; the low sweet voice vibrates to the same note of femininity, and the graceful and gracious are graceful and gracious still. Even into the face and bearing of the plain woman whose mind has grown, whose thoughts have been pure, whose heart has been expanded by good deeds or by constant affection, comes a beauty winning and satisfactory in the highest degree.

It is not that the charm of the women of whom we speak is mainly this physical beauty; that is only incidental, as it were. The delight in their society has a variety of sources. Their interest in life is broader than it once was, more sympathetically unselfish; they have a certain philosophical serenity that is not inconsistent with great liveliness of mind; they have got rid of so much nonsense; they can afford to be truthful—and how much there is to be learned from a woman who is truthful! they have a most delicious courage of opinion, about men, say, and in politics, and social topics, and creeds even. They have very little any longer to conceal; that is, in regard to things that should be thought about and talked about at all. They are not afraid to be gay, and to have enthusiasms. At sixty and eighty a refined and well-bred woman is emancipated in the best way, and in the enjoyment of the full play of the richest qualities of her womanhood. She is as far from prudery as from the least note of vulgarity. Passion, perhaps, is replaced by a great capacity for friendliness, and she was never more a real woman than in these mellow and reflective days. And how interesting she is—adding so much knowledge of life to the complex interest that inheres in her sex! Knowledge of life, yes, and of affairs; for it must be said of these ladies we have in mind that they keep up with the current thought, that they are readers of books, even of newspapers—for even the newspaper can be helpful and not harmful in the alembic of their minds.

Let not the purpose of this paper be misunderstood. It is not to urge young women to become old or to act like old women. The independence and frankness of age might not be becoming to them. They must stumble along as best they can, alternately attracting and repelling, until by right of years they join that serene company which is altogether beautiful. There is a natural unfolding and maturing to the beauty of old age. The mission of woman, about which we are pretty weary of hearing, is not accomplished by any means in her years of vernal bloom and loveliness; she has equal power to bless and sweeten life in the autumn of her pilgrimage. But here is an apologue: The peach, from blossom to maturity, is the most attractive of fruits. Yet the demands of the market, competition, and fashion often cause it to be plucked and shipped while green. It never matures, though it may take a deceptive richness of color; it decays without ripening. And the last end of that peach is worse than the first.

[ [!-- H2 anchor --] ]

THE ATTRACTION OF THE REPULSIVE

On one of the most charming of the many wonderfully picturesque little beaches on the Pacific coast, near Monterey, is the idlest if not the most disagreeable social group in the world. Just off the shore, farther than a stone's-throw, lies a mass of broken rocks. The surf comes leaping and laughing in, sending up, above the curving green breakers and crests of foam, jets and spirals of water which flash like silver fountains in the sunlight. These islets of rocks are the homes of the sea-lion. This loafer of the coast congregates here by the thousand. Sometimes the rocks are quite covered, the smooth rounded surface of the larger one presenting the appearance at a distance of a knoll dotted with dirty sheep. There is generally a select knot of a dozen floating about in the still water under the lee of the rock, bobbing up their tails and flippers very much as black driftwood might heave about in the tide. During certain parts of the day members of this community are off fishing in deep water; but what they like best to do is to crawl up on the rocks and grunt and bellow, or go to sleep in the sun. Some of them lie half in water, their tails floating and their ungainly heads wagging. These uneasy ones are always wriggling out or plunging in. Some crawl to the tops of the rocks and lie like gunny bags stuffed with meal, or they repose on the broken surfaces like masses of jelly. When they are all at home the rocks have not room for them, and they crawl on and over each other, and lie like piles of undressed pork. In the water they are black, but when they are dry in the sun the skin becomes a dirty light brown. Many of them are huge fellows, with a body as big as an ox. In the water they are repulsively graceful; on the rocks they are as ungainly as boneless cows, or hogs that have lost their shape in prosperity. Summer and winter (and it is almost always summer on this coast) these beasts, which are well fitted neither for land nor water, spend their time in absolute indolence, except when they are compelled to cruise around in the deep water for food. They are of no use to anybody, either for their skin or their flesh. Nothing could be more thoroughly disgusting and uncanny than they are, and yet nothing more fascinating. One can watch them—the irresponsible, formless lumps of intelligent flesh—for hours without tiring. I scarcely know what the fascination is. A small seal playing by himself near the shore, floating on and diving under the breakers, is not so very disagreeable, especially if he comes so near that you can see his pathetic eyes; but these brutes in this perpetual summer resort are disgustingly attractive. Nearly everything about them, including their voice, is repulsive. Perhaps it is the absolute idleness of the community that makes it so interesting. To fish, to swim, to snooze on the rocks, that is all, for ever and ever. No past, no future. A society that lives for the laziest sort of pleasure. If they were rich, what more could they have? Is not this the ideal of a watering-place life?

The spectacle of this happy community ought to teach us humility and charity in judgment. Perhaps the philosophy of its attractiveness lies deeper than its 'dolce far niente' existence. We may never have considered the attraction for us of the disagreeable, the positive fascination of the uncommonly ugly. The repulsive fascination of the loathly serpent or dragon for women can hardly be explained on theological grounds. Some cranks have maintained that the theory of gravitation alone does not explain the universe, that repulsion is as necessary as attraction in our economy. This may apply to society. We are all charmed with the luxuriance of a semi-tropical landscape, so violently charmed that we become in time tired of its overpowering bloom and color. But what is the charm of the wide, treeless desert, the leagues of sand and burnt-up chaparral, the distant savage, fantastic mountains, the dry desolation as of a world burnt out? It is not contrast altogether. For this illimitable waste has its own charm; and again and again, when we come to a world of vegetation, where the vision is shut in by beauty, we shall have an irrepressible longing for these wind-swept plains as wide as the sea, with the ashy and pink horizons. We shall long to be weary of it all again—its vast nakedness, its shimmering heat, its cold, star-studded nights. It seems paradoxical, but it is probably true, that a society composed altogether of agreeable people would become a terrible bore. We are a “kittle” lot, and hard to please for long. We know how it is in the matter of climate. Why is it that the masses of the human race live in the most disagreeable climates to be found on the globe, subject to extremes of heat and cold, sudden and unprovoked changes, frosts, fogs, malarias? In such regions they congregate, and seem to like the vicissitudes, to like the excitement of the struggle with the weather and the patent medicines to keep alive. They hate the agreeable monotony of one genial day following another the year through. They praise this monotony, all literature is full of it; people always say they are in search of the equable climate; but they continue to live, nevertheless, or try to live, in the least equable; and if they can find one spot more disagreeable than another there they build a big city. If man could make his ideal climate he would probably be dissatisfied with it in a month. The effect of climate upon disposition and upon manners needs to be considered some day; but we are now only trying to understand the attractiveness of the disagreeable. There must be some reason for it; and that would explain a social phenomenon, why there are so many unattractive people, and why the attractive readers of these essays could not get on without them.

The writer of this once traveled for days with an intelligent curmudgeon, who made himself at all points as prickly as the porcupine. There was no getting on with him. And yet when he dropped out of the party he was sorely missed. He was more attractively repulsive than the sea-lion. It was such a luxury to hate him. He was such a counter-irritant, such a stimulant; such a flavor he gave to life. We are always on the lookout for the odd, the eccentric, the whimsical. We pretend that we like the orderly, the beautiful, the pleasant. We can find them anywhere—the little bits of scenery that please the eye, the pleasant households, the group of delightful people. Why travel, then? We want the abnormal, the strong, the ugly, the unusual at least. We wish to be startled and stirred up and repelled. And we ought to be more thankful than we are that there are so many desolate and wearisome and fantastic places, and so many tiresome and unattractive people in this lovely world.

[ [!-- H2 anchor --] ]

GIVING AS A LUXURY

There must be something very good in human nature, or people would not experience so much pleasure in giving; there must be something very bad in human nature, or more people would try the experiment of giving. Those who do try it become enamored of it, and get their chief pleasure in life out of it; and so evident is this that there is some basis for the idea that it is ignorance rather than badness which keeps so many people from being generous. Of course it may become a sort of dissipation, or more than that, a devastation, as many men who have what are called “good wives” have reason to know, in the gradual disappearance of their wardrobe if they chance to lay aside any of it temporarily. The amount that a good woman can give away is only measured by her opportunity. Her mind becomes so trained in the mystery of this pleasure that she experiences no thrill of delight in giving away only the things her husband does not want. Her office in life is to teach him the joy of self-sacrifice. She and all other habitual and irreclaimable givers soon find out that there is next to no pleasure in a gift unless it involves some self-denial.

Let one consider seriously whether he ever gets as much satisfaction out of a gift received as out of one given. It pleases him for the moment, and if it is useful, for a long time; he turns it over, and admires it; he may value it as a token of affection, and it flatters his self-esteem that he is the object of it. But it is a transient feeling compared with that he has when he has made a gift. That substantially ministers to his self-esteem. He follows the gift; he dwells upon the delight of the receiver; his imagination plays about it; it will never wear out or become stale; having parted with it, it is for him a lasting possession. It is an investment as lasting as that in the debt of England. Like a good deed, it grows, and is continually satisfactory. It is something to think of when he first wakes in the morning—a time when most people are badly put to it for want of something pleasant to think of. This fact about giving is so incontestably true that it is a wonder that enlightened people do not more freely indulge in giving for their own comfort. It is, above all else, amazing that so many imagine they are going to get any satisfaction out of what they leave by will. They may be in a state where they will enjoy it, if the will is not fought over; but it is shocking how little gratitude there is accorded to a departed giver compared to a living giver. He couldn't take the property with him, it is said; he was obliged to leave it to somebody. By this thought his generosity is always reduced to a minimum. He may build a monument to himself in some institution, but we do not know enough of the world to which he has gone to know whether a tiny monument on this earth is any satisfaction to a person who is free of the universe. Whereas every giving or deed of real humanity done while he was living would have entered into his character, and would be of lasting service to him—that is, in any future which we can conceive.

Of course we are not confining our remarks to what are called Christmas gifts—commercially so called—nor would we undertake to estimate the pleasure there is in either receiving or giving these. The shrewd manufacturers of the world have taken notice of the periodic generosity of the race, and ingeniously produce articles to serve it, that is, to anticipate the taste and to thwart all individuality or spontaneity in it. There is, in short, what is called a “line of holiday goods,” fitting, it may be supposed, the periodic line of charity. When a person receives some of these things in the blessed season of such, he is apt to be puzzled. He wants to know what they are for, what he is to do with them. If there are no “directions” on the articles, his gratitude is somewhat tempered. He has seen these nondescripts of ingenuity and expense in the shop windows, but he never expected to come into personal relations to them. He is puzzled, and he cannot escape the unpleasant feeling that commerce has put its profit-making fingers into Christmas. Such a lot of things seem to be manufactured on purpose that people may perform a duty that is expected of them in the holidays. The house is full of these impossible things; they occupy the mantelpieces, they stand about on the tottering little tables, they are ingenious, they are made for wants yet undiscovered, they tarnish, they break, they will not “work,” and pretty soon they look “second-hand.” Yet there must be more satisfaction in giving these articles than in receiving them, and maybe a spice of malice—not that of course, for in the holidays nearly every gift expresses at least kindly remembrance—but if you give them you do not have to live with them. But consider how full the world is of holiday goods—costly goods too—that are of no earthly use, and are not even artistic, and how short life is, and how many people actually need books and other indispensable articles, and how starved are many fine drawing-rooms, not for holiday goods, but for objects of beauty.

Christmas stands for much, and for more and more in a world that is breaking down its barriers of race and religious intolerance, and one of its chief offices has been supposed to be the teaching of men the pleasure there is in getting rid of some of their possessions for the benefit of others. But this frittering away a good instinct and tendency in conventional giving of manufactures made to suit an artificial condition is hardly in the line of developing the spirit that shares the last crust or gives to the thirsty companion in the desert the first pull at the canteen. Of course Christmas feeling is the life of trade and all that, and we will be the last to discourage any sort of giving, for one can scarcely disencumber himself of anything in his passage through this world and not be benefited; but the hint may not be thrown away that one will personally get more satisfaction out of his periodic or continual benevolence if he gives during his life the things which he wants and other people need, and reserves for a fine show in his will a collected but not selected mass of holiday goods.

[ [!-- H2 anchor --] ]

CLIMATE AND HAPPINESS

The idea of the relation of climate to happiness is modern. It is probably born of the telegraph and of the possibility of rapid travel, and it is more disturbing to serenity of mind than any other. Providence had so ordered it that if we sat still in almost any region of the globe except the tropics we would have, in course of the year, almost all the kinds of climate that exist. The ancient societies did not trouble themselves about the matter; they froze or thawed, were hot or cold, as it pleased the gods. They did not think of fleeing from winter any more than from the summer solstice, and consequently they enjoyed a certain contentment of mind that is absent from modern life. We are more intelligent, and therefore more discontented and unhappy. We are always trying to escape winter when we are not trying to escape summer. We are half the time 'in transitu', flying hither and thither, craving that exact adaptation of the weather to our whimsical bodies promised only to the saints who seek a “better country.” There are places, to be sure, where nature is in a sort of equilibrium, but usually those are places where we can neither make money nor spend it to our satisfaction. They lack either any stimulus to ambition or a historic association, and we soon find that the mind insists upon being cared for quite as much as the body.

How many wanderers in the past winter left comfortable homes in the United States to seek a mild climate! Did they find it in the sleet and bone-piercing cold of Paris, or anywhere in France, where the wolves were forced to come into the villages in the hope of picking up a tender child? If they traveled farther, were the railway carriages anything but refrigerators tempered by cans of cooling water? Was there a place in Europe from Spain to Greece, where the American could once be warm —really warm without effort—in or out of doors? Was it any better in divine Florence than on the chill Riviera? Northern Italy was blanketed with snow, the Apennines were white, and through the clean streets of the beautiful town a raw wind searched every nook and corner, penetrating through the thickest of English wraps, and harder to endure than ingratitude, while a frosty mist enveloped all. The traveler forgot to bring with him the contented mind of the Italian. Could he go about in a long cloak and a slouch hat, curl up in doorways out of the blast, and be content in a feeling of his own picturesqueness? Could he sit all day on the stone pavement and hold out his chilblained hand for soldi? Could he even deceive himself, in a palatial apartment with a frescoed ceiling, by an appearance of warmth in two sticks ignited by a pine cone set in an aperture in one end of the vast room, and giving out scarcely heat enough to drive the swallows from the chimney? One must be born to this sort of thing in order to enjoy it. He needs the poetic temperament which can feel in January the breath of June. The pampered American is not adapted to this kind of pleasure. He is very crude, not to say barbarous, yet in many of his tastes, but he has reached one of the desirable things in civilization, and that is a thorough appreciation of physical comfort. He has had the ingenuity to protect himself in his own climate, but when he travels he is at the mercy of customs and traditions in which the idea of physical comfort is still rudimentary. He cannot warm himself before a group of statuary, or extract heat from a canvas by Raphael, nor keep his teeth from chattering by the exquisite view from the Boboli Gardens. The cold American is insensible to art, and shivers in the presence of the warmest historical associations. It is doubtful if there is a spot in Europe where he can be ordinarily warm in winter. The world, indeed, does not care whether he is warm or not, but it is a matter of great importance to him. As he wanders from palace to palace—and he cannot escape the impression that nothing is good enough for him except a palace—he cannot think of any cottage in any hamlet in America that is not more comfortable in winter than any palace he can find. And so he is driven on in cold and weary stretches of travel to dwell among the French in Algeria, or with the Jews in Tunis, or the Moslems in Cairo. He longs for warmth as the Crusader longed for Jerusalem, but not short of Africa shall he find it. The glacial period is coming back on Europe.

The citizens of the great republic have a reputation for inordinate self-appreciation, but we are thinking that they undervalue many of the advantages their ingenuity has won. It is admitted that they are restless, and must always be seeking something that they have not at home. But aside from their ability to be warm in any part of their own country at any time of the year, where else can they travel three thousand miles on a stretch in a well-heated—too much heated—car, without change of car, without revision of tickets, without encountering a customhouse, without the necessity of stepping outdoors either for food or drink, for a library, for a bath—for any item, in short, that goes to the comfort of a civilized being? And yet we are always prating of the superior civilization of Europe. Nay, more, the traveler steps into a car—which is as comfortable as a house—in Boston, and alights from it only in the City of Mexico. In what other part of the world can that achievement in comfort and convenience be approached?

But this is not all as to climate and comfort. We have climates of all sorts within easy reach, and in quantity, both good and bad, enough to export more in fact than we need of all sorts. If heat is all we want, there are only three or four days between the zero of Maine and the 80 deg. of Florida. If New England is inhospitable and New York freezing, it is only a matter of four days to the sun and the exhilarating air of New Mexico and Arizona, and only five to the oranges and roses of that semi-tropical kingdom by the sea, Southern California. And if this does not content us, a day or two more lands us, without sea-sickness, in the land of the Aztecs, where we can live in the temperate or the tropic zone, eat strange fruits, and be reminded of Egypt and Spain and Italy, and see all the colors that the ingenuity of man has been able to give his skin. Fruits and flowers and sun in the winter-time, a climate to lounge and be happy in—all this is within easy reach, with the minimum of disturbance to our daily habits. We started out, when we turned our backs on the Old World, with the declaration that all men are free, and entitled to life, liberty, and the pursuit of an agreeable climate. We have yet to learn, it seems, that we can indulge in that pursuit best on our own continent. There is no winter climate elsewhere to compare with that found in our extreme Southwest or in Mexico, and the sooner we put this fact into poetry and literature, and begin to make a tradition of it, the better will it be for our peace of mind and for our children. And if the continent does not satisfy us, there lie the West Indies within a few hours' sail, with all the luxuriance and geniality of the tropics. We are only half emancipated yet. We are still apt to see the world through the imagination of England, whose literature we adopted, or of Germany. To these bleak lands Italy was a paradise, and was so sung by poets who had no conception of a winter without frost. We have a winter climate of another sort from any in Europe; we have easy and comfortable access to it. The only thing we need to do now is to correct our imagination, which has been led astray. Our poets can at least do this for us by the help of a quasi-international copyright.

[ [!-- H2 anchor --] ]

THE NEW FEMININE RESERVE

In times past there have been expressed desire and fear that there should be an American aristocracy, and the materials for its formation have been a good deal canvassed. In a political point of view it is of course impossible, but it has been hoped by many, and feared by more, that a social state might be created conforming somewhat to the social order in European countries. The problem has been exceedingly difficult. An aristocracy of derived rank and inherited privilege being out of the question, and an aristocracy of talent never having succeeded anywhere, because enlightenment of mind tends to liberalism and democracy, there was only left the experiment of an aristocracy of wealth. This does very well for a time, but it tends always to disintegration, and it is impossible to keep it exclusive. It was found, to use the slang of the dry-goods shops, that it would not wash, for there were liable to crowd into it at any moment those who had in fact washed for a living. An aristocracy has a slim tenure that cannot protect itself from this sort of intrusion. We have to contrive, therefore, another basis for a class (to use an un-American expression), in a sort of culture or training, which can be perpetual, and which cannot be ordered for money, like a ball costume or a livery.

Perhaps the “American Girl” may be the agency to bring this about. This charming product of the Western world has come into great prominence of late years in literature and in foreign life, and has attained a notoriety flattering or otherwise to the national pride. No institution has been better known or more marked on the Continent and in England, not excepting the tramway and the Pullman cars. Her enterprise, her daring, her freedom from conventionality, have been the theme of the novelists and the horror of the dowagers having marriageable daughters. Considered as “stock,” the American Girl has been quoted high, and the alliances that she has formed with families impecunious but noble have given her eclat as belonging to a new and conquering race in the world. But the American Girl has not simply a slender figure and a fine eye and a ready tongue, she is not simply an engaging and companionable person, she has excellent common-sense, tact, and adaptability. She has at length seen in her varied European experience that it is more profitable to have social good form according to local standards than a reputation for dash and brilliancy. Consequently the American Girl of a decade ago has effaced herself. She is no longer the dazzling courageous figure. In England, in France, in Germany, in Italy, she takes, as one may say, the color of the land. She has retired behind her mother. She who formerly marched in the van of the family procession, leading them—including the panting mother—a whimsical dance, is now the timid and retiring girl, needing the protection of a chaperon on every occasion. The satirist will find no more abroad the American Girl of the old type whom he continues to describe. The knowing and fascinating creature has changed her tactics altogether. And the change has reacted on American society. The mother has come once more to the front, and even if she is obliged to own to forty-five years to the census-taker, she has again the position and the privileges of the blooming woman of thirty. Her daughters walk meekly and with downcast (if still expectant) eyes, and wait for a sign.

That this change is the deliberate work of the American Girl, no one who knows her grace and talent will deny. In foreign travel and residence she has been quick to learn her lesson. Dazzled at first by her own capacity and the opportunities of the foreign field, she took the situation by storm. But she found too often that she had a barren conquest, and that the social traditions survived her success and became a lifelong annoyance; that is to say, it was possible to subdue foreign men, but the foreign women were impregnable in their social order. The American Girl abroad is now, therefore, with rare exceptions, as carefully chaperoned and secluded as her foreign sisters.

It is not necessary to lay too much stress upon this phase of American life abroad, but the careful observer must notice its reflex action at home. The American freedom and unconventionality in the intercourse of the young of both sexes, which has been so much commented on as characteristic of American life, may not disappear, but that small section which calls itself “society” may attain a sort of aristocratic distinction by the adoption of this foreign conventionality. It is sufficient now to note this tendency, and to claim the credit of it for the wise and intelligent American Girl. It would be a pity if it were to become nationally universal, for then it would not be the aristocratic distinction of a few, and the American woman who longs for some sort of caste would be driven to some other device.

It is impossible to tell yet what form this feminine reserve and retirement will take. It is not at all likely to go so far as the Oriental seclusion of women. The American Girl would never even seemingly give up her right of initiative. If she is to stay in the background and pretend to surrender her choice to her parents, and with it all the delights of a matrimonial campaign, she will still maintain a position of observation. If she seems to be influenced at present by the French and Italian examples, we may be sure that she is too intelligent and too fond of freedom to long tolerate any system of chaperonage that she cannot control. She will find a way to modify the traditional conventionalities so as not to fetter her own free spirit. It may be her mission to show the world a social order free from the forward independence and smartness of which she has been accused, and yet relieved of the dull stiffness of the older forms. It is enough now to notice that a change is going on, due to the effect of foreign society upon American women, and to express the patriotic belief that whatever forms of etiquette she may bow to, the American Girl will still be on earth the last and best gift of God to man.

[ [!-- H2 anchor --] ]

REPOSE IN ACTIVITY

What we want is repose. We take infinite trouble and go to the ends of the world to get it. That is what makes us all so restless. If we could only find a spot where we could sit down, content to let the world go by, away from the Sunday newspapers and the chronicles of an uneasy society, we think we should be happy. Perhaps such a place is Coronado Beach —that semi-tropical flower-garden by the sea. Perhaps another is the Timeo Terrace at Taormina. There, without moving, one has the most exquisite sea and shore far below him, so far that he has the feeling of domination without effort; the most picturesque crags and castle peaks; he has all classic legend under his eye without the trouble of reading, and mediaeval romance as well; ruins from the time of Theocritus to Freeman, with no responsibility of describing them; and one of the loveliest and most majestic of snow mountains, never twice the same in light and shade, entirely revealed and satisfactory from base to summit, with no self or otherwise imposed duty of climbing it. Here are most of the elements of peace and calm spirit. And the town itself is quite dead, utterly exhausted after a turbulent struggle of twenty-five hundred years, its poor inhabitants living along only from habit. The only new things in it—the two caravansaries of the traveler—are a hotel and a cemetery. One might end his days here in serene retrospection, and more cheaply than in other places of fewer attractions, for it is all Past and no Future. Probably, therefore, it would not suit the American, whose imagination does not work so easily backward as forward, and who prefers to build his own nest rather than settle in anybody else's rookery. Perhaps the American deceives himself when he says he wants repose; what he wants is perpetual activity and change; his peace of mind is postponed until he can get it in his own way. It is in feeling that he is a part of growth and not of decay. Foreigners are fond of writing essays upon American traits and characteristics. They touch mostly on surface indications. What really distinguishes the American from all others—for all peoples like more or less to roam, and the English of all others are globe-trotters—is not so much his restlessness as his entire accord with the spirit of “go-ahead,” the result of his absolute breaking with the Past. He can repose only in the midst of intense activity. He can sit down quietly in a town that is growing rapidly; but if it stands still, he is impelled to move his rocking-chair to one more lively. He wants the world to move, and to move unencumbered; and Europe seems to him to carry too much baggage. The American is simply the most modern of men, one who has thrown away the impedimenta of tradition. The world never saw such a spectacle before, so vast a territory informed with one uniform spirit of energy and progress, and people tumbling into it from all the world, eager for the fair field and free opportunity. The American delights in it; in Europe he misses the swing and “go” of the new life.

This large explanation may not account for the summer restlessness that overtakes nearly everybody. We are the annual victims of the delusion that there exists somewhere the ideal spot where manners are simple, and milk is pure, and lodging is cheap, where we shall fall at once into content. We never do. For content consists not in having all we want, nor, in not wanting everything, nor in being unable to get what we want, but in not wanting that we can get. In our summer flittings we carry our wants with us to places where they cannot be gratified. A few people have discovered that repose can be had at home, but this discovery is too unfashionable to find favor; we have no rest except in moving about. Looked at superficially, it seems curious that the American is, as a rule, the only person who does not emigrate. The fact is that he can go nowhere else where life is so uneasy, and where, consequently, he would have so little of his sort of repose. To put him in another country would be like putting a nineteenth-century man back into the eighteenth century. The American wants to be at the head of the procession (as he fancies he is), where he can hear the band play, and be the first to see the fireworks of the new era. He thinks that he occupies an advanced station of observation, from which his telescope can sweep the horizon for anything new. And with some reason he thinks so; for not seldom he takes up a foreign idea and tires of it before it is current elsewhere. More than one great writer of England had his first popular recognition in America. Even this season the Saturday Review is struggling with Ibsen, while Boston, having had that disease, has probably gone on to some other fad.

Far be it from us to praise the American for his lack of repose; it is enough to attempt to account for it. But from the social, or rather society, point of view, the subject has a disquieting aspect. If the American young man and young woman get it into their heads that repose, especially of manner, is the correct thing, they will go in for it in a way to astonish the world. The late cultivation of idiocy by the American dude was unique. He carried it to an extreme impossible to the youth of any nation less “gifted.” And if the American girl goes in seriously for “repose,” she will be able to give odds to any modern languidity or to any ancient marble. If what is wanted in society is cold hauteur and languid superciliousness or lofty immobility, we are confident that with a little practice she can sit stiller, and look more impassive, and move with less motion, than any other created woman. We have that confidence in her ability and adaptability. It is a question whether it is worth while to do this; to sacrifice the vivacity and charm native to her, and the natural impulsiveness and generous gift of herself which belong to a new race in a new land, which is walking always towards the sunrise.

In fine, although so much is said of the American lack of repose, is it not best for the American to be content to be himself, and let the critics adapt themselves or not, as they choose, to a new phenomenon?

Let us stick a philosophic name to it, and call it repose in activity. The American might take the candid advice given by one friend to another, who complained that it was so difficult to get into the right frame of mind. “The best thing you can do,” he said, “is to frame your mind and hang it up.”

[ [!-- H2 anchor --] ]

WOMEN—IDEAL AND REAL

We have not by any means got to the bottom of Realism. It matters very little what the novelists and critics say about it—what it is and what it is not; the attitude of society towards it is the important thing. Even if the critic could prove that nature and art are the same thing, and that the fiction which is Real is only a copy of nature, or if another should prove that Reality is only to be found in the Ideal, little would be gained. Literature is well enough in its place, art is an agreeable pastime, and it is right that society should take up either in seasons when lawn-tennis and polo are impracticable and afternoon teas become flavorless; but the question that society is or should be interested in is whether the young woman of the future—upon whose formation all our social hopes depend—is going to shape herself by a Realistic or an Ideal standard. It should be said in parenthesis that the young woman of the passing period has inclined towards Realism in manner and speech, if not in dress, affecting a sort of frank return to the easy-going ways of nature itself, even to the adoption of the language of the stock exchange, the race-course, and the clubs—an offering of herself on the altar of good-fellowship, with the view, no doubt, of making life more agreeable to the opposite sex, forgetting the fact that men fall in love always, or used to in the days when they could afford that luxury, with an ideal woman, or if not with an ideal woman, with one whom they idealize. And at this same time the world is full of doubts and questionings as to whether marriage is a failure. Have these questionings anything to do with the increasing Realism of women, and a consequent loss of ideals?

Of course the reader sees that the difficulty in considering this subject is whether woman is to be estimated as a work of nature or of art. And here comes in the everlasting question of what is the highest beauty, and what is most to be desired. The Greek artists, it seems to be well established, never used a model, as our artists almost invariably do, in their plastic and pictorial creations. The antique Greek statues, or their copies, which give us the highest conceptions of feminine charm and manly beauty, were made after no woman, or man born of woman, but were creations of the ideal raised to the highest conception by the passionate love and long study of nature, but never by faithful copying of it. The Romans copied the Greek art. The Greek in his best days created the ideal figure, which we love to accept as nature. Generation after generation the Greek learned to draw and learned to observe, until he was able to transmute his knowledge into the forms of grace and beauty which satisfy us as nature at her best; just as the novelist trains all his powers by the observation of life until he is able to transmute all the raw material into a creation of fiction which satisfies us. We may be sure that if the Greek artist had employed the service of models in his studio, his art would have been merely a passing phase in human history. But as it is, the world has ever since been in love with his ideal woman, and still believes in her possibility.

Now the young woman of today should not be deceived into the notion of a preferable Realistic development because the novelist of today gets her to sit to him as his model. This may be no certain indication that she is either good art or good nature. Indeed she may be quite drifting away from the ideal that a woman ought to aim at if we are to have a society that is not always tending into a realistic vulgarity and commonplace. It is perfectly true that a woman is her own excuse for being, and in a way she is doing enough for the world by simply being a woman. It is difficult to rouse her to any sense of her duty as a standard of aspiration. And it is difficult to explain exactly what it is that she is to do. If she asks if she is expected to be a model woman, the reply must be that the world does not much hanker after what—is called the “model woman.” It seems to be more a matter of tendency than anything else. Is she sagging towards Realism or rising towards Idealism? Is she content to be the woman that some of the novelists, and some of the painters also, say she is, or would she prefer to approach that ideal which all the world loves? It is a question of standards.

It is natural that in these days, when the approved gospel is that it is better to be dead than not to be Real, society should try to approach nature by the way of the materialistically ignoble, and even go such a pace of Realism as literature finds it difficult to keep up with; but it is doubtful if the young woman will get around to any desirable state of nature by this route. We may not be able to explain why servile imitation of nature degrades art and degrades woman, but both deteriorate without an ideal so high that there is no earthly model for it. Would you like to marry, perhaps, a Greek statue? says the justly contemptuous critic.

Not at all, at least not a Roman copy of one. But it would be better to marry a woman who would rather be like a Greek statue than like some of these figures, without even an idea for clothing, which are lying about on green banks in our spring exhibitions.

[ [!-- H2 anchor --] ]

THE ART OF IDLENESS

Idleness seems to be the last accomplishment of civilization. To be idle gracefully and contentedly and picturesquely is an art. It is one in which the Americans, who do so many things well, do not excel. They have made the excuse that they have not time, or, if they have leisure, that their temperament and nervous organization do not permit it. This excuse will pass for a while, for we are a new people, and probably we are more highly and sensitively organized than any other nation—at least the physiologists say so; but the excuse seems more and more inadequate as we accumulate wealth, and consequently have leisure. We shall not criticise the American colonies in Paris and Rome and Florence, and in other Continental places where they congregate. They know whether they are restless or contented, and what examples they set to the peoples who get their ideas of republican simplicity and virtue from the Americans who sojourn among them. They know whether with all their leisure they get placidity of mind and the real rest which the older nations have learned to enjoy. It may not be the most desirable thing for a human being to be idle, but if he will be, he should be so in a creditable manner, and with some enjoyment to himself. It is no slander to say that we in America have not yet found out the secret of this. Perhaps we shall not until our energies are spent and we are in a state of decay. At present we put as much energy into our pleasure as into our work, for it is inbred in us that laziness is a sin. This is the Puritan idea, and it must be said for it that in our experience virtue and idleness are not commonly companions. But this does not go to the bottom of the matter.

The Italians are industrious; they are compelled to be in order to pay their taxes for the army and navy and get macaroni enough to live on. But see what a long civilization has done for them. They have the manner of laziness, they have the air of leisure, they have worn off the angular corners of existence, and unconsciously their life is picturesque and enjoyable. Those among them who have money take their pleasure simply and with the least expense of physical energy. Those who have not money do the same thing. This basis of existence is calm and unexaggerated; life is reckoned by centimes, not by dollars. What an ideal place is Venice! It is not only the most picturesque city in the world, rich in all that art can invent to please the eye, but how calm it is! The vivacity which entertains the traveler is all on the surface. The nobleman in his palace if there be any palace that is not turned into a hotel, or a magazine of curiosities, or a municipal office—can live on a diet that would make an American workman strike, simply because he has learned to float through life; and the laborer is equally happy on little because he has learned to wait without much labor. The gliding, easy motion of the gondola expresses the whole situation; and the gondolier who with consummate skill urges his dreamy bark amid the throng and in the tortuous canals for an hour or two, and then sleeps in the sun, is a type of that rest in labor which we do not attain. What happiness there is in a dish of polenta, or of a few fried fish, in a cup of coffee, and in one of those apologies for cigars which the government furnishes, dear at a cent—the cigar with a straw in it, as if it were a julep, which it needs five minutes to ignite, and then will furnish occupation for a whole evening! Is it a hard lot, that of the fishermen and the mariners of the Adriatic? The lights are burning all night long in a cafe on the Riva del Schiavoni, and the sailors and idlers of the shore sit there jabbering and singing and trying their voices in lusty hallooing till the morning light begins to make the lagoon opalescent. The traveler who lodges near cannot sleep, but no more can the sailors, who steal away in the dawn, wafted by painted sails. In the heat of the day, when the fish will not bite, comes the siesta. Why should the royal night be wasted in slumber? The shore of the Riva, the Grand Canal, the islands, gleam with twinkling lamps; the dark boats glide along with a star in the prow, bearing youth and beauty and sin and ugliness, all alike softened by the shadows; the electric lights from the shores and the huge steamers shoot gleams on towers and facades; the moon wades among the fleecy clouds; here and there a barge with colored globes of light carries a band of singing men and women and players on the mandolin and the fiddle, and from every side the songs of Italy, pathetic in their worn gayety, float to the entranced ears of those who lean from balconies, or lounge in gondolas and listen with hearts made a little heavy and wistful with so much beauty.

Can any one float in such scenes and be so contentedly idle anywhere in our happy land? Have we learned yet the simple art of easy enjoyment? Can we buy it with money quickly, or is it a grace that comes only with long civilization? Italy, for instance, is full of accumulated wealth, of art, even of ostentation and display, and the new generation probably have lost the power to conceive, if not the skill to execute, the great works which excite our admiration. Nothing can be much more meretricious than its modern art, when anything is produced that is not an exact copy of something created when there was genius there. But in one respect the Italians have entered into the fruits of the ages of trial and of failure, and that, is the capacity of being idle with much money or with none, and getting day by day their pay for the bother of living in this world. It seems a difficult lesson for us to learn in country or city. Alas! when we have learned it shall we not want to emigrate, as so many of the Italians do? Some philosophers say that men were not created to be happy. Perhaps they were not intended to be idle.

[ [!-- H2 anchor --] ]

IS THERE ANY CONVERSATION

Is there any such thing as conversation? It is a delicate subject to touch, because many people understand conversation to be talk; not the exchange of ideas, but of words; and we would not like to say anything to increase the flow of the latter. We read of times and salons in which real conversation existed, held by men and women. Are they altogether in the past? We believe that men do sometimes converse. Do women ever? Perhaps so. In those hours sacred to the relaxation of undress and the back hair, in the upper penetralia of the household, where two or three or six are gathered together on and about the cushioned frame intended for repose, do they converse, or indulge in that sort of chat from which not one idea is carried away? No one reports, fortunately, and we do not know. But do all the women like this method of spending hour after hour, day after day-indeed, a lifetime? Is it invigorating, even restful? Think of the talk this past summer, the rivers and oceans of it, on piazzas and galleries in the warm evenings or the fresher mornings, in private houses, on hotel verandas, in the shade of thousands of cottages by the sea and in the hills! As you recall it, what was it all about? Was the mind in a vapid condition after an evening of it? And there is so much to read, and so much to think about, and the world is so interesting, if you do think about it, and nearly every person has some peculiarity of mind that would be worth study if you could only get at it! It is really, we repeat, such an interesting world, and most people get so little out of it. Now there is the conversation of hens, when the hens are busy and not self-conscious; there is something fascinating about it, because the imagination may invest it with a recondite and spicy meaning; but the common talk of people! We infer sometimes that the hens are not saying anything, because they do not read, and consequently their minds are empty. And perhaps we are right. As to conversation, there is no use in sending the bucket into the well when the well is dry—it only makes a rattling of windlass and chain. We do not wish to be understood to be an enemy of the light traffic of human speech. Deliver us from the didactic and the everlastingly improving style of thing! Conversation, in order to be good, and intellectually inspiring, and spiritually restful, need not always be serious. It must be alert and intelligent, and mean more by its suggestions and allusions than is said. There is the light touch-and-go play about topics more or less profound that is as agreeable as heat-lightning in a sultry evening. Why may not a person express the whims and vagaries of a lambent mind (if he can get a lambent mind) without being hauled up short for it, and plunged into a heated dispute? In the freedom of real conversation the mind throws out half-thoughts, paradoxes, for which a man is not to be held strictly responsible to the very roots of his being, and which need to be caught up and played with in the same tentative spirit. The dispute and the hot argument are usually the bane of conversation and the death of originality. We like to express a notion, a fancy, without being called upon to defend it, then and there, in all its possible consequences, as if it were to be an article in a creed or a plank in a platform. Must we be always either vapid or serious?

We have been obliged to take notice of the extraordinary tendency of American women to cultivation, to the improvement of the mind, by means of reading, clubs, and other intellectual exercises, and to acknowledge that they are leaving the men behind; that is, the men not in the so-called professions. Is this intellectualization beginning to show in the conversation of women when they are together, say in the hours of relaxation in the penetralia spoken of, or in general society? Is there less talk about the fashion of dress, and the dearness or cheapness of materials, and about servants, and the ways of the inchoate citizen called the baby, and the infinitely little details of the private life of other people? Is it true that if a group of men are talking, say about politics, or robust business, or literature, and they are joined by women (whose company is always welcome), the conversation is pretty sure to take a lower mental plane, to become more personal, more frivolous, accommodating itself to quite a different range? Do the well-read, thoughtful women, however beautiful and brilliant and capable of the gayest persiflage, prefer to talk with men, to listen to the conversation of men, rather than to converse with or listen to their own sex? If this is true, why is it? Women, as a rule, in “society” at any rate, have more leisure than men. In the facilities and felicities of speech they commonly excel men, and usually they have more of that vivacious dramatic power which is called “setting out a thing to the life.” With all these advantages, and all the world open to them in newspapers and in books, they ought to be the leaders and stimulators of the best conversation. With them it should never drop down to the too-common flatness and banality. Women have made this world one of the most beautiful places of residence to be conceived. They might make it one of the most interesting.

[ [!-- H2 anchor --] ]

THE TALL GIRL

It is the fashion for girls to be tall. This is much more than saying that tall girls are the fashion. It means not only that the tall girl has come in, but that girls are tall, and are becoming tall, because it is the fashion, and because there is a demand for that sort of girl. There is no hint of stoutness, indeed the willowy pattern is preferred, but neither is leanness suggested; the women of the period have got hold of the poet's idea, “tall and most divinely fair,” and are living up to it. Perhaps this change in fashion is more noticeable in England and on the Continent than in America, but that may be because there is less room for change in America, our girls being always of an aspiring turn. Very marked the phenomenon is in England; on the street, at any concert or reception, the number of tall girls is so large as to occasion remark, especially among the young girls just coming into the conspicuousness of womanhood. The tendency of the new generation is towards unusual height and gracious slimness. The situation would be embarrassing to thousands of men who have been too busy to think about growing upward, were it not for the fact that the tall girl, who must be looked up to, is almost invariably benignant, and bears her height with a sweet timidity that disarms fear. Besides, the tall girl has now come on in such force that confidence is infused into the growing army, and there is a sense of support in this survival of the tallest that is very encouraging to the young.

Many theories have been put forward to account for this phenomenon. It is known that delicate plants in dark places struggle up towards the light in a frail slenderness, and it is said that in England, which seems to have increasing cloudiness, and in the capital more and more months of deeper darkness and blackness, it is natural that the British girl should grow towards the light. But this is a fanciful view of the case, for it cannot be proved that English men have proportionally increased their stature. The English man has always seemed big to the Continental peoples, partly because objects generally take on gigantic dimensions when seen through a fog. Another theory, which has much more to commend it, is that the increased height of women is due to the aesthetic movement, which has now spent its force, but has left certain results, especially in the change of the taste in colors. The woman of the aesthetic artist was nearly always tall, usually willowy, not to say undulating and serpentine. These forms of feminine loveliness and commanding height have been for many years before the eyes of the women of England in paintings and drawings, and it is unavoidable that this pattern should not have its effect upon the new and plastic generation. Never has there been another generation so open to new ideas; and if the ideal of womanhood held up was that of length and gracious slenderness, it would be very odd if women should not aspire to it. We know very well the influence that the heroines of the novelists have had from time to time upon the women of a given period. The heroine of Scott was, no doubt, once common in society—the delicate creature who promptly fainted on the reminiscence of the scent of a rose, but could stand any amount of dragging by the hair through underground passages, and midnight rides on lonely moors behind mailed and black-mantled knights, and a run or two of hair-removing typhoid fever, and come out at the end of the story as fresh as a daisy. She could not be found now, so changed are the requirements of fiction. We may assume, too, that the full-blown aesthetic girl of that recent period—the girl all soul and faded harmonies—would be hard to find, but the fascination of the height and slenderness of that girl remains something more than a tradition, and is, no doubt, to some extent copied by the maiden just coming into her kingdom.

Those who would belittle this matter may say that the appearance of which we speak is due largely to the fashion of dress—the long unbroken lines which add to the height and encourage the appearance of slenderness. But this argument gives away the case. Why do women wear the present fascinating gowns, in which the lithe figure is suggested in all its womanly dignity? In order that they may appear to be tall. That is to say, because it is the fashion to be tall; women born in the mode are tall, and those caught in a hereditary shortness endeavor to conform to the stature of the come and coming woman.

There is another theory, that must be put forward with some hesitation, for the so-called emancipation of woman is a delicate subject to deal with, for while all the sex doubtless feel the impulse of the new time, there are still many who indignantly reject the implication in the struggle for the rights of women. To say, therefore, that women are becoming tall as a part of their outfit for taking the place of men in this world would be to many an affront, so that this theory can only be suggested. Yet probably physiology would bear us out in saying that the truly emancipated woman, taking at last the place in affairs which men have flown in the face of Providence by denying her, would be likely to expand physically as well as mentally, and that as she is beginning to look down upon man intellectually, she is likely to have a corresponding physical standard.

Seriously, however, none of these theories are altogether satisfactory, and we are inclined to seek, as is best in all cases, the simplest explanation. Women are tall and becoming tall simply because it is the fashion, and that statement never needs nor is capable of any explanation. Awhile ago it was the fashion to be petite and arch; it is now the fashion to be tall and gracious, and nothing more can be said about it. Of course the reader, who is usually inclined to find the facetious side of any grave topic, has already thought of the application of the self-denying hymn, that man wants but little here below, and wants that little long; but this may be only a passing sigh of the period. We are far from expressing any preference for tall women over short women. There are creative moods of the fancy when each seems the better. We can only chronicle, but never create.

[ [!-- H2 anchor --] ]

THE DEADLY DIARY

Many people regard the keeping of a diary as a meritorious occupation. The young are urged to take up this cross; it is supposed to benefit girls especially. Whether women should do it is to some minds not an open question, although there is on record the case of the Frenchman who tried to shoot himself when he heard that his wife was keeping a diary. This intention of suicide may have arisen from the fear that his wife was keeping a record of his own peccadilloes rather than of her own thoughts and emotions. Or it may have been from the fear that she was putting down those little conjugal remarks which the husband always dislikes to have thrown up to him, and which a woman can usually quote accurately, it may be for years, it may be forever, without the help of a diary. So we can appreciate without approving the terror of the Frenchman at living on and on in the same house with a growing diary. For it is not simply that this little book of judgment is there in black and white, but that the maker of it is increasing her power of minute observation and analytic expression. In discussing the question whether a woman should keep a diary it is understood that it is not a mere memorandum of events and engagements, such as both men and women of business and affairs necessarily keep, but the daily record which sets down feelings, emotions, and impressions, and criticises people and records opinions. But this is a question that applies to men as well as to women.

It has been assumed that the diary serves two good purposes: it is a disciplinary exercise for the keeper of it, and perhaps a moral guide; and it has great historical value. As to the first, it may be helpful to order, method, discipline, and it may be an indulgence of spleen, whims, and unwholesome criticism and conceit. The habit of saying right out what you think of everybody is not a good one, and the record of such opinions and impressions, while it is not so mischievous to the public as talking may be, is harmful to the recorder. And when we come to the historical value of the diary, we confess to a growing suspicion of it. It is such a deadly weapon when it comes to light after the passage of years. It has an authority which the spoken words of its keeper never had. It is 'ex parte', and it cannot be cross-examined. The supposition is that being contemporaneous with the events spoken of, it must be true, and that it is an honest record. Now, as a matter of fact, we doubt if people are any more honest as to themselves or others in a diary than out of it; and rumors, reported facts, and impressions set down daily in the heat and haste of the prejudicial hour are about as likely to be wrong as right. Two diaries of the same events rarely agree. And in turning over an old diary we never know what to allow for the personal equation. The diary is greatly relied on by the writers of history, but it is doubtful if there is any such liar in the world, even when the keeper of it is honest. It is certain to be partisan, and more liable to be misinformed than a newspaper, which exercises some care in view of immediate publicity. The writer happens to know of two diaries which record, on the testimony of eye-witnesses, the circumstances of the last hours of Garfield, and they differ utterly in essential particulars. One of these may turn up fifty years from now, and be accepted as true. An infinite amount of gossip goes into diaries about men and women that would not stand the test of a moment's contemporary publication. But by-and-by it may all be used to smirch or brighten unjustly some one's character. Suppose a man in the Army of the Potomac had recorded daily all his opinions of men and events. Reading it over now, with more light and a juster knowledge of character and of measures, is it not probable that he would find it a tissue of misconceptions? Few things are actually what they seem today; they are colored both by misapprehensions and by moods. If a man writes a letter or makes report of an occurrence for immediate publication, subject to universal criticism, there is some restraint on him. In his private letter, or diary especially, he is apt to set down what comes into his head at the moment, often without much effort at verification.

We have been led to this disquisition into the fundamental nature of this private record by the question put to us, whether it is a good plan for a woman to keep a diary. Speaking generally, the diary has become a sort of fetich, the authority of which ought to be overthrown. It is fearful to think how our characters are probably being lied away by innumerable pen scratches in secret repositories, which may some day come to light as unimpeachable witnesses. The reader knows that he is not the sort of man which the diarist jotted him down to be in a single interview. The diary may be a good thing for self-education, if the keeper could insure its destruction. The mental habit of diarizing may have some value, even when it sets undue importance upon trifles. We confess that, never having seen a woman's private diary (except those that have been published), we do not share the popular impression as to their tenuity implied in the question put to us. Taking it for granted that they are full of noble thoughts and beautiful imaginings, we doubt whether the time spent on them could not be better employed in acquiring knowledge or taking exercise. For the diary forgotten and left to the next generation may be as dangerous as dynamite.

[ [!-- H2 anchor --] ]

THE WHISTLING GIRL

The wisdom of our ancestors packed away in proverbial sayings may always be a little suspected. We have a vague respect for a popular proverb, as embodying folk-experience, and expressing not the wit of one, but the common thought of a race. We accept the saying unquestioning, as a sort of inspiration out of the air, true because nobody has challenged it for ages, and probably for the same reason that we try to see the new moon over our left shoulder. Very likely the musty saying was the product of the average ignorance of an unenlightened time, and ought not to have the respect of a scientific and traveled people. In fact it will be found that a large proportion of the proverbial sayings which we glibly use are fallacies based on a very limited experience of the world, and probably were set afloat by the idiocy or prejudice of one person. To examine one of them is enough for our present purpose.

“Whistling girls and crowing hens
Always come to some bad ends.”

It would be interesting to know the origin of this proverb, because it is still much relied on as evincing a deep knowledge of human nature, and as an argument against change, that is to say, in this case, against progress. It would seem to have been made by a man, conservative, perhaps malevolent, who had no appreciation of a hen, and a conservatively poor opinion of woman. His idea was to keep woman in her place—a good idea when not carried too far—but he did not know what her place is, and he wanted to put a sort of restraint upon her emancipation by coupling her with an emancipated hen. He therefore launched this shaft of ridicule, and got it to pass as an arrow of wisdom shot out of a popular experience in remote ages.

In the first place, it is not true, and probably never was true even when hens were at their lowest. We doubts its Sanscrit antiquity. It is perhaps of Puritan origin, and rhymed in New England. It is false as to the hen. A crowing hen was always an object of interest and distinction; she was pointed out to visitors; the owner was proud of her accomplishment, he was naturally likely to preserve her life, and especially if she could lay. A hen that can lay and crow is a 'rara avis'. And it should be parenthetically said here that the hen who can crow and cannot lay is not a good example for woman. The crowing hen was of more value than the silent hen, provided she crowed with discretion; and she was likely to be a favorite, and not at all to come to some bad end. Except, indeed, where the proverb tended to work its own fulfillment. And this is the regrettable side of most proverbs of an ill-nature, that they do help to work the evil they predict. Some foolish boy, who had heard this proverb, and was sent out to the hen-coop in the evening to slay for the Thanksgiving feast, thought he was a justifiable little providence in wringing the neck of the crowing hen, because it was proper (according to the saying) that she should come to some bad end. And as years went on, and that kind of boy increased and got to be a man, it became a fixed idea to kill the amusing, interesting, spirited, emancipated hen, and naturally the barn-yard became tamer and tamer, the production of crowing hens was discouraged (the wise old hens laid no eggs with a crow in them, according to the well-known principle of heredity), and the man who had in his youth exterminated the hen of progress actually went about quoting that false couplet as an argument against the higher education of woman.