INDIAN MYTH AND LEGEND

MYTH AND LEGEND IN
LITERATURE AND ART
CLASSIC MYTH AND LEGEND
By A. R. Hope Moncrieff CELTIC MYTH AND LEGEND
POETRY AND ROMANCE
By Charles Squire TEUTONIC MYTH AND LEGEND
By Donald A. Mackenzie ROMANCE AND LEGEND
OF CHIVALRY
By A. R. Hope Moncrieff EGYPTIAN MYTH AND LEGEND
By Donald A. Mackenzie INDIAN MYTH AND LEGEND
By Donald A. Mackenzie MYTHS OF BABYLONIA AND ASSYRIA
By Donald A. Mackenzie MYTHS OF CRETE
AND PRE-HELLENIC EUROPE
By Donald A. Mackenzie
THE GRESHAM PUBLISHING COMPANY LTD.

SITA FINDS RAMA AMONG LOTUS BLOOMS

From the painting by Warwick Goble

INDIAN MYTH
AND LEGEND

DONALD A. MACKENZIE

With Illustrations in Colour
by Warwick Goble
and numerous monochrome
Plates

THE GRESHAM PUBLISHING COMPANY LIMITED
66 CHANDOS STREET COVENT GARDEN LONDON


[PREFACE]

This volume deals with the myths and legends of India, which survive to us in the rich and abundant storehouse of Sanskrit literature, and with the rise and growth of Brahmanism, Buddhism, Jainism, &c. The reader is introduced to the various sacred works of the Hindus, including the ancient invocatory hymns of the four Vedas, the later speculative and expository “Forest Books” in which “the Absolute is grasped and proclaimed”, and those great epic poems the Rámáyana, which is three times longer than the Iliad, and the Máhábharata, which is four times longer than the Rámáyana. In no other country have the national poets given fuller and finer expression to the beliefs and ideals and traditions of a people, or achieved as a result wider and more enduring fame. At the present day over two hundred million Hindus are familiar in varying degrees with the legendary themes and traditional beliefs which the ancient forest sages and poets of India invested with much beautiful symbolism, and used as mediums for speculative thought and profound spiritual teachings. The sacred books of India are to the Hindus what the Bible is to Christians. Those who read them, or hear them read, are believed to be assured of prosperity in this world and of salvation in the next. To students of history, of ethnology, and of comparative religion they present features of peculiar interest, for they contain an elaborate sociology of the ancient Aryo-Indians, their political organizations, their codes of laws, their high ethical code, and above all their conceptions of God, the soul, and the Universe. Some knowledge of them is necessary for those who desire to approach with sympathy the investigation of the religious beliefs of our Hindu fellow men and to understand their outlook upon life and the world.

The Introduction deals with various aspects of the study of these ancient myths and legends which have been the inspiration of a national literature infused with much grandeur and sublimity. The historic Aryan controversy, of which the science of comparative mythology is a by-product, is passed under review, and it is shown to what extent philological theories regarding race problems have been modified during recent years as a result of the adoption of broader and more exact methods of ethnic and archæological research and the ever-extending study of comparative mythology. There has also been condensed much important data dealing with the early phases of Aryo-Indian civilization accumulated for historical purposes by industrious and painstaking Sanskrit scholars who have been engaged in investigating and systematizing the internal evidence of the various religious poems and treatises. It will be found that no general agreement has yet been reached regarding Aryo-Indian chronology, but it now appears to be well established that although there were early cultural as well as racial “drifts”, fresh invasions, which had far-reaching results in the social and religious life of northern India, occurred at a late period in what is known as the Vedic Age. In consequence, the problem presented by this ancient civilization tends rather to grow more complex than to become simplified. Its origin is still wrapped in obscurity. At the very dawn of history Aryo-Indian culture had attained a comparatively high state of development, and a considerable period must be allowed for its growth. Even some of the ancient Vedic hymns, addressed by priests to the deities, are styled “new songs”, which suggests the existence of an older collection. Many of them also afford indications that immemorial beliefs were in process of change and fusion. The sublime deities, Varuna and Mitra (Mithra), for instance, were already declining in splendour. Yet they must have been closely associated with Indra, king of the gods, in the unknown Aryan homeland, as is made evident by an inscription recently deciphered at Boghaz Köi, in Asia Minor, which refers to them as deities of the mysterious Mitanni people who were of Aryan speech like the settlers in the Punjab. There is no evidence, however, that the Mitanni rulers gave recognition to the fire god Agni, who in India was exalted as the twin brother of Indra. The problem involved may not be devoid of ethnic significance, although the identity of the Agni-worshipping section of the early raiders remains obscure.

During the early Vedic Age in India prominence was given to the gods: the social organization was of patriarchal character; the goddesses remained shadowy and vague, some being, indeed, little more than figures of speech. A great change took place, however, after the invasions of the Bharata and other tribes who are now referred to as “late comers”. Profound and speculative thinkers attained to the pantheistic conception of the world soul; new doctrines, which are not referred to in the Vedic hymns, regarding the ages of the universe and transmigration of souls, received wide acceptance as the result of missionary efforts: the Vedic gods were reduced to the position of minor deities and new goddesses rose into prominence, one indeed being Bharati, the tribal deity of the Bharatas, who became associated with the Saraswati river and under her new name was ultimately made the wife of the supreme god Brahma. It is significant to note that the new culture radiated from the “Middle Country”, the area controlled by the “late comers”. That it contained elements which were not of Indian origin is made clearly evident when we find that the doctrines of the ages of the universe and transmigration of souls were shared by other peoples, including the Greeks and Celts and a section of the ancient Egyptians. Sumero-Babylonian and Egyptian resemblances may also be traced in post-Vedic religious literature, the former, for instance, in the Deluge legend, and the latter in the myth regarding the avenging goddess Kali, who slaughters the enemies of the gods like Hathor-Sekhet, and has similarly to be restrained by one of the deities. The worship of goddesses was also prominent among the Sumerians, Egyptians, Greeks, and Celts, as contrasted with the worship of gods among broad-headed mountain and wandering peoples. In this connection special interest attaches to the conclusions of prominent ethnologists, who include in the Mediterranean or “Brown” race of brunet “long heads” the early Egyptians and Neolithic Europeans, the Sumerians and present-day “Aryan” types in India, and especially in the old “Middle Country” and Bengal. On the other hand, a broad-headed type is still prominent in the Punjab, the area occupied by the earliest invaders who worshipped the Vedic gods. Dr. Haddon suggests that these pioneers of civilization were mixed with peoples of Mongolian and other affinities. Some such ethnic explanation must be urged to account for the differences between Vedic and post-Vedic mythologies. The invasions of the “late comers”, who entered India by a new route, no doubt stimulated thought and promoted culture after settled conditions were secured, as was undoubtedly the result of the mingling of races elsewhere.

“It may be put down as an axiom”, says Professor Jastrow, “that nowhere does a high form of culture arise without the commingling of diverse ethnic elements. Civilization, like the spark emitted by the striking of steel on flint, is everywhere the result of stimulus evoked by the friction of one ethnic group upon another”: and he supports his theory with the evidence afforded by Egypt, Babylonia, Greece, Rome, France, Germany, and Great Britain, as well as the present-day United States of America, “the melting pot” of many peoples.

Throughout this volume comparative evidence is provided to assist the reader towards the study of this most interesting aspect of the Aryan problem. We trace the cremation custom, which has prevailed in India since Vedic times, to countries as wide apart as Great Britain, into which it was introduced during the Bronze Age, and Southern Siberia, where it is still practised by the Mongolian Buriats. Over the areas occupied by representatives of the Mediterranean race it was unknown prior to the invasions of unidentified fire-worshippers. Special interest also attaches to the horse sacrifice, which was also an Aryo-Indian ceremony even in Vedic times. It is not yet unknown among the Buriats. At one time the horse sacrifice was widely prevalent. White horses were sacrificed to the sun in Ancient Greece; the sun horses are referred to with horror by Ezekiel; the ceremony was also connected with the mysteries of Aricia grove. Indeed, as is pointed out in [Chapter V], various ancient peoples offered up this domesticated and historic animal. In the Indian epics and religious treatises there are illuminating references to the horse sacrifice which throw much light on the significance of the immemorial practice. White and black horses were alternately favoured, and it is evident that the practice was not only associated with solar worship, but was also intended to secure fertility—crops, and therefore rain in the first place, increase of flocks, herds, human offspring, &c.—as is undoubtedly the case among the modern-day Buriats. In India the horse was also offered up as a sin offering, a late conception, evidently. A prominent feature of this sacrifice in most countries was the decapitation of the sacrificial victim. Recent evidence from Egypt suggests that the sacrifice of the ass may have preceded the sacrifice of the horse. Professor Flinders Petrie has found in a triple tomb in the early dynastic Tarkhan cemetery the skeletons of three asses with the heads cut off and placed beside them. He suggests that the animals were killed to accompany their owner to the other world. The Buriats still sacrifice horses at graves, professedly for the same reason. As this custom was not prevalent throughout Ancient Egypt, it may have been an importation, connected, perhaps, with the myth about the sun-ass which gallops round a hill-surrounded world followed by the pursuing night serpent. An isolated reference is also made to the sacrifice of the ass in a Twelfth Dynasty story about a Naga-like demigod, a fact which emphasizes the historical importance of the material embedded in folk tales and mythologies. In this connection it may be noted that certain developed myths suggest there may have been either a cultural contact of Ancient Egypt with India, through an unidentified medium, or an infusion of religious ideas into both countries from a common source. In an Indian creation myth Prajápati weeps creative tears like the Egyptian sun-god Ra, whose rays are tears from which all things spring, as Maspero shows.

In India the juice of the soma plant was identified with the vital principle, and the demons were the poisoners of crops and plants; in Egypt honey-flowers and sacred trees sprang from the fertilizing tears of deities, while the tears of demons produced poisonous plants, diseases, &c. Like the Egyptian Horus, the Indian Prajápati, or Brahma, sprang from a lotus bloom floating on the primordial waters. The chaos-egg myth is also common to both mythological systems. Brahma issues from a golden egg like Ra, and a similar myth is connected with the Egyptian Ptah and Khnumu, and with the Chinese P'an Ku, while the egg figures in Eur-Asian folk tales which contain the germs of the various mythologies. All mythologies have animistic bases; they were, to begin with, systematized folk beliefs which were carried hither and thither in various stages of development by migrating and trading peoples. Each separate system bears undoubted traces of racial or local influences; each reflects the civilization in which it flourished, the habits of thought and habits of life of the people, and the religious, ethical, and political ideals of their rulers and teachers. When well-developed myths of similar character are found in widely separated districts, an ethnic or cultural contact is suggested. Such myths may be regarded as evidence of remote racial movements, which, although unsupported by record or tradition, are also indicated by ethnological data. It is hoped that the reader will find much suggestive material in this connection in their study of the myths and legends of India. They will also find that many of the tales retold in this volume have qualities which make universal appeal, and that some are among the most beautiful which survive from the civilizations of the ancient world.

Not a few, we are assured, will follow with interest the development from primitive myths of great and ennobling ideas which have exercised a culturing influence in India through many long centuries, and are still potent factors in the domestic, social, and religious life of many millions of Hindus.

DONALD A. MACKENZIE.


[CONTENTS]

Chap.Page
Introduction[xvii]
I.Indra, King of the Gods[1]
II.The Great Vedic Deities[19]
III.Yama, the First Man, and King of the Dead[38]
IV.Demons and Giants and Fairies[61]
V.Social and Religious Developments of the Vedic Age[76]
VI.Mysteries of Creation, the World's Ages, and Soul Wandering[97]
VII.New Faiths: Vishnu Religion, Buddhism, and Jainism[119]
VIII.Divinities of the Epic Period[138]
IX.Prelude to the Great Bharata War[157]
X.Royal Rivals: the Pandavas and Kauravas[173]
XI.The Tournament[185]
XII.First Exile of the Pandavas[195]
XIII.The Choice of Draupadi[213]
XIV.Triumph of the Pandavas[224]
XV.The Great Gambling Match[237]
XVI.Second Exile of the Pandavas[249]
XVII.Defiance of Duryodhana[270]
XVIII.The Battle of Eighteen Days[285]
XIX.Atonement and the Ascent to Heaven[310]
XX.Nala and Damayantí[328]
XXI.Wanderings in the Forest[340]
XXII.Nala in Exile[353]
XXIII.The Homecoming of the King[364]
XXIV.Story of Rama: How Sita was Won[374]
XXV.The Abduction of Sita[394]
XXVI.Rama's Mission Fulfilled[408]
Index[429]

[PLATES IN COLOUR]

Page
SITA FINDS RAMA AMONG LOTUS BLOOMS[Frontispiece]
From the painting by Warwick Goble
SHANTANU MEETS THE GODDESS GANGA[facing 164]
From the painting by Warwick Goble
ARJUNA AND THE RIVER NYMPH[facing 226]
From the painting by Warwick Goble
THE ORDEAL OF QUEEN DRAUPADI[facing 242]
From the painting by Warwick Goble
THE RETURN OF THE HEROES SLAIN IN BATTLE[facing 320]
From the painting by Warwick Goble
DAMAYANTI AND THE SWAN[facing 330]
From the painting by Warwick Goble
DAMAYANTI CHOOSING A HUSBAND[facing 336]
From the painting by Warwick Goble
RAMA SPURNS THE DEMON LOVER[facing 400]
From the painting by Warwick Goble

[PLATES IN MONOCHROME]

Page
THE CREMATION GHAT, BENARES[facing xxxvi]
KALI[facing xl]
From a bronze in the Calcutta Art Gallery
A VYASA, OR PUBLIC READER, RECITING THE MAHABHARATA[facing xlviii]
INDRA[facing 4]
From the Indra Temple, Ellora
INTERIOR OF A TEMPLE TO VISHNU (BRINDABAN)[facing 10]
THE PARADISE OF INDRA[facing 16]
From a rock sculpture at Mâmallapuram
AGNI, THE FIRE GOD[facing 20]
From a painting by Nanda Lall Bose
SHIVA'S DANCE OF DESTRUCTION, ELLORA[facing 26]
SURYA IN HIS CHARIOT[facing 32]
From the Kailâsa Temple, Ellora
THE KAILASA TEMPLE OF SHIVA, ELLORA[facing 40]
YAMA AND SAVITRI[facing 52]
From a painting by Nanda Lall Bose
THE CITY OF THE GODS, PALITANA[facing 58]
DURGA SLAYING GIANTS AND DEMONS[facing 64]
From a sculpture at Mámallapuram
THE CELESTIAL FAIRIES (APSARAS)[facing 68]
Sculpture on a modern Hindu temple, Benares
GROUP OF PRESENT-DAY BRAHMANS[facing 80]
SADHUS (RELIGIOUS MENDICANTS) AT BENARES[facing 82]
A YOGI ON A BED OF SPIKES[facing 84]
An example of present-day austerities
THE BIRTH OF BRAHMA: SPRINGING FROM A LOTUS ISSUING FROM VISHNU[facing 100]
From an original Indian painting
HANUMAN[facing 106]
From a bronze in the Victoria and Albert Museum
THE HINDU TRINITY AT ELEPHANTA[facing 120]
VISHNU UPHOLDING THE UNIVERSE[facing 124]
From a sculpture at Mâmallapuram
KRISHNA AND THE GOPIS (HERDSMAIDS)[facing 128]
From a modern sculpture
BUDDHA EXPOUNDING THE LAW[facing 130]
THE BOAR INCARNATION OF VISHNU RAISING THE EARTH FROM THE DEEP[facing 136]
From a rock sculpture at Udayagiri
INTERIOR OF A ROCK-HEWN BUDDHIST TEMPLE (AJANTA)[facing 140]
LAKSHMI ARISING FROM THE SEA OF MILK[facing 144]
From a sculpture at Mâmallapuram
SHIVA DANCING ON TRIPURA[facing 148]
From a bronze in the Madras Museum
GANESA[facing 150]
From a sculpture in the Victoria and Albert Museum
KARTIKEYA, THE WAR GOD[facing 152]
From a painting by Surendra Nalh Gangoly
PARVATI, WIFE OF SHIVA[facing 154]
From a South Indian temple
A VAISHNAVAITE NUN READING THE RAMAYANA[facing 374]
THE CORONATION OF RAMA AND SITA[facing 424]

To My Indian Friends


[INTRODUCTION]

The triangular sub-continent of India is cut off from the rest of Asia by the vast barriers of the Himalayas, the Hindu Kush, the Suleiman mountains, and the Indian Ocean. Its population comprises about two hundred and ninety-five millions, and is of greatest density on the fertile northern plain, which is watered by three river systems, the Indus and its tributaries on the west, and the Ganges and Brahmaputra with their tributaries which pour into the Bay of Bengal. South of the Vindhya mountain ranges is the plateau of the Deccan. The climate varies from temperate on the Himalayan slopes to tropical in southern India, and over the entire country there are two pronounced annual seasons, the dry and the rainy.

Our interest abides in this volume chiefly with the northern plain and the people who are familiar in varying degrees with the sacred and heroic literature passed under review; that is, with the scenes of the early Indian civilization known as Aryan and those numerous inheritors of Aryan traditions, the Hindus, who exceed two hundred and seven millions of the population of India. Modern Hinduism embraces a number of cults which are connected with the early religious doctrines of the Aryanized or Brahmanized India of the past; it recognizes, among other things, the ancient caste system which includes distinct racial types varying from what is known as the Aryan to the pre-Dravidian stocks. Other religious organizations may be referred to in passing. Buddhists are chiefly confined to Burma, Sikhs number two millions, the Mohammedans nearly sixty-three millions, while the Parsees number roughly ninety-five thousand; less than three million natives and half-castes are Christians.

Like Egypt, India is a land of ancient memories, but its history, or rather pre-history, does not begin until about a thousand years after the erection was completed of the great pyramids at Gizeh. Between 2000 B.C. and 1200 B.C. tribes of pastoral and patriarchal peoples of Aryan speech were pouring over the north-western frontier and settling in the Punjab. There are no written or inscribed records, or even native traditions, of this historic migration, but we are able to follow vaguely, from the references found in religious compositions, the gradual conquest of northern India, which covered a period of several centuries. To what extent this invasion was racial, rather than cultural, it is extremely difficult to discover. But no doubt can be entertained regarding the influence exercised by the ancient military aristocracy and their religious teachers. Certain of the Aryan gods still receive recognition in India after a lapse of over three thousand years. This fact makes Indian mythology of special interest to the ever-increasing number of students of comparative religion.

Indian mythology also possesses particular attractions for us on account of its intimate association with what is known as the “Aryan problem”. Scholars of a past generation held pronounced views on Aryan matters, and produced a considerable literature of highly controversial character. In fact, theories regarding the Aryan languages and the Aryan “race” are as varied as they are numerous; the wordy warfare which occupied the greater part of the nineteenth century, was waged ever strenuously and not infrequently with much brilliance; occasionally, however, it was not awanting in the undesirable elements of personal feeling and national antipathy. But, happily, we appear to have reached a time when this fascinating and important problem can be considered dispassionately in the proper scientific spirit, and without experiencing that unnecessary dread of having to abandon decided opinions which may have been formed when the accumulated data had less variety and bulk than that which is now available. This change has been brought about by the extended study of comparative religion and the wonderful and engaging results which have attended modern-day methods of ethnic and archæological research.

The Aryan controversy had its origin at the close of the eighteenth century, when that distinguished Oriental scholar Sir William Jones, who acted for a period as a judge of the Supreme Court in Bengal, drew attention to the remarkable resemblances between the Sanskrit, Greek, Latin, German, and Celtic languages. In 1808, Schlegel published his Language and Wisdom of the Hindus, and urged the theory that India was the home of an ancestral race and a group of languages that were progenitors of various European ones. Other scholars subsequently favoured Zend, the language of Persia, and transferred the “racial beehive” to that country; rival claims were afterwards set up for Asia Minor and the Iranian plateau.

The science of Comparative Philology was a direct product of these early controversies; it was established in the “thirties” when Bopp published his Comparative Grammar in which a new term, having a racial significance, was invented: he grouped all European languages, except Basque, Magyar, Turkish, and Finnish, as “Indo-Germanic”. After the study of Sanskrit literature revealed, however, that the Aryans occupied but a small part of India when their sacred hymns, the Vedas, were composed, the cradle of the Aryan race was shifted to some uncertain area beyond the Himalayan mountains.

Max Müller, the distinguished Sanskrit authority, who in the words of an Indian scholar “devoted his lifetime to the elucidation of the learning, literature, and religion of ancient India”,[1] abandoned Bopp's patriotic term “Indo-Germanic” and adopted Aryan, which he founded on the Sanskrit racial designation “Arya”. At first he accepted the theory of an Aryan race and especially of an Aryan civilization which originated on the Central Asian plateau, but, as will be seen, he subsequently modified his views in this regard.

A new theory regarding the Aryans, who are now more commonly referred to as Indo-Europeans, was strongly advocated in 1851 and later by Dr. Robert Gordon Latham, who devoted many years to the study of ethnology and philology. He argued that as the major part of the peoples speaking Indo-European tongues was found in Europe, the cradle of the race might, after all, be transferred westward. This theory was supported by the fact (among others) that the Lithuanian language was no less archaic than Sanskrit.

The European hypothesis found in time many able supporters, and the advocates of rival Teutonic and Celtic claims waxed eloquent and heated over the exact location of the Aryan homeland. An industrious search was meanwhile conducted for words common to all Aryan languages which described the natural features of the racial “cradle”. This work of reconstruction was certainly not lacking in picturesque results, for attractive visions were presented of Aryan Arcadias in which the simple and contemplative ancestors of many bitter controversialists dwelt together in exemplary unity and peace. The question of location might remain unsettled, but it was generally agreed that the ancient people were surrounded by cows, sheep, and goats; sometimes they rode their horses or yoked them in rough rumbling carts, and sometimes they ate them. No asses were admitted to the fold because of their decided partiality for Central Asian plains, which seemed quite reasonable. Trouble was occasionally caused by wolves and bears, or, mayhap, a stray lion, but these and other worries associated with the simple life might be compensated for by the fact that the primitive people, as one writer[2] put it, “understood the art of drinking”. Mead, brewed from honey, was found to be “dear to the hearts of the ancient Aryans”; had the Brahman ever forgotten his “madhu”, the Welshman his “medhu”, or the Lithuanian his “medus”? Problems arose regarding the ancients' knowledge of trees: it was found that “bhaga” was applied indifferently by the family groups to the beech and the oak, and more than one ingenious explanation was suggested to account for this apparent discrepancy. Then, suddenly, Professor Max Müller swept into the background the rival Aryan homeland pictures, pointing out the while that it is “almost impossible to discover any animal or any plant that is peculiar to the north of Europe and is not found sporadically in Asia also”. Destructive criticism proceeded apace, until now nothing has been left to us of the ancestral Arcadia but “air, water, heat and cold”. In his review of the widely accepted philological “evidence” regarding the Aryan homeland, Max Müller declared it to be so pliant that it was possible “to make out a more or less plausible case for any part of the world”. The advanced group of philologists held, indeed, that no racial centre could be located. Ultimately “Delbrück went so far,” says Professor Ripley, “as to deny that any single parent language ever existed in fact”.[3]

Meanwhile ethnologists and archæologists were engaged accumulating important data. It was found that Europe had been invaded at the close of the Stone Age by a broad-headed (brachycephalic) people, who brought no culture and even retarded the growth of civilization in their areas of settlement. A new problem was thus presented: were the Aryans a brachycephalic (broad-headed) or a dolichocephalic (long-headed) people? Its solution was rendered all the more difficult when it was found that living representatives of both racial types were peoples of Aryan speech. The idea that skull shapes, which are associated with other distinct physical characteristics, were due to habits of life and the quality of food which had to be masticated, was in time advanced to discredit new methods of ethnic research, but it has since been thoroughly disproved. In many ancient graves are found skulls which do not differ from those of modern men and women, living under different conditions and eating different food.

Patriotic controversialists were not awanting again in dealing with the problem of varying skull shapes. French scientists, for instance, have identified the “broad heads”, now generally known as the Alpine race, with the ubiquitous Celts, but as present-day Hindus are mainly “long heads”, the Aryan racial connection here suggested remains obscure. A clue to the mystery was sought for in Asia Minor, but no satisfactory result could be obtained there to support philological theories, because the Armenians, who are “broad heads”, and their enemies and neighbours the Kurds, who are “long heads”, are both peoples of Aryan speech. A scornful scientist has dismissed as a “prehistoric romance”, the theory that the fair Scandinavian “long heads” are identical with the brunet “long heads” of India. Both the Celtic (Alpine) and Indo-Germanic racial theories are as inconclusive as they are diametrically in opposition.

The science of philology, which, at its inception, “dazzled and silenced all”, has been proved to be no safe guide in racial matters. We must avoid, as Professor Ripley says, “the error of confusing community of language with identity of race. Nationality may often follow linguistic boundaries, but race bears no necessary relation whatever to them.”[4]

By way of illustration, it may be pointed out in this connection that English is spoken at the present day by, among others, the Hong Kong Chinamen, the American Red Indians and negroes, by the natives of Ireland, Wales, Cornwall, and the Scottish Highlands, besides the descendants of the ancient Britons, the Jutes, the Angles, the Saxons, the Norsemen, the Danes, and the Normans in England, but all these peoples cannot be classified in the racial sense simply as Englishmen. Similarly, the varied types of humanity who are Aryan in speech cannot all be regarded as representatives of the “Aryan race”, that is, if we accept the theory of an “Aryan race”, which Virchow, by the way, has characterized as “a pure fiction”.

Max Müller, in his closing years, faced this aspect of the problem frankly and courageously. “Aryas”, he wrote, “are those who speak Aryan languages, whatever their colour, whatever their blood. In calling them Aryas we predicate nothing of them except that the grammar of their language is Aryan.... I have declared again and again that if I say Aryas, I mean neither blood, nor bones, nor hair, nor skull; I mean simply those who speak an Aryan language. The same applies to Hindus, Greeks, Romans, Germans, Celts, and Slavs. When I speak of these I commit myself to no anatomical characteristics. The blue-eyed and fair-haired Scandinavians may have been conquerors or conquered, they may have adopted the language of their darker lords or their subjects, or vice versa. I assert nothing beyond their language when I call them Hindus, Greeks, Romans, Germans, Celts, and Slavs, and in that sense, and in that sense only, do I say that even the blackest Hindus represent an earlier stage of Aryan speech and thought than the fairest Scandinavians.... To me an ethnologist who speaks of an Aryan race, Aryan blood, Aryan eyes and hair, is as great a sinner as a linguist who speaks of a dolichocephalic dictionary or a brachycephalic grammar.”[5]

Aryan, however, has been found to be a convenient term, and even ethnologists do not scorn its use, although it has been applied “in a confusing variety of signification by different philologists”. One application of it is to the language group comprising Sanskrit, Persian, Afghan, &c. Some still prefer it to “Indo-European”, which has found rivals in “Afro-European”, among those who connect the Aryan languages with North Africa, and “Afro-Eurasian”, which may be regarded as universal in its racial application, especially if we accept Darwin's theory that the Garden of Eden was located somewhere in Africa.[6] We may think of the Aryans as we do of the British when that term is used to include the peoples embraced by the British Empire.

In India the Aryans were from late Vedic times divided into four castes—Brahmans (priests), Kshatriyas (kings and warriors), Vaisyas (traders, &c.), and Sudras (aborigines).

Caste (Varna) signifies “colour”, but it is not certain whether the reference is to be given a physical or mythological application. The first three castes were Aryans, the fairest people; the fourth caste, that comprising the dark-skinned aborigines, was non-Aryan. “Arya”, however, was not always used in the sense that we have been accustomed to apply “Aryo-Indian”. In one of the sacred books of the ancient people it is stated: “The colour of the Brahmans was white; that of the Kshatriyas red; that of the Vaisyas yellow; and that of the Sudras black”.[7] This colour reference connects “caste” with the doctrine of yugas, or ages of the universe ([Chapter VI]).

Risley, dealing with “the leading castes and tribes in Northern India, from the Bay of Bengal to the frontiers of Afghanistan”, concludes from the data obtained from census returns, that we are able “to distinguish two extreme types of feature and physique, which may be provisionally described as Aryan and Dravidian. A third type, which in some respects may be looked upon as intermediate between these two, while in other, and perhaps the most important, points it can hardly be deemed Indian at all, is found along the northern and eastern borders of Bengal. The most prominent characters are a relatively short (brachycephalic) head, a broad face, a short, wide nose, very low in the bridge, and in extreme cases almost bridgeless; high and projecting cheekbones and eyelids, peculiarly formed so as to give the impression that the eyes are obliquely set in the head.... This type ... may be conveniently described as Mongoloid....”[8]

According to Risley, the Aryan type is dolichocephalic (long-headed), “with straight, finely-cut (lepto-rhine) nose, a long, symmetrical narrow face, a well-developed forehead, regular features, and a high facial angle”. The stature is “fairly high”, and the body is “well proportioned, and slender rather than massive”. The complexion is “a very light transparent brown—‘wheat coloured’ is the common vernacular description—noticeably fairer than the mass of the population”.

The Dravidian head, the same authority states, “usually inclines to be dolichocephalic”, but “all other characters present a marked contrast to the Aryan. The nose is thick and broad, and the formula expressing its proportionate dimensions is higher than in any known race, except the Negro. The facial angle is comparatively low; the lips are thick; the face wide and fleshy; the features coarse and irregular.” The stature is lower than that of the Aryan type: “the figure is squat and the limbs sturdy. The colour of the skin varies from very dark brown to a shade closely approaching black.... Between these extreme types”, adds Risley, “we find a large number of intermediate groups.”[9]

Of late years ethnologists have inclined to regard the lower types represented by hill and jungle tribes, the Veddas of Ceylon, &c., as pre-Dravidians. The brunet and long-headed Dravidians may have entered India long before the Aryans: they resemble closely the Brahui of Baluchistan and the Man-tse of China.

India is thus mainly long-headed (dolichocephalic). We have already seen, however, that in northern and eastern Bengal there are traces of an infusion of Mongolian “broad heads”; another brachycephalic element is pronounced in western India, but it is not Mongolian; possibly we have here evidences of a settlement of Alpine stock. According to Risley, these western broad heads are the descendants of invading Scythians,[10] but this theory is not generally accepted.

The Eur-Asian Alpine race of broad heads are a mountain people distributed from Hindu Kush westward to Brittany. On the land bridge of Asia Minor they are represented by the Armenians. Their eastern prehistoric migrations is by some ethnologists believed to be marked by the Ainus of Japan. They are mostly a grey-eyed folk, with dark hair and abundant moustache and beard, as contrasted with the Mongols, whose facial hair is scanty. There are short and long varieties of Alpine stock, and its representatives are usually sturdy and muscular. In Europe these broad-headed invaders overlaid a long-headed brunet population, as the early graves show, but in the process of time the broad heads have again retreated mainly to their immemorial upland habitat. At the present day the Alpine race separates the long-headed fair northern race from what is known as the long-headed dark Mediterranean race of the south.

A slighter and long-headed brunet type is found south of Hindu Kush. Ripley has condensed a mass of evidence to show that it is akin to the Mediterranean race.[11] He refers to it as the “eastern branch”, which includes Afghans and Hindus. “We are all familiar with the type,” he says, “especially as it is emphasized by inbreeding and selection among the Brahmans.... There can be no doubt of their (the Eastern Mediterraneans) racial affinities with our Berbers, Greeks, Italians, and Spaniards. They are all members of the same race, at once the widest in its geographical extension, the most populous and the most primitive of our three European types.”[12]

Professor Elliot Smith supports Professor Ripley in this connection, and includes the Arabs with the southern Persians in the same group, but finding the terms “Hamitic” and “Mediterranean” insufficient, prefers to call this widespread family the “Brown race”, to distinguish its representatives from the fair Northerners, the “yellow” Mongolians, and the “black” negroes.

North of the Alpine racial area are found the nomadic Mongolians, who are also “broad heads”, but with distinguishing facial characteristics which vary in localities. As we have seen, the Mongoloid features are traceable in India. Many settlers have migrated from Tibet, but among the high-caste Indians the Mongoloid eyes and high cheek bones occur in families, suggesting early crossment.

Another distinctive race has yet to be accounted for—the tall, fair, blue-eyed, long-headed Northerners, represented by the Scandinavians of the present day. Sergi and other ethnologists have classed this type as a variety of the Mediterranean race, which had its area of localization on the edge of the snow belt on lofty plateaus and in proximity to the Arctic circle. The theory that the distinctive blondness and great stature of the Northerners were acquired in isolation and perpetuated by artificial selection is, however, more suggestive than conclusive, unless we accept the theory that acquired characteristics can be inherited. How dark eyes became grey or blue, and dark hair red or sandy, is a problem yet to be solved.

The ancestors of this fair race are believed to have been originally distributed along the northern Eur-Asian plateaus; Keane's blonde long-headed Chudes[13] and the Wu-suns in Chinese Turkestan are classed as varieties of the ancient Northern stock. An interesting problem is presented in this connection by the fair types among the ancient Egyptians, the modern-day Berbers, and the blondes of the Atlas mountains in Morocco. Sergi is inclined to place the “cradle” of the Northerners on the edge of the Sahara.

The broad-headed Turki and Ugrians are usually referred to as a blend of the Alpine stock and the proto-Northerners, with, in places, Mongolian admixture.

As most of the early peoples were nomadic, or periodically nomadic, there must have been in localities a good deal of interracial and intertribal fusion, with the result that intermediate varieties were produced. It follows that the intellectual life of the mingling peoples would be strongly influenced by admixture as well as by contact with great civilizations.

It now remains for us to deal with the Aryan problem in India. Dr. Haddon considers that the invading Aryans were “perhaps associated with Turki tribes” when they settled in the Punjab.[14] Prior to this racial movement, the Kassites, whose origin is obscure, assisted by bands of Aryans, overthrew the Hammurabi dynasty in Babylon and established the Kassite dynasty between 2000 B.C. and 1700 B.C. At this period the domesticated horse was introduced, and its Babylonian name, “the ass of the East”, is an indication whence it came. Another Aryan invasion farther west is marked by the establishment of the Mitanni kingdom between the area controlled by the Assyrians and the Hittites. Its kings had names which are clearly Aryan. These included Saushatar, Artatatama, Sutarna, and Tushratta. The latter was the correspondent in the Tel-el-Amarna letters of his kinsmen the Egyptian Pharaohs, Amenhotep the Magnificent, and the famous Akhenaton. The two royal houses had intermarried after the wars of Thothmes III. It is impossible to fix the date of the rise of the Mitanni power, which held sway for a period over Assyria, but we know that it existed in 1500 B.C. The horse was introduced into Egypt before 1580 B.C.

It is generally believed that the Aryans were the tamers of the horse which revolutionized warfare in ancient days, and caused great empires to be overthrown and new empires to be formed. When the Aryans entered India they had chariots and swift steeds.

There is no general agreement as to the date of settlement in the Punjab. Some authorities favour 2000 B.C., others 1700 B.C.; Professor Macdonell still adheres to 1200 B.C.[15] It is possible that the infusion was at first a gradual one, and that it was propelled by successive folk-waves. The period from the earliest migrations until about 800 or 700 B.C. is usually referred to as the Vedic Age, during which the Vedas, or more particularly the invocatory hymns to the deities, were composed and compiled. At the close of this Age the area of Aryan control had extended eastward as far as the upper reaches of the Jumna and Ganges rivers. A number of tribal states or communities are referred to in the hymns.

It is of importance to note that the social and religious organization of the Vedic Aryans was based upon the principle of “father right”, as contrasted with the principle of “mother right”, recognized by representative communities of the Brown race.

Like the Alpine and Mongoloid peoples, the Vedic Aryans were a patriarchal people, mainly pastoral but with some knowledge of agriculture. They worshipped gods chiefly: their goddesses were vague and shadowy: their earth goddess Prithivi was not a Great Mother in the Egyptian and early European sense; her husband was the sky-god Dyaus.

In Egypt the sky was symbolized as the goddess Nut, and the earth as the god Seb, but the Libyans had an earth-goddess Neith. The “Queen of Heaven” was a Babylonian and Assyrian deity. If the Brown race predominated in the Aryan blend during the Vedic Age, we should have found the Great Mother more in prominence.

The principal Aryan deities were Indra, god of thunder, and Agni, god of fire, to whom the greater number of hymns were addressed. From the earliest times, however, Aryan religion was of complex character. We can trace at least two sources of cultural influence from the earlier Iranian period.[16] The hymns bear evidence of the declining splendour of the sublime deities Varuna and Mitra (Mithra). It is possible that the conflicts to which references are made in some of the hymns were not unconnected with racial or tribal religious rivalries.

Indra, as we show ([Chapter I]), bears resemblances to other “hammer gods”. He is the Indian Thor, the angry giant-killer, the god of war and conquests. That his name even did not originate in India is made evident by an inscription at Boghaz Köi, in Asia Minor, referring to a peace treaty between the kings of the Hittites and Mitanni. Professor Hugo Winckler has deciphered from this important survival of antiquity “In-da-ra” as a Mitanni deity who was associated with Varuna, Mitra, and Nasatya.

No evidence has yet been forthcoming to indicate any connection between the Aryans in Mitanni and the early settlers in India. It would appear, however, that the two migrations represented by the widely separated areas of Aryan control, radiated from a centre where the gods Indra, Varuna, and Mitra were grouped in the official religion. The folk-wave which pressed towards the Punjab gave recognition to Agni, possibly as a result of contact, or, more probably, fusion with a tribe of specialized fire-worshippers.

If we separate the Indra from the Agni, cremating worshippers, it will be of interest to follow the ethnic clue which is thus suggested. Modern-day Hindus burn their dead in accordance with the religious practice of the Agni worshippers in the Vedic Age. It is doubtful, however, if all the Aryan invaders practised cremation. There are references to burial in the “house of clay”, and Yama, god of the dead, was adored as the first man who explored the path to the “Land of the Pitris” (Fathers) which lay across the mountains. Professor Oldenberg considers that these burials referred to the disposal of the bones and ashes of the dead.

Professor Macdonell and Dr. Keith, however, do not share Professor Oldenberg's view in this connection.[17] They hold that the epithet Agni-dagdhah, “burnt with fire”, “applies to the dead who were burned on the funeral pyre”; the other custom being burial—An-agni-dagdhah, “not burnt with fire”. They also refer to Paroptah, “casting out”, and Uddhitah, “Exposure of the dead”, which are expressions of doubtful meaning. These authorities add: “Burial was clearly not rare in the Rigvedic period: a whole hymn (x, 18) describes the ritual attending it. The dead man was buried apparently in full attire, with his bow in his hand, and probably at one time his wife was immolated to accompany him.... But in the Vedic period both customs appear in a modified form: the son takes the bow from the hand of the dead man, and the widow is led away from her dead husband by his brother or nearest kinsman. A stone is set up between the dead and the living to separate them.”

The Persian fire-worshippers, on the other hand, did not cremate their dead, but exposed them on “towers of silence” to be devoured by vultures, like their modern-day representatives the Parsees, who migrated into India after displacement by the Mohammedans. In Persia the sacred fire was called Atar,[18] and was identified with the supreme deity Ahura-Mazda (Ormuzd).

Agni of the Vedic Age is the messenger between gods and men; he conducts the deities to the sacrifice and the souls of the cremated dead to Paradise; he is also the twin brother of Indra.

Now, it is of interest to note, in considering the racial significance of burial rites, that cremation was not practised by the western representatives of the Brown race. In pre-Dynastic Egypt the dead were interred as in Babylon,[19] with food vessels, &c. Neolithic man in Europe also favoured crouched burials, and this practice obtained all through the Bronze Age.

The Buriats, who are Mongols dwelling in the vicinity of Lake Baikal, still perpetuate ancient customs, which resemble those of the Vedic Aryans, for they not only practise cremation but also sacrifice the horse (see [Chap. V]). In his important study of this remarkable people, Mr. Curtin says:[20] “The Buriats usually burn their dead; occasionally, however, there is what is called a ‘Russian burial’, that is, the body is placed in a coffin and the coffin is put in the ground. But generally if a man dies in the Autumn or the Winter his body is placed on a sled and drawn by the horse which he valued most to some secluded place in the forest. There a sort of house is built of fallen trees and boughs, the body is placed inside the house, and the building is then surrounded with two or three walls of logs so that no wolf or other animal can get into it.” The horse is afterwards slain. “If other persons die during the winter their bodies are carried to the same house. In this lonely silent place in the forest they rest through the days and nights until the first cuckoo calls, about the ninth of May. Then relatives and friends assemble, and without opening the house burn it to the ground. Persons who die afterwards and during the Summer months are carried to the forest, placed on a funeral pile, and burned immediately. The horse is killed just as in the first instance.”

When the dead are buried without being burned, the corpse is either carried on a wagon, or it is placed upright in front of a living man on horseback so as to ride to its last resting place. The saddle is broken up and laid at the bottom of the grave, while the body is turned to face the south-east. In this case they also sacrifice the horse which is believed to have “gone to his master, ready for use”.

Cremation spread throughout Europe, as we have said, in the Bronze Age. It was not practised by the early folk-waves of the Alpine race which, according to Mosso,[21] began to arrive after copper came into use. The two European Bronze Age burial customs, associated with urns of the “food vessel” and “drinking cup” types, have no connection with the practice of burning the dead. The Archæological Ages have not necessarily an ethnic significance. Ripley is of opinion, however, that the practice of cremation indicates a definite racial infusion, but unfortunately it has destroyed the very evidence, of which we are most in need, to solve the problem. It is impossible to say whether the cremated dead were “broad heads” or “long heads”.

“Dr. Sophus Müller of Copenhagen is of opinion that cremation was not practised long before the year 1000 B.C. though it appeared earlier in the south of Europe than in the north. On both points Professor Ridgeway of Cambridge agrees with him.”[22]

The migration of the cremating people through Europe was westward and southward and northward; they even swept through the British Isles as far north as Orkney. They are usually referred to by archæologists as “Aryans”; some identify them with the mysterious Celts, whom the French, however, prefer to associate, as we have said, with the Alpine “broad heads” especially as this type bulks among the Bretons and the hillmen of France. We must be careful, however, to distinguish between the Aryans and Celts of the philologists and archæologists.

It may be that these invaders were not a race in the proper sense, but a military confederacy which maintained a religious organization formulated in some unknown area where they existed for a time as a nation. The Normans who invaded these islands were Scandinavians[23]; they settled in France, intermarried with the French, and found allies among the Breton chiefs. It is possible that the cremating people similarly formed military aristocracies when they settled in Hindustan, Mitanni, and in certain other European areas. “Nothing is commoner in the history of migratory peoples,” says Professor Myres,[24] “than to find a very small leaven of energetic intruders ruling and organizing large native populations, without either learning their subjects' language or imposing their own till considerably later, if at all.” The archæological evidence in this connection is of particular value. At a famous site near Salzburg, in upper Austria, over a thousand Bronze Age graves were discovered, just over half of which contained unburnt burials. Both methods of interment were contemporary in this district, “but it was noticed that the cremated burials were those of the wealthier class, or of the dominant race.”[25] We find also that at Hallstatt “the bodies of the wealthier class were reduced to ashes”.[26] In some districts the older people may have maintained their supremacy. At Watsch and St. Margaret in Carniola “a similar blending of the two rites was observed ... the unburnt burials being the richer and more numerous”.[27] The descent of the Achaens into Greece occurred at a date earlier than the rise of the great Hallstatt civilization. According to Homeric evidence they burned their dead; “though the body of Patroklos was cremated,” however, “the lords of Mycenae were interred unburnt in richly furnished graves”.[28] In Britain the cremating people mingled with their predecessors perhaps more intimately than in other areas where there were large states to conquer. A characteristic find on Acklam Wold, Yorkshire, may be referred to. In this grave “a pile of burnt bones was in close contact with the legs of a skeleton buried in the usual contracted position, and they seemed to have been deposited while yet hot, for the knees of the skeleton were completely charred. It has been suggested in cases like this, or where an unburnt body is surrounded by a ring of urn burials, the entire skeleton may be those of chiefs or heads of families, and the burnt bones those of slaves, or even wives, sacrificed at the funeral. The practice of suttee (sati) in Europe rests indeed on the authority of Julius Cæsar, who represents such religious suicides as having, at no remote period from his own, formed a part of the funeral rites of the Gaulish chiefs; and also states that the relatives of a deceased chieftain accused his wives of being accessory to his death, and often tortured them to death on that account.”[29] If this is the explanation, the cremating invaders constituted the lower classes in Gaul and Britain, which is doubtful. The practice of burning erring wives, however, apparently prevailed among the Mediterranean peoples. In an Egyptian folk-tale a Pharaoh ordered a faithless wife of a scribe to be burned at the stake.[30] One of the Ossianic folk tales of Scotland relates that Grainne, wife of Finn-mac-Coul, who eloped with Diarmid, was similarly dealt with.[31] The bulk of the archæological evidence seems to point to the invaders, who are usually referred to as “Aryans” having introduced the cremation ceremony into Europe. Whence came they? The problem is greatly complicated by the evidence from Palestine, where cremation was practised by the hewers of the great artificial caves which were constructed about 3000 B.C.[32] As cremation did not begin in Crete, however, until the end of period referred to as “Late Minoan Third” (1450-1200 B.C.)[33] it may be that the Palestinian burials are much later than the construction of the caves.

1

Photo. Johnson and Hoffmann

THE CREMATION GHAT, BENARES

It seems reasonable to suppose that the cremation rite originated among a nomadic people. The spirits of the dead were got rid of by burning the body: they departed, like the spirit of Patroklos, after they had received their “meed of fire”. Burial sites were previously regarded as sacred because they were haunted by the spirits of ancestors (the Indian Pitris = “fathers”). A people who burned their dead, and were therefore not bound by attachment to a tribal holy place haunted by spirits, were certainly free to wander. The spirits were transferred by fire to an organized Hades, which appears to have been conceived of by a people who had already attained to a certain social organization and were therefore capable of governing the communities which they subdued. When they mingled with peoples practising other rites and professing different religious beliefs, however, the process of racial fusion must have been accompanied by a fusion of beliefs. Ultimately the burial customs of the subject race might prevail. At any rate, this appears to have been the case in Britain, where, prior to the Roman Age, the early people achieved apparently an intellectual conquest of their conquerors; the practice of the cremation rite entirely vanished.

We have gone far afield to find a clue to assist towards the solution of the Aryan problem in India. The evidence accumulated is certainly suggestive, and shows that the conclusions of the early philologists have been narrow in the extreme. If the long-headed Kurds are, as Ripley believes, the descendants of the Mitanni raiders, then the Aryans of history must be included in the Brown race. As, however, cremation was not practised by the Berbers, the Babylonians, the early Cretans, or other representatives of the ancient brunet dolichocephalic peoples, it may be that the custom, which still lingers among the Mongolian Buriats, was not in the narrow sense of Aryan origin. It may have been first practised among an unknown tribe of fire-worshippers, who came under the influence of a great teacher like Zoroaster. We cannot overlook in this connection the possibility of an individual origin for a new and revolutionary system of religious doctrines. Buddhism, for instance, originated with Buddha.

As we have said, the Vedic religion of the Aryans in India was characterized by the worship of male deities, the goddesses being of secondary and even slight importance. A religious revolution, however, occurred during the second or Brahmanical Age—the age of priestly ascendancy. Fresh invasions had taken place and the Aryans were divided into tribal groups of Westerners and Easterners, on either side of a central power in Madhyadesa, the “Middle Country” which extended between the upper reaches of the Saraswati and the Ganges and the Jumna rivers. The Westerners included the peoples of the Punjab and the north-western frontier, and the Easterners the kingdoms of Kasi (Benares) and Maghadha as well as Kosala and Videha, which figure prominently in the Ramáyana epic, where the kings are referred to as being of the “Solar race”. The Middle Kingdom was the centre of Brahmanical culture and influence: it was controlled by those federated tribes, the Kuru Panchalas, with whom were fused the Bháratas of the “Lunar race”. It is believed that the military aristocracy of the “Middle Country” were late comers who arrived by a new route and thrust themselves between the groups of early settlers.[34] The Bharatas worshipped a goddess Bharati who was associated with the Saraswati river on the banks of which the tribe had for a period been located. Saraswati became the wife of Brahma, the supreme god, and it would seem that she had a tribal significance.

If the Bharatas of the “Lunar race” worshipped the moon and rivers, it is possible that they belonged to the Brown race. The folk-religion of the tribe would be perpetuated by the people even although their priests became speculative thinkers like the unknown authors of the Upanishads. It is significant to note, therefore, that the goddesses ultimately came into as great prominence in India as in Egypt. This change took place during the obscure period prior to the revival of Brahmanism. In the sixth century before the Christian era Buddhism had origin, partly as a revolt of the Kshatriya (aristocratic) class against priestly ascendancy, and the new faith spread eastward where Brahmanic influence was least pronounced. When the influence of Buddhism declined, the Pantheon is found to have been revolutionized and rendered thoroughly Mediterranean in character. The Vedic gods had in the interval suffered eclipse; they were subject to the greater personal gods Brahma, with Vishnu and Shiva, each of whom had a goddess for wife. Brahma, as we have said, had associated with him the river deity Saraswati of the Bharatas; the earth goddess, Lakshmi, was the wife of Vishnu; she rose, however, from the Ocean of Milk. But the most distinctive and even most primitive goddesses were linked with Shiva, the Destroyer. The goddess Durga rivalled Indra as a deity of war. Kali, another form of Durga, was as vengeful and bloodthirsty as the Scottish Cailleach, or the Egyptian Hathor, who, as the earlier Sekhet, rejoiced in accomplishing the slaughter of the enemies of Ra.[35] Kali, as we shall see ([Chapter VIII]) replaced the Vedic king of the gods as a successful demon slayer. As the Egyptian Ra went forth to restrain Hathor, so did Shiva hasten to the battlefield, flooded by gore, to prevail upon his spouse Kali to spare the remnant of her enemies.

2

KALI

From a bronze in the Calcutta Art Gallery

The rise of the goddesses may have been due in part to the influence of Dravidian folk-religion. This does not, however, vitiate the theory that moon, water, and earth worship was not unconnected with the ascendancy of the Brown race in India. The Dravidian brunet long heads were, as we have said, probably represented in the pre-Aryan, as well as the post-Vedic folk-waves, which mingled with pre-Dravidian stocks. Mr. Crooke inclines to the view that the Aryan conquest was more moral and intellectual than racial.[36] The decline of the patriarchal religion of the Vedic military aristocracy may thus be accounted for; the religious practices of the earlier people might ultimately have attained prominence in fusion with imported ideas. If the Aryan racial type was distinctive, as it appears to have been, in colour at any rate, the predominant people who flourished when the hymns were composed, may have greatly declined in numbers owing to the ravages of disease which in every new country eliminates the unfit in the process of time. Even if Aryan conquest was more racial in character than Mr. Crooke will allow, the physical phenomena of the present day can be accounted for in this way, due allowance being made, of course, for the crossment of types. In all countries which have sustained the shock of invasion, the tendency to revert to the aboriginal type is very marked. At any rate, this is the case in Egypt and Crete as present-day evidence shows. In Great Britain, which was invaded by the broad heads of the Bronze Age, the long-headed type is once again in the majority; a not inconsiderable proportion of our people show Stone Age (Mediterranean) physical characteristics.

In this connection it is of interest to refer to immemorial beliefs and customs which survive in representative districts in Britain and India where what may be called pre-Aryan influences are most pronounced. A people may change their weapons and their language time and again, and yet retain ancient modes of thought. In Devon, which the philologists claim to be largely Celtic like Cornwall, the folk-lore shows marked affinities with that of Ireland, Wales, and Scotland, suggesting the survival of ancient Mediterranean racial influence, for much of what we call Celtic links with what belongs to ancient Greece and the Egyptian Delta. Mr. Gomme has shown[37] in an interesting summary of recorded folk-practices that the “ram feast” of Devon resembles closely in essential details similar ceremonies in ancient Greece and modern India. At the beginning of May the people of Devon were wont to sacrifice a ram lamb to the deity of waters. The animal was tied to a pillar, its throat was cut, and young men scrambled to obtain pieces of its flesh for girls. The devourer was assured of good luck during the year. After the ceremony, dancing, wrestling, and drinking were indulged in. A comparison is drawn between this and similar rites among the ancient Semites and ancient Greeks. In India a Dravidian Paria acts as the temporary village priest. He uses a whip like the “gad whip” in Lincolnshire, and kills the lamb by tearing its throat with his teeth. A scramble takes place for the flesh, the people circulate the village, as some communities in our own country still perpetuate the ceremony of “riding the marches” of ancient burghs; then universal licence prevails. Similarly law was suspended at the ancient Scottish Hallowe'en celebrations; in some districts even in our own day Hallowe'en and New Year practical jokes and rowdyism is still prevalent. Herodotus refers to the universal licence and debauchery which characterized the Isis festival in Egypt.

A remarkable feature of post-Vedic religion in ancient India is the prominence given to the doctrine of metempsychosis (transmigration of souls) and the conception of the yugas or ages of the universe.

In the Rigveda the soul of the dead proceeds at once, or at any rate after burial, towards the next world. In one passage only is it spoken of “as departing to the waters or the plants”, and this reference, Professor Macdonell suggests,[38] “may contain the germs of the theory” of transmigration. In the speculative prose treatises, the Upanishads, which were composed in the Middle Country, the doctrine of metempsychosis is fully expounded. It does not follow, however, that it originated in India although it may have obtained there unrecognized by the priestly poets who composed the hymns to the deities, long before it became an essential tenet of orthodox or official religion. Other representative communities of the Brown race professed this doctrine which appears to have evolved from the vague belief shared by more than one primitive race, that the souls of the dead, and especially of dead children, were ever on the outlook for suitable mothers. Even in Central Australia a particular tribe has perpetuated “the germs of the theory”, which may also be traced in the widespread custom of visiting standing stones at a certain phase of the moon to perform a ceremony so that offspring may be obtained. The Upanishadic doctrine of metempsychosis is less likely to have been so much coincidental as racial when we find that it is restricted to those areas where definite racial influences must have been at work. The Greeks believed in transmigration. So did also a section of the Egyptian people as Herodotus has stated and as is proved by references in folk-tales, temple chants and inscriptions.[39] As we show ([Chapter VI]), the Irish conception closely resembled the Indian, and it also obtained among the Gauls. There is no trace, however, that the Teutonic peoples were acquainted with the fully developed doctrine of metempsychosis; the souls of the dead departed immediately to Valhal, Hela, or the loathsome Nifelhel.

The doctrine of the world's ages is common to the Indian, Greek, and Irish mythologies, but is not found in Teutonic mythology either.[40] There are indications that it may have at one time obtained in Egypt, for there was an Age of Ra, then a deluge, an Age of Osiris, an Age of Set, &c.; but the doctrine, like other conceptions in Egypt, probably suffered from the process of priestly transformation in the interests of sectarian propaganda.

In India the ages are called the yugas, and this term has a totally different meaning in Vedic and Upanishadic times. Evidently the Bharata invasion and the establishment of the middle country power of their allies, the Kuru-Panchalas, was not unconnected with the introduction of the doctrines of metempsychosis and the yugas, and the prominence subsequently given to the worship of female deities.

If this theory can be established, we are confronted by an extremely interesting problem. It would appear that the mythology of the Vedic period bears a close resemblance to Teutonic, while that of the post-Vedic period connects more intimately with Greek, Celtic, and Egyptian. Assuming that the Vedic people were influenced by what we recognize as Teutonic modes of thought, do we find here proof that the Aryans came from Europe? In [Chapter II] it is shown that the Norse Heimdal displays points of resemblance to Agni. The former, however, has been developed almost beyond recognition as a fire god, and it is evident that we find him in northern Europe in his latest and most picturesque form. On the other hand, there is no dubiety about the origin of the Vedic Agni.

The evidence afforded by archæology is highly suggestive in this connection. Scandinavia received its culture from the south at a comparatively late period in the Bronze Age, and it certainly exercised no intellectual influence in Europe in earlier times. Bronze is, of course, of less ethnic significance than beliefs, but it is difficult to believe, at the same time, that an isolated and poorly armed people could have imposed its intellectual culture over a wide area without having received anything in return. It is more probable that the northern Germanic peoples were subjected to the same influences which are traceable in their mythology and in the Vedic hymns, from a common source, and there may be more than mere mythology in the persistent tradition that the ancestors of the Teutons immigrated from Asia led by Odin. We need not assume that the movement was so much a racial as a cultural one, which emanated from a particular area where religious conceptions were influenced by particular habits of life and “immemorial modes of thought”. Among the settled and agricultural peoples of the Brown race, the development of religious ideas followed different lines, and were similarly controlled by early ideas which sprang from different habits and experiences.

In the opening chapters we present various phases of Aryan life and religion in India, beginning with the worship of Indra, and concluding with the early stages of modern Hinduism. From the ancient tribal struggles of the Middle Country accumulated the hero songs which received epic treatment in the Mahábhárata, while the traditions of the “Easterners” were enshrined in the Rámáyana. Although neither of these great works can be regarded as historical narratives, they contain a mass of historical matter which throws much light on the habits and customs and beliefs of the early peoples.

These epics were utilized by Brahmanical compilers for purposes of religious propaganda, and survive to us mainly as sacred books. In our pages we have given prominence to the heroic narrative which remains embedded in the mass of doctrinal treatises and mythological interpolations. The miraculous element is somewhat toned down in the accounts of conflicts, and the more dramatic phases of the heroic stories are presented in as full detail as space permits, so as to afford our readers glimpses of ancient life in northern India at a time when Vedic religion still held sway. This applies especially to the Mahábhárata, the kernel of which, no doubt, contains the hero songs of the Bharata and other tribes. The mythical conflicts of the Rámáyana appeal less to western minds than its purely human episodes. We cannot help being impressed by the chivalrous character of the leading heroes, the high sense of honour displayed by the princes, and the obedience shown by sons to their parents. We may weary of Rama's conflicts with giants and demons, but will long remember him as the child who pronounced his name as “'Ama” and cried for the moon, or sat on his father's knee at meetings of the State Council. Our interest will also abide with him as a lover and a faithful husband who suffered wrong. His brothers are noble and heroic characters, worthy of Shakespeare. But even the Bard of Avon never depicted more wonderful and fascinating women than the heroines of the Mahábhárata and Rámáyana. Our gallery includes, among others, the noble and self-sacrificing Savitri, who rescued her husband from the clutches of death by exercise of her strong love and devotion; the faithful and virtuous Sita, and the sorrowful and constant Damayantí, and beautiful Shakuntalá. In western literature romance usually ends with marriage; in India the devotion of wives is of more account than the yearnings of love-smitten Juliets on moonlight nights.

Another aspect of Sanskrit literature is the feeling of the poets for Nature. These voluminous writers revelled in the luxuriant loveliness and splendour of Indian forests, and the charms of gleaming valleys and serene, snow-capped mountains; even the gods loved to hear the hum of insects and the songs of melodious birds, and, like mortals, to gather flowers of sweet scents and brilliant colours. Hundreds of songs were sung in praise of the lotus blooms that gemmed the clear waters of lakes and ponds, and Paradise was pictured as a jungle of beauty, fanned by soft winds, radiant with blossoms, and ever vocal with music and song. To illustrate this phase of India's classic literature, we reproduce at length the representative story of Nala with much of its poetic details.

The civilization revealed by the narrative poems was of no mean order. The ancient Aryans were chivalrous knights. No such barbaric incident occurs in the Mahábhárata battles as when in the Iliad the victorious Achilles drags behind his chariot the body of the slain Hector. When Arjuna, the Indian Achilles, slays Karna, the Indian Hector, he honours his fallen foe and performs those rites at the funeral pyre which assures the dead hero immortal bliss in Paradise. When, again, Arjuna mortally wounds Bhishma, he procures water to quench the thirst of his dying opponent. Even the villains are not without their redeeming qualities. Duryodhana of the Mahábhárata, who consents to the slaughter of his sleeping rivals, dies with grief because the innocent children of his enemies were slain. Rávana, the demon king of Ceylon, touches us in the Rámáyana by his grief for his son, who was slain fighting against Laksmana, brother of Rama.

To appreciate fully the sacred and romantic literature of India, we should follow the advice of Robert Louis Stevenson. “To learn aright from any teacher,” he wrote, “we must first of all, like a historical artist, think ourselves into sympathy with his position.” And if in endeavouring to understand the religious conceptions of the ancient forest sages, we, at times, find ourselves in difficulties, it may be that “if a saying is hard to understand, it is because we are thinking of something else”—we are looking on India with European eyes and with European prejudices. “There is always”, said Stevenson, “a ruling spirit behind the code of rules, an attitude, a relation, a point of the compass, in virtue of which we conform or dissent.”[41]

We are confident that our readers who peruse with sympathy and, we hope, with enjoyment, the chapters which follow, will feel themselves drawn closer than hitherto to the millions of our fellow subjects in the great dependency of the British Empire, by whom Rama and Yudhishthira are regarded as ideal types of strong manhood, and Savitri and Sita as perfect women and exemplary lovers and wives.

3

A VYASA, OR PUBLIC READER, RECITING THE MAHABHARATA

FOOTNOTES:

[1] Romesh C. Dutt's Ramáyana dedication.

[2] Rydberg's Teutonic Mythology.

[3] The Races of Europe, W. Z. Ripley, p. 481.

[4] The Races of Europe, W. Z. Ripley, p. 17.

[5] Biographies of Words and the Home of the Aryas, pp. 120 and 245.

[6] The Descent of Man, Charles Darwin, chap. vi, p. 155 (1889 ed.), and The Ancient Egyptians, G. Elliot Smith, pp. 63, 64 (1911).

[7] Muir's Original Sanskrit Texts, vol. 1, p. 140.

[8] The Tribes and Castes of Bengal, H. H. Risley, vol. 1, xxxi.

[9] ibid. xxxii-xxxiii.

[10] The People of India, H. H. Risley, p. 59.

[11] The Races of Europe, W. Z. Ripley, 450 et seq.

[12] The Races of Europe, W. Z. Ripley, p. 451.

[13] Man, Past and Present, A. H. Keane, p. 270.

[14] The Wanderings of Peoples, A. C. Haddon, p. 21.

[15] Vedic Index of Names and Subjects (1912), p. viii.

[16] A convenient term to refer to the unknown area occupied by the Vedic Aryans before they invaded India.

[17] Vedic Index of Names and Subjects, A. A. Macdonell and A. B. Keith, Vol. I, pp. 8, 9 (1912).

[18] Compared with the Latin atrium, “the room that contained the hearthfire”. Agni is cognate with the Latin ignis, cf. Lithuanian, ugnis szwenta, “holy fire”—Early Religious Poetry of Persia, Professor Moulton, pp. 38, 39.

[19] The theory that certain Babylonian graves show traces of cremation has been abandoned.—A History of Sumer and Akkad, L. W. King, pp. 20, 21 (1910).

[20] A Journey in Southern Siberia, Jeremiah Curtin, p. 101.

[21] The Dawn of Mediterranean Civilization, A. Mosso, London Trans., 1910.

[22] British Museum Guide to the Antiquities of the Bronze Age, pp. 23, 24.

[23] Associated, some authorities urge, with Germans from the mouth of the Elbe.

[24] The Dawn of History, J. L. Myres, p. 199.

[25] British Museum Guide to the Antiquities of the Bronze Age, p. 98.

[26] British Museum Guide to the Antiquities of the Early Iron Age, p. 8.

[27] ibid. p. 6.

[28] ibid. p. 8.

[29] British Museum Guide to the Antiquities of the Bronze Age, pp. 16, 17.

[30] Egyptian Myth and Legend, p. 143.

[31] Campbell's West Highland Tales, vol. iii, p. 55.

[32] A History of Civilization in Palestine, R. A. S. Macalister.

[33] The Discoveries in Crete, Professor R. M. Burrows, p. 100. Dating according to Crete the Forerunner of Greece, C. H. and H. B. Hawes, p. xiv.

[34] Vedic Index of Names and Subjects.

[35] See Egyptian Myth and Legend.

[36] The North-Western Provinces of India, 1897, p. 60.

[37] Ethnology in Folklore, George Laurence Gomme, p. 34 et seq.

[38] A History of Sanskrit Literature, p. 115.

[39] See Egyptian Myth and Legend.

[40] The “Golden Age” of the gods, and the regeneration of the world after Ragnarok, do not refer to the doctrine of the world's ages as found in other mythologies.

[41] Lay Morals.


INDIAN MYTH AND LEGEND


[CHAPTER I
Indra, King of the Gods]

Types of Hammer Gods—The Aryan Indra—Chinese World Shaper—Scottish Hunting Deity—Egyptian Artisan God—Greek and Roman Thunder Gods—Thor—Hittite, Assyrian, and other types—A Wail from Palestine—Babylonian Influence—Indra's Indian Character—A Nature Myth—Drought Demon slain—Gods and Demons in conflict—Origin of Indra's Thunderbolt—Demons' plot to destroy Universe—Babylonian Creation Myth—How Indra Shaped the World—Elfin Artisans in India, Egypt, and Germania—Babylonian Artisan God—Indra the Harvest God—The God of Battle—Comparison with Thor—Aryan Cattle Lifters—Indra's Queen and Attendants.

The ancient Eur-Asian “hammer god”, bearing the tribal name of Indra, accompanied the earliest invading bands of hunting and pastoral Aryans, who hailed with joy the “fresh woods and pastures new” of the Punjab, the green country of “Five Rivers”. This deity of wanderers and invaders was already of great antiquity and wide distribution; his attributes were in accord with the habits and ideals of his worshippers; they multiplied with the discoveries of man and were ever influenced by the conditions prevailing in new areas of localization. He was the Thunderer who brought rain to quicken dried-up pasture lands; he was the god of fertility, and he became the corn spirit; he was “the friend of man”; he was the artisan of the Universe which he shaped with his hammer, the dragon slayer, the giant killer, the slaughterer of enemies, the god of war. His racial significance must ever remain obscure. We cannot identify his original home, or even fix with certainty the archæological period in which he first took definite shape. It is possible that he may have been invoked and propitiated by Neolithic, or even by Palæolithic, flint knappers who struck fire from stone long ere they suspected the existence of metal; the primitive hunting and pastoral wanderers may have conceived of a thunder deity engaged in splintering the hills with his stone hammer, and fighting demons in the rude manner in which they themselves contended against beasts of prey. Memories of the Stone Age cling to the hammer god. Indra's bolt was “the all-dreaded thunderstone” of Shakespeare's lyric; until recently Palæolithic and Neolithic artifacts were reputed to be “elf bolts” and “thunder bolts” which fell from the sky; in Scandinavian folklore “the flint hills” are the fragments of the weapon wielded by the thunder giant Hrungner. The bolt or hammer ultimately became an axe; and according to the modern Greeks, lightning flashes are caused by the blows of the “sky axe” (astropeléki); Scottish Gaelic retains an immemorial reference to the “thunder ball” (peleir-tarnainaich).

The hammer god's close association with hilly countries suggests that he was first worshipped on the steppes and then distributed by the nomads whose migrations were propelled by changing climatic conditions. He is found as far east as China, where, as P'an Ku, the dwarfish “first man”, he smites primeval rocks with his thunder hammer while engaged in the work of shaping the hills; he is found as far west as Scotland, where, as the hunting giant Finn-mac-Coul, “in height sixty feet”, he strikes with his hammer, “Ord na Feinne”, such mighty blows on his shield that he is heard by his followers in Lochlann (Scandinavia). From ancient Egypt come distant echoes of the world artisan Ptah, now a dwarf and anon a giant, who hammers out the copper sky, suggesting the presence in Memphis of early Asian settlers at the very dawn of history. In southern Europe the deity is Zeus-pater (Jupiter), the sublime wielder of the thunderbolt; in northern Europe he is lusty Thor, hurling Mjolner through the air against Jotuns, or cleaving valleys with it in the mountain range which he mistook for the giant Skrymer. We find the hammer god as Tarku among the Hittites; he is Indra in Mitanni as in the Punjab; he is Rammon, or Adad, who is carried aloft in triumph by the soldiers of Assur-banipal, the Assyrian Emperor; he is remembered in Palestine by the wail of Naaman, who cried: “When my master goeth into the house of Rimmon to worship there, and he leaneth on my hand, and I bow myself in the house of Rimmon: when I bow down myself in the house of Rimmon, the Lord pardon thy servant in this thing....”[42] The thunder god is also known in Babylon, which received many of its settlers from the hills of Elam and where Kassites, associated with Aryans, established a dynasty after successful invasion, prior to the discovery of the Punjab. The authorities are agreed that Aryan culture shows traces of Babylonian influence; it does not follow, however, that Indra is of Babylonian origin.

But although his name, which has been deciphered as “In-da-ra” at Boghaz-Köi in Asia Minor, may belong to the early Iranian period, the Vedic “King of the gods” assumed a distinctly Indian character after localization in the land of the “Five Rivers”; he ultimately stepped from his chariot, drawn by the steeds of the Aryan horse tamers, and mounted an elephant; his Heaven, called Swarga, which is situated on the summit of Mount Meru, eclipses Olympus and Valhal by reason of its dazzling Oriental splendour; his combats are reflections of the natural phenomena of Hindustan.

When the hot Indian summer draws to a close, the whole land is parched and athirst for rain; rivers are low and many hill streams have dried up; man and beast are weary and await release in the breathless enervating atmosphere; they are even threatened by famine. Then dense masses of cloud gather in the sky; the tempest bellows, lightnings flash and thunder peals angrily and loud; rain descends in a deluge; once again torrents pour down from the hills and rivers become swollen and turgid. Indra has waged his battle with the Drought Demons, broken down their fortress walls, and released the imprisoned cow-clouds which give nourishment to his human “friends”; the withered pastures become green with generous and rapid growth, and the rice harvest follows.

According to Vedic myth, Indra achieved his first great victory immediately after birth. Vritra, “the encompasser”, the Demon of Drought, was holding captive in his mountain fortress the cloud-cattle which he had harried in the approved manner of the Aryan raiders.[43] Mankind entreated the aid of the gods, “the shining ones, the world guardians”:

Who will take pity? Who will bring refreshment?
Who will come nigh to help us in distress?
Counsels the thoughts within our hearts are counselling,
Wishes are wished and soar towards the highest—
O none but them, the shining ones, are merciful,
My longing wings itself towards the Eternals.

4

INDRA

From the Indra Temple, Ellora

Indra arose heroically to do battle for the sacrificers. Impulsively he seized the nectar of the gods, called Soma, and drank a deep draught of that intoxicating juice. Then he snatched up his thunderstone which had been fashioned by the divine artisan Twashtri, who resembles the Germanic Mimer, the “wonder smith”. His “favourite bays”, named the Bold and the Brown, were yoked in his golden chariot by his attendants and followers, the youthful Maruts.

Now, at the very beginning, Indra, the golden child, became the king of the three worlds. He it was who gave the air of life; he gave strength also. All the shining gods revered him and obeyed his commands. “His shadow is immortality; his shadow is death.”

The Maruts, the sons of red Rudra, were the spirits of tempest and thunder. To each of their chariots were yoked two spotted deer and one swift-footed, never-wearying red deer as leader. They were stalwart and courageous youths, “full of terrible designs like to giants”; on their heads were golden helmets and they had golden breastplates, and wore bright skins on their shoulders; their ankles and arms were decked with golden bracelets. The Maruts were always strongly armed with bows and arrows and axes, and especially with gleaming spears. All beings feared those “cloud shakers” when they hastened forth with their lightning spears which “shattered cattle like the thunderstone”; they were wont to cleave cloud-rocks and drench the earth with quickening showers.

When Indra drove forth to attack the Drought Demon, the “hastening Maruts” followed him, shouting with loud voices: in “a shower” were the Maruts “let loose”; they dashed towards the imprisoned cows of the clouds and “chased them aloft”.

The dragon Vritra roared when Indra drew nigh; whereat heaven shook and the gods retreated. Mother Earth, the goddess Prithivi (prit´hi-vee), was troubled regarding her golden son. But Indra advanced boldly with the roaring Maruts; he was inspired by the hymns of the priests; he had drunken deeply of Soma; he was strengthened by the sacrifices offered on earth's altars; and he wielded the thunderstone.

The Drought Demon deemed itself invulnerable, but Indra cast his weapon and soon discovered the vulnerable parts of its writhing body. He slew the monster; it lay prone before him; the torrents burst forth and carried it away to the sea of eternal darkness. Then Indra rejoiced and cried out:

I have slain Vritra, O ye hast'ning Maruts;
I have grown mighty through my own great vigour;
I am the hurler of the bolt of Thunder—
For man flow freely now the gleaming waters.

On earth the worshippers of the god were made glad; the Rishi hymned his praises:

I will extol the manly deeds of Indra:
The first was when the Thunder stone he wielded
And smote the Dragon; he released the waters,
He oped the channels of the breasted mountains.

He smote the dragon Vritra in its fortress—
Twashtri had shaped for him the thunder weapon—
Then rushing freely like to bellowing cattle
The gladsome waters to the sea descended.

Bull-spirited did Indra choose the Soma,
He drank its juices from the triple ladles;
Then clutched the Bounteous One his thunder weapon,
And fiercely smote the first-born of the Dragons.

The smitten monster fell amidst the torrents,
That pause nor stay, for ever surging onward;
Then Vritra covered by the joyful billows
Was carried to the darksome deeps of Ocean.

Rigveda, i. 32.

A post-Vedic version of the encounter between Indra and the demon Vritra is given in the “Vana Parva” section of Mahābhārata. Although it is coloured by the change which, in the process of time, passed over the religious beliefs of the Aryans, it retains some features of the original myth which are absent in the Vedic hymns. It should be understood that, at the period referred to, the belief obtained that the gods derived their powers from the saintly Rishis,[44] who fed them with sacrifices and underwent terrible penances, which enabled them to support or destroy the Universe at will.

It is related that in the Krita Age (the first Age of the Universe) a host of Dānāvas (giants and demons) were so strongly armed that they were invincible in battle. They selected the dragon Vritra as their leader, and waged war against the gods, whom they scattered in all directions.

Realizing that they could not regain their power until they accomplished the death of Vritra, the Celestials appeared before their Grandsire, the Supreme Being, Brahma, the incarnation of the Soul of the Universe. Brahma instructed them to obtain the bones of a Rishi named Dadhicha, from which to construct a demon-slaying weapon. So the gods visited the Rishi and bowed down before him, and begged the boon according to Brahma's advice.

Said Dadhicha: “O ye gods, I will renounce my body for your benefit.”

Then the Rishi gave up his life, and from his bones the artisan god, Twashtri, shaped Indra's great weapon, which is called Vajra.[45]

Twashtri spake to Indra and said: “With this, the best of weapons, O exalted one, reduce that fierce foe of the gods to ashes! And, having slain the foe, rule thou happily the entire domain of heaven, O chief of the celestials, with those that follow thee.”[46]

Then Indra led the gods against the mighty host. They found that Vritra was surrounded by dreaded Danavas, who resembled mountain peaks. A terrible conflict was waged, but once again the gods were put to flight. Then Indra saw Vritra growing bolder, and he became dejected. But the Supreme Being protected him and the gods endowed him with their strength, so that he became mightier than before. Thereupon Vritra was enraged, and roared loudly and fiercely, so that the heavens shook and the earth trembled with fear. Deeply agitated, Indra flung his divine weapon, which slew the leader of the Danavas. But Indra, thinking the demon was still alive, fled from the field in terror to seek shelter in a lake. The Celestials, however, perceived that Vritra had been slain, and they rejoiced greatly and shouted the praises of Indra. Then, rallying once more, the gods attacked the panic-stricken Danavas, who turned and fled to the depths of ocean. There in the fathomless darkness they assembled together, and began to plot how they would accomplish the destruction of the three worlds.[47]

At length the dread conspirators resolved to destroy all the Rishis who were possessed of knowledge and ascetic virtue, because the world was supported by them. So they made the ocean their abode, raising billows high as hills for their protection, and they began to issue forth from their fortress to make attacks on the mighty saints.

In the Babylonian Story of Creation the female dragon Tiawath (Tiamat), whose name signifies “the sea”,[47] desired to possess the world, and plotted against the gods with her horde of giant serpents, “raging dogs, scorpion men, fish men, and other terrible beings”. The gods then selected Belus (Bel-Merodach) as their leader, and proclaimed him their king. He slew Tiawath and covered the heavens with one part of her body, and fashioned the earth with the other half. Then he set the moon and the stars in the sky, and afterwards created man: “he divided the darkness, separated the heavens from the earth, and reduced the universe to order”.[48] The sun was the offspring of the moon.

The Indian Vedic and Epic dragon-slaying stories have evidently no connection, however, with a lost Creation myth. It is possible that they are part of the floating material from which Babylonian mythology was framed. At the same time Babylonian influences may not have been absent in the post-Vedic Age. Indra bears points of resemblance to Bel-Merodach, but he is not a Creator in the sublime sense; he is rather an artisan god like the Chinese P'an Ku, the lonely hammerman, and the Egyptian Ptah, who acquired a potter's wheel, in addition to his hammer, in the Nile valley.

Indra fashioned the universe in the simple manner that the early Aryans built their wooden houses.[49] How he obtained the requisite material puzzled the Vedic poets. It may be that there was a World Tree, however, like the great ash Ygdrasil of Teutonic mythology. After measuring space with the sun, Indra set up four corner posts and constructed the world walls; the roof was the cloud-thatched sky. The wide doors of the world opened to the east, and every morning they were opened to admit the sun, which Indra flung at evening into the darkness as a Neolithic man may have flung out a house torch. These doors are the “gates”, celebrated in the Vedic hymns, through which the gods entered to partake of the sacrifices and libations. Indra, who is called “an accomplished artisan”, is lauded as the god who “firmly secured the dominion of air in the frame of heaven and earth”. In another hymn it is told: “Indra measured six broad spaces, from which no existing thing is excluded: he it is who made the wide expanse of earth and the lofty dome of the sky, even he”. (V. i, 47·3, 4.)

5

INTERIOR OF A TEMPLE TO VISHNU (BRINDABAN)

In the work of shaping the universe Indra is assisted by the shadowy deities Savitri, who merged with Surya, the sun god, Brihaspati, “Lord of Prayer”, who merged with Agni, god of fire, and Vishnu, god of grace. He was also aided by the Ribhus, the artisans of the gods, who dwelt in the region of mid-air. Their number is given variously as three or the multiples of three; they were the sons of Sudhanvan, who was apparently identical with Indra, because “Indra is a Ribhu when he confers gifts”; indeed, the artisans are referred to as the children of the Thunder god. They make grass and herbs, and also channels for streams. In some respects they resemble the earth-gnomes, the Khnumu, “the modellers”, the helpers of the Egyptian artisan god Ptah, who shaped the world. “Countless little figures of these gods are found in Egyptian tombs; for even as once the Khnumu had helped in the making of the world, so would they help to reconstruct in all its members the body of the dead man in whose tomb they were laid.”[50] The Ribhus similarly renovated aged and decrepit parents; “they reunited the old cow to the calf”; they are also credited with having shaped the heavens and the earth,[51] and with having fashioned the “cow of plenty”, and also a man named Vibhvan.[52]

According to the Oxford Dictionary, they are “the three genii of the seasons in Hindu mythology”. The Sanskrit word “Ribhu” is sometimes compared with the Germanic word “Elf”. Professor Macdonell considers it “likely that the Ribhus were originally terrestrial or aerial elves”.[53] They are evidently of common origin with the Teutonic elfin artisans who are associated with Thor, the Germanic Indra.

The mother of the Ribhus was Saranyu, daughter of Twashtri, “the Hindu Vulcan”, the “master workman”. Twashtri forms the organism in maternal wombs and supports the races of man.[54] As we have seen, he was the fashioner of Indra's thunderbolt: similarly the Teutonic elfin artisan Sindre makes Thor's hammer.[55]

The two groups of Teutonic wonder-smiths were rivals; so were the Ribhus and Twashtri. The elfin artisans prove their skill in both cases by producing wonderful gifts for the gods. Loke acts as a mischief-making spy in Germanic myth, and Dadyak in Indian, and both lose their heads for wagers, but save them by cunning.

The Ribhus had provided the Celestials with horses and chariots, but Twashtri fashioned a wonderful bowl which filled itself with Soma for the gods. In the contest that ensued the Ribhus transformed the bowl into four cups. “This bowl”, says Professor Macdonell, “perhaps represents the moon, the four cups being its phases.” One of the Ribhus was a famous archer, like the elfin artisan Egil of Teutonic mythology.

The artisan of Babylonian mythology is Ea, father of Bel-Merodach. He is “King of the abyss, creator of everything, lord of all”. He was the god of artisans in general, and is identified with the sea-deity of the Persian Gulf—half-fish, half-man—who landed “during the day to teach the inhabitants the building of houses and temples, the gathering of fruits, and also geometry, law and letters”. His pupils included “potters, blacksmiths, sailors, stonecutters, gardeners, farmers, &c.”[56]

The Ribhus and Twashtri were the artisans of nature, the spirits of growth, the genii of the seasons, the elves of earth and air. Indra's close association with them emphasizes his character as a god of fertility, who brought the quickening rain, and as the corn god, and the rice god. He was the son of Father Heaven and Mother Earth, two vague deities who were never completely individualized, but were never forgotten. Heaven was the sky-god Dyaus-pita (from div = to shine), the Zeus pater of the Greeks, Jupiter of the Romans, and Tivi[57] (later, Odin) of the Germanic peoples, whose wife was the earth-goddess Jord, mother of Thor. The Hindu earth-mother (Terra mater) was Prithivi. Dyaus is sometimes referred to as a ruddy bull, whose bellowing is the thunder; as the Night heaven he is depicted as a black steed decked with pearls which are the stars; in one of the Vedic hymns reference is made to his “thunderstone”. Prithivi, who is sometimes symbolized as a cow, is the source of all vegetation, the supporter of earth, the female principle. She never assumes the importance of the Assyrian Ishtar, or the north Egyptian “earth-mother” Neith, or the “earth-mothers” of Europe. The Vedic Aryans were Great Father worshippers rather than Great Mother worshippers: their female deities were Night, Dawn, Earth, and the Rivers, but they were not sharply individualized until late; they are vague in the Vedas.

As the Greek Cronus (Roman Saturn) slew his father Urănus (Heaven), so did Indra slay his father Dyaus (Heaven). His earth-mother addresses him, saying: “Who has made thy mother a widow? Who has sought to slay the sleeping and the waking? What deity has been more gracious than thou, since thou hast slain thy father, having seized him by the foot?”[58]

The Indian father-slaying myth appears to be connected with the doctrine of reincarnation. In the Laws of Manu it is stated that “the husband, after conception by his wife, becomes an embryo and is born again of her; for that is the wifehood of a wife, that he is born again by her”.[59] In the famous story of Shakuntălā, the husband is similarly referred to as the son of his wife, the son being a reincarnation of the father.[60] This belief resembles the Egyptian conception which is summed up in the phrase “husband of his mother”.[61]

At the barley harvest in spring and the rice harvest in autumn offerings were made to the gods. A sacrificial cake of the new barley or rice was offered to Indra and Agni, a mess of old grain boiled and mixed with milk and water was given to the other gods, and a cake was also offered to Father Heaven and Mother Earth in which clarified butter was an important ingredient; or the offering might consist entirely of butter, because “clarified butter is manifestly the sap of these two, Heaven and Earth; ... he (the offerer) therefore gladdens these two with their own sap or essence”.

The reason for this harvest offering is explained as follows: The gods and the demons contended for supremacy. It chanced that the demons defiled, partly by magic and partly by poison, the plants used by men and beasts, hoping thus to overcome the gods. Men ceased to eat and the beasts stopped grazing; all creatures were about to perish because of the famine.

Said the gods: “Let us rid the plants of this.”

Then they offered sacrifices and “accomplished all that they wanted to accomplish, and so did the Rishis”.

A dispute then arose among the gods as to who should partake of the offerings of the firstfruits—that is, of the new plants which replaced those the demons had poisoned. It was decided to run a race to settle the matter. Indra and Agni won the race and were therefore awarded the cake. These two gods were divine Kshatriyas (noblemen), the others were “common people”. Whatever Kshatriyas conquer, the commoners are permitted to share; therefore the other gods received the mess of old grain.

After the magic spell was removed from the plants by the gods, men ate food and cattle grazed once again. Ever afterwards, at the beginning of each harvest, the first fruits were offered up to Indra and Agni. The fee of the priest was the first-born calf “for that is, as it were, the firstfruits of the cattle”.[62]

The popular Thunder god of the Vedic period bears a close resemblance to the hard-drinking, kindly, and impulsive Thor, the Teutonic god of few words and mighty deeds, the constant “friend of man” and the inveterate enemy of demons. In the hymns Indra is pictured as a burly man, with “handsome, prominent nose”, “good lips”, and “comely chin”; he is “long-necked, big-bellied, strongly armed”, and has a weakness for ornaments. He is much addicted to drinking “sweet, intoxicating Soma”; he “fills his stomach”; he quaffs “thirty bowls” at a single draught ere he hastens to combat against “hostile air demons”. Sometimes he is placed in a difficulty when two tribes of his worshippers are in conflict: both cry to him for victory, but—

The god giveth victory unto him
Who with generous heart pours out
The draught he thirsts for—
Nor feels regret in giving;
Indra joins with him upon the battlefield.

Rigveda, iv, 24. 2-6.

The Aryans, who were as notorious cattle lifters as the Gauls and the Scottish Highlanders, were wont to invoke the god ere they set out on a raid, chanting with loud voices:

Indra, whose riches are boundless, O grant us
Thousands of beautiful cows and horses:
Destroy, thou mighty one, all who despise us,
Visit with death all those who would harm us, and
Indra, whose riches are boundless, O grant us,
Thousands of beautiful cows and horses.

Wilson's translation.

In other hymns the Thor-like character of Indra, the war god, is naively depicted. A sceptic is supposed to say: “Many men declare that there is no Indra. Who ever saw him? Why should we adore him?”

The god makes answer: “O singer, I am: behold me! I am here now, and I am greater than any living being. I delight in the performance of holy rites. I am also the Destroyer; I can hurl creation to ruin.” Rigveda, viii, 89.

I never knew a man to speak so to me,
When all his enemies are safely conquered;
Yea, when they see how fierce the battle rages,
They even promise me a pair of bullocks.

When I am absent in far distant places,
Then all with open hands their gifts would bring me ...
Lo! I will make the wealthy niggard needy,
Seize by the foot and on the hard rock dash him.

Rigveda, x, 27.

The lord of both the worlds hates all the haughty,
He cares for those who feel themselves but human.

Rigveda, vi, 47.[63]

These verses recall: “Silence, thou evil one,” roared Thor, “or else with my hammer shall I strike thy head off and end thy life.”

Then did Loke answer humbly: “Silent indeed I shall be now, O Thor, for I know full well thou wilt strike.”[64]

6

THE PARADISE OF INDRA
From a Rock Sculpture at Mâmallapuram

The human qualities of Indra are illustrated in epic narrative. Arjuna, the Indian Achilles, is his son, and pays a visit to the brilliant Celestial city on the summit of Mount Meru, where flowers are ever blooming, and pretty nymphs dance to pleasure battle-slain warriors.

Arjuna saluted his divine sire. “And Indra thereupon embraced him with his round and plump arms. And taking his hand, Shakra (Indra) made him sit on a portion of his own seat.... And the lord of the Celestials—that slayer of hostile heroes—smelt the head of Arjuna, bending in humility, and even took him upon his lap.... Moved by affection, the slayer of Vritra touched that beautiful face with his own perfumed hands. And the wielder of the thunderbolt, patting and rubbing gently again and again with his own hands, which bore the marks of the thunderbolt, the handsome and large arms of Arjuna, which resembled a couple of golden columns and were hard in consequence of drawing the bowstring and shooting arrows, began to console him. And the slayer of Vritra ... eyeing his son of curling locks smilingly and with eyes expanded with delight, seemed scarcely to be gratified. The more he gazed, the more he liked to gaze on. And seated on one seat, the father and son enhanced the beauty of the assembly, like the sun and moon beautifying the firmament together.”[65]

Indra was attended in his heaven by vague spirits, called Vasus, who appear to have acted as his counsellors. When Bhishma, a hero of the great Bhărata war, was slain in battle, he was given a place among the Vasus. The Thunder god's queen is a shadowy personality, and is called Indrani.

Indra was attended by a dog, as befitted a deity of primitive huntsmen. After the early Aryan period, he showed less favour for his bays and chariot, and seated himself upon a great white elephant, “the handsome and ever victorious”, named Airavata; it “was furnished with four tusks” and “resembled the mountain of Kailasa with its summits”.

FOOTNOTES:

[42] 2 Kings, v, 18.

[43] One of the sections of the epic Mahabharata is called “Go-Harran”, which signifies “cattle harrying”.

[44] The deified poets and sages. See [Chapter VIII].

[45] Adolf Kaegi says: “Also Vadha or Vadhar”, which he compares with German, Wetter; O.H. German, Wetar: Anglo-Saxon, Weder; English, Weather. The original word signifying the sudden change in atmospheric conditions caused by the thunderstorm was ultimately applied to all states of the air.

[46] Roy's translation of Mahabharata.

[47] Like the giants and demons of Teutonic mythology, who fought with the gods in the Last Battle.

[48] The Religion of Babylonia and Assyria, by T. G. Pinches, LL.D.

[49] Cosmology of Rigveda, Wallis.

[50] Religion of the Ancient Egyptians, Professor A. Wiedemann, p. 137.

[51] Rigveda, iv, 34. 9.

[52] Cosmology of Rigveda, Wallis.

[53] A History of Sanskrit Literature, pp. 106, 107.

[54] Rigveda, ii, 53; iii, 55.

[55] Teutonic Myth and Legend, pp. 35-9.

[56] The Religion of Babylonia and Assyria, T. G. Pinches, LL.D.

[57] An old Germanic name of Odin related to Divus. Odin's descendants were the “Tivar”. (Pronounce Dyaus as one syllable rhiming with mouse.)

[58] Rigveda, iv, 18. Wilson, vol. iii, p. 153.

[59] The Laws of Manu, ix, 8; p. 329. (Sacred Books of the East, vol. xxv.)

[60] Adi Parva, sect. lxxiv of Mahabharata, Roy's translation.

[61] See Egyptian Myth and Legend.

[62] The Satapatha Brahmana, translated by Professor J. Eggeling, Part I, pp. 369, 373. (Sacred Books of the East, vol. xii.)

[63] Arrowsmith's translation.

[64] Teutonic Myth and Legend, p. 173.

[65] Vana Parva section of Mahăbhărata, sect. xliii, Roy's translation.


[CHAPTER II
The Great Vedic Deities]

Agni the Fire God—Source of Life—The Divine Priest—Myths regarding his Origin—The Child God—Resemblances to Heimdal and Scyld—Messenger of the Gods—Martin Elginbrodde—Vayu or Vata, the Wind God—Teutonic Vate and Odin—The Hindu “Wild Huntsman”—Rudra the Howler—The Rain God—Sublime Varuna—The Omniscient One—Forgiver of Sins—Mitra, an ancient Deity—Babylonian Prototype—A Sun God—A Corn God—Mitanni Deities—Surya, the Sun God—The Adityas—Ushas, Goddess of Dawn—Ratri, Night—Chandra, the Moon—Identified with Soma—The Mead of the Gods—A Humorous Hymn—Sources of Life—Origin of Spitting Ceremonies.

Agni, the fire god, was closely associated with Indra, and is sometimes called his twin brother. The pair were the most prominent deities in Vedic times: about 250 hymns are addressed to Indra and over 200 to Agni.

Indra gave the “air of life” to men; Agni symbolized the “vital spark”, the principle of life in animate and inanimate Nature; he was in man, in beast, and fish; he was in plants and trees; he was in butter and in intoxicating Soma. The gods partook of the nature of Agni. In one of the post-Vedic Creation myths he is identified with the Universal soul; Brahma existed in the form of Agni ere the worlds were framed and gods and men came to be. Agni was made manifest in lightning, in celestial sun flames, in the sacred blaze rising from the altar and in homely household fires. The fire god was the divine priest as contrasted with Indra, the divine warrior.

In the Vedic invocations there are evidences that several myths had gathered round the fascinating and wonderful fire god. One hymn refers to him as a child whose birth was kept a secret; his mother, the queen, concealed him from his sire; he was born in full vigour as a youth, and was seen sharpening his weapons at a distance from his home which he had forsaken.[66] Sometimes he is said to have devoured his parents at birth: this seems to signify that he consumed the fire sticks from which holy fire was produced by friction. Another hymn says that “Heaven and Earth (Dyaus and Prithivi) fled away in fear of (the incarnation of) Twashtri when he was born, but they returned to embrace the lion”.[67]

Agni was also given ten mothers who were “twice five sisters”,[68] but the reference is clearly explained in another passage: “The ten fingers have given him birth, the ancient, well-loved Agni, well born of his mothers”.[69]

Dawn, with its darkness-consuming fires, and starry Night, are the sisters of Agni; “they celebrate his three births, one in the sea, one in the sky, one in the waters (clouds)”. Typical of the Oriental mind is the mysterious reference to Agni's “mothers” owing their origin to him. The poet sings:

Who among you hath understood the hidden (god)?
The calf has by itself given birth to its mothers.

Professor Oldenberg, who suggests that the waters are the “mothers”, reasons in Oriental mode: “Smoke is Agni, it goes to the clouds, the clouds become waters”.[70]

7

AGNI, THE FIRE GOD

From a painting by Nanda Lall Bose
(By permission of the Indian Society of Oriental Art, Calcutta)

In his early humanized form Agni bears some resemblance to Heimdal, the Teutonic sentinel god, who has nine mothers, the daughters of sea-dwelling Ran, and is thus also a “son of the waters”; he is clad in silvern armour, and on his head is a burnished helmet with ram's horns. Horsed on his swift steed, Gulltop, he watches the demons who seek to attack the citadel of the gods.... His sight is so keen that he can see by night as well as by day.... Heimdal is loved both by gods and by men, and he is also called Gullintani because his teeth are of gold. There was a time when he went to Midgard (the earth) as a child; he grew up to be a teacher among men and was named Scef. Scef is identified as the patriarch Scyld in Beowulf, who came over the sea as a child and rose to be the king of a tribe. Mankind were descended from Heimdal-Scef: three sons were born to him of human mothers—Thrall, from whom thralls are descended; Churl, the sire of freemen, and Jarl from whom nobles have sprung.[71]