MYTHS OF BABYLONIA AND ASSYRIA

Donald A. Mackenzie

Table of Contents

List of Figures

Preface

This volume deals with the myths and legends of Babylonia and Assyria, and as these reflect the civilization in which they developed, a historical narrative has been provided, beginning with the early Sumerian Age and concluding with the periods of the Persian and Grecian Empires. Over thirty centuries of human progress are thus passed under review.

During this vast interval of time the cultural influences emanating from the Tigro-Euphrates valley reached far-distant shores along the intersecting avenues of trade, and in consequence of the periodic and widespread migrations of peoples who had acquired directly or indirectly the leavening elements of Mesopotamian civilization. Even at the present day traces survive in Europe of the early cultural impress of the East; our "Signs of the Zodiac", for instance, as well as the system of measuring time and space by using 60 as a basic numeral for calculation, are inheritances from ancient Babylonia.

As in the Nile Valley, however, it is impossible to trace in Mesopotamia the initiatory stages of prehistoric culture based on the agricultural mode of life. What is generally called the "Dawn of History" is really the beginning of a later age of progress; it is necessary to account for the degree of civilization attained at the earliest period of which we have knowledge by postulating a remoter age of culture of much longer duration than that which separates the "Dawn" from the age in which we now live. Although Sumerian (early Babylonian) civilization presents distinctively local features which justify the application of the term "indigenous" in the broad sense, it is found, like that of Egypt, to be possessed of certain elements which suggest exceedingly remote influences and connections at present obscure. Of special interest in this regard is Professor Budge's mature and well-deliberated conclusion that "both the Sumerians and early Egyptians derived their primeval gods from some common but exceedingly ancient source". The prehistoric burial customs of these separate peoples are also remarkably similar and they resemble closely in turn those of the Neolithic Europeans. The cumulative effect of such evidence forces us to regard as not wholly satisfactory and conclusive the hypothesis of cultural influence. A remote racial connection is possible, and is certainly worthy of consideration when so high an authority as Professor Frazer, author of The Golden Bough, is found prepared to admit that the widespread "homogeneity of beliefs" may have been due to "homogeneity of race". It is shown (Chapter 1) that certain ethnologists have accumulated data which establish a racial kinship between the Neolithic Europeans, the proto-Egyptians, the Sumerians, the southern Persians, and the Aryo-Indians.

Throughout this volume comparative notes have been compiled in dealing with Mesopotamian beliefs with purpose to assist the reader towards the study of linking myths and legends. Interesting parallels have been gleaned from various religious literatures in Europe, Egypt, India, and elsewhere. It will be found that certain relics of Babylonian intellectual life, which have a distinctive geographical significance, were shared by peoples in other cultural areas where they were similarly overlaid with local colour. Modes of thought were the products of modes of life and were influenced in their development by human experiences. The influence of environment on the growth of culture has long been recognized, but consideration must also be given to the choice of environment by peoples who had adopted distinctive habits of life. Racial units migrated from cultural areas to districts suitable for colonization and carried with them a heritage of immemorial beliefs and customs which were regarded as being quite as indispensable for their welfare as their implements and domesticated animals.

When consideration is given in this connection to the conservative element in primitive religion, it is not surprising to find that the growth of religious myths was not so spontaneous in early civilizations of the highest order as has hitherto been assumed. It seems clear that in each great local mythology we have to deal, in the first place, not with symbolized ideas so much as symbolized folk beliefs of remote antiquity and, to a certain degree, of common inheritance. It may not be found possible to arrive at a conclusive solution of the most widespread, and therefore the most ancient folk myths, such as, for instance, the Dragon Myth, or the myth of the culture hero. Nor, perhaps, is it necessary that we should concern ourselves greatly regarding the origin of the idea of the dragon, which in one country symbolized fiery drought and in another overwhelming river floods.

The student will find footing on surer ground by following the process which exalts the dragon of the folk tale into the symbol of evil and primordial chaos. The Babylonian Creation Myth, for instance, can be shown to be a localized and glorified legend in which the hero and his tribe are displaced by the war god and his fellow deities whose welfare depends on his prowess. Merodach kills the dragon, Tiamat, as the heroes of Eur-Asian folk stories kill grisly hags, by casting his weapon down her throat.

He severed her inward parts, he pierced her heart,

He overcame her and cut off her life;

He cast down her body and stood upon it ...

And with merciless club he smashed her skull.

He cut through the channels of her blood,

And he made the north wind to bear it away into secret places.

Afterwards

He divided the flesh of the Ku-pu and devised a cunning plan.

Mr. L.W. King, from whose scholarly Seven Tablets of Creation these lines are quoted, notes that "Ku-pu" is a word of uncertain meaning. Jensen suggests "trunk, body". Apparently Merodach obtained special knowledge after dividing, and perhaps eating, the "Ku-pu". His "cunning plan" is set forth in detail: he cut up the dragon's body:

He split her up like a flat fish into two halves.

He formed the heavens with one half and the earth with the other, and then set the universe in order. His power and wisdom as the Demiurge were derived from the fierce and powerful Great Mother, Tiamat.

In other dragon stories the heroes devise their plans after eating the dragon's heart. According to Philostratus,[[1]] Apollonius of Tyana was worthy of being remembered for two things--his bravery in travelling among fierce robber tribes, not then subject to Rome, and his wisdom in learning the language of birds and other animals as the Arabs do. This accomplishment the Arabs acquired, Philostratus explains, by eating the hearts of dragons. The "animals" who utter magic words are, of course, the Fates. Siegfried of the Nibelungenlied, after slaying the Regin dragon, makes himself invulnerable by bathing in its blood. He obtains wisdom by eating the heart: as soon as he tastes it he can understand the language of birds, and the birds reveal to him that Mimer is waiting to slay him. Sigurd similarly makes his plans after eating the heart of the Fafner dragon. In Scottish legend Finn-mac-Coul obtains the power to divine secrets by partaking of a small portion of the seventh salmon associated with the "well dragon", and Michael Scott and other folk heroes become great physicians after tasting the juices of the middle part of the body of the white snake. The hero of an Egyptian folk tale slays a "deathless snake" by cutting it in two parts and putting sand between the parts. He then obtains from the box, of which it is the guardian, the book of spells; when he reads a page of the spells he knows what the birds of the sky, the fish of the deep, and the beasts of the hill say; the book gives him power to enchant "the heaven and the earth, the abyss, the mountains and the sea".[[2]]

Magic and religion were never separated in Babylonia; not only the priests but also the gods performed magical ceremonies. Ea, Merodach's father, overcame Apsu, the husband of the dragon Tiamat, by means of spells: he was "the great magician of the gods". Merodach's division of the "Ku-pu" was evidently an act of contagious magic; by eating or otherwise disposing of the vital part of the fierce and wise mother dragon, he became endowed with her attributes, and was able to proceed with the work of creation. Primitive peoples in our own day, like the Abipones of Paraguay, eat the flesh of fierce and cunning animals so that their strength, courage, and wisdom may be increased.

The direct influence exercised by cultural contact, on the other hand, may be traced when myths with an alien geographical setting are found among peoples whose experiences could never have given them origin. In India, where the dragon symbolizes drought and the western river deities are female, the Manu fish and flood legend resembles closely the Babylonian, and seems to throw light upon it. Indeed, the Manu myth appears to have been derived from the lost flood story in which Ea figured prominently in fish form as the Preserver. The Babylonian Ea cult and the Indian Varuna cult had apparently much in common, as is shown.

Throughout this volume special attention has been paid to the various peoples who were in immediate contact with, and were influenced by, Mesopotamian civilization. The histories are traced in outline of the Kingdoms of Elam, Urartu (Ancient Armenia), Mitanni, and the Hittites, while the story of the rise and decline of the Hebrew civilization, as narrated in the Bible and referred to in Mesopotamian inscriptions, is related from the earliest times until the captivity in the Neo-Babylonian period and the restoration during the age of the Persian Empire. The struggles waged between the great Powers for the control of trade routes, and the periodic migrations of pastoral warrior folks who determined the fate of empires, are also dealt with, so that light may be thrown on the various processes and influences associated with the developments of local religions and mythologies. Special chapters, with comparative notes, are devoted to the Ishtar-Tammuz myths, the Semiramis legends, Ashur and his symbols, and the origin and growth of astrology and astronomy.

The ethnic disturbances which occurred at various well-defined periods in the Tigro-Euphrates valley were not always favourable to the advancement of knowledge and the growth of culture. The invaders who absorbed Sumerian civilization may have secured more settled conditions by welding together political units, but seem to have exercised a retrogressive influence on the growth of local culture. "Babylonian religion", writes Dr. Langdon, "appears to have reached its highest level in the Sumerian period, or at least not later than 2000 B.C. From that period onward to the first century B.C. popular religion maintained with great difficulty the sacred standards of the past." Although it has been customary to characterize Mesopotamian civilization as Semitic, modern research tends to show that the indigenous inhabitants, who were non-Semitic, were its originators. Like the proto-Egyptians, the early Cretans, and the Pelasgians in southern Europe and Asia Minor, they invariably achieved the intellectual conquest of their conquerors, as in the earliest times they had won victories over the antagonistic forces of nature. If the modern view is accepted that these ancient agriculturists of the goddess cult were of common racial origin, it is to the most representative communities of the widespread Mediterranean race that the credit belongs of laying the foundations of the brilliant civilizations of the ancient world in southern Europe, and Egypt, and the valley of the Tigris and Euphrates.

Figure 1. TEMPTATION OF THE EA-BANI

From the Painting by E. Wallcousins

[[1]] Life of Apollonius of Tyana, i, 20.

[[2]] Egyptian Tales (Second Series), W.M. Flinders Petrie, pp. 98 et seq.

Introduction

Ancient Babylonia has made stronger appeal to the imagination of Christendom than even Ancient Egypt, because of its association with the captivity of the Hebrews, whose sorrows are enshrined in the familiar psalm:

By the rivers of Babylon, there we sat down;

Yea, we wept, when we remembered Zion.

We hanged our harps upon the willows....

In sacred literature proud Babylon became the city of the anti-Christ, the symbol of wickedness and cruelty and human vanity. Early Christians who suffered persecution compared their worldly state to that of the oppressed and disconsolate Hebrews, and, like them, they sighed for Jerusalem--the new Jerusalem. When St. John the Divine had visions of the ultimate triumph of Christianity, he referred to its enemies--the unbelievers and persecutors--as the citizens of the earthly Babylon, the doom of which he pronounced in stately and memorable phrases:

Babylon the great is fallen, is fallen,

And is become the habitation of devils,

And the hold of every foul spirit,

And a cage of every unclean and hateful bird....

For her sins have reached unto heaven

And God hath remembered her iniquities....

The merchants of the earth shall weep and mourn over her,

For no man buyeth their merchandise any more.

"At the noise of the taking of Babylon", cried Jeremiah, referring to the original Babylon, "the earth is moved, and the cry is heard among the nations.... It shall be no more inhabited forever; neither shall it be dwelt in from generation to generation." The Christian Saint rendered more profound the brooding silence of the desolated city of his vision by voicing memories of its beauty and gaiety and bustling trade:

The voice of harpers, and musicians, and of pipers and trumpeters shall be heard no more at all in thee;

And no craftsman, of whatsoever craft he be, shall be found any more in thee;

And the light of a candle shall shine no more at all in thee;

And the voice of the bridegroom and of the bride shall be heard no more at all in thee:

For thy merchants were the great men of the earth;

For by thy sorceries were all nations deceived.

And in her was found the blood of prophets, and of saints,

And of all that were slain upon the earth.[[3]]

So for nearly two thousand years has the haunting memory of the once-powerful city pervaded Christian literature, while its broken walls and ruined temples and palaces lay buried deep in desert sand. The history of the ancient land of which it was the capital survived in but meagre and fragmentary form, mingled with accumulated myths and legends. A slim volume contained all that could be derived from references in the Old Testament and the compilations of classical writers.

It is only within the past half-century that the wonderful story of early Eastern civilization has been gradually pieced together by excavators and linguists, who have thrust open the door of the past and probed the hidden secrets of long ages. We now know more about "the land of Babel" than did not only the Greeks and Romans, but even the Hebrew writers who foretold its destruction. Glimpses are being afforded us of its life and manners and customs for some thirty centuries before the captives of Judah uttered lamentations on the banks of its reedy canals. The sites of some of the ancient cities of Babylonia and Assyria were identified by European officials and travellers in the East early in the nineteenth century, and a few relics found their way to Europe. But before Sir A.H. Layard set to work as an excavator in the "forties", "a case scarcely three feet square", as he himself wrote, "enclosed all that remained not only of the great city of Nineveh, but of Babylon itself".[[4]]

Layard, the distinguished pioneer Assyriologist, was an Englishman of Huguenot descent, who was born in Paris. Through his mother he inherited a strain of Spanish blood. During his early boyhood he resided in Italy, and his education, which began there, was continued in schools in France, Switzerland, and England. He was a man of scholarly habits and fearless and independent character, a charming writer, and an accomplished fine-art critic; withal he was a great traveller, a strenuous politician, and an able diplomatist. In 1845, while sojourning in the East, he undertook the exploration of ancient Assyrian cities. He first set to work at Kalkhi, the Biblical Calah. Three years previously M.P.C. Botta, the French consul at Mosul, had begun to investigate the Nineveh mounds; but these he abandoned for a mound near Khorsabad which proved to be the site of the city erected by "Sargon the Later", who is referred to by Isaiah. The relics discovered by Botta and his successor, Victor Place, are preserved in the Louvre.

At Kalkhi and Nineveh Layard uncovered the palaces of some of the most famous Assyrian Emperors, including the Biblical Shalmaneser and Esarhaddon, and obtained the colossi, bas reliefs, and other treasures of antiquity which formed the nucleus of the British Museum's unrivalled Assyrian collection. He also conducted diggings at Babylon and Niffer (Nippur). His work was continued by his assistant, Hormuzd Rassam, a native Christian of Mosul, near Nineveh. Rassam studied for a time at Oxford.

The discoveries made by Layard and Botta stimulated others to follow their example. In the "fifties" Mr. W.K. Loftus engaged in excavations at Larsa and Erech, where important discoveries were made of ancient buildings, ornaments, tablets, sarcophagus graves, and pot burials, while Mr. J.E. Taylor operated at Ur, the seat of the moon cult and the birthplace of Abraham, and at Eridu, which is generally regarded as the cradle of early Babylonian (Sumerian) civilization.

In 1854 Sir Henry Rawlinson superintended diggings at Birs Nimrud (Borsippa, near Babylon), and excavated relics of the Biblical Nebuchadrezzar. This notable archaeologist began his career in the East as an officer in the Bombay army. He distinguished himself as a political agent and diplomatist. While resident at Baghdad, he devoted his leisure time to cuneiform studies. One of his remarkable feats was the copying of the famous trilingual rock inscription of Darius the Great on a mountain cliff at Behistun, in Persian Kurdistan. This work was carried out at great personal risk, for the cliff is 1700 feet high and the sculptures and inscriptions are situated about 300 feet from the ground.

Darius was the first monarch of his line to make use of the Persian cuneiform script, which in this case he utilized in conjunction with the older and more complicated Assyro-Babylonian alphabetic and syllabic characters to record a portion of the history of his reign. Rawlinson's translation of the famous inscription was an important contribution towards the decipherment of the cuneiform writings of Assyria and Babylonia.

Twelve years of brilliant Mesopotamian discovery concluded in 1854, and further excavations had to be suspended until the "seventies" on account of the unsettled political conditions of the ancient land and the difficulties experienced in dealing with Turkish officials. During the interval, however, archaeologists and philologists were kept fully engaged studying the large amount of material which had been accumulated. Sir Henry Rawlinson began the issue of his monumental work The Cuneiform Inscriptions of Western Asia on behalf of the British Museum.

Goodspeed refers to the early archaeological work as the "Heroic Period" of research, and says that the "Modern Scientific Period" began with Mr. George Smith's expedition to Nineveh in 1873.

George Smith, like Henry Schliemann, the pioneer investigator of pre-Hellenic culture, was a self-educated man of humble origin. He was born at Chelsea in 1840. At fourteen he was apprenticed to an engraver. He was a youth of studious habits and great originality, and interested himself intensely in the discoveries which had been made by Layard and other explorers. At the British Museum, which he visited regularly to pore over the Assyrian inscriptions, he attracted the attention of Sir Henry Rawlinson. So greatly impressed was Sir Henry by the young man's enthusiasm and remarkable intelligence that he allowed him the use of his private room and provided casts and squeezes of inscriptions to assist him in his studies. Smith made rapid progress. His earliest discovery was the date of the payment of tribute by Jehu, King of Israel, to the Assyrian Emperor Shalmaneser. Sir Henry availed himself of the young investigator's assistance in producing the third volume of The Cuneiform Inscriptions.

In 1867 Smith received an appointment in the Assyriology Department of the British Museum, and a few years later became famous throughout Christendom as the translator of fragments of the Babylonian Deluge Legend from tablets sent to London by Rassam. Sir Edwin Arnold, the poet and Orientalist, was at the time editor of the Daily Telegraph, and performed a memorable service to modern scholarship by dispatching Smith, on behalf of his paper, to Nineveh to search for other fragments of the Ancient Babylonian epic. Rassam had obtained the tablets from the great library of the cultured Emperor Ashur-bani-pal, "the great and noble Asnapper" of the Bible,[[5]] who took delight, as he himself recorded, in

The wisdom of Ea,[[6]] the art of song, the treasures of science.

This royal patron of learning included in his library collection, copies and translations of tablets from Babylonia. Some of these were then over 2000 years old. The Babylonian literary relics were, indeed, of as great antiquity to Ashur-bani-pal as that monarch's relics are to us.

The Emperor invoked Nebo, god of wisdom and learning, to bless his "books", praying:

Forever, O Nebo, King of all heaven and earth,

Look gladly upon this Library

Of Ashur-bani-pal, his (thy) shepherd, reverencer of thy divinity.[[7]]

Mr. George Smith's expedition to Nineveh in 1873 was exceedingly fruitful of results. More tablets were discovered and translated. In the following year he returned to the ancient Assyrian city on behalf of the British Museum, and added further by his scholarly achievements to his own reputation and the world's knowledge of antiquity. His last expedition was made early in 1876; on his homeward journey he was stricken down with fever, and on 19th August he died at Aleppo in his thirty-sixth year. So was a brilliant career brought to an untimely end.

Rassam was engaged to continue Smith's great work, and between 1877 and 1882 made many notable discoveries in Assyria and Babylonia, including the bronze doors of a Shalmaneser temple, the sun temple at Sippar; the palace of the Biblical Nebuchadrezzar, which was famous for its "hanging gardens"; a cylinder of Nabonidus, King of Babylon; and about fifty thousand tablets.

M. de Sarzec, the French consul at Bassorah, began in 1877 excavations at the ancient Sumerian city of Lagash (Shirpula), and continued them until 1900. He found thousands of tablets, many has reliefs, votive statuettes, which worshippers apparently pinned on sacred shrines, the famous silver vase of King Entemena, statues of King Gudea, and various other treasures which are now in the Louvre.

The pioneer work achieved by British and French excavators stimulated interest all over the world. An expedition was sent out from the United States by the University of Pennsylvania, and began to operate at Nippur in 1888. The Germans, who have displayed great activity in the domain of philological research, are at present represented by an exploring party which is conducting the systematic exploration of the ruins of Babylon. Even the Turkish Government has encouraged research work, and its excavators have accumulated a fine collection of antiquities at Constantinople. Among the archaeologists and linguists of various nationalities who are devoting themselves to the study of ancient Assyrian and Babylonian records and literature, and gradually unfolding the story of ancient Eastern civilization, those of our own country occupy a prominent position. One of the most interesting discoveries of recent years has been new fragments of the Creation Legend by L.W. King of the British Museum, whose scholarly work, The Seven Tablets of Creation, is the standard work on the subject.

The archaeological work conducted in Persia, Asia Minor, Palestine, Cyprus, Crete, the Aegean, and Egypt has thrown, and is throwing, much light on the relations between the various civilizations of antiquity. In addition to the Hittite discoveries, with which the name of Professor Sayce will ever be associated as a pioneer, we now hear much of the hitherto unknown civilizations of Mitanni and Urartu (ancient Armenia), which contributed to the shaping of ancient history. The Biblical narratives of the rise and decline of the Hebrew kingdoms have also been greatly elucidated.

In this volume, which deals mainly with the intellectual life of the Mesopotamian peoples, a historical narrative has been provided as an appropriate setting for the myths and legends. In this connection the reader must be reminded that the chronology of the early period is still uncertain. The approximate dates which are given, however, are those now generally adopted by most European and American authorities. Early Babylonian history of the Sumerian period begins some time prior to 3000 B.C; Sargon of Akkad flourished about 2650 B.C., and Hammurabi not long before or after 2000 B.C. The inflated system of dating which places Mena of Egypt as far back as 5500 B.C. and Sargon at about 3800 B.C. has been abandoned by the majority of prominent archaeologists, the exceptions including Professor Flinders Petrie. Recent discoveries appear to support the new chronological system. "There is a growing conviction", writes Mr. Hawes, "that Cretan evidence, especially in the eastern part of the island, favours the minimum (Berlin) system of Egyptian chronology, according to which the Sixth (Egyptian) Dynasty began at c. 2540 B.C. and the Twelfth at c. 2000 B.C.[[8]] Petrie dates the beginning of the Twelfth Dynasty at c. 3400 B.C.

To students of comparative folklore and mythology the myths and legends of Babylonia present many features of engrossing interest. They are of great antiquity, yet not a few seem curiously familiar. We must not conclude, however, that because a European legend may bear resemblances to one translated from a cuneiform tablet it is necessarily of Babylonian origin. Certain beliefs, and the myths which were based upon them, are older than even the civilization of the Tigro-Euphrates valley. They belong, it would appear, to a stock of common inheritance from an uncertain cultural centre of immense antiquity. The problem involved has been referred to by Professor Frazer in the Golden Bough. Commenting on the similarities presented by certain ancient festivals in various countries, he suggests that they may be due to "a remarkable homogeneity of civilization throughout Southern Europe and Western Asia in prehistoric times. How far", he adds, "such homogeneity of civilization may be taken as evidence of homogeneity of race is a question for the ethnologist."[[9]]

In Chapter I the reader is introduced to the ethnological problem, and it is shown that the results of modern research tend to establish a remote racial connection between the Sumerians of Babylonia, the prehistoric Egyptians, and the Neolithic (Late Stone Age) inhabitants of Europe, as well as the southern Persians and the "Aryans" of India.

Comparative notes are provided in dealing with the customs, religious beliefs, and myths and legends of the Mesopotamian peoples to assist the student towards the elucidation and partial restoration of certain literary fragments from the cuneiform tablets. Of special interest in this connection are the resemblances between some of the Indian and Babylonian myths. The writer has drawn upon that "great storehouse" of ancient legends, the voluminous Indian epic, the Mahabharata, and it is shown that there are undoubted links between the Garuda eagle myths and those of the Sumerian Zu bird and the Etana eagle, while similar stories remain attached to the memories of "Sargon of Akkad" and the Indian hero Karna, and of Semiramis (who was Queen Sammu-ramat of Assyria) and Shakuntala. The Indian god Varuna and the Sumerian Ea are also found to have much in common, and it seems undoubted that the Manu fish and flood myth is a direct Babylonian inheritance, like the Yuga (Ages of the Universe) doctrine and the system of calculation associated with it. It is of interest to note, too, that a portion of the Gilgamesh epic survives in the Ramayana story of the monkey god Hanuman's search for the lost princess Sita; other relics of similar character suggest that both the Gilgamesh and Hanuman narratives are derived in part from a very ancient myth. Gilgamesh also figures in Indian mythology as Yama, the first man, who explored the way to the Paradise called "The Land of Ancestors", and over which he subsequently presided as a god. Other Babylonian myths link with those found in Egypt, Greece, Scandinavia, Iceland, and the British Isles and Ireland. The Sargon myth, for instance, resembles closely the myth of Scyld (Sceaf), the patriarch, in the Beowulf epic, and both appear to be variations of the Tammuz-Adonis story. Tammuz also resembles in one of his phases the Celtic hero Diarmid, who was slain by the "green boar" of the Earth Mother, as was Adonis by the boar form of Ares, the Greek war god.

In approaching the study of these linking myths it would be as rash to conclude that all resemblances are due to homogeneity of race as to assume that folklore and mythology are devoid of ethnological elements. Due consideration must be given to the widespread influence exercised by cultural contact. We must recognize also that the human mind has ever shown a tendency to arrive quite independently at similar conclusions, when confronted by similar problems, in various parts of the world.

But while many remarkable resemblances may be detected between the beliefs and myths and customs of widely separated peoples, it cannot be overlooked that pronounced and striking differences remain to be accounted for. Human experiences varied in localities because all sections of humanity were not confronted in ancient times by the same problems in their everyday lives. Some peoples, for instance, experienced no great difficulties regarding the food supply, which might be provided for them by nature in lavish abundance; others were compelled to wage a fierce and constant conflict against hostile forces in inhospitable environments with purpose to secure adequate sustenance and their meed of enjoyment. Various habits of life had to be adopted in various parts of the world, and these produced various habits of thought. Consequently, we find that behind all systems of primitive religion lies the formative background of natural phenomena. A mythology reflects the geography, the fauna and flora, and the climatic conditions of the area in which it took definite and permanent shape.

In Babylonia, as elsewhere, we expect, therefore, to find a mythology which has strictly local characteristics--one which mirrors river and valley scenery, the habits of life of the people, and also the various stages of progress in the civilization from its earliest beginnings. Traces of primitive thought--survivals from remotest antiquity--should also remain in evidence. As a matter of fact Babylonian mythology fulfils our expectations in this regard to the highest degree.

Herodotus said that Egypt was the gift of the Nile: similarly Babylonia may be regarded as the gift of the Tigris and Euphrates--those great shifting and flooding rivers which for long ages had been carrying down from the Armenian Highlands vast quantities of mud to thrust back the waters of the Persian Gulf and form a country capable of being utilized for human habitation. The most typical Babylonian deity was Ea, the god of the fertilizing and creative waters.

He was depicted clad in the skin of a fish, as gods in other geographical areas were depicted wearing the skins of animals which were regarded as ancestors, or hostile demons that had to be propitiated. Originally Ea appears to have been a fish--the incarnation of the spirit of, or life principle in, the Euphrates River. His centre of worship was at Eridu, an ancient seaport, where apparently the prehistoric Babylonians (the Sumerians) first began to utilize the dried-up beds of shifting streams to irrigate the soil. One of the several creation myths is reminiscent of those early experiences which produced early local beliefs:

O thou River, who didst create all things,

When the great gods dug thee out,

They set prosperity upon thy banks,

Within thee Ea, the king of the Deep, created his dwelling.[[10]]

The Sumerians observed that the land was brought into existence by means of the obstructing reeds, which caused mud to accumulate. When their minds began to be exercised regarding the origin of life, they conceived that the first human beings were created by a similar process:

Marduk (son of Ea) laid a reed upon the face of the waters,

He formed dust and poured it out beside the reed ...

He formed mankind.[[11]]

Ea acquired in time, as the divine artisan, various attributes which reflected the gradual growth of civilization: he was reputed to have taught the people how to form canals, control the rivers, cultivate the fields, build their houses, and so on.

But although Ea became a beneficent deity, as a result of the growth of civilization, he had also a demoniac form, and had to be propitiated. The worshippers of the fish god retained ancient modes of thought and perpetuated ancient superstitious practices.

The earliest settlers in the Tigro-Euphrates valley were agriculturists, like their congeners, the proto-Egyptians and the Neolithic Europeans. Before they broke away from the parent stock in its area of characterization they had acquired the elements of culture, and adopted habits of thought which were based on the agricultural mode of life. Like other agricultural communities they were worshippers of the "World Mother", the Creatrix, who was the giver of all good things, the "Preserver" and also the "Destroyer"--the goddess whose moods were reflected by natural phenomena, and whose lovers were the spirits of the seasons.

In the alluvial valley which they rendered fit for habitation the Sumerians came into contact with peoples of different habits of life and different habits of thought. These were the nomadic pastoralists from the northern steppe lands, who had developed in isolation theories regarding the origin of the Universe which reflected their particular experiences and the natural phenomena of their area of characterization. The most representative people of this class were the "Hatti" of Asia Minor, who were of Alpine or Armenoid stock. In early times the nomads were broken up into small tribal units, like Abraham and his followers, and depended for their food supply on the prowess of the males. Their chief deity was the sky and mountain god, who was the "World Father", the creator, and the wielder of the thunder hammer, who waged war against the demons of storm or drought, and ensured the food supply of his worshippers.

The fusion in Babylonia of the peoples of the god and goddess cults was in progress before the dawn of history, as was the case in Egypt and also in southern Europe. In consequence independent Pantheons came into existence in the various city States in the Tigro-Euphrates valley. These were mainly a reflection of city politics: the deities of each influential section had to receive recognition. But among the great masses of the people ancient customs associated with agriculture continued in practice, and, as Babylonia depended for its prosperity on its harvests, the force of public opinion tended, it would appear, to perpetuate the religious beliefs of the earliest settlers, despite the efforts made by conquerors to exalt the deities they introduced.

Babylonian religion was of twofold character. It embraced temple worship and private worship. The religion of the temple was the religion of the ruling class, and especially of the king, who was the guardian of the people. Domestic religion was conducted in homes, in reed huts, or in public places, and conserved the crudest superstitions surviving from the earliest times. The great "burnings" and the human sacrifices in Babylonia, referred to in the Bible, were, no doubt, connected with agricultural religion of the private order, as was also the ceremony of baking and offering cakes to the Queen of Heaven, condemned by Jeremiah, which obtained in the streets of Jerusalem and other cities. Domestic religion required no temples. There were no temples in Crete: the world was the "house" of the deity, who had seasonal haunts on hilltops, in groves, in caves, &c. In Egypt Herodotus witnessed festivals and processions which are not referred to in official inscriptions, although they were evidently practised from the earliest times.

Agricultural religion in Egypt was concentrated in the cult of Osiris and Isis, and influenced all local theologies. In Babylonia these deities were represented by Tammuz and Ishtar. Ishtar, like Isis, absorbed many other local goddesses.

According to the beliefs of the ancient agriculturists the goddess was eternal and undecaying. She was the Great Mother of the Universe and the source of the food supply. Her son, the corn god, became, as the Egyptians put it, "Husband of his Mother". Each year he was born anew and rapidly attained to manhood; then he was slain by a fierce rival who symbolized the season of pestilence-bringing and parching sun heat, or the rainy season, or wild beasts of prey. Or it might be that he was slain by his son, as Cronos was by Zeus and Dyaus by Indra. The new year slew the old year.

The social customs of the people, which had a religious basis, were formed in accordance with the doings of the deities; they sorrowed or made glad in sympathy with the spirits of nature. Worshippers also suggested by their ceremonies how the deities should act at various seasons, and thus exercised, as they believed, a magical control over them.

In Babylonia the agricultural myth regarding the Mother goddess and the young god had many variations. In one form Tammuz, like Adonis, was loved by two goddesses--the twin phases of nature--the Queen of Heaven and the Queen of Hades. It was decreed that Tammuz should spend part of the year with one goddess and part of the year with the other. Tammuz was also a Patriarch, who reigned for a long period over the land and had human offspring. After death his spirit appeared at certain times and seasons as a planet, star, or constellation. He was the ghost of the elder god, and he was also the younger god who was born each year.

In the Gilgamesh epic we appear to have a form of the patriarch legend--the story of the "culture hero" and teacher who discovered the path which led to the land of ancestral spirits. The heroic Patriarch in Egypt was Apuatu, "the opener of the ways", the earliest form of Osiris; in India he was Yama, the first man, "who searched and found out the path for many".

The King as Patriarch was regarded during life as an incarnation of the culture god: after death he merged in the god. "Sargon of Akkad" posed as an incarnation of the ancient agricultural Patriarch: he professed to be a man of miraculous birth who was loved by the goddess Ishtar, and was supposed to have inaugurated a New Age of the Universe.

The myth regarding the father who was superseded by his son may account for the existence in Babylonian city pantheons of elder and younger gods who symbolized the passive and active forces of nature.

Considering the persistent and cumulative influence exercised by agricultural religion it is not surprising to find, as has been indicated, that most of the Babylonian gods had Tammuz traits, as most of the Egyptian gods had Osirian traits. Although local or imported deities were developed and conventionalized in rival Babylonian cities, they still retained traces of primitive conceptions. They existed in all their forms--as the younger god who displaced the elder god and became the elder god, and as the elder god who conciliated the younger god and made him his active agent; and as the god who was identified at various seasons with different heavenly bodies and natural phenomena. Merodach, the god of Babylon, who was exalted as chief of the National pantheon in the Hammurabi Age, was, like Tammuz, a son, and therefore a form of Ea, a demon slayer, a war god, a god of fertility, a corn spirit, a Patriarch, and world ruler and guardian, and, like Tammuz, he had solar, lunar, astral, and atmospheric attributes. The complex characters of Merodach and Tammuz were not due solely to the monotheistic tendency: the oldest deities were of mystical character, they represented the "Self Power" of Naturalism as well as the spirit groups of Animism.

The theorizing priests, who speculated regarding the mysteries of life and death and the origin of all things, had to address the people through the medium of popular beliefs. They utilized floating myths for this purpose. As there were in early times various centres of culture which had rival pantheons, the adapted myths varied greatly. In the different forms in which they survive to us they reflect, not only aspects of local beliefs, but also grades of culture at different periods. We must not expect, however, to find that the latest form of a myth was the highest and most profound. The history of Babylonian religion is divided into periods of growth and periods of decadence. The influence of domestic religion was invariably opposed to the new and high doctrines which emanated from the priesthood, and in times of political upheaval tended to submerge them in the debris of immemorial beliefs and customs. The retrogressive tendencies of the masses were invariably reinforced by the periodic invasions of aliens who had no respect for official deities and temple creeds.

We must avoid insisting too strongly on the application of the evolution theory to the religious phenomena of a country like Babylonia.

The epochs in the intellectual life of an ancient people are not comparable to geological epochs, for instance, because the forces at work were directed by human wills, whether in the interests of progress or otherwise. The battle of creeds has ever been a battle of minds. It should be recognized, therefore, that the human element bulks as prominently in the drama of Babylon's religious history as does the prince of Denmark in the play of Hamlet. We are not concerned with the plot alone. The characters must also receive attention. Their aspirations and triumphs, their prejudices and blunders, were the billowy forces which shaped the shoreland of the story and made history.

Various aspects of Babylonian life and culture are dealt with throughout this volume, and it is shown that the growth of science and art was stimulated by unwholesome and crude superstitions. Many rank weeds flourished beside the brightest blossoms of the human intellect that wooed the sun in that fertile valley of rivers. As in Egypt, civilization made progress when wealth was accumulated in sufficient abundance to permit of a leisured class devoting time to study and research. The endowed priests, who performed temple ceremonies, were the teachers of the people and the patrons of culture. We may think little of their religious beliefs, regarding which after all we have only a superficial knowledge, for we have yet discovered little more than the fragments of the shell which held the pearl, the faded petals that were once a rose, but we must recognize that they provided inspiration for the artists and sculptors whose achievements compel our wonder and admiration, moved statesmen to inaugurate and administer humanitarian laws, and exalted Right above Might.

These civilizations of the old world, among which the Mesopotamian and the Nilotic were the earliest, were built on no unsound foundations. They made possible "the glory that was Greece and the grandeur that was Rome", and it is only within recent years that we have begun to realize how incalculable is the debt which the modern world owes to them.

Figure 2. BABYLONIA AND ASSYRIA

[[3]] Revelation, xviii. The Babylon of the Apocalypse is generally believed to symbolize or be a mystic designation of Rome.

[[4]] Nineveh and Its Remains, vol. i, p. 17.

[[5]] Ezra, iv, 10.

[[6]] The culture god.

[[7]] Langdon's Sumerian and Babylonian Psalms, p. 179.

[[8]] Crete the Forerunner of Greece, p. 18.

[[9]] The Scapegoat vol., p. 409 (3rd edition).

[[10]] The Seven Tablets of Creation, L. W. King, p. 129.

[[11]] Ibid, pp. 133-4.

Chapter I. The Races and Early Civilization of Babylonia

Abstract

Prehistoric Babylonia--The Confederacies of Sumer and Akkad--Sumerian Racial Affinities--Theories of Mongolian and Ural-Altaic Origins--Evidence of Russian Turkestan--Beginnings of Agriculture--Remarkable Proofs from Prehistoric Egyptian Graves--Sumerians and the Mediterranean Race--Present-day Types in Western Asia--The Evidence of Crania--Origin of the Akkadians--The Semitic Blend--Races in Ancient Palestine--Southward Drift of Armenoid Peoples--The Rephaims of the Bible--Akkadians attain Political Supremacy in Northern Babylonia--Influence of Sumerian Culture--Beginnings of Civilization--Progress in the Neolithic Age--Position of Women in Early Communities--Their Legal Status in Ancient Babylonia--Influence in Social and Religious Life--The "Woman's Language"--Goddess who inspired Poets.

Before the dawn of the historical period Ancient Babylonia was divided into a number of independent city states similar to those which existed in pre-Dynastic Egypt. Ultimately these were grouped into loose confederacies. The northern cities were embraced in the territory known as Akkad, and the southern in the land of Sumer, or Shumer. This division had a racial as well as a geographical significance. The Akkadians were "late comers" who had achieved political ascendency in the north when the area they occupied was called Uri, or Kiuri, and Sumer was known as Kengi. They were a people of Semitic speech with pronounced Semitic affinities. From the earliest times the sculptors depicted them with abundant locks, long full beards, and the prominent distinctive noses and full lips, which we usually associate with the characteristic Jewish type, and also attired in long, flounced robes, suspended from their left shoulders, and reaching down to their ankles. In contrast, the Sumerians had clean-shaven faces and scalps, and noses of Egyptian and Grecian rather than Semitic type, while they wore short, pleated kilts, and went about with the upper part of their bodies quite bare like the Egyptian noblemen of the Old Kingdom period. They spoke a non-Semitic language, and were the oldest inhabitants of Babylonia of whom we have any knowledge. Sumerian civilization was rooted in the agricultural mode of life, and appears to have been well developed before the Semites became numerous and influential in the land. Cities had been built chiefly of sun-dried and fire-baked bricks; distinctive pottery was manufactured with much skill; the people were governed by humanitarian laws, which formed the nucleus of the Hammurabi code, and had in use a system of cuneiform writing which was still in process of development from earlier pictorial characters. The distinctive feature of their agricultural methods was the engineering skill which was displayed in extending the cultivatable area by the construction of irrigating canals and ditches. There are also indications that they possessed some knowledge of navigation and traded on the Persian Gulf. According to one of their own traditions Eridu, originally a seaport, was their racial cradle. The Semitic Akkadians adopted the distinctive culture of these Sumerians after settlement, and exercised an influence on its subsequent growth.

Figure I.1. EXAMPLES OF RACIAL TYPES

From a drawing by E. Wallcousins

Figure I.2. STATUE OF A ROYAL PERSONAGE OR OFFICIAL OF NON-SEMITIC ORIGIN

(British Museum)

Much controversy has been waged regarding the original home of the Sumerians and the particular racial type which they represented. One theory connects them with the lank-haired and beardless Mongolians, and it is asserted on the evidence afforded by early sculptural reliefs that they were similarly oblique-eyed. As they also spoke an agglutinative language, it is suggested that they were descended from the same parent stock as the Chinese in an ancient Parthian homeland. If, however, the oblique eye was not the result of faulty and primitive art, it is evident that the Mongolian type, which is invariably found to be remarkably persistent in racial blends, did not survive in the Tigris and Euphrates valleys, for in the finer and more exact sculpture work of the later Sumerian period the eyes of the ruling classes are found to be similar to those of the Ancient Egyptians and southern Europeans. Other facial characteristics suggest that a Mongolian racial connection is highly improbable; the prominent Sumerian nose, for instance, is quite unlike the Chinese, which is diminutive. Nor can far-reaching conclusions be drawn from the scanty linguistic evidence at our disposal. Although the languages of the Sumerians and long-headed Chinese are of the agglutinative variety, so are those also which are spoken by the broad-headed Turks and Magyars of Hungary, the broad-headed and long-headed, dark and fair Finns, and the brunet and short-statured Basques with pear-shaped faces, who are regarded as a variation of the Mediterranean race with distinctive characteristics developed in isolation. Languages afford no sure indication of racial origins or affinities.

Another theory connects the Sumerians with the broad-headed peoples of the Western Asian plains and plateaus, who are vaguely grouped as Ural-Altaic stock and are represented by the present-day Turks and the dark variety of Finns. It is assumed that they migrated southward in remote times in consequence of tribal pressure caused by changing climatic conditions, and abandoned a purely pastoral for an agricultural life. The late Sumerian sculpture work again presents difficulties in this connection, for the faces and bulging occiputs suggest rather a long-headed than a broad-headed type, and the theory no longer obtains that new habits of life alter skull forms which are usually associated with other distinctive traits in the structure of skeletons. These broad-headed nomadic peoples of the Steppes are allied to Tatar stock, and distinguished from the pure Mongols by their abundance of wavy hair and beard. The fact that the Sumerians shaved their scalps and faces is highly suggestive in this connection. From the earliest times it has been the habit of most peoples to emphasize their racial characteristics so as to be able, one may suggest, to distinguish readily a friend from a foeman. At any rate this fact is generally recognized by ethnologists. The Basques, for instance, shave their pointed chins and sometimes grow short side whiskers to increase the distinctive pear-shape which is given to their faces by their prominent temples. In contrast, their neighbours, the Andalusians, grow chin whiskers to broaden their already rounded chins, and to distinguish them markedly from the Basques.[[12]] Another example of similar character is afforded in Asia Minor, where the skulls of the children of long-headed Kurds are narrowed, and those of the children of broad-headed Armenians made flatter behind as a result of systematic pressure applied by using cradle boards. In this way these rival peoples accentuate their contrasting head forms, which at times may, no doubt, show a tendency towards variation as a result of the crossment of types. When it is found, therefore, that the Sumerians, like the Ancient Egyptians, were in the habit of shaving, their ethnic affinities should be looked for among a naturally glabrous rather than a heavily-bearded people.

A Central Asiatic source for Sumerian culture has also been urged of late with much circumstantial detail. It breaks quite fresh and interesting ground. Recent scientific expeditions in Russian and Chinese Turkestan have accumulated important archaeological data which clearly establish that vast areas of desert country were at a remote period most verdurous and fruitful, and thickly populated by organized and apparently progressive communities. From these ancient centres of civilization wholesale migrations must have been impelled from time to time in consequence of the gradual encroachment of wind-distributed sand and the increasing shortage of water. At Anau in Russian Turkestan, where excavations were conducted by the Pumpelly expedition, abundant traces were found of an archaic and forgotten civilization reaching back to the Late Stone Age. The pottery is decorated with geometric designs, and resembles somewhat other Neolithic specimens found as far apart as Susa, the capital of ancient Elam, on the borders of Babylonia, Boghaz Köi in Asia Minor, the seat of Hittite administration, round the Black Sea to the north, and at points in the southern regions of the Balkan Peninsula. It is suggested that these various finds are scattered evidences of early racial drifts from the Central Asian areas which were gradually being rendered uninhabitable. Among the Copper Age artifacts at Anau are clay votive statuettes resembling those which were used in Sumeria for religious purposes. These, however, cannot be held to prove a racial connection, but they are important in so far as they afford evidence of early trade relations in a hitherto unsuspected direction, and the long distances over which cultural influence extended before the dawn of history. Further we cannot go. No inscriptions have yet been discovered to render articulate this mysterious Central Asian civilization, or to suggest the original source of early Sumerian picture writing. Nor is it possible to confirm Mr. Pumpelly's view that from the Anau district the Sumerians and Egyptians first obtained barley and wheat, and some of their domesticated animals. If, as Professor Elliot Smith believes, copper was first used by the Ancient Egyptians, it may be, on the other hand, that a knowledge of this metal reached Anau through Sumeria, and that the elements of the earlier culture were derived from the same quarter by an indirect route. The evidence obtainable in Egypt is of interest in this connection. Large quantities of food have been taken from the stomachs and intestines of sun-dried bodies which have lain in their pre-Dynastic graves for over sixty centuries. This material has been carefully examined, and has yielded, among other things, husks of barley and millet, and fragments of mammalian bones, including those, no doubt, of the domesticated sheep and goats and cattle painted on the pottery.[[13]] It is therefore apparent that at an extremely remote period a knowledge of agriculture extended throughout Egypt, and we have no reason for supposing that it was not shared by the contemporary inhabitants of Sumer.

The various theories which have been propounded regarding the outside source of Sumerian culture are based on the assumption that it commenced abruptly and full grown. Its rude beginnings cannot be traced on the banks of the Tigris and Euphrates, but although no specimens of the earliest form of picture writing have been recovered from the ruins of Sumerian and Akkadian cities, neither have any been found elsewhere. The possibility remains, therefore, that early Babylonian culture was indigenous. "A great deal of ingenuity has been displayed by many scholars", says Professor Elliot Smith, "with the object of bringing these Sumerians from somewhere else as immigrants into Sumer; but no reasons have been advanced to show that they had not been settled at the head of the Persian Gulf for long generations before they first appeared on the stage of history. The argument that no early remains have been found is futile, not only because such a country as Sumer is no more favourable to the preservation of such evidence than is the Delta of the Nile, but also upon the more general grounds that negative statements of this sort cannot be assigned a positive evidence for an immigration."[[14]] This distinguished ethnologist is frankly of opinion that the Sumerians were the congeners of the pre-Dynastic Egyptians of the Mediterranean or Brown race, the eastern branch of which reaches to India and the western to the British Isles and Ireland. In the same ancient family are included the Arabs, whose physical characteristics distinguish them from the Semites of Jewish type.

Some light may be thrown on the Sumerian problem by giving consideration to the present-day racial complexion of Western Asia. The importance of evidence of this character has been emphasized elsewhere. In Egypt, for instance, Dr. C.S. Myers has ascertained that the modern peasants have skull forms which are identical with those of their pre-Dynastic ancestors. Mr. Hawes has also demonstrated that the ancient inhabitants of Crete are still represented on that famous island. But even more remarkable is the fact that the distinctive racial type which occupied the Palaeolithic caves of the Dordogne valley in France continues to survive in their vicinity after an interval of over twenty thousand years.[[15]] It is noteworthy, therefore, to find that in south-western Asia at the present day one particular racial type predominates over all others. Professor Ripley, who summarizes a considerable mass of data in this connection, refers to it as the "Iranian", and says: "It includes the Persians and Kurds, possibly the Ossetes in the Caucasus, and farther to the east a large number of Asiatic tribes, from the Afghans to the Hindus. These peoples are all primarily long-headed and dark brunets. They incline to slenderness of habit, although varying in stature according to circumstances. In them we recognize at once undoubted congeners of our Mediterranean race in Europe. The area of their extension runs off into Africa, through the Egyptians, who are clearly of the same race. Not only the modern peoples, but the Ancient Egyptians and the Phoenicians also have been traced to the same source. By far the largest portion of this part of Western Asia is inhabited by this eastern branch of the Mediterranean race." The broad-headed type "occurs sporadically among a few ethnic remnants in Syria and Mesopotamia".[[16]] The exhaustive study of thousands of ancient crania in London and Cambridge collections has shown that Mediterranean peoples, having alien traits, the result of early admixture, were distributed between Egypt and the Punjab.[[17]] Where blending took place, the early type, apparently, continued to predominate; and it appears to be reasserting itself in our own time in Western Asia, as elsewhere. It seems doubtful, therefore, that the ancient Sumerians differed racially from the pre-Dynastic inhabitants of Egypt and the Pelasgians and Iberians of Europe. Indeed, the statuettes from Tello, the site of the Sumerian city of Lagash, display distinctively Mediterranean skull forms and faces. Some of the plump figures of the later period suggest, however, "the particular alien strain" which in Egypt and elsewhere "is always associated with a tendency to the development of fat", in contrast to "the lean and sinewy appearance of most representatives of the Brown race".[[18]] This change may be accounted for by the presence of the Semites in northern Babylonia.

Whence, then, came these invading Semitic Akkadians of Jewish type? It is generally agreed that they were closely associated with one of the early outpourings of nomadic peoples from Arabia, a country which is favourable for the production of a larger population than it is able to maintain permanently, especially when its natural resources are restricted by a succession of abnormally dry years. In tracing the Akkadians from Arabia, however, we are confronted at the outset with the difficulty that its prehistoric, and many of its present-day, inhabitants are not of the characteristic Semitic type. On the Ancient Egyptian pottery and monuments the Arabs are depicted as men who closely resembled the representatives of the Mediterranean race in the Nile valley and elsewhere. They shaved neither scalps nor faces as did the historic Sumerians and Egyptians, but grew the slight moustache and chin-tuft beard like the Libyans on the north and the majority of the men whose bodies have been preserved in pre-Dynastic graves in the Nile valley. "If", writes Professor Elliot Smith, "the generally accepted view is true, that Arabia was the original home of the Semites, the Arab must have undergone a profound change in his physical characters after he left his homeland and before he reached Babylonia." This authority is of opinion that the Arabians first migrated into Palestine and northern Syria, where they mingled with the southward-migrating Armenoid peoples from Asia Minor. "This blend of Arabs, kinsmen of the proto-Egyptians and Armenoids, would then form the big-nosed, long-bearded Semites, so familiar not only on the ancient Babylonian and Egyptian monuments, but also in the modern Jews."[[19]] Such a view is in accord with Dr. Hugo Winckler's contention that the flow of Arabian migrations was northwards towards Syria ere it swept through Mesopotamia. It can scarcely be supposed that these invasions of settled districts did not result in the fusion and crossment of racial types and the production of a sub-variety with medium skull form and marked facial characteristics.

Of special interest in this connection is the evidence afforded by Palestine and Egypt. The former country has ever been subject to periodic ethnic disturbances and changes. Its racial history has a remote beginning in the Pleistocene Age. Palaeolithic flints of Chellean and other primitive types have been found in large numbers, and a valuable collection of these is being preserved in a French museum at Jerusalem. In a northern cave fragments of rude pottery, belonging to an early period in the Late Stone Age, have been discovered in association with the bones of the woolly rhinoceros. To a later period belong the series of Gezer cave dwellings, which, according to Professor Macalister, the well-known Palestinian authority, "were occupied by a non-Semitic people of low stature, with thick skulls and showing evidence of the great muscular strength that is essential to savage life".[[20]] These people are generally supposed to be representatives of the Mediterranean race, which Sergi has found to have been widely distributed throughout Syria and a part of Asia Minor.[[21]] An interesting problem, however, is raised by the fact that, in one of the caves, there are evidences that the dead were cremated. This was not a Mediterranean custom, nor does it appear to have prevailed outside the Gezer area. If, however, it does not indicate that the kinsmen of the Ancient Egyptians came into contact with the remnants of an earlier people, it may be that the dead of a later people were burned there. The possibility that unidentified types may have contributed to the Semitic blend, however, remains. The Mediterraneans mingled in Northern Syria and Asia Minor with the broad-headed Armenoid peoples who are represented in Europe by the Alpine race. With them they ultimately formed the great Hittite confederacy. These Armenoids were moving southwards at the very dawn of Egyptian history, and nothing is known of their conquests and settlements. Their pioneers, who were probably traders, appear to have begun to enter the Delta region before the close of the Late Stone Age.[[22]] The earliest outpourings of migrating Arabians may have been in progress about the same time. This early southward drift of Armenoids might account for the presence in southern Palestine, early in the Copper Age, of the tall race referred to in the Bible as the Rephaim or Anakim, "whose power was broken only by the Hebrew invaders".[[23]] Joshua drove them out of Hebron,[[24]] in the neighbourhood of which Abraham had purchased a burial cave from Ephron, the Hittite.[[25]] Apparently a system of land laws prevailed in Palestine at this early period. It is of special interest for us to note that in Abraham's day and afterwards, the landed proprietors in the country of the Rephaim were identified with the aliens from Asia Minor--the tall variety in the Hittite confederacy.

Little doubt need remain that the Arabians during their sojourn in Palestine and Syria met with distinctive types, and if not with pure Armenoids, at any rate with peoples having Armenoid traits. The consequent multiplication of tribes, and the gradual pressure exercised by the constant stream of immigrants from Arabia and Asia Minor, must have kept this part of Western Asia in a constant state of unrest. Fresh migrations of the surplus stock were evidently propelled towards Egypt in one direction, and the valleys of the Tigris and Euphrates in another. The Semites of Akkad were probably the conquerors of the more highly civilized Sumerians, who must have previously occupied that area. It is possible that they owed their success to the possession of superior weapons. Professor Elliot Smith suggests in this connection that the Arabians had become familiar with the use of copper as a result of contact with the Egyptians in Sinai. There is no evidence, however, that the Sumerians were attacked before they had begun to make metal weapons. It is more probable that the invading nomads had superior military organization and considerable experience in waging war against detached tribal units. They may have also found some of the northern Sumerian city states at war with one another and taken advantage of their unpreparedness to resist a common enemy. The rough Dorians who overran Greece and the fierce Goths who shattered the power of Rome were similarly in a lower state of civilization than the peoples whom they subdued.

The Sumerians, however, ultimately achieved an intellectual conquest of their conquerors. Although the leaders of invasion may have formed military aristocracies in the cities which they occupied, it was necessary for the great majority of the nomads to engage their activities in new directions after settlement. The Semitic Akkadians, therefore, adopted Sumerian habits of life which were best suited for the needs of the country, and they consequently came under the spell of Sumerian modes of thought. This is shown by the fact that the native speech of ancient Sumer continued long after the dawn of history to be the language of Babylonian religion and culture, like Latin in Europe during the Middle Ages. For centuries the mingling peoples must have been bilingual, as are many of the inhabitants of Ireland, Wales, and the Scottish Highlands in the present age, but ultimately the language of the Semites became the prevailing speech in Sumer and Akkad. This change was the direct result of the conquests and the political supremacy achieved by the northern people. A considerable period elapsed, however, ere this consummation was reached and Ancient Babylonia became completely Semitized. No doubt its brilliant historical civilization owed much of its vigour and stability to the organizing genius of the Semites, but the basis on which it was established had been laid by the ingenious and imaginative Sumerians who first made the desert to blossom like the rose.

The culture of Sumer was a product of the Late Stone Age, which should not be regarded as necessarily an age of barbarism. During its vast periods there were great discoveries and great inventions in various parts of Asia, Africa, and Europe. The Neoliths made pottery and bricks; we know that they invented the art of spinning, for spindle-whorls are found even in the Gezer caves to which we have referred, while in Egypt the pre-Dynastic dead were sometimes wrapped in finely woven linen: their deftly chipped flint implements are eloquent of artistic and mechanical skill, and undoubted mathematical ability must be credited to the makers of smoothly polished stone hammers which are so perfectly balanced that they revolve on a centre of gravity. In Egypt and Babylonia the soil was tilled and its fertility increased by irrigation. Wherever man waged a struggle with Nature he made rapid progress, and consequently we find that the earliest great civilizations were rooted in the little fields of the Neolithic farmers. Their mode of life necessitated a knowledge of Nature's laws; they had to take note of the seasons and measure time. So Egypt gave us the Calendar, and Babylonia the system of dividing the week into seven days, and the day into twelve double hours.

The agricultural life permitted large communities to live in river valleys, and these had to be governed by codes of laws; settled communities required peace and order for their progress and prosperity. All great civilizations have evolved from the habits and experiences of settled communities. Law and religion were closely associated, and the evidence afforded by the remains of stone circles and temples suggests that in the organization and division of labour the influence of religious teachers was pre-eminent. Early rulers, indeed, were priest-kings --incarnations of the deity who owned the land and measured out the span of human life.

We need not assume that Neolithic man led an idyllic existence; his triumphs were achieved by slow and gradual steps; his legal codes were, no doubt, written in blood and his institutions welded in the fires of adversity. But, disciplined by laws, which fostered humanitarian ideals, Neolithic man, especially of the Mediterranean race, had reached a comparatively high state of civilization long ages before the earliest traces of his activities can be obtained. When this type of mankind is portrayed in Ancient Sumeria, Ancient Egypt, and Ancient Crete we find that the faces are refined and intellectual and often quite modern in aspect. The skulls show that in the Late Stone Age the human brain was fully developed and that the racial types were fixed. In every country in Europe we still find the direct descendants of the ancient Mediterranean race, as well as the descendants of the less highly cultured conquerors who swept westward out of Asia at the dawn of the Bronze Age; and everywhere there are evidences of crossment of types in varying degrees. Even the influence of Neolithic intellectual life still remains. The comparative study of mythology and folk beliefs reveals that we have inherited certain modes of thought from our remote ancestors, who were the congeners of the Ancient Sumerians and the Ancient Egyptians. In this connection it is of interest, therefore, to refer to the social ideals of the early peoples who met and mingled on the southern plains of the Tigris and Euphrates, and especially the position occupied by women, which is engaging so much attention at the present day.

It would appear that among the Semites and other nomadic peoples woman was regarded as the helpmate rather than the companion and equal of man. The birth of a son was hailed with joy; it was "miserable to have a daughter", as a Hindu sage reflected; in various countries it was the custom to expose female children after birth and leave them to die. A wife had no rights other than those accorded to her by her husband, who exercised over her the power of life and death. Sons inherited family possessions; the daughters had no share allotted to them, and could be sold by fathers and brothers. Among the peoples who observed "male right", social life was reflected in the conception of controlling male deities, accompanied by shadowy goddesses who were often little else than figures of speech.

The Ancient Sumerians, on the other hand, like the Mediterranean peoples of Egypt and Crete, reverenced and exalted motherhood in social and religious life. Women were accorded a legal status and marriage laws were promulgated by the State. Wives could possess private property in their own right, as did the Babylonian Sarah, wife of Abraham, who owned the Egyptian slave Hagar.[[26]] A woman received from her parents a marriage dowry, and in the event of separation from her husband she could claim its full value. Some spinsters, or wives, were accustomed to enter into business partnerships with men or members of their own sex, and could sue and be sued in courts of law. Brothers and sisters were joint heirs of the family estate. Daughters might possess property over which their fathers exercised no control: they could also enter into legal agreements with their parents in business matters, when they had attained to years of discretion. Young women who took vows of celibacy and lived in religious institutions could yet make business investments, as surviving records show. There is only one instance of a Sumerian woman ascending the throne, like Queen Hatshepsut of Egypt. Women, therefore, were not rigidly excluded from official life. Dungi II, an early Sumerian king, appointed two of his daughters as rulers of conquered cities in Syria and Elam. Similarly Shishak, the Egyptian Pharaoh, handed over the city of Gezer, which he had subdued, to his daughter, Solomon's wife.[[27]] In the religious life of ancient Sumeria the female population exercised an undoubted influence, and in certain temples there were priestesses. The oldest hymns give indication of the respect shown to women by making reference to mixed assemblies as "females and males", just as present-day orators address themselves to "ladies and gentlemen". In the later Semitic adaptations of these productions, it is significant to note, this conventional reference was altered to "male and female". If influences, however, were at work to restrict the position of women they did not meet with much success, because when Hammurabi codified existing laws, the ancient rights of women received marked recognition.

There were two dialects in ancient Sumeria, and the invocatory hymns were composed in what was known as "the women's language". It must not be inferred, however, that the ladies of Sumeria had established a speech which differed from that used by men. The reference would appear to be to a softer and homelier dialect, perhaps the oldest of the two, in which poetic emotion found fullest and most beautiful expression. In these ancient days, as in our own, the ideal of womanhood was the poet's chief source of inspiration, and among the hymns the highest reach of poetic art was attained in the invocation of Ishtar, the Babylonian Venus. The following hymn is addressed to that deity in her Valkyrie-like character as a goddess of war, but her more feminine traits are not obscured:--

HYMN TO ISHTAR

To thee I cry, O lady of the gods,

Lady of ladies, goddess without peer,

Ishtar who shapes the lives of all mankind,

Thou stately world queen, sovran of the sky,

And lady ruler of the host of heaven--

Illustrious is thy name.... O light divine,

Gleaming in lofty splendour o'er the earth--

Heroic daughter of the moon, oh! hear;

Thou dost control our weapons and award

In battles fierce the victory at will--

crown'd majestic Fate. Ishtar most high,

Who art exalted over all the gods,

Thou bringest lamentation; thou dost urge

With hostile hearts our brethren to the fray;

The gift of strength is thine for thou art strong;

Thy will is urgent, brooking no delay;

Thy hand is violent, thou queen of war

Girded with battle and enrobed with fear...

Thou sovran wielder of the wand of Doom,

The heavens and earth are under thy control.

Adored art thou in every sacred place,

In temples, holy dwellings, and in shrines,

Where is thy name not lauded? where thy will

Unheeded, and thine images not made?

Where are thy temples not upreared? O, where

Art thou not mighty, peerless, and supreme?

Anu and Bel and Ea have thee raised

To rank supreme, in majesty and pow'r,

They have established thee above the gods

And all the host of heaven... O stately queen,

At thought of thee the world is filled with fear,

The gods in heaven quake, and on the earth

All spirits pause, and all mankind bow down

With reverence for thy name.... O Lady Judge,

Thy ways are just and holy; thou dost gaze

On sinners with compassion, and each morn

Leadest the wayward to the rightful path.

Now linger not, but come! O goddess fair,

O shepherdess of all, thou drawest nigh

With feet unwearied... Thou dost break the bonds

Of these thy handmaids... When thou stoopest o'er

The dying with compassion, lo! they live;

And when the sick behold thee they are healed.

Hear me, thy servant! hearken to my pray'r,

For I am full of sorrow and I sigh

In sore distress; weeping, on thee I wait.

Be merciful, my lady, pity take

And answer, "'Tis enough and be appeased".

How long must my heart sorrow and make moan

And restless be? How long must my dark home

Be filled with mourning and my soul with grief?

O lioness of heaven, bring me peace

And rest and comfort. Hearken to my pray'r!

Is anger pity? May thine eyes look down

With tenderness and blessings, and behold

Thy servant. Oh! have mercy; hear my cry

And unbewitch me from the evil spells,

That I may see thy glory... Oh! how long

Shall these my foes pursue me, working ill,

And robbing me of joy?... Oh! how long

Shall demons compass me about and cause

Affliction without end?... I thee adore--

The gift of strength is thine and thou art strong--

The weakly are made strong, yet I am weak...

O hear me! I am glutted with my grief--

This flood of grief by evil winds distressed;

My heart hath fled me like a bird on wings,

And like the dove I moan. Tears from mine eyes

Are falling as the rain from heaven falls,

And I am destitute and full of woe.

* * * * *

What have I done that thou hast turned from me?

Have I neglected homage to my god

And thee my goddess? O deliver me

And all my sins forgive, that I may share

Thy love and be watched over in thy fold;

And may thy fold be wide, thy pen secure.

* * * * *

How long wilt thou be angry? Hear my cry,

And turn again to prosper all my ways--

O may thy wrath be crumbled and withdrawn

As by a crumbling stream. Then smite my foes,

And take away their power to work me ill,

That I may crush them. Hearken to my pray'r!

And bless me so that all who me behold

May laud thee and may magnify thy name,

While I exalt thy power over all--

Ishtar is highest! Ishtar is the queen!

Ishtar the peerless daughter of the moon!

[[12]] The Races of Europe, W.Z. Ripley, p. 203.

[[13]] The Ancient Egyptians, by Elliot Smith, p. 41 et seq.

[[14]] The Ancient Egyptians, p. 140.

[[15]] Crete the Forerunner of Greece, C. H. and H. B. Hawes, 1911, p. 23 et seq.

[[16]] The Races of Europe, W. Z. Ripley, p. 443 et seq.

[[17]] The Ancient Egyptians, pp. 144-5.

[[18]] The Ancient Egyptians, p. 114.

[[19]] The Ancient Egyptians, p. 136.

[[20]] A History of Palestine, R.A.S. Macalister, pp. 8-16.

[[21]] The Mediterranean Race (1901 trans.), G. Sergi, p. 146 et seq.

[[22]] The Ancient Egyptians, p. 130.

[[23]] A History of Civilization in Palestine, p. 20 et seq.

[[24]] Joshua, xi. 21.

[[25]] Genesis, xxiii.

[[26]] Genesis, xvi. 8, 9.

[[27]] 1 Kings, xvi. 16.

Chapter II. The Land of Rivers and the God of the Deep

Abstract

Fertility of Ancient Babylonia--Rivers, Canals, Seasons, and Climate--Early Trade and Foreign Influences--Local Religious Cults--Ea, God of the Deep, identical with Oannes of Berosus--Origin as a Sacred Fish--Compared with Brahma and Vishnu--Flood Legends in Babylonia and India--Fish Deities in Babylonia and Egypt--Fish God as a Corn God--The River as Creator--Ea an Artisan God, and links with Egypt and India--Ea as the Hebrew Jah--Ea and Varuna are Water and Sky Gods--The Babylonian Dagan and Dagon of the Philistines--Deities of Water and Harvest in Phoenicia, Greece, Rome, Scotland, Scandinavia, Ireland, and Egypt--Ea's Spouse Damkina--Demons of Ocean in Babylonia and India--Anu, God of the Sky--Enlil, Storm and War God of Nippur, like Adad, Odin, &c.--Early Gods of Babylonia and Egypt of common origin--Ea's City as Cradle of Sumerian Civilization.

Ancient Babylonia was for over four thousand years the garden of Western Asia. In the days of Hezekiah and Isaiah, when it had come under the sway of the younger civilization of Assyria on the north, it was "a land of corn and wine, a land of bread and vineyards, a land of oil olive and of honey[[28]]". Herodotus found it still flourishing and extremely fertile. "This territory", he wrote, "is of all that we know the best by far for producing grain; it is so good that it returns as much as two hundredfold for the average, and, when it bears at its best, it produces three hundredfold. The blades of the wheat and barley there grow to be full four fingers broad; and from millet and sesame seed, how large a tree grows, I know myself, but shall not record, being well aware that even what has already been said relating to the crops produced has been enough to cause disbelief in those who have not visited Babylonia[[29]]." To-day great tracts of undulating moorland, which aforetime yielded two and three crops a year, are in summer partly barren wastes and partly jungle and reedy swamp. Bedouins camp beside sandy heaps which were once populous and thriving cities, and here and there the shrunken remnants of a people once great and influential eke out precarious livings under the oppression of Turkish tax-gatherers who are scarcely less considerate than the plundering nomads of the desert.

This historic country is bounded on the east by Persia and on the west by the Arabian desert. In shape somewhat resembling a fish, it lies between the two great rivers, the Tigris and the Euphrates, 100 miles wide at its broadest part, and narrowing to 35 miles towards the "tail" in the latitude of Baghdad; the "head" converges to a point above Basra, where the rivers meet and form the Shatt-el-Arab, which pours into the Persian Gulf after meeting the Karun and drawing away the main volume of that double-mouthed river. The distance from Baghdad to Basra is about 300 miles, and the area traversed by the Shatt-el-Arab is slowly extending at the rate of a mile every thirty years or so, as a result of the steady accumulation of silt and mud carried down by the Tigris and Euphrates. When Sumeria was beginning to flourish, these two rivers had separate outlets, and Eridu, the seat of the cult of the sea god Ea, which now lies 125 miles inland, was a seaport at the head of the Persian Gulf. A day's journey separated the river mouths when Alexander the Great broke the power of the Persian Empire.

In the days of Babylonia's prosperity the Euphrates was hailed as "the soul of the land" and the Tigris as "the bestower of blessings". Skilful engineers had solved the problem of water distribution by irrigating sun-parched areas and preventing the excessive flooding of those districts which are now rendered impassable swamps when the rivers overflow. A network of canals was constructed throughout the country, which restricted the destructive tendencies of the Tigris and Euphrates and developed to a high degree their potentialities as fertilizing agencies. The greatest of these canals appear to have been anciently river beds. One, which is called Shatt en Nil to the north, and Shatt el Kar to the south, curved eastward from Babylon, and sweeping past Nippur, flowed like the letter S towards Larsa and then rejoined the river. It is believed to mark the course followed in the early Sumerian period by the Euphrates river, which has moved steadily westward many miles beyond the sites of ancient cities that were erected on its banks. Another important canal, the Shatt el Hai, crossed the plain from the Tigris to its sister river, which lies lower at this point, and does not run so fast. Where the artificial canals were constructed on higher levels than the streams which fed them, the water was raised by contrivances known as "shaddufs"; the buckets or skin bags were roped to a weighted beam, with the aid of which they were swung up by workmen and emptied into the canals. It is possible that this toilsome mode of irrigation was substituted in favourable parts by the primitive water wheels which are used in our own day by the inhabitants of the country who cultivate strips of land along the river banks.

In Babylonia there are two seasons--the rainy and the dry. Rain falls from November till March, and the plain is carpeted in spring by patches of vivid green verdure and brilliant wild flowers. Then the period of drought ensues; the sun rapidly burns up all vegetation, and everywhere the eye is wearied by long stretches of brown and yellow desert. Occasional sandstorms darken the heavens, sweeping over sterile wastes and piling up the shapeless mounds which mark the sites of ancient cities. Meanwhile the rivers are increasing in volume, being fed by the melting snows at their mountain sources far to the north. The swift Tigris, which is 1146 miles long, begins to rise early in March and reaches its highest level in May; before the end of June it again subsides. More sluggish in movement, the Euphrates, which is 1780 miles long, shows signs of rising a fortnight later than the Tigris, and is in flood for a more extended period; it does not shrink to its lowest level until early in September. By controlling the flow of these mighty rivers, preventing disastrous floods, and storing and distributing surplus water, the ancient Babylonians developed to the full the natural resources of their country, and made it--what it may once again become--one of the fairest and most habitable areas in the world. Nature conferred upon them bountiful rewards for their labour; trade and industries flourished, and the cities increased in splendour and strength. Then as now the heat was great during the long summer, but remarkably dry and unvarying, while the air was ever wonderfully transparent under cloudless skies of vivid blue. The nights were cool and of great beauty, whether in brilliant moonlight or when ponds and canals were jewelled by the lustrous displays of clear and numerous stars which glorified that homeland of the earliest astronomers.

Babylonia is a treeless country, and timber had to be imported from the earliest times. The date palm was probably introduced by man, as were certainly the vine and the fig tree, which were widely cultivated, especially in the north. Stone, suitable for building, was very scarce, and limestone, alabaster, marble, and basalt had to be taken from northern Mesopotamia, where the mountains also yield copper and lead and iron. Except Eridu, where ancient workers quarried sandstone from its sea-shaped ridge, all the cities were built of brick, an excellent clay being found in abundance. When brick walls were cemented with bitumen they were given great stability. This resinous substance is found in the north and south. It bubbles up through crevices of rocks on river banks and forms small ponds. Two famous springs at modern Hit, on the Euphrates, have been drawn upon from time immemorial. "From one", writes a traveller, "flows hot water black with bitumen, while the other discharges intermittently bitumen, or, after a rainstorm, bitumen and cold water.... Where rocks crop out in the plain above Hit, they are full of seams of bitumen."[[30]] Present-day Arabs call it "kiyara", and export it for coating boats and roofs; they also use it as an antiseptic, and apply it to cure the skin diseases from which camels suffer.

Sumeria had many surplus products, including corn and figs, pottery, fine wool and woven garments, to offer in exchange for what it most required from other countries. It must, therefore, have had a brisk and flourishing foreign trade at an exceedingly remote period. No doubt numerous alien merchants were attracted to its cities, and it may be that they induced or encouraged Semitic and other raiders to overthrow governments and form military aristocracies, so that they themselves might obtain necessary concessions and achieve a degree of political ascendancy. It does not follow, however, that the peasant class was greatly affected by periodic revolutions of this kind, which brought little more to them than a change of rulers. The needs of the country necessitated the continuance of agricultural methods and the rigid observance of existing land laws; indeed, these constituted the basis of Sumerian prosperity. Conquerors have ever sought reward not merely in spoil, but also the services of the conquered. In northern Babylonia the invaders apparently found it necessary to conciliate and secure the continued allegiance of the tillers of the soil. Law and religion being closely associated, they had to adapt their gods to suit the requirements of existing social and political organizations. A deity of pastoral nomads had to receive attributes which would give him an agricultural significance; one of rural character had to be changed to respond to the various calls of city life. Besides, local gods could not be ignored on account of their popularity. As a result, imported beliefs and religious customs must have been fused and absorbed according to their bearing on modes of life in various localities. It is probable that the complex character of certain deities was due to the process of adjustment to which they were subjected in new environments.

The petty kingdoms of Sumeria appear to have been tribal in origin. Each city was presided over by a deity who was the nominal owner of the surrounding arable land, farms were rented or purchased from the priesthood, and pasture was held in common. As in Egypt, where we find, for instance, the artisan god Ptah supreme at Memphis, the sun god Ra at Heliopolis, and the cat goddess Bast at Bubastis, the various local Sumerian and Akkadian deities had distinctive characteristics, and similarly showed a tendency to absorb the attributes of their rivals. The chief deity of a state was the central figure in a pantheon, which had its political aspect and influenced the growth of local theology. Cities, however, did not, as a rule, bear the names of deities, which suggests that several were founded when Sumerian religion was in its early animistic stages, and gods and goddesses were not sharply defined from the various spirit groups.

A distinctive and characteristic Sumerian god was Ea, who was supreme at the ancient sea-deserted port of Eridu. He is identified with the Oannes of Berosus,[[31]] who referred to the deity as "a creature endowed with reason, with a body like that of a fish, with feet below like those of a man, with a fish's tail". This description recalls the familiar figures of Egyptian gods and priests attired in the skins of the sacred animals from whom their powers were derived, and the fairy lore about swan maids and men, and the seals and other animals who could divest themselves of their "skin coverings" and appear in human shape. Originally Ea may have been a sacred fish. The Indian creative gods Brahma and Vishnu had fish forms. In Sanskrit literature Manu, the eponymous "first man", is instructed by the fish to build a ship in which to save himself when the world would be purged by the rising waters. Ea befriended in similar manner the Babylonian Noah, called Pir-napishtim, advising him to build a vessel so as to be prepared for the approaching Deluge. Indeed the Indian legend appears to throw light on the original Sumerian conception of Ea. It relates that when the fish was small and in danger of being swallowed by other fish in a stream it appealed to Manu for protection. The sage at once lifted up the fish and placed it in a jar of water. It gradually increased in bulk, and he transferred it next to a tank and then to the river Ganges. In time the fish complained to Manu that the river was too small for it, so he carried it to the sea. For these services the god in fish form instructed Manu regarding the approaching flood, and afterwards piloted his ship through the weltering waters until it rested on a mountain top.[[32]]

If this Indian myth is of Babylonian origin, as appears probable, it may be that the spirit of the river Euphrates, "the soul of the land", was identified with a migrating fish. The growth of the fish suggests the growth of the river rising in flood. In Celtic folk tales high tides and valley floods are accounted for by the presence of a "great beast" in sea, loch, or river. In a class of legends, "specially connected with the worship of Atargatis", wrote Professor Robertson Smith, "the divine life of the waters resides in the sacred fish that inhabit them. Atargatis and her son, according to a legend common to Hierapolis and Ascalon, plunged into the waters--in the first case the Euphrates, in the second the sacred pool at the temple near the town--and were changed into fishes". The idea is that "where a god dies, that is, ceases to exist in human form, his life passes into the waters where he is buried; and this again is merely a theory to bring the divine water or the divine fish into harmony with anthropomorphic ideas. The same thing was sometimes effected in another way by saying that the anthropomorphic deity was born from the water, as Aphrodite sprang from sea foam, or as Atargatis, in another form of the Euphrates legend, ... was born of an egg which the sacred fishes found in the Euphrates and pushed ashore."[[33]]

As "Shar Apsi", Ea was the "King of the Watery Deep". The reference, however, according to Jastrow, "is not to the salt ocean, but the sweet waters flowing under the earth which feed the streams, and through streams and canals irrigate the fields".[[34]] As Babylonia was fertilized by its rivers, Ea, the fish god, was a fertilizing deity. In Egypt the "Mother of Mendes" is depicted carrying a fish upon her head; she links with Isis and Hathor; her husband is Ba-neb-Tettu, a form of Ptah, Osiris, and Ra, and as a god of fertility he is symbolized by the ram. Another Egyptian fish deity was the god Rem, whose name signifies "to weep"; he wept fertilizing tears, and corn was sown and reaped amidst lamentations. He may be identical with Remi, who was a phase of Sebek, the crocodile god, a developed attribute of Nu, the vague primitive Egyptian deity who symbolized the primordial deep. The connection between a fish god and a corn god is not necessarily remote when we consider that in Babylonia and Egypt the harvest was the gift of the rivers.

The Euphrates, indeed, was hailed as a creator of all that grew on its banks.

O thou River who didst create all things,

When the great gods dug thee out,

They set prosperity upon thy banks,

Within thee Ea, the King of the Deep, created his dwelling...

Thou judgest the cause of mankind!

O River, thou art mighty! O River, thou art supreme!

O River, thou art righteous![[35]]

In serving Ea, the embodiment or the water spirit, by leading him, as the Indian Manu led the Creator and "Preserver" in fish form, from river to water pot, water pot to pond or canal, and then again to river and ocean, the Babylonians became expert engineers and experienced agriculturists, the makers of bricks, the builders of cities, the framers of laws. Indeed, their civilization was a growth of Ea worship. Ea was their instructor. Berosus states that, as Oannes, he lived in the Persian Gulf, and every day came ashore to instruct the inhabitants of Eridu how to make canals, to grow crops, to work metals, to make pottery and bricks, and to build temples; he was the artisan god--Nun-ura, "god of the potter"; Kuski-banda, "god of goldsmiths", &c.--the divine patron of the arts and crafts. "Ea knoweth everything", chanted the hymn maker. He taught the people how to form and use alphabetic signs and instructed them in mathematics: he gave them their code of laws. Like the Egyptian artisan god Ptah, and the linking deity Khnumu, Ea was the "potter or moulder of gods and man". Ptah moulded the first man on his potter's wheel: he also moulded the sun and moon; he shaped the universe and hammered out the copper sky. Ea built the world "as an architect builds a house".[[36]] Similarly the Vedic Indra, who wielded a hammer like Ptah, fashioned the universe after the simple manner in which the Aryans made their wooden dwellings.[[37]]

Like Ptah, Ea also developed from an artisan god into a sublime Creator in the highest sense, not merely as a producer of crops. His word became the creative force; he named those things he desired to be, and they came into existence. "Who but Ea creates things", exclaimed a priestly poet. This change from artisan god to creator (Nudimmud) may have been due to the tendency of early religious cults to attach to their chief god the attributes of rivals exalted at other centres.

Ea, whose name is also rendered Aa, was identified with Ya, Ya'u, or Au, the Jah of the Hebrews. "In Ya-Daganu, 'Jah is Dagon'", writes Professor Pinches, "we have the elements reversed, showing a wish to identify Jah with Dagon, rather than Dagon with Jah; whilst another interesting name, Au-Aa, shows an identification of Jah with Aa, two names which have every appearance of being etymologically connected." Jah's name "is one of the words for 'god' in the Assyro-Babylonian language".[[38]]

Ea was "Enki", "lord of the world", or "lord of what is beneath"; Amma-ana-ki, "lord of heaven and earth"; Sa-kalama, "ruler of the land", as well as Engur, "god of the abyss", Naqbu, "the deep", and Lugal-ida, "king of the river". As rain fell from "the waters above the firmament", the god of waters was also a sky and earth god.

The Indian Varuna was similarly a sky as well as an ocean god before the theorizing and systematizing Brahmanic teachers relegated him to a permanent abode at the bottom of the sea. It may be that Ea-Oannes and Varuna were of common origin.

Another Babylonian deity, named Dagan, is believed to be identical with Ea. His worship was certainly of great antiquity. "Hammurabi", writes Professor Pinches, "seems to speak of the Euphrates as being 'the boundary of Dagan', whom he calls his creator. In later inscriptions the form Daguna, which approaches nearer to the West Semitic form (Dagon of the Philistines), is found in a few personal names.[[39]]

It is possible that the Philistine deity Dagon was a specialized form of ancient Ea, who was either imported from Babylonia or was a sea god of more than one branch of the Mediterranean race. The authorities are at variance regarding the form and attributes of Dagan. Our knowledge regarding him is derived mainly from the Bible. He was a national rather than a city god. There are references to a Beth-dagon[[40]], "house or city of Dagon"; he had also a temple at Gaza, and Samson destroyed it by pulling down the two middle pillars which were its main support.[[41]] A third temple was situated in Ashdod. When the captured ark of the Israelites was placed in it the image of Dagon "fell on his face", with the result that "the head of Dagon and both the palms of his hands were cut off upon the threshold; only the stump of Dagon was left".[[42]] A further reference to "the threshold of Dagon" suggests that the god had feet like Ea-Oannes. Those who hold that Dagon had a fish form derive his name from the Semitic "dag = a fish", and suggest that after the idol fell only the fishy part (dāgo) was left. On the other hand, it was argued that Dagon was a corn god, and that the resemblance between the words Dagan and Dagon are accidental. Professor Sayce makes reference in this connection to a crystal seal from Phoenicia in the Ashmolean Museum, Oxford, bearing an inscription which he reads as Baal-dagon. Near the name is an ear of corn, and other symbols, such as the winged solar disc, a gazelle, and several stars, but there is no fish. It may be, of course, that Baal-dagon represents a fusion of deities. As we have seen in the case of Ea-Oannes and the deities of Mendes, a fish god may also be a corn god, a land animal god and a god of ocean and the sky. The offering of golden mice representing "your mice that mar the land",[[43]] made by the Philistines, suggests that Dagon was the fertilizing harvest god, among other things, whose usefulness had been impaired, as they believed, by the mistake committed of placing the ark of Israel in the temple at Ashdod. The Philistines came from Crete, and if their Dagon was imported from that island, he may have had some connection with Poseidon, whose worship extended throughout Greece. This god of the sea, who is somewhat like the Roman Neptune, carried a lightning trident and caused earthquakes. He was a brother of Zeus, the sky and atmosphere deity, and had bull and horse forms. As a horse he pursued Demeter, the earth and corn goddess, and, like Ea, he instructed mankind, but especially in the art of training horses. In his train were the Tritons, half men, half fishes, and the water fairies, the Nereids. Bulls, boars, and rams were offered to this sea god of fertility. Amphitrite was his spouse.

An obscure god Shony, the Oannes of the Scottish Hebrides, received oblations from those who depended for their agricultural prosperity on his gifts of fertilizing seaweed. He is referred to in Martin's Western Isles, and is not yet forgotten. The Eddic sea god Njord of Noatun was the father of Frey, the harvest god. Dagda, the Irish corn god, had for wife Boann, the goddess of the river Boyne. Osiris and Isis of Egypt were associated with the Nile. The connection between agriculture and the water supply was too obvious to escape the early symbolists, and many other proofs of this than those referred to could be given.

Ea's "faithful spouse" was the goddess Damkina, who was also called Nin-ki, "lady of the earth". "May Ea make thee glad", chanted the priests. "May Damkina, queen of the deep, illumine thee with her countenance; may Merodach (Marduk), the mighty overseer of the Igigi (heavenly spirits), exalt thy head." Merodach was their son: in time he became the Bel, or "Lord", of the Babylonian pantheon.

Like the Indian Varuna, the sea god, Ea-Oannes had control over the spirits and demons of the deep. The "ferryman" who kept watch over the river of death was called Arad-Ea, "servant of Ea". There are also references to sea maidens, the Babylonian mermaids, or Nereids. We have a glimpse of sea giants, which resemble the Indian Danavas and Daityas of ocean, in the chant:

Seven are they, seven are they,

In the ocean deep seven are they,

Battening in heaven seven are they,

Bred in the depths of ocean....

Of these seven the first is the south wind,

The second a dragon with mouth agape....[[44]]

A suggestion of the Vedic Vritra and his horde of monsters.

These seven demons were also "the messengers of Anu", who, although specialized as a sky god in more than one pantheon, appears to have been closely associated with Ea in the earliest Sumerian period. His name, signifying "the high one", is derived from "ana", "heaven"; he was the city god of Erech (Uruk). It is possible that he was developed as an atmospheric god with solar and lunar attributes. The seven demons, who were his messengers, recall the stormy Maruts, the followers of Indra. They are referred to as

Forcing their way with baneful windstorms,

Mighty destroyers, the deluge of the storm god,

Stalking at the right hand of the storm god.[[45]]

When we deal with a deity in his most archaic form it is difficult to distinguish him from a demon. Even the beneficent Ea is associated with monsters and furies. "Evil spirits", according to a Babylonian chant, were "the bitter venom of the gods". Those attached to a deity as "attendants" appear to represent the original animistic group from which he evolved. In each district the character of the deity was shaped to accord with local conditions.

At Nippur, which was situated on the vague and shifting boundary line between Sumer and Akkad, the chief god was Enlil, whose name is translated "lord of mist", "lord of might", and "lord of demons" by various authorities. He was a storm god and a war god, and "lord of heaven and earth", like Ea and Anu. An atmospheric deity, he shares the attributes of the Indian Indra, the thunder and rain god, and Vayu, the wind god; he also resembles the Semitic Adad or Rimman, who links with the Hittite Tarku. All these are deities of tempest and the mountains--Wild Huntsmen in the Raging Host. The name of Enlil's temple at Nippur has been translated as "mountain house", or "like a mountain", and the theory obtained for a time that the god must therefore have been imported by a people from the hills. But as the ideogram for "mountain" and "land" was used in the earliest times, as King shows, with reference to foreign countries,[[46]] it is more probable that Enlil was exalted as a world god who had dominion over not only Sumer and Akkad, but also the territories occupied by the rivals and enemies of the early Babylonians.

Enlil is known as the "older Bel" (lord), to distinguish him from Bel Merodach of Babylon. He was the chief figure in a triad in which he figured as earth god, with Anu as god of the sky and Ea as god of the deep. This classification suggests that Nippur had either risen in political importance and dominated the cities of Erech and Eridu, or that its priests were influential at the court of a ruler who was the overlord of several city states.

Associated with Bel Enlil was Beltis, later known as "Beltu--the lady". She appears to be identical with the other great goddesses, Ishtar, Nana, Zerpanitum, &c., a "Great Mother", or consort of an early god with whom she was equal in power and dignity.

In the later systematized theology of the Babylonians we seem to trace the fragments of a primitive mythology which was vague in outline, for the deities were not sharply defined, and existed in groups. Enneads were formed in Egypt by placing a local god at the head of a group of eight elder deities. The sun god Ra was the chief figure of the earliest pantheon of this character at Heliopolis, while at Hermopolis the leader was the lunar god Thoth. Professor Budge is of opinion that "both the Sumerians and the early Egyptians derived their primeval gods from some common but exceedingly ancient source", for he finds in the Babylonian and Nile valleys that there is a resemblance between two early groups which "seems to be too close to be accidental".[[47]]

The Egyptian group comprises four pairs of vague gods and goddesses--Nu and his consort Nut, Hehu and his consort Hehut, Kekui and his consort Kekuit, and Kerh and his consort Kerhet. "Man always has fashioned", he says, "and probably always will fashion, his god or gods in his own image, and he has always, having reached a certain stage in development, given to his gods wives and offspring; but the nature of the position taken by the wives of the gods depends upon the nature of the position of women in the households of those who write the legends and the traditions of the gods. The gods of the oldest company in Egypt were, the writer believes, invented by people in whose households women held a high position, and among whom they possessed more power than is usually the case with Oriental peoples."[[48]]

We cannot say definitely what these various deities represent. Nu was the spirit of the primordial deep, and Nut of the waters above the heavens, the mother of moon and sun and the stars. The others were phases of light and darkness and the forces of nature in activity and repose.

Nu is represented in Babylonian mythology by Apsu-Rishtu, and Nut by Mummu-Tiamat or Tiawath; the next pair is Lachmu and Lachamu, and the third, Anshar and Kishar. The fourth pair is missing, but the names of Anu and Ea (as Nudimmud) are mentioned in the first tablet of the Creation series, and the name of a third is lost. Professor Budge thinks that the Assyrian editors substituted the ancient triad of Anu, Ea, and Enlil for the pair which would correspond to those found in Egypt. Originally the wives of Anu and Ea may have made up the group of eight primitive deities.

There can be little doubt but that Ea, as he survives to us, is of later characterization than the first pair of primitive deities who symbolized the deep. The attributes of this beneficent god reflect the progress, and the social and moral ideals of a people well advanced in civilization. He rewarded mankind for the services they rendered to him; he was their leader and instructor; he achieved for them the victories over the destructive forces of nature. In brief, he was the dragon slayer, a distinction, by the way, which was attached in later times to his son Merodach, the Babylonian god, although Ea was still credited with the victory over the dragon's husband.

When Ea was one of the pre-Babylonian group--the triad of Bel-Enlil, Anu, and Ea--he resembled the Indian Vishnu, the Preserver, while Bel-Enlil resembled Shiva, the Destroyer, and Anu, the father, supreme Brahma, the Creator and Father of All, the difference in exact adjustment being due, perhaps, to Sumerian political conditions.

Ea, as we have seen, symbolized the beneficence of the waters; their destructive force was represented by Tiamat or Tiawath, the dragon, and Apsu, her husband, the arch-enemy of the gods. We shall find these elder demons figuring in the Babylonian Creation myth, which receives treatment in a later chapter.

The ancient Sumerian city of Eridu, which means "on the seashore", was invested with great sanctity from the earliest times, and Ea, the "great magician of the gods", was invoked by workers of spells, the priestly magicians of historic Babylonia. Excavations have shown that Eridu was protected by a retaining wall of sandstone, of which material many of its houses were made. In its temple tower, built of brick, was a marble stairway, and evidences have been forthcoming that in the later Sumerian period the structure was lavishly adorned. It is referred to in the fragments of early literature which have survived as "the splendid house, shady as the forest", that "none may enter". The mythological spell exercised by Eridu in later times suggests that the civilization of Sumeria owed much to the worshippers of Ea. At the sacred city the first man was created: there the souls of the dead passed towards the great Deep. Its proximity to the sea--Ea was Nin-bubu, "god of the sailor"--may have brought it into contact with other peoples and other early civilizations. Like the early Egyptians, the early Sumerians may have been in touch with Punt (Somaliland), which some regard as the cradle of the Mediterranean race. The Egyptians obtained from that sacred land incense-bearing trees which had magical potency. In a fragmentary Babylonian charm there is a reference to a sacred tree or bush at Eridu. Professor Sayce has suggested that it is the Biblical "Tree of Life" in the Garden of Eden. His translations of certain vital words, however, is sharply questioned by Mr. R. Campbell Thompson of the British Museum, who does not accept the theory.[[49]] It may be that Ea's sacred bush or tree is a survival of tree and water worship.

If Eridu was not the "cradle" of the Sumerian race, it was possibly the cradle of Sumerian civilization. Here, amidst the shifting rivers in early times, the agriculturists may have learned to control and distribute the water supply by utilizing dried-up beds of streams to irrigate the land. Whatever successes they achieved were credited to Ea, their instructor and patron; he was Nadimmud, "god of everything".

[[28]] 2 Kings, xviii, 32.

[[29]] Herodotus, i, 193.

[[30]] Peter's Nippur, i, p. 160.

[[31]] A Babylonian priest of Bel Merodach. In the third century a.c. he composed in Greek a history of his native land, which has perished. Extracts from it are given by Eusebius, Josephus, Apollodorus, and others.

[[32]] Indian Myth and Legend, pp. 140, 141.

[[33]] The Religion of the Semites, pp. 159, 160.

[[34]] Religion of Babylonia and Assyria, M. Jastrow, p. 88.

[[35]] The Seven Tablets of Creation, L.W. King, vol. i, p. 129.

[[36]] Religious Belief in Babylonia and Assyria, M. Jastrow, p. 88.

[[37]] Cosmology of the Rigveda, Wallis, and Indian Myth and Legend, p. 10.

[[38]] The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia, T.G. Pinches, pp. 59-61.

[[39]] The Religion of Babylonia and Assyria, T.G. Pinches, pp. 91, 92.

[[40]] Joshua, xv, 41; xix, 27.

[[41]] Judges, xvi, 14.

[[42]] I Sam., v, 1-9.

[[43]] I Sam., vi, 5.

[[44]] The Devils and Evil Spirits of Babylonia, R. Campbell Thompson, London, 1903, vol. i, p. xlii.

[[45]] The Devils and Evil Spirits of Babylonia, R. C. Thompson, vol. i, p. xliii.

[[46]] A History of Sumer and Akkad, L. W. King, p. 54.

[[47]] The Gods of the Egyptians, E. Wallis Budge, vol. i, p. 290.

[[48]] The Gods of the Egyptians, vol. i, p. 287.

[[49]] The Devils and Evil Spirits of Babylonia, vol. i, Intro. See also Sayce's The Religion of Ancient Egypt and Babylonia (Gifford Lectures, 1902), p. 385, and Pinches' The Old Testament in the Light of Historical Records, &c., p. 71.

Chapter III. Rival Pantheons and Representative Deities

Abstract

Why Different Gods were Supreme at Different Centres--Theories regarding Origin of Life--Vital Principle in Water--Creative Tears of Weeping Deities--Significance of widespread Spitting Customs--Divine Water in Blood and Divine Blood in Water--Liver as the Seat of Life--Inspiration derived by Drinking Mead, Blood, &c.--Life Principle in Breath--Babylonian Ghosts as "Evil Wind Gusts"--Fire Deities--Fire and Water in Magical Ceremonies--Moon Gods of Ur and Harran--Moon Goddess and Babylonian "Jack and Jill"--Antiquity of Sun Worship--Tammuz and Ishtar--Solar Gods of War, Pestilence, and Death--Shamash as the "Great Judge"--His Mitra Name--Aryan Mitra or Mithra and linking Babylonian Deities--Varuna and Shamash Hymns compared--The Female Origin of Life--Goddesses of Maternity--The Babylonian Thor--Deities of Good and Evil.

In dealing with the city cults of Sumer and Akkad, consideration must be given to the problems involved by the rival mythological systems. Pantheons not only varied in detail, but were presided over by different supreme gods. One city's chief deity might be regarded as a secondary deity at another centre. Although Ea, for instance, was given first place at Eridu, and was so pronouncedly Sumerian in character, the moon god Nannar remained supreme at Ur, while the sun god, whose Semitic name was Shamash, presided at Larsa and Sippar. Other deities were similarly exalted in other states.

As has been indicated, a mythological system must have been strongly influenced by city politics. To hold a community in sway, it was necessary to recognize officially the various gods worshipped by different sections, so as to secure the constant allegiance of all classes to their rulers. Alien deities were therefore associated with local and tribal deities, those of the nomads with those of the agriculturists, those of the unlettered folks with those of the learned people. Reference has been made to the introduction of strange deities by conquerors. But these were not always imposed upon a community by violent means. Indications are not awanting that the worshippers of alien gods were sometimes welcomed and encouraged to settle in certain states. When they came as military allies to assist a city folk against a fierce enemy, they were naturally much admired and praised, honoured by the women and the bards, and rewarded by the rulers.

In the epic of Gilgamesh, the Babylonian Hercules, we meet with Ea-bani, a Goliath of the wilds, who is entreated to come to the aid of the besieged city of Erech when it seemed that its deities were unable to help the people against their enemies.

The gods of walled-round Erech

To flies had turned and buzzed in the streets;

The winged bulls of walled-round Erech

Were turned to mice and departed through the holes.

Ea-bani was attracted to Erech by the gift of a fair woman for wife. The poet who lauded him no doubt mirrored public opinion. We can see the slim, shaven Sumerians gazing with wonder and admiration on their rough heroic ally.

All his body was covered with hair,

His locks were like a woman's,

Thick as corn grew his abundant hair.

He was a stranger to the people and in that land.

Clad in a garment like Gira, the god,

He had eaten grass with the gazelles,

He had drunk water with savage beasts.

His delight was to be among water dwellers.

Like the giant Alban, the eponymous ancestor of a people who invaded prehistoric Britain, Ea-bani appears to have represented in Babylonian folk legends a certain type of foreign settlers in the land. No doubt the city dwellers, who were impressed by the prowess of the hairy and powerful warriors, were also ready to acknowledge the greatness of their war gods, and to admit them into the pantheon. The fusion of beliefs which followed must have stimulated thought and been productive of speculative ideas. "Nowhere", remarks Professor Jastrow, "does a high form of culture arise without the commingling of diverse ethnic elements."

We must also take into account the influence exercised by leaders of thought like En-we-dur-an-ki, the famous high priest of Sippar, whose piety did much to increase the reputation of the cult of Shamesh, the sun god. The teachings and example of Buddha, for instance, revolutionized Brahmanic religion in India.

A mythology was an attempt to solve the riddle of the Universe, and to adjust the relations of mankind with the various forces represented by the deities. The priests systematized existing folk beliefs and established an official religion. To secure the prosperity of the State, it was considered necessary to render homage unto whom homage was due at various seasons and under various circumstances.

The religious attitude of a particular community, therefore, must have been largely dependent on its needs and experiences. The food supply was a first consideration. At Eridu, as we have seen, it was assured by devotion to Ea and obedience to his commands as an instructor. Elsewhere it might happen, however, that Ea's gifts were restricted or withheld by an obstructing force--the raging storm god, or the parching, pestilence-bringing deity of the sun. It was necessary, therefore, for the people to win the favour of the god or goddess who seemed most powerful, and was accordingly considered to be the greatest in a particular district. A rain god presided over the destinies of one community, and a god of disease and death over another; a third exalted the war god, no doubt because raids were frequent and the city owed its strength and prosperity to its battles and conquests. The reputation won by a particular god throughout Babylonia would depend greatly on the achievements of his worshippers and the progress of the city civilization over which he presided. Bel-Enlil's fame as a war deity was probably due to the political supremacy of his city of Nippur; and there was probably good reason for attributing to the sun god a pronounced administrative and legal character; he may have controlled the destinies of exceedingly well organized communities in which law and order and authority were held in high esteem.

In accounting for the rise of distinctive and rival city deities, we should also consider the influence of divergent conceptions regarding the origin of life in mingled communities. Each foreign element in a community had its own intellectual life and immemorial tribal traditions, which reflected ancient habits of life and perpetuated the doctrines of eponymous ancestors. Among the agricultural classes, the folk religion which entered so intimately into their customs and labours must have remained essentially Babylonish in character. In cities, however, where official religions were formulated, foreign ideas were more apt to be imposed, especially when embraced by influential teachers. It is not surprising, therefore, to find that in Babylonia, as in Egypt, there were differences of opinion regarding the origin of life and the particular natural element which represented the vital principle.

One section of the people, who were represented by the worshippers of Ea, appear to have believed that the essence of life was contained in water. The god of Eridu was the source of the "water of life". He fertilized parched and sunburnt wastes through rivers and irrigating canals, and conferred upon man the sustaining "food of life". When life came to an end--

Food of death will be offered thee...

Water of death will be offered thee...

Offerings of water and food were made to the dead so that the ghosts might be nourished and prevented from troubling the living. Even the gods required water and food; they were immortal because they had drunk ambrosia and eaten from the plant of life. When the goddess Ishtar was in the Underworld, the land of the dead, the servant of Ea exclaimed--

"Hail! lady, may the well give me of its waters, so that I may drink."

The goddess of the dead commanded her servant to "sprinkle the lady Ishtar with the water of life and bid her depart". The sacred water might also be found at a confluence of rivers. Ea bade his son, Merodach, to "draw water from the mouth of two streams", and "on this water to put his pure spell".

The worship of rivers and wells which prevailed in many countries was connected with the belief that the principle of life was in moisture. In India, water was vitalized by the intoxicating juice of the Soma plant, which inspired priests to utter prophecies and filled their hearts with religious fervour. Drinking customs had originally a religious significance. It was believed in India that the sap of plants was influenced by the moon, the source of vitalizing moisture and the hiding-place of the mead of the gods. The Teutonic gods also drank this mead, and poets were inspired by it. Similar beliefs obtained among various peoples. Moon and water worship were therefore closely associated; the blood of animals and the sap of plants were vitalized by the water of life and under control of the moon.

The body moisture of gods and demons had vitalizing properties. When the Indian creator, Prajápati, wept at the beginning, "that (the tears) which fell into the water became the air. That which he wiped away, upwards, became the sky."[[50]] The ancient Egyptians believed that all men were born from the eyes of Horus except negroes, who came from other parts of his body.[[51]] The creative tears of Ra, the sun god, fell as shining rays upon the earth. When this god grew old saliva dripped from his mouth, and Isis mixed the vitalizing moisture with dust, and thus made the serpent which bit and paralysed the great solar deity.[[52]]

Other Egyptian deities, including Osiris and Isis, wept creative tears. Those which fell from the eyes of the evil gods produced poisonous plants and various baneful animals. Orion, the Greek giant, sprang from the body moisture of deities. The weeping ceremonies in connection with agricultural rites were no doubt believed to be of magical potency; they encouraged the god to weep creative tears.

Ea, the god of the deep, was also "lord of life" (Enti), "king of the river" (Lugal-ida), and god of creation (Nudimmud). His aid was invoked by means ot magical formulae. As the "great magician of the gods" he uttered charms himself, and was the patron of all magicians. One spell runs as follows:

I am the sorcerer priest of Ea...

To revive the ... sick man

The great lord Ea hath sent me;

He hath added his pure spell to mine,

He hath added his pure voice to mine,

He hath added his pure spittle to mine.

R.C. Thompson's Translation.

Saliva, like tears, had creative and therefore curative qualities; it also expelled and injured demons and brought good luck. Spitting ceremonies are referred to in the religious literature of Ancient Egypt. When the Eye of Ra was blinded by Set, Thoth spat in it to restore vision. The sun god Tum, who was linked with Ra as Ra-Tum, spat on the ground, and his saliva became the gods Shu and Tefnut. In the Underworld the devil serpent Apep was spat upon to curse it, as was also its waxen image which the priests fashioned.[[53]]

Several African tribes spit to make compacts, declare friendship, and to curse.

Park, the explorer, refers in his Travels to his carriers spitting on a flat stone to ensure a good journey. Arabian holy men and descendants of Mohammed spit to cure diseases. Mohammed spat in the mouth of his grandson Hasen soon after birth. Theocritus, Sophocles, and Plutarch testify to the ancient Grecian customs of spitting to cure and to curse, and also to bless when children were named. Pliny has expressed belief in the efficacy of the fasting spittle for curing disease, and referred to the custom of spitting to avert witchcraft. In England, Scotland, and Ireland spitting customs are not yet obsolete. North of England boys used to talk of "spitting their sauls" (souls). When the Newcastle colliers held their earliest strikes they made compacts by spitting on a stone. There are still "spitting stones" in the north of Scotland. When bargains are made in rural districts, hands are spat upon before they are shaken. The first money taken each day by fishwives and other dealers is spat upon to ensure increased drawings. Brand, who refers to various spitting customs, quotes Scot's Discovery of Witchcraft regarding the saliva cure for king's evil, which is still, by the way, practised in the Hebrides. Like Pliny, Scot recommended ceremonial spitting as a charm against witchcraft.[[54]] In China spitting to expel demons is a common practice. We still call a hasty person a "spitfire", and a calumniator a "spit-poison".

The life principle in trees, &c., as we have seen, was believed to have been derived from the tears of deities. In India sap was called the "blood of trees", and references to "bleeding trees" are still widespread and common. "Among the ancients", wrote Professor Robertson Smith, "blood is generally conceived as the principle or vehicle of life, and so the account often given of sacred waters is that the blood of the deity flows in them. Thus as Milton writes:

Smooth Adonis from his native rock

Ran purple to the sea, supposed with blood

Of Thammuz yearly wounded.

Paradise Lost, i, 450.

The ruddy colour which the swollen river derived from the soil at a certain season was ascribed to the blood of the god, who received his death wound in Lebanon at that time of the year, and lay buried beside the sacred source."[[55]]

In Babylonia the river was regarded as the source of the life blood and the seat of the soul. No doubt this theory was based on the fact that the human liver contains about a sixth of the blood in the body, the largest proportion required by any single organ. Jeremiah makes "Mother Jerusalem" exclaim: "My liver is poured upon the earth for the destruction of the daughter of my people", meaning that her life is spent with grief.

Inspiration was derived by drinking blood as well as by drinking intoxicating liquors--the mead of the gods. Indian magicians who drink the blood of the goat sacrificed to the goddess Kali, are believed to be temporarily possessed by her spirit, and thus enabled to prophesy.[[56]] Malayan exorcists still expel demons while they suck the blood from a decapitated fowl.[[57]]

Similar customs were prevalent in Ancient Greece. A woman who drank the blood of a sacrificed lamb or bull uttered prophetic sayings.[[58]]

But while most Babylonians appear to have believed that the life principle was in blood, some were apparently of opinion that it was in breath--the air of life. A man died when he ceased to breathe; his spirit, therefore, it was argued, was identical with the atmosphere--the moving wind--and was accordingly derived from the atmospheric or wind god. When, in the Gilgamesh epic, the hero invokes the dead Ea-bani, the ghost rises up like a "breath of wind". A Babylonian charm runs:

The gods which seize on men

Came forth from the grave;

The evil wind gusts

Have come forth from the grave,

To demand payment of rites and the pouring out of libations

They have come forth from the grave;

All that is evil in their hosts, like a whirlwind,

Hath come forth from the grave.[[59]]

The Hebrew "nephesh ruach" and "neshamah" (in Arabic "ruh" and "nefs") pass from meaning "breath" to "spirit".[[60]] In Egypt the god Khnumu was "Kneph" in his character as an atmospheric deity. The ascendancy of storm and wind gods in some Babylonian cities may have been due to the belief that they were the source of the "air of life". It is possible that this conception was popularized by the Semites. Inspiration was perhaps derived from these deities by burning incense, which, if we follow evidence obtained elsewhere, induced a prophetic trance. The gods were also invoked by incense. In the Flood legend the Babylonian Noah burned incense. "The gods smelled a sweet savour and gathered like flies over the sacrificer." In Egypt devotees who inhaled the breath of the Apis bull were enabled to prophesy.

In addition to water and atmospheric deities Babylonia had also its fire gods, Girru, Gish Bar, Gibil, and Nusku. Their origin is obscure. It is doubtful if their worshippers, like those of the Indian Agni, believed that fire, the "vital spark", was the principle of life which was manifested by bodily heat. The Aryan fire worshippers cremated their dead so that the spirits might be transferred by fire to Paradise. This practice, however, did not obtain among the fire worshippers of Persia, nor, as was once believed, in Sumer or Akkad either. Fire was, however, used in Babylonia for magical purposes. It destroyed demons, and put to flight the spirits of disease. Possibly the fire-purification ceremonies resembled those which were practised by the Canaanites, and are referred to in the Bible. Ahaz "made his son to pass through the fire, according to the abominations of the heathen".[[61]] Ezekiel declared that "when ye offer your gifts, when ye make your sons to pass through the fire, ye pollute yourselves with all your idols".[[62]] In Leviticus it is laid down: "Thou shalt not let any of thy seed pass through the fire to Moloch".[[63]] It may be that in Babylonia the fire-cleansing ceremony resembled that which obtained at Beltane (May Day) in Scotland, Germany, and other countries. Human sacrifices might also have been offered up as burnt offerings. Abraham, who came from the Sumerian city of Ur, was prepared to sacrifice Isaac, Sarah's first-born. The fire gods of Babylonia never achieved the ascendancy of the Indian Agni; they appear to have resembled him mainly in so far as he was connected with the sun. Nusku, like Agni, was also the "messenger of the gods". When Merodach or Babylon was exalted as chief god of the pantheon his messages were carried to Ea by Nusku. He may have therefore symbolized the sun rays, for Merodach had solar attributes. It is possible that the belief obtained among even the water worshippers of Eridu that the sun and moon, which rose from the primordial deep, had their origin in the everlasting fire in Ea's domain at the bottom of the sea. In the Indian god Varuna's ocean home an "Asura fire" (demon fire) burned constantly; it was "bound and confined", but could not be extinguished. Fed by water, this fire, it was believed, would burst forth at the last day and consume the universe.[[64]] A similar belief can be traced in Teutonic mythology. The Babylonian incantation cult appealed to many gods, but "the most important share in the rites", says Jastrow, "are taken by fire and water--suggesting, therefore, that the god of water--more particularly Ea--and the god of fire ... are the chief deities on which the ritual itself hinges". In some temples there was a bit rimki, a "house of washing", and a bit nuri, a "house of light".[[65]]

Figure III.1. WORSHIP OF THE MOON GOD

Cylinder-Seal ol Khashkhamer, Patesi of Ishkun-Sin (in North Babylonia), and vassal of Ur-Engur, King of Ur. (c. 2400 B.C.) (British Museum)

Figure III.2. WINGED MAN-HEADED LION

In Marble. From N.W. Palace of Nimroud: now in the British Museum

It is possible, of course, that fire was regarded as the vital principle by some city cults, which were influenced by imported ideas. If so, the belief never became prevalent. The most enduring influence in Babylonian religion was the early Sumerian; and as Sumerian modes of thought were the outcome of habits of life necessitated by the character of the country, they were bound, sooner or later, to leave a deep impress on the minds of foreign peoples who settled in the Garden of Western Asia. It is not surprising, therefore, to find that imported deities assumed Babylonian characteristics, and were identified or associated with Babylonian gods in the later imperial pantheon.

Moon worship appears to have been as ancient as water worship, with which, as we have seen, it was closely associated. It was widely prevalent throughout Babylonia. The chief seat of the lunar deity, Nannar or Sin, was the ancient city of Ur, from which Abraham migrated to Harran, where the "Baal" (the lord) was also a moon god. Ur was situated in Sumer, in the south, between the west bank of the Euphrates and the low hills bordering the Arabian desert, and not far distant from sea-washed Eridu. No doubt, like that city, it had its origin at an exceedingly remote period. At any rate, the excavations conducted there have afforded proof that it flourished in the prehistoric period.

As in Arabia, Egypt, and throughout ancient Europe and elsewhere, the moon god of Sumeria was regarded as the "friend of man". He controlled nature as a fertilizing agency; he caused grass, trees, and crops to grow; he increased flocks and herds, and gave human offspring. At Ur he was exalted above Ea as "the lord and prince of the gods, supreme in heaven, the Father of all"; he was also called "great Anu", an indication that Anu, the sky god, had at one time a lunar character. The moon god was believed to be the father of the sun god: he was the "great steer with mighty horns and perfect limbs".

His name Sin is believed to be a corruption of "Zu-ena", which signifies "knowledge lord".[[66]] Like the lunar Osiris of Egypt, he was apparently an instructor of mankind; the moon measured time and controlled the seasons; seeds were sown at a certain phase of the moon, and crops were ripened by the harvest moon. The mountains of Sinai and the desert of Sin are called after this deity.

As Nannar, which Jastrow considers to be a variation of "Narnar", the "light producer", the moon god scattered darkness and reduced the terrors of night. His spirit inhabited the lunar stone, so that moon and stone worship were closely associated; it also entered trees and crops, so that moon worship linked with earth worship, as both linked with water worship.

The consort of Nannar was Nin-Uruwa, "the lady of Ur", who was also called Nin-gala. She links with Ishtar as Nin, as Isis of Egypt linked with other mother deities. The twin children of the moon were Mashu and Mashtu, a brother and sister, like the lunar girl and boy of Teutonic mythology immortalized in nursery rhymes as Jack and Jill.

Sun worship was of great antiquity in Babylonia, but appears to have been seasonal in its earliest phases. No doubt the sky god Anu had his solar as well as his lunar attributes, which he shared with Ea. The spring sun was personified as Tammuz, the youthful shepherd, who was loved by the earth goddess Ishtar and her rival Eresh-ki-gal, goddess of death, the Babylonian Persephone. During the winter Tammuz dwelt in Hades, and at the beginning of spring Ishtar descended to search for him among the shades.[[67]] But the burning summer sun was symbolized as a destroyer, a slayer of men, and therefore a war god. As Ninip or Nirig, the son of Enlil, who was made in the likeness of Anu, he waged war against the earth spirits, and was furiously hostile towards the deities of alien peoples, as befitted a god of battle. Even his father feared him, and when he was advancing towards Nippur, sent out Nusku, messenger of the gods, to soothe the raging deity with soft words. Ninip was symbolized as a wild bull, was connected with stone worship, like the Indian destroying god Shiva, and was similarly a deity of Fate. He had much in common with Nin-Girsu, a god of Lagash, who was in turn regarded as a form of Tammuz.

Nergal, another solar deity, brought disease and pestilence, and, according to Jensen, all misfortunes due to excessive heat. He was the king of death, husband of Eresh-ki-gal, queen of Hades. As a war god he thirsted for human blood, and was depicted as a mighty lion. He was the chief deity of the city of Cuthah, which, Jastrow suggests, was situated beside a burial place of great repute, like the Egyptian Abydos.

The two great cities of the sun in ancient Babylonia were the Akkadian Sippar and the Sumerian Larsa. In these the sun god, Shamash or Babbar, was the patron deity. He was a god of Destiny, the lord of the living and the dead, and was exalted as the great Judge, the lawgiver, who upheld justice; he was the enemy of wrong, he loved righteousness and hated sin, he inspired his worshippers with rectitude and punished evildoers. The sun god also illumined the world, and his rays penetrated every quarter: he saw all things, and read the thoughts of men; nothing could be concealed from Shamash. One of his names was Mitra, like the god who was linked with Varuna in the Indian Rigveda. These twin deities, Mitra and Varuna, measured out the span of human life. They were the source of all heavenly gifts: they regulated sun and moon, the winds and waters, and the seasons.[[68]]

These did the gods establish in royal power over themselves, because they were wise and the children of wisdom, and because they excelled in power.--Prof. Arnold's trans. of Rigvedic Hymn.

Mitra and Varuna were protectors of hearth and home, and they chastised sinners. "In a striking passage of the Mahabharata" says Professor Moulton, "one in which Indian thought comes nearest to the conception of conscience, a kingly wrongdoer is reminded that the sun sees secret sin."[[69]]

In Persian mythology Mitra, as Mithra, is the patron of Truth, and "the Mediator" between heaven and earth[[70]]. This god was also worshipped by the military aristocracy of Mitanni, which held sway for a period over Assyria. In Roman times the worship of Mithra spread into Europe from Persia. Mithraic sculptures depict the deity as a corn god slaying the harvest bull; on one of the monuments "cornstalks instead of blood are seen issuing from the wound inflicted with the knife[[71]]". The Assyrian word "metru" signifies rain[[70]]. As a sky god Mitra may have been associated, like Varuna, with the waters above the firmament. Rain would therefore be gifted by him as a fertilizing deity. In the Babylonian Flood legend it is the sun god Shamash who "appointed the time" when the heavens were to "rain destruction" in the night, and commanded Pir-napishtim, "Enter into the midst of thy ship and shut thy door". The solar deity thus appears as a form of Anu, god of the sky and upper atmosphere, who controls the seasons and the various forces of nature. Other rival chiefs of city pantheons, whether lunar, atmospheric, earth, or water deities, were similarly regarded as the supreme deities who ruled the Universe, and decreed when man should receive benefits or suffer from their acts of vengeance.

It is possible that the close resemblances between Mithra and Mitra of the Aryan-speaking peoples of India and the Iranian plateau, and the sun god of the Babylonians--the Semitic Shamash, the Sumerian Utu--were due to early contact and cultural influence through the medium of Elam. As a solar and corn god, the Persian Mithra links with Tammuz, as a sky and atmospheric deity with Anu, and as a god of truth, righteousness, and law with Shamash. We seem to trace in the sublime Vedic hymns addressed by the Indian Aryans to Mitra and Varuna the impress of Babylonian religious thought:

Whate'er exists within this earth, and all within the sky,

Yea, all that is beyond, King Varuna perceives....

Rigveda, iv, 16.[[72]]

O Varuna, whatever the offence may be

That we as men commit against the heavenly folk,

When through our want of thought we violate thy laws,

Chastise us not, O god, for that iniquity.

Rigveda, vii, 89.[[73]]

Shamash was similarly exalted in Babylonian hymns:

The progeny of those who deal unjustly will not prosper.

What their mouth utters in thy presence

Thou wilt destroy, what issues from their mouth thou wilt dissipate.

Thou knowest their transgressions, the plan of the wicked thou rejectest.

All, whoever they be, are in thy care....

He who takes no bribe, who cares for the oppressed,

Is favoured by Shamash,--his life shall be prolonged.[[74]]

The worshippers of Varuna and Mitra in the Punjab did not cremate their dead like those who exalted the rival fire god Agni. The grave was the "house of clay", as in Babylonia. Mitra, who was identical with Yama, ruled over departed souls in the "Land of the Pitris" (Fathers), which was reached by crossing the mountains and the rushing stream of death.[[75]] As we have seen, the Babylonian solar god Nergal was also the lord of the dead.

As Ma-banda-anna, "the boat of the sky", Shamash links with the Egyptian sun god Ra, whose barque sailed over the heavens by day and through the underworld of darkness and death during the night. The consort of Shamash was Aa, and his attendants were Kittu and Mesharu, "Truth" and "Righteousness".

Like the Hittites, the Babylonians had also a sun goddess: her name was Nin-sun, which Jastrow renders "the annihilating lady". At Erech she had a shrine in the temple of the sky god Anu.

We can trace in Babylonia, as in Egypt, the early belief that life in the Universe had a female origin. Nin-sun links with Ishtar, whose Sumerian name is Nana. Ishtar appears to be identical with the Egyptian Hathor, who, as Sekhet, slaughtered the enemies of the sun god Ra. She was similarly the goddess of maternity, and is depicted in this character, like Isis and other goddesses of similar character, suckling a babe. Another Babylonian lady of the gods was Ama, Mama, or Mami, "the creatress of the seed of mankind", and was "probably so called as the 'mother' of all things".[[76]]

A characteristic atmospheric deity was Ramman, the Rimmon of the Bible, the Semitic Addu, Adad, Hadad, or Dadu. He was not a presiding deity in any pantheon, but was identified with Enlil at Nippur. As a hammer god, he was imported by the Semites from the hills. He was a wind and thunder deity, a rain bringer, a corn god, and a god of battle like Thor, Jupiter, Tarku, Indra, and others, who were all sons of the sky.

In this brief review of the representative deities of early Babylonia, it will be seen that most gods link with Anu, Ea, and Enlil, whose attributes they symbolized in various forms. The prominence accorded to an individual deity depended on local conditions, experiences, and influences. Ceremonial practices no doubt varied here and there, but although one section might exalt Ea and another Shamash, the religious faith of the people as a whole did not differ to any marked extent; they served the gods according to their lights, so that life might be prolonged and made prosperous, for the land of death and "no return" was regarded as a place of gloom and misery.

When the Babylonians appear before us in the early stages of the historical period they had reached that stage of development set forth so vividly in the Orations of Isocrates: "Those of the gods who are the source to us of good things have the title of Olympians; those whose department is that of calamities and punishments have harsher titles: to the first class both private persons and states erect altars and temples; the second is not worshipped either with prayers or burnt sacrifices, but in their case we perform ceremonies of riddance".[[77]]

The Sumerians, like the Ancient Egyptians, developed their deities, who reflected the growth of culture, from vague spirit groups, which, like ghosts, were hostile to mankind. Those spirits who could be propitiated were exalted as benevolent deities; those who could not be bargained with were regarded as evil gods and goddesses. A better understanding of the character of Babylonian deities will therefore be obtained by passing the demons and evil spirits under review.

[[50]] Indian Myth and Legend, p. 100.

[[51]] Maspero's Dawn of Civilization, p. 156 et seq.

[[52]] Egyptian Myth and Legend, p. I et seq. The saliva of the frail and elderly was injurious.

[[53]] Osiris and the Egyptian Resurrection, E. Wallis Budge, vol. ii, p. 203 et seq.

[[54]] Brana's Popular Antiquities, vol. iii, pp. 259-263 (1889 ed.).

[[55]] The Religion of the Semites, pp. 158, 159.

[[56]] Castes and Tribes of Southern India, E. Thurston, iv, 187.

[[57]] Omens and Superstitions of Southern India, E. Thurston (1912), pp. 245, 246.

[[58]] Pausanias, ii, 24, 1.

[[59]] Devils and Evil Spirits of Babylonia, R.C. Thompson, vol. ii, tablet Y.

[[60]] Animism, E. Clodd, p. 37.

[[61]] 2 Kings, xvi, 3.

[[62]] Ezekiel, xx, 31.

[[63]] Leviticus, xviii, 21.

[[64]] Indian Myth and Legend, p. 65.

[[65]] Religious Belief in Babylonia and Assyria, M. Jastrow, pp. 312, 313.

[[66]] The Religion of Babylonia and Assyria, T.G. Pinches, p. 81.

[[67]] In early times two goddesses searched for Tammuz at different periods.

[[68]] Indian Myth and Legend, p. 30.

[[69]] Early Religious Poetry of Persia, p. 35.

[[70]] Early Religious Poetry of Persia, p. 37.

[[71]] The Golden Bough (Spirits of the Corn and Wild, vol. ii, p. 10), 3rd edition.

[[72]] Indian Wisdom, Sir Monier Monier-Williams.

[[73]] A History of Sanskrit Literature, Professor Macdonell.

[[74]] Religious Belief and Practice in Babylonia and Assyria, M. Jastrow, pp. 111, 112.

[[75]] Indian Myth and Legend, pp. xxxii, and 38 et seq.

[[76]] The Religion of Babylonia and Assyria, T.G. Pinches, p. 94.

[[77]] The Religion of Ancient Greece, J.E. Harrison, p. 46, and Isoc. Orat., v, 117

Chapter IV. Demons, Fairies, and Ghosts

Abstract

Spirits in Everything and Everywhere--The Bringers of Luck and Misfortune--Germ Theory Anticipated--Early Gods indistinguishable from Demons--Repulsive form of Ea--Spirit Groups as Attendants of Deities--Egyptian, Indian, Greek, and Germanic parallels--Elder Gods as Evil Gods--Animal Demons--The Babylonian "Will-o'-the-Wisp"--"Foreign Devils"--Elves and Fairies--Demon Lovers--"Adam's first wife, Lilith"--Children Charmed against Evil Spirits--The Demon of Nightmare--Ghosts as Enemies of the Living--The Vengeful Dead Mother in Babylonia, India, Europe, and Mexico--Burial Contrast--Calling Back the Dead--Fate of Childless Ghosts--Religious Need for Offspring--Hags and Giants and Composite Monsters--Tempest Fiends--Legend of Adapa and the Storm Demon--Wind Hags of Ancient Britain--Tyrolese Storm Maidens--Zu Bird Legend and Indian Garuda Myth--Legend of the Eagle and the Serpent--The Snake Mother Goddess--Demons and the Moon God--Plague Deities--Classification of Spirits, and Egyptian, Arabian, and Scottish parallels--Traces of Progress from Animism to Monotheism.

The memorable sermon preached by Paul to the Athenians when he stood "in the midst of Mars' hill", could have been addressed with equal appropriateness to the ancient Sumerians and Akkadians. "I perceive", he declared, "that in all things ye are too superstitious.... God that made the world and all things therein, seeing that he is Lord of heaven and earth, dwelleth not in temples made with hands; neither is worshipped with men's hands as though he needed any thing, seeing he giveth to all life, and breath, and all things ... for in him we live, and move, and have our being; as certain also of your own poets have said, For we are also his offspring. Forasmuch then as we are the offspring of God, we ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and man's device."[[78]]

Babylonian temples were houses of the gods in the literal sense; the gods were supposed to dwell in them, their spirits having entered into the graven images or blocks of stone. It is probable that like the Ancient Egyptians they believed a god had as many spirits as he had attributes. The gods, as we have said, appear to have evolved from early spirit groups. All the world swarmed with spirits, which inhabited stones and trees, mountains and deserts, rivers and ocean, the air, the sky, the stars, and the sun and moon. The spirits controlled Nature: they brought light and darkness, sunshine and storm, summer and winter; they were manifested in the thunderstorm, the sandstorm, the glare of sunset, and the wraiths of mist rising from the steaming marshes. They controlled also the lives of men and women. The good spirits were the source of luck. The bad spirits caused misfortunes, and were ever seeking to work evil against the Babylonian. Darkness was peopled by demons and ghosts of the dead. The spirits of disease were ever lying in wait to clutch him with cruel invisible hands.

Some modern writers, who are too prone to regard ancient peoples from a twentieth-century point of view, express grave doubts as to whether "intelligent Babylonians" really believed that spirits came down in the rain and entered the soil to rise up before men's eyes as stalks of barley or wheat. There is no reason for supposing that they thought otherwise. The early folks based their theories on the accumulated knowledge of their age. They knew nothing regarding the composition of water or the atmosphere, of the cause of thunder and lightning, or of the chemical changes effected in soils by the action of bacteria. They attributed all natural phenomena to the operations of spirits or gods. In believing that certain demons caused certain diseases, they may be said to have achieved distinct progress, for they anticipated the germ theory. They made discoveries, too, which have been approved and elaborated in later times when they lit sacred fires, bathed in sacred waters, and used oils and herbs to charm away spirits of pestilence. Indeed, many folk cures, which were originally associated with magical ceremonies, are still practised in our own day. They were found to be effective by early observers, although they were unable to explain why and how cures were accomplished, like modern scientific investigators.

In peopling the Universe with spirits, the Babylonians, like other ancient folks, betrayed that tendency to symbolize everything which has ever appealed to the human mind. Our painters and poets and sculptors are greatest when they symbolize their ideals and ideas and impressions, and by so doing make us respond to their moods. Their "beauty and their terror are sublime". But what may seem poetic to us, was invariably a grim reality to the Babylonians. The statue or picture was not merely a work of art but a manifestation of the god or demon. As has been said, they believed that the spirit of the god inhabited the idol; the frown of the brazen image was the frown of the wicked demon. They entertained as much dread of the winged and human-headed bulls guarding the entrance to the royal palace as do some of the Arab workmen who, in our own day, assist excavators to rescue them from sandy mounds in which they have been hidden for long centuries.

When an idol was carried away from a city by an invading army, it was believed that the god himself had been taken prisoner, and was therefore unable any longer to help his people.

In the early stages of Sumerian culture, the gods and goddesses who formed groups were indistinguishable from demons. They were vaguely defined, and had changing shapes. When attempts were made to depict them they were represented in many varying forms. Some were winged bulls or lions with human heads; others had even more remarkable composite forms. The "dragon of Babylon", for instance, which was portrayed on walls of temples, had a serpent's head, a body covered with scales, the fore legs of a lion, hind legs of an eagle, and a long wriggling serpentine tail. Ea had several monster forms. The following description of one of these is repulsive enough:--

The head is the head of a serpent,

From his nostrils mucus trickles,

His mouth is beslavered with water;

The ears are like those of a basilisk,

His horns are twisted into three curls,

He wears a veil in his head band,

The body is a suh-fish full of stars,

The base of his feet are claws,

The sole of his foot has no heel,

His name is Sassu-wunnu,

A sea monster, a form of Ea.

R.C. Thompson's Translation.[[79]]

Even after the gods were given beneficent attributes to reflect the growth of culture, and were humanized, they still retained many of their savage characteristics. Bel Enlil and his fierce son, Nergal, were destroyers of mankind; the storm god desolated the land; the sky god deluged it with rain; the sea raged furiously, ever hungering for human victims; the burning sun struck down its victims; and the floods played havoc with the dykes and houses of human beings. In Egypt the sun god Ra was similarly a "producer of calamity", the composite monster god Sokar was "the lord of fear".[[80]] Osiris in prehistoric times had been "a dangerous god", and some of the Pharaohs sought protection against him in the charms inscribed in their tombs.[[81]] The Indian Shiva, "the Destroyer", in the old religious poems has also primitive attributes of like character.

The Sumerian gods never lost their connection with the early spirit groups. These continued to be represented by their attendants, who executed a deity's stern and vengeful decrees. In one of the Babylonian charms the demons are referred to as "the spleen of the gods"--the symbols of their wrathful emotions and vengeful desires. Bel Enlil, the air and earth god, was served by the demons of disease, "the beloved sons of Bel", which issued from the Underworld to attack mankind. Nergal, the sulky and ill-tempered lord of death and destruction, who never lost his demoniac character, swept over the land, followed by the spirits of pestilence, sunstroke, weariness, and destruction. Anu, the sky god, had "spawned" at creation the demons of cold and rain and darkness. Even Ea and his consort, Damkina, were served by groups of devils and giants, which preyed upon mankind in bleak and desolate places when night fell. In the ocean home of Ea were bred the "seven evil spirits" of tempest--the gaping dragon, the leopard which preyed upon children, the great Beast, the terrible serpent, &c.

In Indian mythology Indra was similarly followed by the stormy Maruts, and fierce Rudra by the tempestuous Rudras. In Teutonic mythology Odin is the "Wild Huntsman in the Raging Host". In Greek mythology the ocean furies attend upon fickle Poseidon. Other examples of this kind could be multiplied.

As we have seen (Chapter II) the earliest group of Babylonian deities consisted probably of four pairs of gods and goddesses as in Egypt. The first pair was Apsu-Rishtu and Tiamat, who personified the primordial deep. Now the elder deities in most mythologies--the "grandsires" and "grandmothers" and "fathers" and "mothers"--are ever the most powerful and most vengeful. They appear to represent primitive "layers" of savage thought. The Greek Cronos devours even his own children, and, as the late Andrew Lang has shown, there are many parallels to this myth among primitive peoples in various parts of the world.

Lang regarded the Greek survival as an example of "the conservatism of the religious instinct".[[82]] The grandmother of the Teutonic deity Tyr was a fierce giantess with nine hundred heads; his father was an enemy of the gods. In Scotland the hag-mother of winter and storm and darkness is the enemy of growth and all life, and she raises storms to stop the grass growing, to slay young animals, and prevent the union of her son with his fair bride. Similarly the Babylonian chaos spirits, Apsu and Tiamat, the father and mother of the gods, resolve to destroy their offspring, because they begin to set the Universe in order. Tiamat, the female dragon, is more powerful than her husband Apsu, who is slain by his son Ea. She summons to her aid the gods of evil, and creates also a brood of monsters--serpents, dragons, vipers, fish men, raging hounds, &c.--so as to bring about universal and enduring confusion and evil. Not until she is destroyed can the beneficent gods establish law and order and make the earth habitable and beautiful.

But although Tiamat was slain, the everlasting battle between the forces of good and evil was ever waged in the Babylonian world. Certain evil spirits were let loose at certain periods, and they strove to accomplish the destruction of mankind and his works. These invisible enemies were either charmed away by performing magical ceremonies, or by invoking the gods to thwart them and bind them.

Other spirits inhabited the bodies of animals and were ever hovering near. The ghosts of the dead and male and female demons were birds, like the birds of Fate which sang to Siegfried. When the owl raised its melancholy voice in the darkness the listener heard the spirit of a departed mother crying for her child. Ghosts and evil spirits wandered through the streets in darkness; they haunted empty houses; they fluttered through the evening air as bats; they hastened, moaning dismally, across barren wastes searching for food or lay in wait for travellers; they came as roaring lions and howling jackals, hungering for human flesh. The "shedu" was a destructive bull which might slay man wantonly or as a protector of temples. Of like character was the "lamassu", depicted as a winged bull with human head, the protector of palaces; the "alu" was a bull-like demon of tempest, and there were also many composite, distorted, or formless monsters which were vaguely termed "seizers" or "overthrowers", the Semitic "labashu" and "ach-chazu", the Sumerian "dimmea" and "dimme-kur". A dialectic form of "gallu" or devil was "mulla". Professor Pinches thinks it not improbable that "mulla" may be connected with the word "mula", meaning "star", and suggests that it referred to a "will-o'-the-wisp".[[83]] In these islands, according to an old rhyme,

Some call him Robin Good-fellow,

Hob-goblin, or mad Crisp,

And some againe doe tearme him oft

By name of Will the Wisp.

Other names are "Kitty", "Peg", and "Jack with a lantern". "Poor Robin" sang:

I should indeed as soon expect

That Peg-a-lantern would direct

Me straightway home on misty night

As wand'ring stars, quite out of sight.

In Shakespeare's Tempest[[84]] a sailor exclaims: "Your fairy, which, you say, is a harmless fairy, has done little better than played the Jack with us". Dr. Johnson commented that the reference was to "Jack with a lantern". Milton wrote also of the "wandering fire",

Which oft, they say, some evil spirit attends,

Hovering and blazing with delusive light,

Misleads th' amaz'd night wand'rer from his way

To bogs and mires, and oft through pond or pool;

There swallowed up and lost from succour far.[[85]]

"When we stick in the mire", sang Drayton, "he doth with laughter leave us." These fires were also "fallen stars", "death fires", and "fire drakes":

So have I seen a fire drake glide along

Before a dying man, to point his grave,

And in it stick and hide.[[86]]

Pliny referred to the wandering lights as stars.[[87]] The Sumerian "mulla" was undoubtedly an evil spirit. In some countries the "fire drake" is a bird with gleaming breast: in Babylonia it assumed the form of a bull, and may have had some connection with the bull of lshtar. Like the Indian "Dasyu" and "Dasa",[[88]] Gallu was applied in the sense of "foreign devil" to human and superhuman adversaries of certain monarchs. Some of the supernatural beings resemble our elves and fairies and the Indian Rakshasas. Occasionally they appear in comely human guise; at other times they are vaguely monstrous. The best known of this class is Lilith, who, according to Hebrew tradition, preserved in the Talmud, was the demon lover of Adam. She has been immortalized by Dante Gabriel Rossetti:

Of Adam's first wife Lilith, it is told

(The witch he loved before the gift of Eve)

That, ere the snake's, her sweet tongue could deceive,

And her enchanted hair was the first gold.

And still she sits, young while the earth is old,

And, subtly of herself contemplative,

Draws men to watch the bright web she can weave,

Till heart and body and life are in its hold.

The rose and poppy are her flowers; for where

Is he not found, O Lilith, whom shed scent

And soft shed kisses and soft sleep shall snare?

Lo! as that youth's eyes burned at thine, so went

Thy spell through him, and left his straight neck bent

And round his heart one strangling golden hair.

Lilith is the Babylonian Lilithu, a feminine form of Lilu, the Sumerian Lila. She resembles Surpanakha of the Ramayana, who made love to Rama and Lakshmana, and the sister of the demon Hidimva, who became enamoured of Bhima, one of the heroes of the Mahabharata,[[89]] and the various fairy lovers of Europe who lured men to eternal imprisonment inside mountains, or vanished for ever when they were completely under their influence, leaving them demented. The elfin Lilu similarly wooed young women, like the Germanic Laurin of the "Wonderful Rose Garden",[[90]] who carried away the fair lady Kunhild to his underground dwelling amidst the Tyrolese mountains, or left them haunting the place of their meetings, searching for him in vain:

A savage place! as holy and enchanted

As ere beneath the waning moon was haunted

By woman wailing for her demon lover...

His flashing eyes, his floating hair!

Weave a circle round him thrice,

And close your eyes with holy dread,

For he on honey dew hath fed

And drunk the milk of Paradise.

Coleridge's Kubla Khan.

Another materializing spirit of this class was Ardat Lili, who appears to have wedded human beings like the swan maidens, the mermaids, and Nereids of the European folk tales, and the goddess Ganga, who for a time was the wife of King Shantanu of the Mahabharata.[[91]]

The Labartu, to whom we have referred, was a female who haunted mountains and marshes; like the fairies and hags of Europe, she stole or afflicted children, who accordingly had to wear charms round their necks for protection. Seven of these supernatural beings were reputed to be daughters of Anu, the sky god.

The Alu, a storm deity, was also a spirit which caused nightmare. It endeavoured to smother sleepers like the Scandinavian hag Mara, and similarly deprived them of power to move. In Babylonia this evil spirit might also cause sleeplessness or death by hovering near a bed. In shape it might be as horrible and repulsive as the Egyptian ghosts which caused children to die from fright or by sucking out the breath of life.

As most representatives of the spirit world were enemies of the living, so were the ghosts of dead men and women. Death chilled all human affections; it turned love to hate; the deeper the love had been, the deeper became the enmity fostered by the ghost. Certain ghosts might also be regarded as particularly virulent and hostile if they happened to have left the body of one who was ceremonially impure. The most terrible ghost in Babylonia was that of a woman who had died in childbed. She was pitied and dreaded; her grief had demented her; she was doomed to wail in the darkness; her impurity clung to her like poison. No spirit was more prone to work evil against mankind, and her hostility was accompanied by the most tragic sorrow. In Northern India the Hindus, like the ancient Babylonians, regard as a fearsome demon the ghost of a woman who died while pregnant, or on the day of the child's birth.[[92]] A similar belief prevailed in Mexico. In Europe there are many folk tales of dead mothers who return to avenge themselves on the cruel fathers of neglected children.

A sharp contrast is presented by the Mongolian Buriats, whose outlook on the spirit world is less gloomy than was that of the ancient Babylonians. According to Mr. Jeremiah Curtin, this interesting people are wont to perform a ceremony with purpose to entice the ghost to return to the dead body--a proceeding which is dreaded in the Scottish Highlands.[[93]] The Buriats address the ghost, saying: "You shall sleep well. Come back to your natural ashes. Take pity on your friends. It is necessary to live a real life. Do not wander along the mountains. Do not be like bad spirits. Return to your peaceful home.... Come back and work for your children. How can you leave the little ones?" If it is a mother, these words have great effect; sometimes the spirit moans and sobs, and the Buriats tell that there have been instances of it returning to the body.[[94]] In his Arabia Deserta[[95]] Doughty relates that Arab women and children mock the cries of the owl. One explained to him: "It is a wailful woman seeking her lost child; she has become this forlorn bird". So do immemorial beliefs survive to our own day.

The Babylonian ghosts of unmarried men and women and of those without offspring were also disconsolate night wanderers. Others who suffered similar fates were the ghosts of men who died in battle far from home and were left unburied, the ghosts of travellers who perished in the desert and were not covered over, the ghosts of drowned men which rose from the water, the ghosts of prisoners starved to death or executed, the ghosts of people who died violent deaths before their appointed time. The dead required to be cared for, to have libations poured out, to be fed, so that they might not prowl through the streets or enter houses searching for scraps of food and pure water. The duty of giving offerings to the dead was imposed apparently on near relatives. As in India, it would appear that the eldest son performed the funeral ceremony: a dreadful fate therefore awaited the spirit of the dead Babylonian man or woman without offspring. In Sanskrit literature there is a reference to a priest who was not allowed to enter Paradise, although he had performed rigid penances, because he had no children.[[96]]

There were hags and giants of mountain and desert, of river and ocean. Demons might possess the pig, the goat, the horse, the lion, or the ibis, the raven, or the hawk. The seven spirits of tempest, fire, and destruction rose from the depths of ocean, and there were hosts of demons which could not be overcome or baffled by man without the assistance of the gods to whom they were hostile. Many were sexless; having no offspring, they were devoid of mercy and compassion. They penetrated everywhere:

The high enclosures, the broad enclosures, like a flood

they pass through,

From house to house they dash along.

No door can shut them out;

No bolt can turn them back.

Through the door, like a snake, they glide,

Through the hinge, like the wind, they storm,

Tearing the wife from the embrace of the man,

Driving the freedman from his family home.[[97]]

These furies did not confine their unwelcomed attentions to mankind alone:

They hunt the doves from their cotes,

And drive the birds from their nests,

And chase the marten from its hole....

Through the gloomy street by night they roam,

Smiting sheepfold and cattle pen,

Shutting up the land as with door and bolt.

R.C. Thompson's Translation.

The Babylonian poet, like Burns, was filled with pity for the animals which suffered in the storm:

List'ning the doors an' winnocks rattle,

I thought me o' the ourie cattle,

Or silly sheep, wha bide this brattle

O' winter war....

Ilk happing bird, wee, helpless thing!

That in the merry months o' spring

Delighted me to hear thee sing,

What comes o' thee?

Whare wilt thou cow'r thy chittering wing,

And close thy e'e?

According to Babylonian belief, "the great storms directed from heaven" were caused by demons. Mankind heard them "loudly roaring above, gibbering below".[[98]] The south wind was raised by Shutu, a plumed storm demon resembling Hraesvelgur of the Icelandic Eddas:

Corpse-swallower sits at the end of heaven,

A Jötun in eagle form;

From his wings, they say, comes the wind which fares

Over all the dwellers of earth.[[99]]

The northern story of Thor's fishing, when he hooked and wounded the Midgard serpent, is recalled by the Babylonian legend of Adapa, son of the god Ea. This hero was engaged catching fish, when Shutu, the south wind, upset his boat. In his wrath Adapa immediately attacked the storm demon and shattered her pinions. Anu, the sky god, was moved to anger against Ea's son and summoned him to the Celestial Court. Adapa, however, appeared in garments of mourning and was forgiven. Anu offered him the water of life and the bread of life which would have made him immortal, but Ea's son refused to eat or drink, believing, as his father had warned him, that the sky god desired him to partake of the bread of death and to drink of the water of death.

Figure IV.1. TWO FIGURES OF DEMONS

The upper head is that of Shutu, the demon of the south-west wind, whose wings were broken by Adapa, son of Ea (British Museum)

Figure IV.2. WINGED HUMAN-HEADED COW (?)

From Kouyunjik (Nineveh): now in the British Museum

Another terrible atmospheric demon was the south-west wind, which caused destructive storms and floods, and claimed many human victims like the Icelandic "corpse swallower". She was depicted with lidless staring eyes, broad flat nose, mouth gaping horribly, and showing tusk-like teeth, and with high cheek bones, heavy eyebrows, and low bulging forehead.

In Scotland the hag of the south-west wind is similarly a bloodthirsty and fearsome demon. She is most virulent in the springtime. At Cromarty she is quaintly called "Gentle Annie" by the fisher folks, who repeat the saying: "When Gentle Annie is skyawlan (yelling) roond the heel of Ness (a promontory) wi' a white feather on her hat (the foam of big billows) they (the spirits) will be harrying (robbing) the crook"--that is, the pot which hangs from the crook is empty during the spring storms, which prevent fishermen going to sea. In England the wind hag is Black Annis, who dwells in a Leicestershire hill cave. She may be identical with the Irish hag Anu, associated with the "Paps of Anu". According to Gaelic lore, this wind demon of spring is the "Cailleach" (old wife). She gives her name in the Highland calendar to the stormy period of late spring; she raises gale after gale to prevent the coming of summer. Angerboda, the Icelandic hag, is also a storm demon, but represents the east wind. A Tyrolese folk tale tells of three magic maidens who dwelt on Jochgrimm mountain, where they "brewed the winds". Their demon lovers were Ecke, "he who causes fear"; Vasolt, "he who causes dismay"; and the scornful Dietrich in his mythical character of Donar or Thunor (Thor), the thunderer.

Another Sumerian storm demon was the Zu bird, which is represented among the stars by Pegasus and Taurus. A legend relates that this "worker of evil, who raised the head of evil", once aspired to rule the gods, and stole from Bel, "the lord" of deities, the Tablets of Destiny, which gave him his power over the Universe as controller of the fates of all. The Zu bird escaped with the Tablets and found shelter on its mountain top in Arabia. Anu called on Ramman, the thunderer, to attack the Zu bird, but he was afraid; other gods appear to have shrunk from the conflict. How the rebel was overcome is not certain, because the legend survives in fragmentary form. There is a reference, however, to the moon god setting out towards the mountain in Arabia with purpose to outwit the Zu bird and recover the lost Tablets. How he fared it is impossible to ascertain. In another legend--that of Etana--the mother serpent, addressing the sun god, Shamash, says:

Thy net is like unto the broad earth;

Thy snare is like unto the distant heaven!

Who hath ever escaped from thy net?

Even Zu, the worker of evil, who raised the head

of evil [did not escape]!

L.W. King's Translation.

In Indian mythology, Garuda, half giant, half eagle, robs the Amrita (ambrosia) of the gods which gives them their power and renders them immortal. It had assumed a golden body, bright as the sun. Indra, the thunderer, flung his bolt in vain; he could not wound Garuda, and only displaced a single feather. Afterwards, however, he stole the moon goblet containing the Amrita, which Garuda had delivered to his enemies, the serpents, to free his mother from bondage. This Indian eagle giant became the vehicle of the god Vishnu, and, according to the Mahabharata, "mocked the wind with his fleetness".

It would appear that the Babylonian Zu bird symbolized the summer sandstorms from the Arabian desert. Thunder is associated with the rainy season, and it may have been assumed, therefore, that the thunder god was powerless against the sandstorm demon, who was chased, however, by the moon, and finally overcome by the triumphant sun when it broke through the darkening sand drift and brightened heaven and earth, "netting" the rebellious demon who desired to establish the rule of evil over gods and mankind.

In the "Legend of Etana" the Eagle, another demon which links with the Indian Garuda, slayer of serpents, devours the brood of the Mother Serpent. For this offence against divine law, Shamash, the sun god, pronounces the Eagle's doom. He instructs the Mother Serpent to slay a wild ox and conceal herself in its entrails. The Eagle comes to feed on the carcass, unheeding the warning of one of his children, who says, "The serpent lies in this wild ox":

He swooped down and stood upon the wild ox,

The Eagle ... examined the flesh;

He looked about carefully before and behind him;

He again examined the flesh;

He looked about carefully before and behind him,

Then, moving swiftly, he made for the hidden parts.

When he entered into the midst,

The serpent seized him by his wing.

In vain the Eagle appealed for mercy to the Mother Serpent, who was compelled to execute the decree of Shamash; she tore off the Eagle's pinions, wings, and claws, and threw him into a pit where he perished from hunger and thirst.[[100]] This myth may refer to the ravages of a winged demon of disease who was thwarted by the sacrifice of an ox. The Mother Serpent appears to be identical with an ancient goddess of maternity resembling the Egyptian Bast, the serpent mother of Bubastis. According to Sumerian belief, Nintu, "a form of the goddess Ma", was half a serpent. On her head there is a horn; she is "girt about the loins"; her left arm holds "a babe suckling her breast":

From her head to her loins

The body is that of a naked woman;

From the loins to the sole of the foot

Scales like those of a snake are visible.

R.C. Thompson's Translation.

The close association of gods and demons is illustrated in an obscure myth which may refer to an eclipse of the moon or a night storm at the beginning of the rainy season. The demons go to war against the high gods, and are assisted by Adad (Ramman) the thunderer, Shamash the sun, and Ishtar. They desire to wreck the heavens, the home of Anu:

They clustered angrily round the crescent of the moon god,

And won over to their aid Shamash, the mighty, and Adad, the warrior,

And Ishtar, who with Anu, the King,

Hath founded a shining dwelling.

The moon god Sin, "the seed of mankind", was darkened by the demons who raged, "rushing loose over the land" like to the wind. Bel called upon his messenger, whom he sent to Ea in the ocean depths, saying: "My son Sin ... hath been grievously bedimmed". Ea lamented, and dispatched his son Merodach to net the demons by magic, using "a two-coloured cord from the hair of a virgin kid and from the wool of a virgin lamb".[[101]]

As in India, where Shitala, the Bengali goddess of smallpox, for instance, is worshipped when the dreaded disease she controls becomes epidemic, so in Babylonia the people sought to secure immunity from attack by worshipping spirits of disease. A tablet relates that Ura, a plague demon, once resolved to destroy all life, but ultimately consented to spare those who praised his name and exalted him in recognition of his bravery and power. This could be accomplished by reciting a formula. Indian serpent worshippers believe that their devotions "destroy all danger proceeding from snakes".[[102]]

Like the Ancient Egyptians, the Babylonians also had their kindly spirits who brought luck and the various enjoyments of life. A good "labartu" might attend on a human being like a household fairy of India or Europe: a friendly "shedu" could protect a household against the attacks of fierce demons and human enemies. Even the spirits of Fate who served Anu, god of the sky, and that "Norn" of the Underworld, Eresh-ki-gal, queen of Hades, might sometimes be propitious: if the deities were successfully invoked they could cause the Fates to smite spirits of disease and bringers of ill luck. Damu, a friendly fairy goddess, was well loved, because she inspired pleasant dreams, relieved the sufferings of the afflicted, and restored to good health those patients whom she selected to favour.

In the Egyptian Book of the Dead the kindly spirits are overshadowed by the evil ones, because the various magical spells which were put on record were directed against those supernatural beings who were enemies of mankind. Similarly in Babylonia the fragments of this class of literature which survive deal mainly with wicked and vengeful demons. It appears probable, however, that the highly emotional Sumerians and Akkadians were on occasion quite as cheerful a people as the inhabitants of ancient Egypt. Although they were surrounded by bloodthirsty furies who desired to shorten their days, and their nights were filled with vague lowering phantoms which inspired fear, they no doubt shared, in their charm-protected houses, a comfortable feeling of security after performing magical ceremonies, and were happy enough when they gathered round flickering lights to listen to ancient song and story and gossip about crops and traders, the members of the royal house, and the family affairs of their acquaintances.

The Babylonian spirit world, it will be seen, was of complex character. Its inhabitants were numberless, but often vaguely defined, and one class of demons linked with another. Like the European fairies of folk belief, the Babylonian spirits were extremely hostile and irresistible at certain seasonal periods; and they were fickle and perverse and difficult to please even when inclined to be friendly. They were also similarly manifested from time to time in various forms. Sometimes they were comely and beautiful; at other times they were apparitions of horror. The Jinn of present-day Arabians are of like character; these may be giants, cloudy shapes, comely women, serpents or cats, goats or pigs.

Some of the composite monsters of Babylonia may suggest the vague and exaggerated recollections of terror-stricken people who have had glimpses of unfamiliar wild beasts in the dusk or amidst reedy marshes. But they cannot be wholly accounted for in this way. While animals were often identified with supernatural beings, and foreigners were called "devils", it would be misleading to assert that the spirit world reflects confused folk memories of human and bestial enemies. Even when a demon was given concrete human form it remained essentially non-human: no ordinary weapon could inflict an injury, and it was never controlled by natural laws. The spirits of disease and tempest and darkness were creations of fancy: they symbolized moods; they were the causes which explained effects. A sculptor or storyteller who desired to convey an impression of a spirit of storm or pestilence created monstrous forms to inspire terror. Sudden and unexpected visits of fierce and devastating demons were accounted for by asserting that they had wings like eagles, were nimble-footed as gazelles, cunning and watchful as serpents; that they had claws to clutch, horns to gore, and powerful fore legs like a lion to smite down victims. Withal they drank blood like ravens and devoured corpses like hyaenas. Monsters were all the more repulsive when they were partly human. The human-headed snake or the snake-headed man and the man with the horns of a wild bull and the legs of a goat were horrible in the extreme. Evil spirits might sometimes achieve success by practising deception. They might appear as beautiful girls or handsome men and seize unsuspecting victims in deathly embrace or leave them demented and full of grief, or come as birds and suddenly assume awesome shapes.

Fairies and elves, and other half-human demons, are sometimes regarded as degenerate gods. It will be seen, however, that while certain spirits developed into deities, others remained something between these two classes of supernatural beings: they might attend upon gods and goddesses, or operate independently now against mankind and now against deities even. The "namtaru", for instance, was a spirit of fate, the son of Bel-Enlil and Eresh-ki-gal, queen of Hades. "Apparently", writes Professor Pinches, "he executed the instructions given him concerning the fate of men, and could also have power over certain of the gods."[[103]] To this middle class belong the evil gods who rebelled against the beneficent deities. According to Hebridean folk belief, the fallen angels are divided into three classes--the fairies, the "nimble men" (aurora borealis), and the "blue men of the Minch". In Beowulf the "brood of Cain" includes "monsters and elves and sea-devils--giants also, who long time fought with God, for which he gave them their reward".[[104]] Similarly the Babylonian spirit groups are liable to division and subdivision. The various classes may be regarded as relics of the various stages of development from crude animism to sublime monotheism: in the fragmentary legends we trace the floating material from which great mythologies have been framed.

[[78]] The Acts, xvii, 22-31.

[[79]] Devils and Evil Spirits of Babylonia, vol. ii, p. 149 et seq.

[[80]] Egyptian Myth and Legend, xxxix, n.

[[81]] Development of Religion and Thought in Ancient Egypt, J.H. Breasted, pp. 38, 74.

[[82]] Custom and Myth, p. 45 et seq.

[[83]] The Religion of Babylonia and Assyria, p. 108.

[[84]] Act iv, scene 1.

[[85]] Paradise Lost, book ix.

[[86]] Chapman's Caesar and Pompey.

[[87]] Natural History, 2nd book.

[[88]] Indian Myth and Legend, 70, n.

[[89]] Indian Myth and Legend, pp. 202-5, 400, 401.

[[90]] Teutonic Myth and Legend, p. 424 et seq.

[[91]] Indian Myth and Legend, p. 164 et seq.

[[92]] Popular Religion and Folk Lore of Northern India, W. Crooke, vol. i, p. 254.

[[93]] When a person, young or old, is dying, near relatives must not call out their names in case the soul may come back from the spirit world. A similar belief still lingers, especially among women, in the Lowlands. The writer was once present in a room when a child was supposed to be dying. Suddenly the mother called out the child's name in agonized voice. It revived soon afterwards. Two old women who had attempted to prevent "the calling" shook their heads and remarked: "She has done it! The child will never do any good in this world after being called back." In England and Ireland, as well as in Scotland, the belief also prevails in certain localities that if a dying person is "called back" the soul will tarry for another twenty-four hours, during which the individual will suffer great agony.

[[94]] A Journey in Southern Siberia, Jeremiah Curtin, pp. 103, 104.

[[95]] Vol. i, p. 305.

[[96]] Adi Parva section of Mahàbhàrata, Roy's trans., p. 635.

[[97]] Jastrow's Aspects of Religious Belief in Babylonia, &c., p. 312.

[[98]] R.C. Thompson's trans.

[[99]] The Elder or Poetic Edda, Olive Bray, part i, p. 53.

[[100]] Babylonian Religion, L.W. King, pp. 186-8.

[[101]] The Devils and Evil Spirits of Babylonia, R. Campbell Thompson, vol. i, p. 53 et seq.

[[102]] Omens and Superstitions of Southern India, E. Thurston, p. 124.

[[103]] The Religion of Babylonia and Assyria, p. 110.

[[104]] Beowulf, Clark Hall, p. 14.

Chapter V. Myths of Tammuz and Ishtar

Abstract

Forms of Tammuz--The Weeping Ceremony--Tammuz the Patriarch and the Dying God--Common Origin of Tammuz and other Deities from an Archaic God--The Mediterranean Racial Myth--Animal Forms of Gods of Fertility--Two Legends of the Death of Tammuz--Attis, Adonis, and Diarmid Slain by a Boar--Laments for Tammuz--His Soul in Underworld and the Deep--Myth of the Child God of Ocean--Sargon Myth Version--The Germanic Scyld of the Sheaf--Tammuz Links with Frey, Heimdal, Agni, &c.--Assyrian Legend of "Descent of Ishtar"--Sumerian Version--The Sister Belit-sheri and the Mother Ishtar--The Egyptian Isis and Nepthys--Goddesses as Mothers, Sisters, and Wives--Great Mothers of Babylonia--Immortal Goddesses and Dying Gods--The Various Indras--Celtic Goddess with Seven Periods of Youth--Lovers of Germanic and Classic Goddesses--The Lovers of Ishtar--Racial Significance of Goddess Cult--The Great Fathers and their Worshippers--Process of Racial and Religious Fusion--Ishtar and Tiamat--Mother Worship in Palestine--Women among Goddess Worshippers.

Among the gods of Babylonia none achieved wider and more enduring fame than Tammuz, who was loved by Ishtar, the amorous Queen of Heaven--the beautiful youth who died and was mourned for and came to life again. He does not figure by his popular name in any of the city pantheons, but from the earliest times of which we have knowledge until the passing of Babylonian civilization, he played a prominent part in the religious life of the people.

Tammuz, like Osiris of Egypt, was an agricultural deity, and as the Babylonian harvest was the gift of the rivers, it is probable that one of his several forms was Dumu-zi-abzu, "Tammuz of the Abyss". He was also "the child", "the heroic lord", "the sentinel", "the healer", and the patriarch who reigned over the early Babylonians for a considerable period. "Tammuz of the Abyss" was one of the members of the family of Ea, god of the Deep, whose other sons, in addition to Merodach, were Nira, an obscure deity; Ki-gulla, "world destroyer", Burnunta-sa, "broad ear", and Bara and Baragulla, probably "revealers" or "oracles". In addition there was a daughter, Khi-dimme-azaga, "child of the renowned spirit". She may have been identical with Belit-sheri, who is referred to in the Sumerian hymns as the sister of Tammuz. This family group was probably formed by symbolizing the attributes of Ea and his spouse Damkina. Tammuz, in his character as a patriarch, may have been regarded as a hostage from the gods: the human form of Ea, who instructed mankind, like King Osiris, how to grow corn and cultivate fruit trees. As the youth who perished annually, he was the corn spirit. He is referred to in the Bible by his Babylonian name.

When Ezekiel detailed the various idolatrous practices of the Israelites, which included the worship of the sun and "every form of creeping things and abominable beasts"--a suggestion of the composite monsters of Babylonia --he was brought "to the door of the gate of the Lord's house, which was towards the north; and, behold, there sat women weeping for Tammuz".[[105]]

The weeping ceremony was connected with agricultural rites. Corn deities were weeping deities, they shed fertilizing tears; and the sowers simulated the sorrow of divine mourners when they cast seed in the soil "to die", so that it might spring up as corn. This ancient custom, like many others, contributed to the poetic imagery of the Bible. "They that sow in tears", David sang, "shall reap in joy. He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him."[[106]] In Egypt the priestesses who acted the parts of Isis and Nepthys, mourned for the slain corn god Osiris.

Gods and men before the face of the gods are weeping for

thee at the same time, when they behold me!...

All thy sister goddesses are at thy side and behind thy couch,

Calling upon thee with weeping--yet thou are prostrate upon

thy bed!...

Live before us, desiring to behold thee.[[107]]

It was believed to be essential that human beings should share the universal sorrow caused by the death of a god. If they remained unsympathetic, the deities would punish them as enemies. Worshippers of nature gods, therefore, based their ceremonial practices on natural phenomena. "The dread of the worshippers that the neglect of the usual ritual would be followed by disaster, is particularly intelligible", writes Professor Robertson Smith, "if they regarded the necessary operations of agriculture as involving the violent extinction of a particle of divine life."[[108]] By observing their ritual, the worshippers won the sympathy and co-operation of deities, or exercised a magical control over nature.

The Babylonian myth of Tammuz, the dying god, bears a close resemblance to the Greek myth of Adonis. It also links with the myth of Osiris. According to Professor Sayce, Tammuz is identical with "Daonus or Daos, the shepherd of Pantibibla", referred to by Berosus as the ruler of one of the mythical ages of Babylonia. We have therefore to deal with Tammuz in his twofold character as a patriarch and a god of fertility.

The Adonis version of the myth may be summarized briefly. Ere the god was born, his mother, who was pursued by her angry sire, as the river goddesses of the folk tales are pursued by the well demons, transformed herself into a tree. Adonis sprang from the trunk of this tree, and Aphrodite, having placed the child in a chest, committed him to the care of Persephone, queen of Hades, who resembles the Babylonian Eresh-ki-gal. Persephone desired to retain the young god, and Aphrodite (Ishtar) appealed to Zeus (Anu), who decreed that Adonis should spend part of the year with one goddess and part of the year with the other.

It is suggested that the myth of Adonis was derived in post-Homeric times by the Greeks indirectly from Babylonia through the Western Semites, the Semitic title "Adon", meaning "lord", having been mistaken for a proper name. This theory, however, cannot be accepted without qualifications. It does not explain the existence of either the Phrygian myth of Attis, which was developed differently from the Tammuz myth, or the Celtic story of "Diarmid and the boar", which belongs to the archaeological "Hunting Period". There are traces in Greek mythology of pre-Hellenic myths about dying harvest deities, like Hyakinthos and Erigone, for instance, who appear to have been mourned for. There is every possibility, therefore, that the Tammuz ritual may have been attached to a harvest god of the pre-Hellenic Greeks, who received at the same time the new name of Adonis. Osiris of Egypt resembles Tammuz, but his Mesopotamian origin has not been proved. It would appear probable that Tammuz, Attis, Osiris, and the deities represented by Adonis and Diarmid were all developed from an archaic god of fertility and vegetation, the central figure of a myth which was not only as ancient as the knowledge and practice of agriculture, but had existence even in the "Hunting Period". Traces of the Tammuz-Osiris story in various forms are found all over the area occupied by the Mediterranean or Brown race from Sumeria to the British Isles. Apparently the original myth was connected with tree and water worship and the worship of animals. Adonis sprang from a tree; the body of Osiris was concealed in a tree which grew round the sea-drifted chest in which he was concealed. Diarmid concealed himself in a tree when pursued by Finn. The blood of Tammuz, Osiris, and Adonis reddened the swollen rivers which fertilized the soil. Various animals were associated with the harvest god, who appears to have been manifested from time to time in different forms, for his spirit pervaded all nature. In Egypt the soul of Osiris entered the Apis bull or the ram of Mendes.

Tammuz in the hymns is called "the pre-eminent steer of heaven", and a popular sacrifice was "a white kid of the god Tammuz", which, however, might be substituted by a sucking pig. Osiris had also associations with swine, and the Egyptians, according to Herodotus, sacrificed a pig to him annually. When Set at full moon hunted the boar in the Delta marshes, he probably hunted the boar form of Osiris, whose human body had been recovered from the sacred tree by Isis. As the soul of Bata, the hero of the Egyptian folk tale,[[109]] migrated from the blossom to the bull, and the bull to the tree, so apparently did the soul of Osiris pass from incarnation to incarnation. Set, the demon slayer of the harvest god, had also a boar form; he was the black pig who devoured the waning moon and blinded the Eye of Ra.

In his character as a long-lived patriarch, Tammuz, the King Daonus or Daos of Berosus, reigned in Babylonia for 36,000 years. When he died, he departed to Hades or the Abyss. Osiris, after reigning over the Egyptians, became Judge of the Dead.

Tammuz of the Sumerian hymns, however, is the Adonis-like god who lived on earth for a part of the year as the shepherd and agriculturist so dearly beloved by the goddess Ishtar. Then he died so that he might depart to the realm of Eresh-ki-gal (Persephone), queen of Hades. According to one account, his death was caused by the fickle Ishtar. When that goddess wooed Gilgamesh, the Babylonian Hercules, he upbraided her, saying:

On Tammuz, the spouse of thy youth,

Thou didst lay affliction every year.

King's Translation.

References in the Sumerian hymns suggest that there also existed a form of the legend which gave an account of the slaying of the young god by someone else than Ishtar. The slayer may have been a Set-like demon--perhaps Nin-shach, who appears to have symbolized the destroying influence of the sun. He was a war deity, and his name, Professor Pinches says, "is conjectured to mean 'lord of the wild boar'". There is no direct evidence, however, to connect Tammuz's slayer with the boar which killed Adonis. Ishtar's innocence is emphasized by the fact that she mourned for her youthful lover, crying:

Oh hero, my lord, ah me! I will say;

Food I eat not ... water I drink not ...

Because of the exalted one of the nether world, him of the

radiant face, yea radiant,

Of the exalted one of the nether world, him of the dove-like

voice, yea dove-like.[[110]]

The Phrygian Attis met his death, according to one legend, by self-mutilation under a sacred tree. Another account sets forth, however, that he was slain by a boar. The Greek Adonis was similarly killed by a boar. This animal was a form of Ares (Mars), god of war and tempest, who also loved Aphrodite (Ishtar). The Celtic Diarmid, in his character as a love god, with lunar attributes, was slain by "the green boar", which appears to have been one of the animals of a ferocious Hag, an earth and air "mother" with various names. In one of the many Fingalian stories the animal is

... That venomous boar, and he so fierce,

That Grey Eyebrows had with her herd of swine.[[111]]

Diarmid had eloped with the wife of Finn-mac-Coul (Fingal), who, like Ares, plotted to bring about his rival's death, and accordingly set the young hero to hunt the boar. As a thunder god Finn carried a hammer with which he smote his shield; the blows were heard in Lochlann (Scandinavia). Diarmid, like Tammuz, the "god of the tender voice and shining eyes", had much beauty. When he expired, Finn cried:

No maiden will raise her eye

Since the mould has gone over thy visage fair...

Blue without rashness in thine eye!

Passion and beauty behind thy curls!...

Oh, yesternight it was green the hillock,

Red is it this day with Diarmid's blood.[[112]]

Tammuz died with the dying vegetation, and Diarmid expired when the hills apparently were assuming their purple tints.[[113]] The month of Tammuz wailings was from 20th June till 20th July, when the heat and dryness brought forth the demons of pestilence. The mourners chanted:

He has gone, he has gone to the bosom of the earth,

And the dead are numerous in the land....

Men are filled with sorrow: they stagger by day in gloom ...

In the month of thy year which brings not peace hast thou gone.

Thou hast gone on a journey that makes an end of thy people.

The following extract contains a reference to the slaying of the god:

The holy one of Ishtar, in the middle of the year the fields languish...

The shepherd, the wise one, the man of sorrows, why have they

slain?...

In his temple, in his inhabited domain,

The child, lord of knowledge, abides no more...

In the meadows, verily, verily, the soul of life perishes.

There is wailing for Tammuz "at the sacred cedar, where the mother bore thee", a reference which connects the god, like Adonis and Osiris, with tree worship:

The wailing is for the herbs: the first lament is, "they are not produced".

The wailing is for the grain, ears are not produced.

The wailing is for the habitations, for the flocks which bring forth no more.

The wailing is for the perishing wedded ones; for the perishing

children; the dark-headed people create no more.

The wailing is also for the shrunken river, the parched meadows, the fishpools, the cane brakes, the forests, the plains, the gardens, and the palace, which all suffer because the god of fertility has departed. The mourner cries:

How long shall the springing of verdure be restrained?

How long shall the putting forth of leaves be held back?

Whither went Tammuz? His destination has already been referred to as "the bosom of the earth", and in the Assyrian version of the "Descent of Ishtar" he dwells in "the house of darkness" among the dead, "where dust is their nourishment and their food mud", and "the light is never seen"--the gloomy Babylonian Hades. In one of the Sumerian hymns, however, it is stated that Tammuz "upon the flood was cast out". The reference may be to the submarine "house of Ea", or the Blessed Island to which the Babylonian Noah was carried. In this Hades bloomed the nether "garden of Adonis".

The following extract refers to the garden of Damu (Tammuz)[[114]]:--

Damu his youth therein slumbers ...

Among the garden flowers he slumbers; among the garden flowers

he is cast away ...

Among the tamarisks he slumbers, with woe he causes us to be

satiated.

Although Tammuz of the hymns was slain, he returned again from Hades. Apparently he came back as a child. He is wailed for as "child, Lord Gishzida", as well as "my hero Damu". In his lunar character the Egyptian Osiris appeared each month as "the child surpassingly beautiful"; the Osiris bull was also a child of the moon; "it was begotten", says Plutarch, "by a ray of generative light falling from the moon". When the bull of Attis was sacrificed his worshippers were drenched with its blood, and were afterwards ceremonially fed with milk, as they were supposed to have "renewed their youth" and become children. The ancient Greek god Eros (Cupid) was represented as a wanton boy or handsome youth. Another god of fertility, the Irish Angus, who resembles Eros, is called "the ever young"; he slumbers like Tammuz and awakes in the Spring.

Apparently it was believed that the child god, Tammuz, returned from the earlier Sumerian Paradise of the Deep, and grew into full manhood in a comparatively brief period, like Vyasa and other super-men of Indian mythology. A couplet from a Tammuz hymn says tersely:

In his infancy in a sunken boat he lay.

In his manhood in the submerged grain he lay.[[115]]

The "boat" may be the "chest" in which Adonis was concealed by Aphrodite when she confided him to the care of Persephone, queen of Hades, who desired to retain the young god, but was compelled by Zeus to send him back to the goddess of love and vegetation. The fact that Ishtar descended to Hades in quest of Tammuz may perhaps explain the symbolic references in hymns to mother goddesses being in sunken boats also when their powers were in abeyance, as were those of the god for part of each year. It is possible, too, that the boat had a lunar and a solar significance. Khonsu, the Egyptian moon god, for instance, was associated with the Spring sun, being a deity of fertility and therefore a corn spirit; he was a form of Osiris, the Patriarch, who sojourned on earth to teach mankind how to grow corn and cultivate fruit trees. In the Egyptian legend Osiris received the corn seeds from Isis, which suggests that among Great-Mother-worshipping peoples, it was believed that agricultural civilization had a female origin. The same myths may have been attached to corn gods and corn goddesses, associated with water, sun, moon, and stars.

That there existed in Babylonia at an extremely remote period an agricultural myth regarding a Patriarch of divine origin who was rescued from a boat in his childhood, is suggested by the legend which was attached to the memory of the usurper King Sargon of Akkad. It runs as follows:

"I am Sargon, the mighty King of Akkad. My mother was a

vestal (priestess), my father an alien, whose brother inhabited the

mountain.... When my mother had conceived me, she bare

me in a hidden place. She laid me in a vessel of rushes, stopped

the door thereof with pitch, and cast me adrift on the river....

The river floated me to Akki, the water drawer, who, in drawing

water, drew me forth. Akki, the water drawer, educated me as

his son, and made me his gardener. As a gardener, I was beloved

by the goddess Ishtar."

It is unlikely that this story was invented by Sargon. Like the many variants of it found in other countries, it was probably founded on a form of the Tammuz-Adonis myth. Indeed, a new myth would not have suited Sargon's purpose so well as the adaptation of an old one, which was more likely to make popular appeal when connected with his name. The references to the goddess Ishtar, and Sargon's early life as a gardener, suggest that the king desired to be remembered as an agricultural Patriarch, if not of divine, at any rate of semi-divine origin.

What appears to be an early form of the widespread Tammuz myth is the Teutonic legend regarding the mysterious child who came over the sea to inaugurate a new era of civilization and instruct the people how to grow corn and become great warriors. The Northern peoples, as archaeological evidence suggests, derived their knowledge of agriculture, and therefore their agricultural myths, from the Neolithic representatives of the Mediterranean race with whom they came into contact. There can be no doubt but that the Teutonic legend refers to the introduction of agriculture. The child is called "Scef" or "Sceaf", which signifies "Sheaf", or "Scyld, the son of Sceaf". Scyld is the patriarch of the Scyldings, the Danes, a people of mixed origin. In the Anglo-Saxon Beowulf poem, the reference is to "Scyld", but Ethelweard, William of Malmesbury, and others adhered to "Sceaf" as the name of the Patriarch of the Western Saxons.

The legend runs that one day a boat was seen approaching the shore; it was not propelled by oars or sail. In it lay a child fast asleep, his head pillowed upon a sheaf of grain. He was surrounded by armour, treasure, and various implements, including the fire-borer. The child was reared by the people who found him, and he became a great instructor and warrior and ruled over the tribe as king. In Beowulf Scyld is the father of the elder Beowulf, whose grandson Hrothgar built the famous Hall. The poem opens with a reference to the patriarch "Scyld of the Sheaf". When he died, his body, according to the request he had made, was laid in a ship which was set adrift:

Upon his breast lay many treasures which were to travel with him into the power of the flood. Certainly they (the mourners) furnished him with no less of gifts, of tribal treasures, than those had done who, in his early days, started him over the sea alone, child as he was. Moreover, they set besides a gold-embroidered standard high above his head, and let the flood bear him--gave him to the sea. Their soul was sad, their spirit sorrowful. Who received that load, men, chiefs of council, heroes under heaven, cannot for certain tell.[[116]]

Sceaf or Scyld is identical with Yngve, the patriarch of the Ynglings; with Frey, the harvest and boar god, son of Njord,[[117]] the sea god; and with Hermod, referred to as follows in the Eddic "Lay of Hyndla":

To some grants he wealth, to his children war fame,

Word skill to many and wisdom to men,

Fair winds to sea-farers, song craft to skalds,

And might of manhood to many a warrior.

Tammuz is similarly "the heroic lord of the land", the "wise one", the "lord of knowledge", and "the sovereign, lord of invocation".

Heimdal, watchman of the Teutonic gods, also dwelt for a time among men as "Rig", and had human offspring, his son Thrall being the ancestor of the Thralls, his son Churl of churls, and Jarl of noblemen.

Tammuz, like Heimdal, is also a guardian. He watches the flocks and herds, whom he apparently guards against the Gallu demons as Heimdal guards the world and the heavens against attacks by giants and monsters. The flocks of Tammuz, Professor Pinches suggests, "recall the flocks of the Greek sun god Helios. These were the clouds illuminated by the sun, which were likened to sheep--indeed, one of the early Sumerian expressions for 'fleece' was 'sheep of the sky'. The name of Tammuz in Sumerian is Dumu-zi, or in its rare fullest form, Dumuzida, meaning 'true or faithful son'. There is probably some legend attached to this which is at present unknown."[[118]]

So the Sumerian hymn-chanters lamented:

Like an herdsman the sentinel place of sheep and cattle he

(Tammuz) has forsaken...

From his home, from his inhabited domain, the son, he of wisdom,

pre-eminent steer of heaven,

The hero unto the nether herding place has taken his way.[[119]]

Agni, the Aryo-Indian god, who, as the sky sentinel, has points of resemblance to Heimdal, also links with Tammuz, especially in his Mitra character:

Agni has been established among the tribes of men, the son of the waters, Mitra acting in the right way. Rigveda, iii, 5, 3.

Agni, who has been looked and longed for in Heaven, who has been looked for on earth--he who has been looked for has entered all herbs. Rigveda, i, 98.[[120]]

Tammuz, like the Egyptian lunar and solar god Khonsu, is "the healer", and Agni "drives away all disease". Tammuz is the god "of sonorous voice"; Agni "roars like a bull"; and Heimdal blows a horn when the giants and demons threaten to attack the citadel of the gods. As the spring sun god, Tammuz is "a youthful warrior", says Jastrow, "triumphing over the storms of winter".[[121]] The storms, of course, were symbolized as demons. Tammuz, "the heroic lord", was therefore a demon slayer like Heimdal and Agni. Each of these gods appear to have been developed in isolation from an archaic spring god of fertility and corn whose attributes were symbolized. In Teutonic mythology, for instance, Heimdal was the warrior form of the patriarch Scef, while Frey was the deified agriculturist who came over the deep as a child. In Saxo's mythical history of Denmark, Frey as Frode is taken prisoner by a storm giant, Beli, "the howler", and is loved by his hag sister in the Teutonic Hades, as Tammuz is loved by Eresh-ki-gal, spouse of the storm god Nergal, in the Babylonian Hades. Frode returns to earth, like Tammuz, in due season.

It is evident that there were various versions of the Tammuz myth in Ancient Babylonia. In one the goddess Ishtar visited Hades to search for the lover of her youth. A part of this form of the legend survives in the famous Assyrian hymn known as "The Descent of Ishtar". It was first translated by the late Mr. George Smith, of the British Museum. A box containing inscribed tablets had been sent from Assyria to London, and Mr. Smith, with characteristic patience and skill, arranged and deciphered them, giving to the world a fragment of ancient literature infused with much sublimity and imaginative power. Ishtar is depicted descending to dismal Hades, where the souls of the dead exist in bird forms:

I spread like a bird my hands.

I descend, I descend to the house of darkness, the dwelling of the

god Irkalla:

To the house out of which there is no exit,

To the road from which there is no return:

To the house from whose entrance the light is taken,

The place where dust is their nourishment and their food mud.

Its chiefs also are like birds covered with feathers;

The light is never seen, in darkness they dwell....

Over the door and bolts is scattered dust.

When the goddess reaches the gate of Hades she cries to the porter:

Keeper of the waters, open thy gate,

Open thy gate that I may enter.

If thou openest not the gate that I may enter

I will strike the door, the bolts I will shatter,

I will strike the threshold and will pass through the doors;

I will raise up the dead to devour the living,

Above the living the dead shall exceed in numbers.

The porter answers that he must first consult the Queen of Hades, here called Allatu, to whom he accordingly announces the arrival of the Queen of Heaven. Allatu's heart is filled with anger, and makes reference to those whom Ishtar caused to perish:

Let me weep over the strong who have left their wives,

Let me weep over the handmaidens who have lost the embraces of their husbands,

Over the only son let me mourn, who ere his days are come is taken away.

Then she issues abruptly the stern decree:

Go, keeper, open the gate to her,

Bewitch her according to the ancient rules;

that is, "Deal with her as you deal with others who come here".

As Ishtar enters through the various gates she is stripped of her ornaments and clothing. At the first gate her crown was taken off, at the second her ear-rings, at the third her necklace of precious stones, at the fourth the ornaments of her breast, at the fifth her gemmed waist-girdle,[[122]] at the sixth the bracelets of her hands and feet, and at the seventh the covering robe of her body. Ishtar asks at each gate why she is thus dealt with, and the porter answers, "Such is the command of Allatu."

After descending for a prolonged period the Queen of Heaven at length stands naked before the Queen of Hades. Ishtar is proud and arrogant, and Allatu, desiring to punish her rival whom she cannot humble,

Figure V.1. ISHTAR IN HADES

From the Painting by E. Wallcousins

commands the plague demon, Namtar, to strike her with disease in all parts of her body. The effect of Ishtar's fate was disastrous upon earth: growth and fertility came to an end.

Meanwhile Pap-sukal, messenger of the gods, hastened to Shamash, the sun deity, to relate what had occurred. The sun god immediately consulted his lunar father, Sin, and Ea, god of the deep. Ea then created a man lion, named Nadushu-namir, to rescue Ishtar, giving him power to pass through the seven gates of Hades. When this being delivered his message

Allatu ... struck her breast; she bit her thumb,

She turned again: a request she asked not.

In her anger she cursed the rescuer of the Queen of Heaven.

May I imprison thee in the great prison,

May the garbage of the foundations of the city be thy food,

May the drains of the city be thy drink,

May the darkness of the dungeon be thy dwelling,

May the stake be thy seat,

May hunger and thirst strike thy offspring.

She was compelled, however, to obey the high gods, and addressed Namtar, saying:

Unto Ishtar give the waters of life and bring her before me.

Thereafter the Queen of Heaven was conducted through the various gates, and at each she received her robe and the ornaments which were taken from her on entering. Namtar says:

Since thou hast not paid a ransom for thy deliverance to her

(Allatu), so to her again turn back,

For Tammuz the husband of thy youth.

The glistening waters (of life) pour over him...

In splendid clothing dress him, with a ring of crystal adorn him.

Ishtar mourns for "the wound of Tammuz", smiting her breast, and she did not ask for "the precious eye-stones, her amulets", which were apparently to ransom Tammuz. The poem concludes with Ishtar's wail:

O my only brother (Tammuz) thou dost not lament for me.

In the day that Tammuz adorned me, with a ring of crystal,

With a bracelet of emeralds, together with himself, he adorned me,[[123]]

With himself he adorned me; may men mourners and women

mourners

On a bier place him, and assemble the wake.[[124]]

A Sumerian hymn to Tammuz throws light on this narrative. It sets forth that Ishtar descended to Hades to entreat him to be glad and to resume care of his flocks, but Tammuz refused or was unable to return.

His spouse unto her abode he sent back.

She then instituted the wailing ceremony:

The amorous Queen of Heaven sits as one in darkness.[[125]]

Mr. Langdon also translates a hymn (Tammuz III) which appears to contain the narrative on which the Assyrian version was founded. The goddess who descends to Hades, however, is not Ishtar, but the "sister", Belit-sheri. She is accompanied by various demons-- the "gallu-demon", the "slayer", &c.--and holds a conversation with Tammuz which, however, is "unintelligible and badly broken". Apparently, however, he promises to return to earth.

... I will go up, as for me I will depart with thee ...

... I will return, unto my mother let us go back.

Probably two goddesses originally lamented for Tammuz, as the Egyptian sisters, Isis and Nepthys, lamented for Osiris, their brother. Ishtar is referred to as "my mother". Isis figures alternately in the Egyptian chants as mother, wife, sister, and daughter of Osiris. She cries, "Come thou to thy wife in peace; her heart fluttereth for thy love", ... "I am thy wife, made as thou art, the elder sister, soul of her brother".... "Come thou to us as a babe".... "Lo, thou art as the Bull of the two goddesses--come thou, child growing in peace, our lord!"... "Lo! the Bull, begotten of the two cows, Isis and Nepthys".... "Come thou to the two widowed goddesses".... "Oh child, lord, first maker of the body".... "Father Osiris."[[126]]

As Ishtar and Belit-sheri weep for Tammuz, so do Isis and Nepthys weep for Osiris.

Calling upon thee with weeping--yet thou art prostrate upon thy

bed!

Gods and men ... are weeping for thee at the same time, when

they behold me (Isis).

Lo! I invoke thee with wailing that reacheth high as heaven.

Isis is also identified with Hathor (Ishtar) the Cow.... "The cow weepeth for thee with her voice."[[127]]

There is another phase, however, to the character of the mother goddess which explains the references to the desertion and slaying of Tammuz by Ishtar. "She is", says Jastrow, "the goddess of the human instinct, or passion which accompanies human love. Gilgamesh ... reproaches her with abandoning the objects of her passion after a brief period of union." At Ishtar's temple "public maidens accepted temporary partners, assigned to them by Ishtar".[[128]] The worship of all mother goddesses in ancient times was accompanied by revolting unmoral rites which are referred to in condemnatory terms in various passages in the Old Testament, especially in connection with the worship of Ashtoreth, who was identical with Ishtar and the Egyptian Hathor.

Ishtar in the process of time overshadowed all the other female deities of Babylonia, as did Isis in Egypt. Her name, indeed, which is Semitic, became in the plural, Ishtaráte, a designation for goddesses in general. But although she was referred to as the daughter of the sky, Anu, or the daughter of the moon, Sin or Nannar, she still retained traces of her ancient character. Originally she was a great mother goddess, who was worshipped by those who believed that life and the universe had a female origin in contrast to those who believed in the theory of male origin. Ishtar is identical with Nina, the fish goddess, a creature who gave her name to the Sumerian city of Nina and the Assyrian city of Nineveh. Other forms of the Creatrix included Mama, or Mami, or Ama, "mother", Aruru, Bau, Gula, and Zerpanitum. These were all "Preservers" and healers. At the same time they were "Destroyers", like Nin-sun and the Queen of Hades, Eresh-ki-gal or Allatu. They were accompanied by shadowy male forms ere they became wives of strongly individualized gods, or by child gods, their sons, who might be regarded as "brothers" or "husbands of their mothers", to use the paradoxical Egyptian term. Similarly Great Father deities had vaguely defined wives. The "Semitic" Baal, "the lord", was accompanied by a female reflection of himself--Beltu, "the lady". Shamash, the sun god, had for wife the shadowy Aa.

As has been shown, Ishtar is referred to in a Tammuz hymn as the mother of the child god of fertility. In an Egyptian hymn the sky goddess Nut, "the mother" of Osiris, is stated to have "built up life from her own body".[[129]] Sri or Lakshmi, the Indian goddess, who became the wife of Vishnu, as the mother goddess Saraswati, a tribal deity, became the wife of Brahma, was, according to a Purana commentator, "the mother of the world ... eternal and undecaying".[[130]]

The gods, on the other hand, might die annually: the goddesses alone were immortal. Indra was supposed to perish of old age, but his wife, Indrani, remained ever young. There were fourteen Indras in every "day of Brahma", a reference apparently to the ancient conception of Indra among the Great-Mother-worshipping sections of the Aryo-Indians.[[131]] In the Mahabharata the god Shiva, as Mahadeva, commands Indra on "one of the peaks of Himavat", where they met, to lift up a stone and join the Indras who had been before him. "And Indra on removing that stone beheld a cave on the breast of that king of mountains in which were four others resembling himself." Indra exclaimed in his grief, "Shall I be even like these?" These five Indras, like the "Seven Sleepers", awaited the time when they would be called forth. They were ultimately reborn as the five Pandava warriors.[[132]]

The ferocious, black-faced Scottish mother goddess, Cailleach Bheur, who appears to be identical with Mala Lith, "Grey Eyebrows" of Fingalian story, and the English "Black Annis", figures in Irish song and legend as "The Old Woman of Beare". This "old woman" (Cailleach) "had", says Professor Kuno Meyer, "seven periods of youth one after another, so that every man who had lived with her came to die of old age, and her grandsons and great-grandsons were tribes and races". When old age at length came upon her she sang her "swan song", from which the following lines are extracted:

Ebb tide to me as of the sea!

Old age causes me reproach ...

It is riches

Ye love, it is not men:

In the time when we lived

It was men we loved ...

My arms when they are seen

Are bony and thin:

Once they would fondle,

They would be round glorious kings ...

I must take my garment even in the sun:

The time is at hand that shall renew me.[[133]]

Freyja, the Germanic mother goddess, whose car was drawn by cats, had similarly many lovers. In the Icelandic poem "Lokasenna", Loki taunts her, saying:

Silence, Freyja! Full well I know thee,

And faultless art thou not found;

Of the gods and elves who here are gathered

Each one hast thou made thy mate.

Idun, the keeper of the apples of immortal youth, which prevent the gods growing old, is similarly addressed:

Silence, Idun! I swear, of all women

Thou the most wanton art;

Who couldst fling those fair-washed arms of thine

About thy brother's slayer.

Frigg, wife of Odin, is satirized as well:

Silence, Frigg! Earth's spouse for a husband,

And hast ever yearned after men![[134]]

The goddesses of classic mythology had similar reputations. Aphrodite (Venus) had many divine and mortal lovers. She links closely with Astarte and Ashtoreth (Ishtar), and reference has already been made to her relations with Adonis (Tammuz). These love deities were all as cruel as they were wayward. When Ishtar wooed the Babylonian hero, Gilgamesh, he spurned her advances, as has been indicated, saying:

On Tammuz, the spouse of thy youth,

Thou didst lay affliction every year.

Thou didst love the brilliant Allalu bird

But thou didst smite him and break his wing;

He stands in the woods and cries "O my wing".

He likewise charged her with deceiving the lion and the horse, making reference to obscure myths:

Thou didst also love a shepherd of the flock,

Who continually poured out for thee the libation,

And daily slaughtered kids for thee;

But thou didst smite him and didst change him into a leopard,

So that his own sheep boy hunted him,

And his own hounds tore him to pieces.[[135]]

These goddesses were ever prone to afflict human beings who might offend them or of whom they wearied. Demeter (Ceres) changed Ascalaphus into an owl and Stellio into a lizard. Rhea (Ops) resembled

The tow'red Cybele,

Mother of a hundred gods,

the wanton who loved Attis (Adonis). Artemis (Diana) slew her lover Orion, changed Actaeon into a stag, which was torn to pieces by his own dogs, and caused numerous deaths by sending a boar to ravage the fields of Oeneus, king of Calydon. Human sacrifices were frequently offered to the bloodthirsty "mothers". The most famous victim of Artemis was the daughter of Agamemnon, "divinely tall and most divinely fair".[[136]] Agamemnon had slain a sacred stag, and the goddess punished him by sending a calm when the war fleet was about to sail for Troy, with the result that his daughter had to be sacrificed. Artemis thus sold breezes like the northern wind hags and witches.

It used to be customary to account for the similarities manifested by the various mother goddesses by assuming that there was constant cultural contact between separate nationalities, and, as a result, a not inconsiderable amount of "religious borrowing". Greece was supposed to have received its great goddesses from the western Semites, who had come under the spell of Babylonian religion. Archaeological evidence, however, tends to disprove this theory. "The most recent researches into Mesopotamian history", writes Dr. Farnell, "establish with certainty the conclusion that there was no direct political contact possible between the powers in the valley of the Euphrates and the western shores of the Aegean in the second millennium B.C. In fact, between the nascent Hellas and the great world of Mesopotamia there were powerful and possibly independent strata of cultures interposing."[[137]]

The real connection appears to be the racial one. Among the Mediterranean Neolithic tribes of Sumeria, Arabia, and Europe, the goddess cult appears to have been influential. Mother worship was the predominant characteristic of their religious systems, so that the Greek goddesses were probably of pre-Hellenic origin, the Celtic of Iberian, the Egyptian of proto-Egyptian, and the Babylonian of Sumerian. The northern hillmen, on the other hand, who may be identified with the "Aryans" of the philologists, were father worshippers. The Vedic Aryo-Indians worshipped father gods,[[138]] as did also the Germanic peoples and certain tribes in the "Hittite confederacy". Earth spirits were males, like the Teutonic elves, the Aryo-Indian Ribhus, and the Burkans, "masters", of the present-day Buriats, a Mongolian people. When the father-worshipping peoples invaded the dominions of the mother-worshipping peoples, they introduced their strongly individualized gods, but they did not displace the mother goddesses. "The Aryan Hellenes", says Dr. Farnell, "were able to plant their Zeus and Poseidon on the high hill of Athens, but not to overthrow the supremacy of Athena in the central shrine and in the aboriginal soul of the Athenian people."[[139]] As in Egypt, the beliefs of the father worshippers, represented by the self-created Ptah, were fused with the beliefs of the mother worshippers, who adored Isis, Mut, Neith, and others. In Babylonia this process of racial and religious fusion was well advanced before the dawn of history. Ea, who had already assumed manifold forms, may have originally been the son or child lover of Damkina, "Lady of the Deep", as was Tammuz of Ishtar. As the fish, Ea was the offspring of the mother river.

The mother worshippers recognized male as well as female deities, but regarded the great goddess as the First Cause. Although the primeval spirits were grouped in four pairs in Egypt, and apparently in Babylonia also, the female in the first pair was more strongly individualized than the male. The Egyptian Nu is vaguer than his consort Nut, and the Babylonian Apsu than his consort Tiamat. Indeed, in the narrative of the Creation Tablets of Babylon, which will receive full treatment in a later chapter, Tiamat, the great mother, is the controlling spirit. She is more powerful and ferocious than Apsu, and lives longer. After Apsu's death she elevates one of her brood, named Kingu, to be her consort, a fact which suggests that in the Ishtar-Tammuz myth survives the influence of exceedingly ancient modes of thought. Like Tiamat, Ishtar is also a great battle heroine, and in this capacity she was addressed as "the lady of majestic rank exalted over all gods". This was no idle flattery on the part of worshippers, but a memory of her ancient supremacy.

Reference has been made to the introduction of Tammuz worship into Jerusalem. Ishtar, as Queen of Heaven, was also adored by the backsliding Israelites as a deity of battle and harvest. When Jeremiah censured the people for burning incense and serving gods "whom they knew not", he said, "neither they, ye, nor your fathers", they made answer: "Since we left off to burn incense to the queen of heaven, and to pour out drink offerings unto her, we have wanted all things, and have been consumed by the sword and the famine". The women took a leading part in these practices, but refused to accept all the blame, saying, "When we burned incense to the queen of heaven, and poured out drink offerings unto her, did we make our cakes and pour out drink offerings unto her without our men?"[[140]] That the husbands, and the children even, assisted at the ceremony is made evident in another reference to goddess worship: "The children gather wood, and the fathers kindle the fire, and the women knead the dough, to make cakes to the queen of heaven".[[141]]

CYLINDER-SEAL IMPRESSIONS. (British Museum)

Figure V.2. Female figure in adoration before a goddess

Figure V.3. The winged Ishtar above the rising sun god, the river god, and other deities

Figure V.4. Gilgamesh in conflict with bulls (see page [176])

Figure V.5. PLAQUE OF UR-NINA

In Limestone. From the original in the Louvre, Paris. (See pages [117], [118])

Jastrow suggests that the women of Israel wept for Tammuz, offered cakes to the mother goddess, &c., because "in all religious bodies ... women represent the conservative element; among them religious customs continue in practice after they have been abandoned by men".[[142]] The evidence of Jeremiah, however, shows that the men certainly co-operated at the archaic ceremonials. In lighting the fires with the "vital spark", they apparently acted in imitation of the god of fertility. The women, on the other hand, represented the reproductive harvest goddess in providing the food supply. In recognition of her gift, they rewarded the goddess by offering her the cakes prepared from the newly ground wheat and barley--the "first fruits of the harvest". As the corn god came as a child, the children began the ceremony by gathering the wood for the sacred fire. When the women mourned for Tammuz, they did so evidently because the death of the god was lamented by the goddess Ishtar. It would appear, therefore, that the suggestion regarding the "conservative element" should really apply to the immemorial practices of folk religion. These differed from the refined ceremonies of the official cult in Babylonia, where there were suitable temples and organized bands of priests and priestesses. But the official cult received no recognition in Palestine; the cakes intended for a goddess were not offered up in the temple of Abraham's God, but "in the streets of Jerusalem" and those of other cities.[[143]]

The obvious deduction seems to be that in ancient times women everywhere played a prominent part in the ceremonial folk worship of the Great Mother goddess, while the men took the lesser part of the god whom she had brought into being and afterwards received as "husband of his mother". This may account for the high social status of women among goddess worshippers, like the representatives of the Mediterranean race, whose early religion was not confined to temples, but closely associated with the acts of everyday life.

[[105]] Ezekiel, viii.

[[106]] Psalms, cxxvi.

[[107]] The Burden of Isis, J.T. Dennis (Wisdom of the East series), pp. 21, 22.

[[108]] Religion of the Semites, pp. 412, 414.

[[109]] Egyptian Myth and Legend, pp. 45 et seq.

[[110]] Langdon's Sumerian and Babylonian Psalms, pp. 319-321.

[[111]] Campbell's West Highland Tales, vol. iii, p. 74.

[[112]] West Highland Tales, vol. iii, pp. 85, 86.

[[113]] If Finn and his band were really militiamen--the original Fenians--as is believed in Ireland, they may have had attached to their memories the legends of archaic Iberian deities who differed from the Celtic Danann deities. Theodoric the Goth, as Dietrich von Bern, was identified, for instance, with Donar or Thunor (Thor), the thunder god. In Scotland Finn and his followers are all giants. Diarmid is the patriarch of the Campbell clan, the MacDiarmids being "sons of Diarmid".

[[114]] Isaiah condemns a magical custom connected with the worship of Tammuz in the garden, Isaiah, xvii, 9, 11. This "Garden of Adonis" is dealt with in the next chapter.

[[115]] Quotations are from Sumerian and Babylonian Psalms, translated by Stephen Langdon, Ph.D. (Paris and London, 1909), pp. 299-341.

[[116]] Beowulf, translated by J.R. Clark Hall (London, 1911), pp. 9-11.

[[117]] For Frey's connection with the Ynglings see Morris and Magnusson's Heimskringla (Saga Library, vol. iii), pp. 23-71.

[[118]] The Religion of Babylonia and Assyria, p. 72.

[[119]] Langdon's Sumerian and Babylonian Psalms, pp. 325, 339.

[[120]] Professor Oldenberg's translation.

[[121]] Osiris is also invoked to "remove storms and rain and give fecundity in the nighttime". As a spring sun god he slays demons; as a lunar god he brings fertility.

[[122]] Like the love-compelling girdle of Aphrodite.

[[123]] A wedding bracelet of crystal is worn by Hindu women; they break it when the husband dies.

[[124]] Quotations from the translation in The Chaldean Account of Genesis, by George Smith.

[[125]] Langdon's Sumerian and Babylonian Psalms, p. 329 et seq.

[[126]] The Burden of Isis, translated by J.T. Dennis (Wisdom of the East series), pp. 24, 31, 32, 39, 45, 46, 49.

[[127]] The Burden of Isis, pp. 22, 46.

[[128]] Aspects of Religious Belief and Practice in Babylonia and Assyria, p. 137, and Herodotus, book i, 199.

[[129]] The Burden of Isis, p. 47.

[[130]] Original Sanskrit Texts, J. Muir, London, 1890, vol. i, p. 67.

[[131]] Original Sanskrit Texts, vol. i, p. 44.

[[132]] Adi Parva section of Mahàbhàrata (Roy's translation), pp. 553, 555.

[[133]] Ancient Irish Poetry, Kuno Meyer (London, 1911), pp. 88-90.

[[134]] Translations from The Elder Edda, by O. Bray (part i), London, 1908.

[[135]] Babylonian Religion, L.W. King, pp. 160, 161.

[[136]] Tennyson's A Dream of Fair Women.

[[137]] Greece and Babylon, L.R. Farnell (Edinburgh, 1911), p. 35.

[[138]] The goddesses did not become prominent until the "late invasion" of the post-Vedic Aryans.

[[139]] Greece and Babylon, p. 96.

[[140]] Jeremiah, xliv.

[[141]] Jeremiah, vii, 18.

[[142]] Aspects of Religious Belief and Practice in Babylonia and Assyria, pp. 348, 349.

[[143]] Jeremiah, vii, 17.

Chapter VI. Wars of the City States of Sumer and Akkad

Abstract

Civilization well advanced--The Patesi--Prominent City States--Surroundings of Babylonia--The Elamites--Biblical References to Susa--The Sumerian Temperament--Fragmentary Records--City States of Kish and Opis--A Shopkeeper who became a Queen--Goddess Worship--Tammuz as Nin-Girsu--Great Dynasty of Lagash--Ur-Nina and his Descendants--A Napoleonic Conqueror--Golden Age of Sumerian Art--The First Reformer in History--His Rise and Fall--The Dynasty of Erech--Sargon of Akkad--The Royal Gardener--Sargon Myth in India--A Great Empire--The King who Purchased Land--Naram Sin the Conqueror--Disastrous Foreign Raid--Lagash again Prominent--Gudea the Temple Builder--Dynasty of Ur--Dynasty of Isin--Another Gardener becomes King--Rise of Babylon--Humanized Deities--Why Sumerian Gods wore Beards.

When the curtain rises to reveal the drama of Babylonian civilization we find that we have missed the first act and its many fascinating scenes. Sumerians and Akkadians come and go, but it is not always possible to distinguish between them. Although most Semites are recognizable by their flowing beards, prominent noses, and long robes, some have so closely imitated the Sumerians as to suffer almost complete loss of identity. It is noticeable that in the north the Akkadians are more Semitic than their contemporaries in the south, but it is difficult at times to say whether a city is controlled by the descendants of the indigenous people or those of later settlers. Dynasties rise and fall, and, as in Egypt at times, the progress of the fragmentary narrative is interrupted by a sudden change of scene ere we have properly grasped a situation and realized its significance.

What we know for certain is that civilization is well advanced. Both in the north and the south there are many organized and independent city states, and not unfrequently these wage war one against another. Occasionally ambitious rulers tower among their fellows, conduct vigorous military campaigns, and become overlords of wide districts. As a rule, a subjugated monarch who has perforce to acknowledge the suzerainty of a powerful king is allowed to remain in a state of semi-independence on condition that he pays a heavy annual tribute of grain. His own laws continue in force, and the city deities remain supreme, although recognition may also be given to the deities of his conqueror. He styles himself a Patesi--a "priest king", or more literally, "servant of the chief deity". But as an independent monarch may also be a pious Patesi, it does not always follow when a ruler is referred to by that title he is necessarily less powerful than his neighbours.

When the historical narrative begins Akkad included the cities of Babylon, Cutha, Kish, Akkad, and Sippar, and north of Babylonia proper is Semitic Opis. Among the cities of Sumer were Eridu, Ur, Lagash, Larsa, Erech, Shuruppak, and probably Nippur, which was situated on the "border". On the north Assyria was yet "in the making", and shrouded in obscurity. A vague but vast area above Hit on the Euphrates, and extending to the Syrian coast, was known as the "land of the Amorites". The fish-shaped Babylonian valley lying between the rivers, where walled towns were surrounded by green fields and numerous canals flashed in the sunshine, was bounded on the west by the bleak wastes of the Arabian desert, where during the dry season "the rocks branded the body" and occasional sandstorms swept in blinding folds towards the "plain of Shinar" (Sumer) like demon hosts who sought to destroy the world. To the east the skyline was fretted by the Persian Highlands, and amidst the southern mountains dwelt the fierce Elamites, the hereditary enemies of the Sumerians, although a people apparently of the same origin. Like the Nubians and the Libyans, who kept watchful eyes on Egypt, the Elamites seemed ever to be hovering on the eastern frontier of Sumeria, longing for an opportunity to raid and plunder.

The capital of the Elamites was the city of Susa, where excavations have revealed traces of an independent civilization which reaches back to an early period in the Late Stone Age. Susa is referred to in the Old Testament--"The words of Nehemiah.... I was in Shushan the palace".[[144]] An Assyrian plan of the city shows it occupying a strategic position at a bend of the Shawur river, which afforded protection against Sumerian attacks from the west, while a canal curved round its northern and eastern sides, so that Susa was completely surrounded by water. Fortifications had been erected on the river and canal banks, and between these and the high city walls were thick clumps of trees. That the kings of Elam imitated the splendours of Babylonian courts in the later days of Esther and Haman and Mordecai, is made evident by the Biblical references to the gorgeous palace, which had "white, green, and blue hangings, fastened with cords of fine linen and purple to silver rings and pillars of marble; the beds were of gold and silver, upon a pavement of red, and blue, and white, and black marble".[[145]] Beyond Elam were the plains, plateaus, and grassy steppes occupied by the Medes and other peoples of Aryan speech. Cultural influences came and went like spring winds between the various ancient communities.

For ten long centuries Sumer and Akkad flourished and prospered ere we meet with the great Hammurabi, whose name has now become almost as familiar as that of Julius Caesar. But our knowledge of the leading historical events of this vast period is exceedingly fragmentary. The Sumerians were not like the later Assyrians or their Egyptian contemporaries--a people with a passion for history. When inscriptions were composed and cut on stone, or impressed upon clay tablets and bricks, the kings selected as a general rule to record pious deeds rather than to celebrate their victories and conquests. Indeed, the average monarch had a temperament resembling that of Keats, who declared:

The silver flow

Of Hero's tears, the swoon of Imogen,

Fair Pastorella in the bandits' den,

Are things to brood on with more ardency

Than the death day of empires.

The Sumerian king was emotionally religious as the great English poet was emotionally poetical. The tears of Ishtar for Tammuz, and the afflictions endured by the goddess imprisoned in Hades, to which she had descended for love of her slain husband, seemed to have concerned the royal recorder to a greater degree than the memories of political upheavals and the social changes which passed over the land, like the seasons which alternately brought greenness and gold, barrenness and flood.

City chronicles, as a rule, are but indices of obscure events, to which meagre references were sometimes also made on mace heads, vases, tablets, stelae, and sculptured monoliths. Consequently, present-day excavators and students have often reason to be grateful that the habit likewise obtained of inscribing on bricks in buildings and the stone sockets of doors the names of kings and others. These records render obscure periods faintly articulate, and are indispensable for comparative purposes. Historical clues are also obtained from lists of year names. Each city king named a year in celebration of a great event--his own succession to the throne, the erection of a new temple or of a city wall, or, mayhap, the defeat of an invading army from a rival state. Sometimes, too, a monarch gave the name of his father in an official inscription, or happily mentioned several ancestors. Another may be found to have made an illuminating statement regarding a predecessor, who centuries previously erected the particular temple that he himself has piously restored. A reckoning of this kind, however, cannot always be regarded as absolutely correct. It must be compared with and tested by other records, for in these ancient days calculations were not unfrequently based on doubtful inscriptions, or mere oral traditions, perhaps. Nor can implicit trust be placed on every reference to historical events, for the memoried deeds of great rulers were not always unassociated with persistent and cumulative myths. It must be recognized, therefore, that even portions of the data which had of late been sifted and systematized by Oriental scholars in Europe, may yet have to be subjected to revision. Many interesting and important discoveries, which will throw fresh light on this fascinating early period, remain to be made in that ancient and deserted land, which still lies under the curse of the Hebrew prophet, who exclaimed: "Babylon, the glory of kingdoms, the beauty of the Chaldees' excellency, shall be as when God overthrew Sodom and Gomorrah. It shall never be inhabited; neither shall the Arabian pitch tent there; neither shall the shepherds make their fold there. But wild beasts of the desert shall lie there; and their houses shall be full of doleful creatures; and owls shall dwell there, and satyrs shall dance there. And the wild beasts of the islands shall cry in their desolate houses and dragons in their pleasant palaces."[[146]]

The curtain rises, as has been indicated, after civilization had been well advanced. To begin with, our interests abide with Akkad, and during a period dated approximately between 3000 B.C. and 2800 B.C., when Egypt was already a united kingdom, and the Cretans were at the dawn of the first early Minoan period, and beginning to use bronze. In Kish Sumerian and Akkadian elements had apparently blended, and the city was the centre of a powerful and independent government. After years have fluttered past dimly, and with them the shadow-shapes of vigorous rulers, it is found that Kish came under the sway of the pronouncedly Semitic city of Opis, which was situated "farthest north" and on the western bank of the river Tigris. A century elapsed ere Kish again threw off the oppressor's yoke and renewed the strength of its youth.

The city of Kish was one of the many ancient centres of goddess worship. The Great Mother appears to have been the Sumerian Bau, whose chief seat was at Lagash. If tradition is to be relied upon, Kish owed its existence to that notable lady, Queen Azag-Bau. Although floating legends gathered round her memory as they have often gathered round the memories of famous men, like Sargon of Akkad, Alexander the Great, and Theodoric the Goth, who became Emperor of Rome, it is probable that the queen was a prominent historical personage. She was reputed to have been of humble origin, and to have first achieved popularity and influence as the keeper of a wine shop. Although no reference survives to indicate that she was believed to be of miraculous birth, the Chronicle of Kish gravely credits her with a prolonged and apparently prosperous reign of a hundred years. Her son, who succeeded her, sat on the throne for a quarter of a century. These calculations are certainly remarkable. If the Queen Azag-Bau founded Kish when she was only twenty, and gave birth to the future ruler in her fiftieth year, he must have been an elderly gentleman of seventy when he began to reign. When it is found, further, that the dynasty in which mother and son flourished was supposed to have lasted for 586 years, divided between eight rulers, one of whom reigned for only three years, two for six, and two for eleven, it becomes evident that the historian of Kish cannot be absolutely relied upon in detail. It seems evident that the memory of this lady of forceful character, who flourished about thirteen hundred years before the rise of Queen Hatshepsut of Egypt, has overshadowed the doubtful annals of ancient Kish at a period when Sumerian and Semite were striving in the various states to achieve political ascendancy.

Meanwhile the purely Sumerian city of Lagash had similarly grown powerful and aggressive. For a time it acknowledged the suzerainty of Kish, but ultimately it threw off the oppressor's yoke and asserted its independence. The cumulative efforts of a succession of energetic rulers elevated Lagash to the position of a metropolis in Ancient Babylonia.

The goddess Bau, "the mother of Lagash", was worshipped in conjunction with other deities, including the god Nin-Girsu, an agricultural deity, and therefore a deity of war, who had solar attributes. One of the titles of Nin-Girsu was En-Mersi, which, according to Assyrian evidence, was another name of Tammuz, the spring god who slew the storm and winter demons, and made the land fertile so that man might have food. Nin-Girsu was, it would seem, a developed form of Tammuz, like the Scandinavian Frey, god of harvest, or Heimdal, the celestial warrior. Bau was one of the several goddesses whose attributes were absorbed by the Semitic Ishtar. She was a "Great Mother", a creatrix, the source of all human and bestial life, and, of course, a harvest goddess. She was identified with Gula, "the great one", who cured diseases and prolonged life. Evidently the religion of Lagash was based on the popular worship of the "Queen of Heaven", and her son, the dying god who became "husband of his mother".

The first great and outstanding ruler of Lagash was Ur-Nina, who appears to have owed his power to the successful military operations of his predecessors. It is uncertain whether or not he himself engaged in any great war. His records are silent in that connection, but, judging from what we know of him, it may be taken for granted that he was able and fully prepared to give a good account of himself in battle. He certainly took steps to make secure his position, for he caused a strong wall to be erected round Lagash. His inscriptions are eloquent of his piety, which took practical shape, for he repaired and built temples, dedicated offerings to deities, and increased the wealth of religious bodies and the prosperity of the State by cutting canals and developing agriculture. In addition to serving local deities, he also gave practical recognition to Ea at Eridu and Enlil at Nippur. He, however, overlooked Anu at Erech, a fact which suggests that he held sway over Eridu and Nippur, but had to recognize Erech as an independent city state.

Among the deities of Lagash, Ur-Nina favoured most the goddess Nina, whose name he bore. As she was a water deity, and perhaps identical with Belit-sheri, sister of "Tammuz of the Abyss" and daughter of Ea, one of the canals was dedicated to her. She was also honoured with a new temple, in which was probably placed her great statue, constructed by special order of her royal worshipper. Like the Egyptian goddess, the "Mother of Mendes", Nina received offerings of fish, not only as a patroness of fishermen, but also as a corn spirit and a goddess of maternity. She was in time identified with Ishtar.

A famous limestone plaque, which is preserved in the Louvre, Paris, depicts on its upper half the pious King Ur-Nina engaged in the ceremony of laying the foundations of a temple dedicated either to the goddess Nina or to the god Nin-Girsu. His face and scalp are clean shaven, and he has a prominent nose and firm mouth, eloquent of decision. The folds of neck and jaw suggest Bismarckian traits. He is bare to the waist, and wears a pleated kilt, with three flounces, which reaches almost to his ankles. On his long head he has poised deftly a woven basket containing the clay with which he is to make the first brick. In front of him stand five figures. The foremost is honoured by being sculptured larger than the others, except the prominent monarch. Apparently this is a royal princess, for her head is unshaven, and her shoulder dress or long hair drops over one of her arms. Her name is Lida, and the conspicuous part she took in the ceremony suggests that she was the representative of the goddess Nina. She is accompanied by her brothers, and at least one official, Anita, the cup-bearer, or high priest. The concluding part of this ceremony, or another ceremonial act, is illustrated on the lower part of the plaque. Ur-Nina is seated on his throne, not, as would seem at first sight, raising the wine cup to his lips and toasting to the success of the work, but pouring out a libation upon the ground. The princess is not present; the place of honour next to the king is taken by the crown prince. Possibly in this case it is the god Nin-Girsu who is being honoured. Three male figures, perhaps royal sons, accompany the prominent crown prince. The cup-bearer is in attendance behind the throne.

The inscription on this plaque, which is pierced in the centre so as to be nailed to a sacred shrine, refers to the temples erected by Ur-Nina, including those of Nina and Nin-Girsu.

After Ur-Nina's prosperous reign came to a close, his son Akurgal ascended the throne. He had trouble with Umma, a powerful city, which lay to the north-west of Lagash, between the Shatt-el-Kai and Shatt-el-Hai canals. An army of raiders invaded his territory and had to be driven back.

The next king, whose name was Eannatum, had Napoleonic characteristics. He was a military genius with great ambitions, and was successful in establishing by conquest a small but brilliant empire. Like his grandfather, he strengthened the fortifications of Lagash; then he engaged in a series of successful campaigns. Umma had been causing anxiety in Lagash, but Eannatum stormed and captured that rival city, appropriated one of its fertile plains, and imposed an annual tribute to be paid in kind. An army of Elamites swept down from the hills, but Ur-Nina's grandson inflicted upon these bold foreigners a crushing defeat and pursued them over the frontier. Several cities were afterwards forced to come under the sway of triumphant Lagash, including Erech and Ur, and as his suzerainty was already acknowledged at Eridu, Eannatum's power in Sumeria became as supreme as it was firmly established.

Evidently Zuzu, king of the northern city of Opis, considered that the occasion was opportune to overcome the powerful Sumerian conqueror, and at the same time establish Semitic rule over the subdued and war-wasted cities. He marched south with a large army, but the tireless and ever-watchful Eannatum hastened to the fray, scattered the forces of Opis, and captured the foolhardy Zuzu.

Eannatum's activities, however, were not confined to battlefields. At Lagash he carried out great improvements in the interests of agriculture; he constructed a large reservoir and developed the canal system. He also extended and repaired existing temples in his native city and at Erech. Being a patron of the arts, he encouraged sculpture work, and the finest Sumerian examples belong to his reign.

Eannatum was succeeded by his brother, Enannatum I. Apparently the new monarch did not share the military qualities of his royal predecessor, for there were signs of unrest in the loose confederacy of states. Indeed, Umma revolted. From that city an army marched forth and took forcible possession of the plain which Eannatum had appropriated, removing and breaking the landmarks, and otherwise challenging the supremacy of the sovran state. A Lagash force defeated the men of Umma, but appears to have done little more than hold in check their aggressive tendencies.

No sooner had Entemena, the next king, ascended the throne than the flame of revolt burst forth again. The Patesi of Umma was evidently determined to free, once and for all, his native state from the yoke of Lagash. But he had gravely miscalculated the strength of the vigorous young ruler. Entemena inflicted upon the rebels a crushing defeat, and following up his success, entered the walled city and captured and slew the patesi. Then he took steps to stamp out the embers of revolt in Umma by appointing as its governor one of his own officials, named Ili, who was duly installed with great ceremony. Other military successes followed, including the sacking of Opis and Kish, which assured the supremacy of Lagash for many years. Entemena, with characteristic vigour, engaged himself during periods of peace in strengthening his city fortifications and in continuing the work of improving and developing the irrigation system. He lived in the golden age of Sumerian art, and to his reign belongs the exquisite silver vase of Lagash, which was taken from the Tello mound, and is now in the Louvre. This votive offering was placed by the king in the temple of Nin-Girsu. It is exquisitely shaped, and has a base of copper. The symbolic decorations include the lion-headed eagle, which was probably a form of the spring god of war and fertility, the lion, beloved by the Mother goddess, and deer and ibexes, which recall the mountain herds of Astarte. In the dedicatory inscription the king is referred to as a patesi, and the fact that the name of the high priest, Dudu, is given may be taken as an indication of the growing power of an aggressive priesthood. After a brilliant reign of twenty-nine years the king died, and was succeeded by his son, Enannatum II, who was the last ruler of Ur-Nina's line. An obscure period ensued. Apparently there had been a city revolt, which may have given the enemies of Lagash the desired opportunity to gather strength for the coming conflict. There is a reference to an Elamite raid which, although repulsed, may be regarded as proof of disturbed political conditions.

Figure VI.1. SILVER VASE DEDICATED TO THE GOD NIN-GIRSU BY ENTEMENA

The finest example extant of Sumerian metal work. (See page 120) Reproduced by permission from "Découvertes en Chaldée" (E. Letoux, Paris)

Figure VI.2. STELE OF NARAM SIN

(Louvre, Paris)

One or two priests sat on the throne of Lagash in brief succession, and then arose to power the famous Urukagina, the first reformer in history. He began to rule as patesi, but afterwards styled himself king. What appears certain is that he was the leader of a great social upheaval, which received the support of a section of the priesthood, for he recorded that his elevation was due to the intercession of the god Nin-Girsu. Other deities, who were sons and daughters of Nin-Girsu and Nina, had been given recognition by his predecessors, and it is possible that the orthodox section of Lagash, and especially the agricultural classes, supported the new ruler in sweeping away innovations to which they were hostile.

Like Khufu and his descendants, the Pyramid kings of Egypt's fourth dynasty, the vigorous and efficient monarchs of the Ur-Nina dynasty of Lagash were apparently remembered and execrated as tyrants and oppressors of the people. To maintain many endowed temples and a standing army the traders and agriculturists had been heavily taxed. Each successive monarch who undertook public works on a large scale for the purpose of extending and developing the area under cultivation, appears to have done so mainly to increase the revenue of the exchequer, so as to conserve the strength of the city and secure its pre-eminence as a metropolis. A leisured class had come into existence, with the result that culture was fostered and civilization advanced. Lagash seems to have been intensely modern in character prior to 2800 B.C., but with the passing of the old order of things there arose grave social problems which never appear to have been seriously dealt with. All indications of social unrest were, it would appear, severely repressed by the iron-gloved monarchs of Ur-Nina's dynasty.

The people as a whole groaned under an ever-increasing burden of taxation. Sumeria was overrun by an army of officials who were notoriously corrupt; they do not appear to have been held in check, as in Egypt, by royal auditors. "In the domain of Nin-Girsu", one of Urukagina's tablets sets forth, "there were tax gatherers down to the sea." They not only attended to the needs of the exchequer, but enriched themselves by sheer robbery, while the priests followed their example by doubling their fees and appropriating temple offerings to their own use. The splendid organization of Lagash was crippled by the dishonesty of those who should have been its main support.

Reforms were necessary and perhaps overdue, but, unfortunately for Lagash, Urukagina's zeal for the people's cause amounted to fanaticism. Instead of gradually readjusting the machinery of government so as to secure equality of treatment without impairing its efficiency as a defensive force in these perilous times, he inaugurated sweeping and revolutionary social changes of far-reaching character regardless of consequences. Taxes and temple fees were cut down, and the number of officials reduced to a minimum. Society was thoroughly disorganized. The army, which was recruited mainly from the leisured and official classes, went practically out of existence, so that traders and agriculturists obtained relief from taxation at the expense of their material security.

Urukagina's motives were undoubtedly above reproach, and he showed an example to all who occupied positions of trust by living an upright life and denying himself luxuries. He was disinterestedly pious, and built and restored temples, and acted as the steward of his god with desire to promote the welfare and comfort of all true worshippers. His laws were similar to those which over two centuries afterwards were codified by Hammurabi, and like that monarch he was professedly the guardian of the weak and the helper of the needy; he sought to establish justice and liberty in the kingdom. But his social Arcadia vanished like a dream because he failed to recognize that Right must be supported by Might.

In bringing about his sudden social revolution, Urukagina had at the same time unwittingly let loose the forces of disorder. Discontented and unemployed officials, and many representatives of the despoiled leisured and military classes of Lagash, no doubt sought refuge elsewhere, and fostered the spirit of revolt which ever smouldered in subject states. At any rate, Umma, remembering the oppressions of other days, was not slow to recognize that the iron hand of Lagash had become unnerved. The zealous and iconoclastic reformer had reigned but seven years when he was called upon to defend his people against the invader. He appears to have been utterly unprepared to do so. The victorious forces of Umma swept against the stately city of Lagash and shattered its power in a single day. Echoes of the great disaster which ensued rise from a pious tablet inscription left by a priest, who was convinced that the conquerors would be called to account for the sins they had committed against the great god Nin-Girsu. He lamented the butchery and robbery which had taken place. We gather from his composition that blood was shed by the raiders of Umma even in the sacred precincts of temples, that statues were shattered, that silver and precious stones were carried away, that granaries were plundered and standing crops destroyed, and that many buildings were set on fire. Amidst these horrors of savagery and vengeance, the now tragic figure of the great reformer suddenly vanishes from before our eyes. Perhaps he perished in a burning temple; perhaps he found a nameless grave with the thousands of his subjects whose bodies had lain scattered about the blood-stained streets. With Urukagina the glory of Lagash departed. Although the city was rebuilt in time, and was even made more stately than before, it never again became the metropolis of Sumeria.

The vengeful destroyer of Lagash was Lugal-zaggisi, Patesi of Umma, a masterful figure in early Sumerian history. We gather from the tablet of the unknown scribe, who regarded him as a sinner against the god Nin-Girsu, that his city goddess was named Nidaba. He appears also to have been a worshipper of Enlil of Nippur, to whose influence he credited his military successes. But Enlil was not his highest god, he was the interceder who carried the prayers of Lugal-zaggisi to the beloved father, Anu, god of the sky. No doubt Nin-Girsu represented a school of theology which was associated with unpleasant memories in Umma. The sacking and burning of the temples of Lagash suggests as much.

Having broken the power of Lagash, Lugal-zaggisi directed his attention to the rival city of Kish, where Semitic influence was predominating. When Nanizak, the last monarch of the line of the famous Queen Azag-Bau, had sat upon the throne for but three years, he perished by the sword of the Umma conqueror. Nippur likewise came under his sway, and he also subdued the southern cities.

Lugal-zaggisi chose for his capital ancient Erech, the city of Anu, and of his daughter, the goddess Nana, who afterwards was identified with Ishtar. Anu's spouse was Anatu, and the pair subsequently became abstract deities, like Anshar and Kishar, their parents, who figure in the Babylonian Creation story. Nana was worshipped as the goddess of vegetation, and her relation to Anu was similar to that of Belit-sheri to Ea at Eridu. Anu and Ea were originally identical, but it would appear that the one was differentiated as the god of the waters above the heaven and the other as god of the waters beneath the earth, both being forms of Anshar. Elsewhere the chief god of the spring sun or the moon, the lover of the goddess, became pre-eminent, displacing the elder god, like Nin-Girsu at Lagash. At Sippar the sun god, Babbar, whose Semitic name was Shamash, was exalted as the chief deity, while the moon god remained supreme at Ur. This specializing process, which was due to local theorizing and the influence of alien settlers, has been dealt with in a previous chapter.

In referring to himself as the favoured ruler of various city deities, Lugal-zaggisi appears as a ruler of all Sumeria. How far his empire extended it is impossible to determine with certainty. He appears to have overrun Akkad, and even penetrated to the Syrian coast, for in one inscription it is stated that he "made straight his path from the Lower Sea (the Persian Gulf) over the Euphrates and Tigris to the Upper Sea (the Mediterranean)". The allegiance of certain states, however, depended on the strength of the central power. One of his successors found it necessary to attack Kish, which was ever waiting for an opportunity to regain its independence.

According to the Chronicle of Kish, the next ruler of Sumer and Akkad after Lugal-zaggisi was the famous Sargon I. It would appear that he was an adventurer or usurper, and that he owed his throne indirectly to Lugal-zaggisi, who had dethroned the ruler of Akkad. Later traditions, which have been partly confirmed by contemporary inscriptions, agree that Sargon was of humble birth. In the previous chapter reference was made to the Tammuz-like myth attached to his memory. His mother was a vestal virgin dedicated to the sun god, Shamash, and his father an unknown stranger from the mountains--a suggestion of immediate Semitic affinities. Perhaps Sargon owed his rise to power to the assistance received by bands of settlers from the land of the Amorites, which Lugal-zaggisi had invaded.

According to the legend, Sargon's birth was concealed. He was placed in a vessel which was committed to the river. Brought up by a commoner, he lived in obscurity until the Semitic goddess, Ishtar, gave him her aid.

A similar myth was attached in India to the memory of Karna, the Hector of that great Sanskrit epic the Mahabharata. Kama's mother, the Princess Pritha, who afterwards became a queen, was loved by the sun god, Surya. When in secret she gave birth to her son she placed him in an ark of wickerwork, which was set adrift on a stream. Ultimately it reached the Ganges, and it was borne by that river to the country of Anga, where the child was rescued by a woman and afterwards reared by her and her husband, a charioteer. In time Karna became a great warrior, and was crowned King of Anga by the Kaurava warriors.[[147]]

Before he became king, Sargon of Akkad, the Sharrukin of the texts, was, according to tradition, a gardener and watchman attached to the temple of the war god Zamama of Kish. This deity was subsequently identified with Merodach, son of Ea; Ninip, son of Enlil; and Nin-Girsu of Lagash. He was therefore one of the many developed forms of Tammuz--a solar, corn, and military deity, and an interceder for mankind. The goddess of Kish appears to have been a form of Bau, as is testified by the name of Queen Azag-Bau, the legendary founder of the city.

Unfortunately our knowledge of Sargon's reign is of meagre character. It is undoubted that he was a distinguished general and able ruler. He built up an empire which included Sumer and Akkad, and also Amurru, "the western land", or "land of the Amorites". The Elamites gave him an opportunity to extend his conquests eastward. They appear to have attacked Opis, but he drove them back, and on more than one occasion penetrated their country, over the western part of which, known as Anshan, he ultimately imposed his rule. Thither went many Semitic settlers who had absorbed the culture of Sumeria.

During Sargon's reign Akkad attained to a splendour which surpassed that of Babylon. In an omen text the monarch is lauded as the "highly exalted one without a peer". Tradition relates that when he was an old man all the Babylonian states rose in revolt against him and besieged Akkad. But the old warrior led forth his army against the combined forces and achieved a shattering victory.

Manishtusu, who succeeded Sargon I, had similarly to subdue a great confederacy of thirty-two city states, and must therefore have been a distinguished general. But he is best known as the monarch who purchased several large estates adjoining subject cities, his aim having been probably to settle on these Semitic allies who would be less liable to rebel against him than the workers they displaced. For the latter, however, he found employment elsewhere. These transactions, which were recorded on a monument subsequently carried off with other spoils by the Elamites and discovered at Susa, show that at this early period (about 2600 B.C.) even a conquering monarch considered it advisable to observe existing land laws. Urumush,[[148]] the next ruler, also achieved successes in Elam and elsewhere, but his life was cut short by a palace revolution.

The prominent figure of Naram Sin, a later king of Akkad, bulks largely in history and tradition. According to the Chronicle of Kish, he was a son of Sargon. Whether he was or not, it is certain that he inherited the military and administrative genius of that famous ex-gardener. The arts flourished during his reign. One of the memorable products of the period was an exquisitely sculptured monument celebrating one of Naram Sin's victories, which was discovered at Susa. It is one of the most wonderful examples of Babylonian stone work which has come to light.

A successful campaign had been waged against a mountain people. The stele shows the warrior king leading his army up a steep incline and round the base of a great peak surmounted by stars. His enemies flee in confusion before him. One lies on the ground clutching a spear which has penetrated his throat, two are falling over a cliff, while others apparently sue for mercy. Trees have been depicted to show that part of the conquered territory is wooded. Naram Sin is armed with battleaxe and bow, and his helmet is decorated with horns. The whole composition is spirited and finely grouped; and the military bearing of the disciplined troops contrasts sharply with the despairing attitudes of the fleeing remnants of the defending army.

During this period the Semitized mountaineers to the north-east of Babylonia became the most aggressive opponents of the city states. The two most prominent were the Gutium, or men of Kutu, and the Lulubu. Naram Sin's great empire included the whole of Sumer and Akkad, Amurru and northern Palestine, and part of Elam, and the district to the north. He also penetrated Arabia, probably by way of the Persian Gulf, and caused diorite to be quarried there. One of his steles, which is now in the Imperial Ottoman Museum at Constantinople, depicts him as a fully bearded man with Semitic characteristics. During his lifetime he was deified--a clear indication of the introduction of foreign ideas, for the Sumerians were not worshippers of kings and ancestors.

Naram Sin was the last great king of his line. Soon after his death the power of Akkad went to pieces, and the Sumerian city of Erech again became the centre of empire. Its triumph, however, was shortlived. After a quarter of a century had elapsed, Akkad and Sumer were overswept by the fierce Gutium from the north-eastern mountains. They sacked and burned many cities, including Babylon, where the memory of the horrors perpetrated by these invaders endured until the Grecian Age. An obscure period, like the Egyptian Hyksos Age, ensued, but it was of comparatively brief duration.

When the mists cleared away, the city Lagash once more came to the front, having evidently successfully withstood the onslaughts of the Gutium, but it never recovered the place of eminence it occupied under the brilliant Ur-Nina dynasty. It is manifest that it must have enjoyed under the various overlords, during the interval, a considerable degree of independence, for its individuality remained unimpaired. Of all its energetic and capable patesis, the most celebrated was Gudea, who reigned sometime before 2400 B.C. In contrast to the Semitic Naram Sin, he was beardless and pronouncedly Sumerian in aspect. His favoured deity, the city god Nin-Girsu, again became prominent, having triumphed over his jealous rivals after remaining in obscurity for three or four centuries. Trade flourished, and the arts were fostered. Gudea had himself depicted, in one of the most characteristic sculptures of his age, as an architect, seated reverently with folded hands with a temple plan lying on his knees, and his head uplifted as if watching the builders engaged in materializing the dream of his life. The temple in which his interests were centred was erected in honour of Nin-Girsu. Its ruins suggest that it was of elaborate structure and great beauty. Like Solomon in later days, Gudea procured material for his temple from many distant parts--cedar from Lebanon, marble from Amurru, diorite from Arabia, copper from Elam, and so forth. Apparently the King of Lagash was strong enough or wealthy enough to command respect over a wide area.

Another city which also rose into prominence, amidst the shattered Sumerian states, was Ur, the centre of moon worship. After Gudea's death, its kings exercised sway over Lagash and Nippur, and, farther south, over Erech and Larsa as well. This dynasty endured for nearly a hundred and twenty years, during which Ur flourished like Thebes in Egypt. Its monarchs styled themselves as "Kings of the Four Regions". The worship of Nannar (Sin) became officially recognized at Nippur, the seat of Enlil, during the reign of King Dungi of Ur; while at Erech, the high priest of Anu, the sky god, became the high priest of the moon god. Apparently matriarchal ideas, associated with lunar worship, again came into prominence, for the king appointed two of his daughters to be rulers of conquered states in Elam and Syria. In the latter half of his reign, Dungi, the conqueror, was installed as high priest at Eridu. It would thus appear that there was a renascence of early Sumerian religious ideas. Ea, the god of the deep, had long been overshadowed, but a few years before Dungi's death a temple was erected to him at Nippur, where he was worshipped as Dagan. Until the very close of his reign, which lasted for fifty-eight years, this great monarch of tireless activity waged wars of conquest, built temples and palaces, and developed the natural resources of Sumer and Akkad. Among his many reforms was the introduction of standards of weights, which received divine sanction from the moon god, who, as in Egypt, was the measurer and regulator of human transactions and human life.

To this age also belongs many of the Sumerian business and legal records, which were ultimately carried off to Susa, where they have been recovered by French excavators.

About half a century after Dungi's death the Dynasty of Ur came to an end, its last king having been captured by an Elamite force.

At some time subsequent to this period, Abraham migrated from Ur to the northern city of Harran, where the moon god was also the chief city deity--the Baal, or "lord". It is believed by certain Egyptologists that Abraham sojourned in Egypt during its Twelfth Dynasty, which, according to the Berlin system of minimum dating, extended from about 2000 B.C. till 1780 B.C. The Hebrew patriarch may therefore have been a contemporary of Hammurabi's, who is identified with Amraphel, king of Shinar (Sumer) in the Bible.[[149]]

But after the decline of Ur's ascendancy, and long before Babylon's great monarch came to the throne, the centre of power in Sumeria was shifted to Isin, where sixteen kings flourished for two and a quarter centuries. Among the royal names, recognition was given to Ea and Dagan, Sin, Enlil, and Ishtar, indicating that Sumerian religion in its Semitized form was receiving general recognition. The sun god was identical with Ninip and Nin-Girsu, a god of fertility, harvest, and war, but now more fully developed and resembling Babbar, "the shining one", the solar deity of Akkadian Sippar, whose Semitic name was Shamash. As Shamash was ultimately developed as the god of justice and righteousness, it would appear that his ascendancy occurred during the period when well-governed communities systematized their religious beliefs to reflect social conditions.

The first great monarch of the Isin dynasty was Ishbi-Urra, who reigned for thirty-two years. Like his successors, he called himself "King of Sumer and Akkad", and it appears that his sway extended to the city of Sippar, where solar worship prevailed. Traces of him have also been found at Eridu, Ur, Erech, and Nippur, so that he must have given recognition to Ea, Sin, Anu, and Enlil. In this period the early national pantheon may have taken shape, Bel Enlil being the chief deity. Enlil was afterwards displaced by Merodach of Babylon.

Before 2200 B.C. there occurred a break in the supremacy of Isin. Gungunu, King of Ur, combined with Larsa, whose sun temple he restored, and declared himself ruler of Sumer and Akkad. But Isin again gathered strength under Ur-Ninip, who was not related to his predecessor. Perhaps he came from Nippur, where the god Ninip was worshipped as the son of Bel Enlil.

According to a Babylonian document, a royal grandson of Ur-Ninip's, having no direct heir, selected as his successor his gardener, Enlil-bani. He placed the crown on the head of this obscure individual, abdicated in his favour, and then died a mysterious death within his palace.

It is highly probable that Enlil-bani, whose name signifies "Enlil is my creator", was a usurper like Sargon of Akkad, and he may have similarly circulated a myth regarding his miraculous origin to justify his sudden rise to power. The truth appears to be that he came to the throne as the leader of a palace revolution at a time of great unrest. But he was not allowed to remain in undisputed possession. A rival named Sin-ikisha, evidently a moon worshipper and perhaps connected with Ur, displaced the usurper, and proclaimed himself king. After a brief reign of six months he was overthrown, however, by Enlil-bani, who piously credited his triumph over his enemy to the chief god of Nippur, whose name he bore. Although he took steps to secure his position by strengthening the fortifications of Isin, and reigned for about a quarter of a century, he was not succeeded by his heir, if he had one. King Zambia, who was no relation, followed him, but his reign lasted for only three years. The names of the next two kings are unknown. Then came Sin-magir, who was succeeded by Damik-ilishu, the last King of Isin.

Towards the close of Damik-ilishu's reign of twenty-four years he came under the suzerainty of Larsa, whose ruler was Rim Sin. Then Isin was captured by Sin-muballit, King of Babylon, the father of the great Hammurabi. Rim Sin was an Elamite.

Afterwards the old order of things passed away. Babylon became the metropolis, the names of Sumer and Akkad dropped out of use, and the whole country between the rivers was called Babylonia.[[150]] The various systems of law which obtained in the different states were then codified by Hammurabi, who appointed governors in all the cities which came under his sway to displace the patesis and kings. A new national pantheon of representative character was also formed, over which Merodach (Marduk), the city god of Babylon, presided. How this younger deity was supposed to rise to power is related in the Babylonian legend of Creation, which is dealt with in the next chapter.[[151]] In framing this myth from the fragments of older myths, divine sanction was given to the supremacy achieved by Merodach's city. The allegiance of future generations was thus secured, not only by the strong arm of the law, but also by the combined influence of the reorganized priesthoods at the various centres of administration.

An interesting problem, which should be referred to here, arises in connection with the sculptured representations of deities before and after the rise of Akkad as a great Power. It is found, although the Sumerians shaved their scalps and faces at the dawn of the historical age, that they worshipped gods who had long hair and also beards, which were sometimes square and sometimes pointed.

At what period the Sumerian deities were given human shape it is impossible to determine. As has been shown (Chapters II and III) all the chief gods and goddesses had animal forms and composite monster forms before they became anthropomorphic deities. Ea had evidently a fish shape ere he was clad in the skin of a fish, as an Egyptian god was simply a bull before he was depicted in human shape wearing a bull's skin. The archaic Sumerian animal and composite monster gods of animistic and totemic origin survived after the anthropomorphic period as mythical figures, which were used for decorative or magical purposes and as symbols. A form of divine headdress was a cap enclosed in horns, between which appeared the soaring lion-headed eagle, which symbolized Nin-Girsu. This god had also lion and antelope forms, which probably figured in lost myths--perhaps they were like the animals loved by Ishtar and referred to in the Gilgamesh epic. Similarly the winged bull was associated with the moon god Nannar, or Sin, of Ur, who was "a horned steer". On various cylinder seals appear groups of composite monsters and rearing wild beasts, which were evidently representations of gods and demons in conflict.

Suggestive data for comparative study is afforded in this connection by ancient Egypt. Sokar, the primitive Memphite deity, retained until the end his animal and composite monster forms. Other gods were depicted with human bodies and the heads of birds, serpents, and crocodiles, thus forming links between the archaic demoniac and the later anthropomorphic deities. A Sumerian example is the deified Ea-bani, who, like Pan, has the legs and hoofs of a goat.

The earliest representations of Sumerian humanized deities appear on reliefs from Tello, the site of Lagash. These examples of archaic gods, however, are not bearded in Semitic fashion. On the contrary, their lips and cheeks are shaved, while an exaggerated chin tuft is retained. The explanation suggested is that the Sumerians gave their deities human shape before they themselves were clean shaven, and that the retention of the characteristic facial hair growth of the Mediterranean Race is another example of the conservatism of the religious instinct. In Egypt the clean-shaven Pharaohs, who represented gods, wore false chin-tuft beards; even Queen Hatshepsut considered it necessary to assume a beard on state occasions. Ptah-Osiris retained his archaic beard until the Ptolemaic period.

It seems highly probable that in similarly depicting their gods with beards, the early Sumerians were not influenced by the practices of any alien people or peoples. Not until the period of Gudea, the Patesi of Lagash, did they give their gods heavy moustaches, side whiskers, and flowing beards of Semitic type. It may be, however, that by then they had completely forgotten the significance of an ancient custom. Possibly, too, the sculptors of Lagash were working under the influence of the Akkadian school of art, which had produced the exquisite stele of victory for Naram-Sin, and consequently adopted the conventional Semitic treatment of bearded figures. At any rate, they were more likely to study and follow the artistic triumphs of Akkad than the crude productions of the archaic period. Besides, they lived in an age when Semitic kings were deified and the Semitic overlords had attained to great distinction and influence.

The Semitic folks were not so highly thought of in the early Sumerian period. It is not likely that the agricultural people regarded as models of gods the plunderers who descended from the hills, and, after achieving successes, returned home with their spoils. More probably they regarded them as "foreign devils". Other Semites, however, who came as traders, bringing wood, stone, and especially copper, and formed communities in cities, may well have influenced Sumerian religious thought. The god Ramman, for instance, who was given recognition all through Babylonia, was a god of hill folks as far north as Asia Minor and throughout Syria. He may have been introduced by settlers who adopted Sumerian habits of life and shaved scalp and face. But although the old cities could never have existed in a complete state of isolation from the outer world, it is unlikely that their inhabitants modelled their deities on those worshipped by groups of aliens. A severe strain is imposed on our credulity if we are expected to believe that it was due to the teachings and example of uncultured nomads that the highly civilized Sumerians developed their gods from composite monsters to anthropomorphic deities. Such a supposition, at any rate, is not supported by the evidence of Ancient Egypt.

[[144]] Nehemiah, i, 1.

[[145]] Esther, i, 6.

[[146]] Isaiah, xiii, 19-22.

[[147]] Indian Myth and Legend, pp. 173-175 and 192-194.

[[148]] Or Rimush.

[[149]] Genesis, xiv.

[[150]] That is, the equivalent of Babylonia. During the Kassite period the name was Karduniash.

[[151]] The narrative follows The Seven Tablets of Creation and other fragments, while the account given by Berosus is also drawn upon.

Chapter VII. Creation Legend: Merodach the Dragon Slayer

Abstract

Elder Spirits of the Primordial Deep--Apsu and the Tiamat Dragon--Plot to Destroy the Beneficent Gods--Ea overcomes Apsu and Muminu--The Vengeful Preparations of the Dragon--Anshar's Appeal to Merodach--The Festival of the High Gods--Merodach exalted as Ruler of the Universe--Dragon slain and Host taken captive--Merodach rearranges the Pantheon--Creation of Man--Merodach as Asari--The Babylonian Osiris--The Chief Purpose of Mankind--Tiamat as Source of Good and Evil--The Dragon as the Serpent or Worm--Folk Tale aspect of Creation Myth--British Neolithic Legends--German and Egyptian Contracts--Biblical references to Dragons--The Father and Son theme--Merodach and Tammuz--Monotheistic Tendency--Bi-sexual Deities.

In the beginning the whole universe was a sea. Heaven on high had not been named, nor the earth beneath. Their begetter was Apsu, the father of the primordial Deep, and their mother was Tiamat, the spirit of Chaos. No plain was yet formed, no marsh could be seen; the gods had no existence, nor had their fates been determined. Then there was a movement in the waters, and the deities issued forth. The first who had being were the god Lachmu and the goddess Lachamu. Long ages went past. Then were created the god Anshar and the goddess Kishar. When the days of these deities had increased and extended, they were followed by Anu, god of the sky, whose consort was Anatu; and Ea, most wise and all-powerful, who was without an equal. Now Ea, god of the deep, was also Enki, "lord of earth", and his eternal spouse, Damkina, was Gashan-ki, "lady of earth". The son of Ea and Damkina was Bel, the lord, who in time created mankind.[[152]] Thus were the high gods established in power and in glory.

Figure VII.1. STATUE OF GUDEA

(Louvre, Paris)

Figure VII.2. "THE SEVEN TABLETS OF CREATION"

From the Library of Ashur-bani-pal at Kouyunjik (Nineveh): now in the British Museum

Now Apsu and Tiamat remained amidst confusion in the deeps of chaos. They were troubled because their offspring, the high gods, aspired to control the universe and set it in order.[[153]] Apsu was still powerful and fierce, and Tiamat snarled and raised tempests, smiting herself. Their purpose was to work evil amidst eternal confusion.

Then Apsu called upon Mummu, his counsellor, the son who shared his desires, and said, "O Mummu, thou who art pleasing unto me, let us go forth together unto Tiamat and speak with her."

So the two went forth and prostrated themselves before the Chaos Mother to consult with her as to what should be done to prevent the accomplishment of the purpose of the high gods.

Apsu opened his mouth and spake, saying, "O Tiamat, thou gleaming one, the purpose of the gods troubles me. I cannot rest by day nor can I repose by night. I will thwart them and destroy their purpose. I will bring sorrow and mourning so that we may lie down undisturbed by them."

Tiamat heard these words and snarled. She raised angry and roaring tempests; in her furious grief she uttered a curse, and then spake to Apsu, saying, "What shall we do so that their purpose may be thwarted and we may lie down undisturbed again?"

Mummu, the counsellor, addressing Apsu, made answer, and said, "Although the gods are powerful, thou canst overcome them; although their purpose is strong, thou canst thwart it. Then thou shalt have rest by day and peace by night to lie down."

The face of Apsu grew bright when he heard these words spoken by Mummu, yet he trembled to think of the purpose of the high gods, to whom he was hostile. With Tiamat he lamented because the gods had changed all things; the plans of the gods filled their hearts with dread; they sorrowed and spake with Mummu, plotting evil.

Then Ea, who knoweth all, drew near; he beheld the evil ones conspiring and muttering together. He uttered a pure incantation and accomplished the downfall of Apsu and Mummu, who were taken captive.[[154]]

Kingu, who shared the desires of Tiamat, spake unto her words of counsel, saying, "Apsu and Mummu have been overcome and we cannot repose. Thou shalt be their Avenger, O Tempestuous One."

Tiamat heard the words of this bright and evil god, and made answer, saying, "On my strength thou canst trust. So let war be waged."

Then were the hosts of chaos and the deep gathered together. By day and by night they plotted against the high gods, raging furiously, making ready for battle, fuming and storming and taking no rest.

Mother Chuber,[[155]] the creator of all, provided irresistible weapons. She also brought into being eleven kinds of fierce monsters--giant serpents, sharp of tooth with unsparing fangs, whose bodies were filled with poison instead of blood; snarling dragons, clad with terror, and of such lofty stature that whoever saw them was overwhelmed with fear, nor could any escape their attack when they lifted themselves up; vipers and pythons, and the Lachamu, hurricane monsters, raging hounds, scorpion men, tempest furies, fish men, and mountain rams. These she armed with fierce weapons and they had no fear of war.

Then Tiamat, whose commands are unchangeable and mighty, exalted Kingu, who had come to her aid, above all the evil gods; she made him the leader to direct the army in battle, to go in front, to open the attack. Robing Kingu in splendour, she seated him on high and spoke, saying:

"I have established thy command over all the gods. Thou shalt rule over them. Be mighty, thou my chosen husband, and let thy name be exalted over all the spirits of heaven and spirits of earth."

Unto Kingu did Tiamat deliver the tablets of fate; she laid them in his bosom, and said, "Thy commands cannot be changed; thy words shall remain firm."

Thus was Kingu exalted; he was vested with the divine power of Anu to decree the fate of the gods, saying, "Let thy mouth open to thwart the fire god; be mighty in battle nor brook resistance."

Then had Ea knowledge of Tiamat's doings, how she had gathered her forces together, and how she had prepared to work evil against the high gods with purpose to avenge Apsu. The wise god was stricken with grief, and he moaned for many days. Thereafter he went and stood before his father, Anshar, and spake, saying, "Our mother, Tiamat, hath turned against us in her wrath. She hath gathered the gods about her, and those thou didst create are with her also."

When Anshar heard all that Ea revealed regarding the preparations made by Tiamat, he smote his loins and clenched his teeth, and was ill at ease. In sorrow and anger he spoke and said, "Thou didst go forth aforetime to battle; thou didst bind Mummu and smite Apsu. Now Kingu is exalted, and there is none who can oppose Tiamat."[[156]]

Anshar called his son, Anu, before him, and spoke, saying: "O mighty one without fear, whose attack is irresistible, go now before Tiamat and speak so that her anger may subside and her heart be made merciful. But if she will not hearken unto thee, speak thou for me, so that she may be reconciled."

Anu was obedient to the commands of Anshar. He departed, and descended by the path of Tiamat until he beheld her fuming and snarling, but he feared to approach her, and turned back.

Then Ea was sent forth, but he was stricken with terror and turned back also.[[157]]

Anshar then called upon Merodach, son of Ea, and addressed him, saying, "My son, who softeneth my heart, thou shalt go forth to battle and none shall stand against thee."

The heart of Merodach was made glad at these words. He stood before Anshar, who kissed him, because that he banished fear. Merodach spake, saying: "O lord of the gods, withdraw not thy words; let me go forth to do as is thy desire. What man hath challenged thee to battle?"

Anshar made answer and said: "No man hath challenged me. It is Tiamat, the woman, who hath resolved to wage war against us. But fear not and make merry, for thou shalt bruise the head of Tiamat. O wise god, thou shalt overcome her with thy pure incantation. Tarry not but hasten forth; she cannot wound thee; thou shalt come back again." The words of Anshar delighted the heart of Merodach, who spake, saying: "O lord of the gods, O fate of the high gods, if I, the avenger, am to subdue Tiamat and save all, then proclaim my greatness among the gods. Let all the high gods gather together joyfully in Upshukinaku (the Council Hall), so that my words like thine may remain unchanged, and what I do may never be altered. Instead of thee I will decree the fates of the gods."

Then Anshar called unto his counsellor, Gaga, and addressing him, said: "O thou who dost share my desires, thou who dost understand the purpose of my heart, go unto Lachmu and Lachamu and summon all the high gods to come before me to eat bread and drink wine. Repeat to them all I tell you of Tiamat's preparations for war, of my commands to Anu and Ea, who turned back, fearing the dragon, of my choice of Merodach to be our avenger, and his desire to be equipped with my power to decree fate, so that he may be made strong to combat against our enemy."

As Anshar commanded so did Gaga do. He went unto Lachmu and Lachamu and prostrated himself humbly before them. Then he rose and delivered the message of Anshar, their son, adding: "Hasten and speedily decide for Merodach your fate. Permit him to depart to meet your powerful foe."

When Lachmu and Lachamu heard all that Gaga revealed unto them they uttered lamentations, while the Igigi (heavenly spirits) sorrowed bitterly, and said: "What change hath happened that Tiamat hath become hostile to her own offspring? We cannot understand her deeds."

All the high gods then arose and went unto Anshar, They filled his council chamber and kissed one another. Then they sat down to eat bread and drink sesame wine. And when they were made drunk and were merry and at their ease, they decreed the fate for Merodach.

In the chamber of Anshar they honoured the Avenger. He was exalted as a prince over them all, and they said: "Among the high gods thou art the highest; thy command is the command of Anu. Henceforth thou wilt have power to raise up and to cast down. None of the gods will dispute thy authority. O Merodach, our avenger, we give thee sovereignty over the entire Universe. Thy weapon will ever be irresistible. Smite down the gods who have raised revolt, but spare the lives of those who repose their trust in thee."

Then the gods laid down a garment before Merodach, saying: "Open thy mouth and speak words of command, so that the garment may be destroyed; speak again and it will be brought back."

Merodach spake with his mouth and the garment vanished; he spake again and the garment was reproduced.

All the gods rejoiced, and they prostrated themselves and cried out, "Merodach is King!"

Thereafter they gave him the sceptre and the throne and the insignia of royalty, and also an irresistible weapon[[158]] with which to overcome his enemies, saying: "Now, O Merodach, hasten and slay Tiamat. Let the winds carry her blood to hidden places."

So was the fate of Merodach decreed by the gods; so was a path of prosperity and peace prepared for him. He made ready for battle; he strung his bow and hung his quiver; he slung a dart over his shoulder, and he grasped a club in his right hand; before him he set lightning, and with flaming fire he filled his body. Anu gave unto him a great net with which to snare his enemies and prevent their escape. Then Merodach created seven winds--the wind of evil, the uncontrollable wind, the sandstorm, and the whirlwind, the fourfold wind, the sevenfold wind, and the wind that has no equal--and they went after him. Next he seized his mighty weapon, the thunderstone, and leapt into his storm chariot, to which were yoked four rushing and destructive steeds of rapid flight, with foam-flecked mouths and teeth full of venom, trained for battle, to overthrow enemies and trample them underfoot. A light burned on the head of Merodach, and he was clad in a robe of terror. He drove forth, and the gods, his fathers, followed after him: the high gods clustered around and followed him, hastening to battle.

Figure VII.3. MERODACH SETS FORTH TO ATTACK TIAMAT

From the Painting by E. Wallcousins

Merodach drove on, and at length he drew nigh to the secret lair of Tiamat, and he beheld her muttering with Kingu, her consort. For a moment he faltered, and when the gods who followed him beheld this, their eyes were troubled.

Tiamat snarled nor turned her head. She uttered curses, and said: "O Merodach, I fear not thy advance as chief of the gods. My allies are assembled here, and are more powerful than thou art."

Merodach uplifted his arm, grasping the dreaded thunderstone, and spake unto Tiamat, the rebellious one, saying: "Thou hast exalted thyself, and with wrathful heart hath prepared for war against the high gods and their fathers, whom thou dost hate in thy heart of evil. Unto Kingu thou hast given the power of Anu to decree fate, because thou art hostile to what is good and loveth what is sinful. Gather thy forces together, and arm thyself and come forth to battle."

When Tiamat heard these mighty words she raved and cried aloud like one who is possessed; all her limbs shook, and she muttered a spell. The gods seized their weapons.

Tiamat and Merodach advanced to combat against one another. They made ready for battle. The lord of the high gods spread out the net which Anu had given him. He snared the dragon and she could not escape. Tiamat opened her mouth which was seven miles wide, and Merodach called upon the evil wind to smite her; he caused the wind to keep her mouth agape so that she could not close it. All the tempests and the hurricanes entered in, filling her body, and her heart grew weak; she gasped, overpowered. Then the lord of the high gods seized his dart and cast it through the lower part of her body; it tore her inward parts and severed her heart. So was Tiamat slain.

Merodach overturned the body of the dead dragon and stood upon it. All the evil gods who had followed her were stricken with terror and broke into flight. But they were unable to escape. Merodach caught them in his great net, and they stumbled and fell uttering cries of distress, and the whole world resounded with their wailing and lamentations. The lord of the high gods broke the weapons of the evil gods and put them in bondage. Then he fell upon the monsters which Tiamat had created; he subdued them, divested them of their powers, and trampled them under his feet. Kingu he seized with the others. From this god great Merodach took the tablets of fate, and impressing upon them his own seal, placed them in his bosom.

So were the enemies of the high gods overthrown by the Avenger. Ansar's commands were fulfilled and the desires of Ea fully accomplished.

Merodach strengthened the bonds which he had laid upon the evil gods and then returned to Tiamat. He leapt upon the dragon's body; he clove her skull with his great club; he opened the channels of her blood which streamed forth, and caused the north to carry her blood to hidden places. The high gods, his fathers, clustered around; they raised shouts of triumph and made merry. Then they brought gifts and offerings to the great Avenger.

Merodach rested a while, gazing upon the dead body of the dragon. He divided the flesh of Ku-pu[[159]], and devised a cunning plan.

Then the lord of the high gods split the body of the dragon like that of a mashde fish into two halves. With one half he enveloped the firmament; he fixed it there and set a watchman to prevent the waters falling down[[160]]. With the other half he made the earth[[161]]. Then he made the abode of Ea in the deep, and the abode of Anu in high heaven. The abode of Enlil was in the air.

Merodach set all the great gods in their several stations. He also created their images, the stars of the Zodiac, and fixed them all. He measured the year and divided it into months; for twelve months he made three stars each. After he had given starry images of the gods separate control of each day of the year, he founded the station of Nibiru (Jupiter), his own star, to determine the limits of all stars, so that none might err or go astray. He placed beside his own the stations of Enlil and Ea, and on each side he opened mighty gates, fixing bolts on the left and on the right. He set the zenith in the centre.

Merodach decreed that the moon god should rule the night and measure the days, and each month he was given a crown. Its various phases the great lord determined, and he commanded that on the evening of its fullest brilliancy it should stand opposite the sun.[[162]]

He placed his bow in heaven (as a constellation) and his net also.

We have now reached the sixth tablet, which begins with a reference to words spoken to Merodach by the gods. Apparently Ea had conceived in his heart that mankind should be created. The lord of the gods read his thoughts and said: "I will shed my blood and fashion bone... I will create man to dwell on the earth so that the gods may be worshipped and shrines erected for them. I will change the pathways of the gods...."

The rest of the text is fragmentary, and many lines are missing. Berosus states, however, that Belus (Bel Merodach) severed his head from his shoulders. His blood flowed forth, and the gods mixed it with earth and formed the first man and various animals.

In another version of the creation of man, it is related that Merodach "laid a reed upon the face of the waters; he formed dust, and poured it out beside the reed.... That he might cause the gods to dwell in the habitation of their heart's desire, he formed mankind." The goddess Aruru, a deity of Sippar, and one of the forms of "the lady of the gods", is associated with Merodach as the creatrix of the seed of mankind. "The beasts of the field and living creatures in the field he formed." He also created the Tigris and Euphrates rivers, grass, reeds, herbs and trees, lands, marshes and swamps, cows, goats, &c.[[163]]

In the seventh tablet Merodach is praised by the gods--the Igigi (spirits of heaven). As he has absorbed all their attributes, he is addressed by his fifty-one names; henceforth each deity is a form of Merodach. Bel Enlil, for instance, is Merodach of lordship and domination; Sin, the moon god, is Merodach as ruler of night; Shamash is Merodach as god of law and holiness; Nergal is Merodach of war; and so on. The tendency to monotheism appears to have been most marked among the priestly theorists of Babylon.

Merodach is hailed to begin with as Asari, the introducer of agriculture and horticulture, the creator of grain and plants. He also directs the decrees of Anu, Bel, and Ea; but having rescued the gods from destruction at the hands of Kingu and Tiamat, he was greater than his "fathers", the elder gods. He set the Universe in order, and created all things anew. He is therefore Tutu, "the creator", a merciful and beneficent god. The following are renderings of lines 25 to 32:

Tutu: Aga-azaga (the glorious crown) may he make the crowns glorious--

The lord of the glorious incantation bringing the dead to life;

He who had mercy on the gods who had been overpowered;

Made heavy the yoke which he had laid on the gods who were his enemies,

(And) to redeem (?) them created mankind.

"The merciful one", "he with whom is salvation",

May his word be established, and not forgotten,

In the mouth of the black-headed ones whom his hands have made.

Pinches' Translation[[164]]

Tutu as Aga-azag may mankind fourthly magnify!

"The Lord of the Pure Incantation", "the Quickener of the Dead",

"Who had mercy upon the captive gods",

"Who removed the yoke from upon the gods his enemies".

"For their forgiveness did he create mankind",

"The Merciful One, with whom it is to bestow life!"

May his deeds endure, may they never be forgotten

In the mouth of mankind whom his hands have made.

King's Translation.[[165]]

Apparently the Babylonian doctrine set forth that mankind was created not only to worship the gods, but also to bring about the redemption of the fallen gods who followed Tiamat.

Those rebel angels (ili, gods) He prohibited return;

He stopped their service; He removed them unto the gods (ili) who were His enemies.

In their room he created mankind.[[166]]

Tiamat, the chaos dragon, is the Great Mother. She has a dual character. As the origin of good she is the creatrix of the gods. Her beneficent form survived as the Sumerian goddess Bau, who was obviously identical with the Phoenician Baau, mother of the first man. Another name of Bau was Ma, and Nintu, "a form of the goddess Ma", was half a woman and half a serpent, and was depicted with "a babe suckling her breast" (Chapter IV). The Egyptian goddesses Neheb-kau and Uazit were serpents, and the goddesses Isis and Nepthys had also serpent forms. The serpent was a symbol of fertility, and as a mother was a protector. Vishnu, the Preserver of the Hindu Trinity, sleeps on the world-serpent's body. Serpent charms are protective and fertility charms.

As the origin of evil Tiamat personified the deep and tempests. In this character she was the enemy of order and good, and strove to destroy the world.

I have seen

The ambitious ocean swell and rage and foam

To be exalted with the threatening clouds.[[167]]

Tiamat was the dragon of the sea, and therefore the serpent or leviathan. The word "dragon" is derived from the Greek "drakon", the serpent known as "the seeing one" or "looking one", whose glance was the lightning. The Anglo-Saxon "fire drake" ("draca", Latin "draco") is identical with the "flying dragon".

In various countries the serpent or worm is a destroyer which swallows the dead. "The worm shall eat them like wool", exclaimed Isaiah in symbolic language.[[168]] It lies in the ocean which surrounds the world in Egyptian, Babylonian, Greek, Teutonic, Indian, and other mythologies. The Irish call it "morúach", and give it a mermaid form like the Babylonian Nintu. In a Scottish Gaelic poem Tiamat figures as "The Yellow Muilearteach", who is slain by Finn-mac-Coul, assisted by his warrior band.

There was seen coming on the top of the waves

The crooked, clamouring, shivering brave ...

Her face was blue black of the lustre of coal,

And her bone-tufted tooth was like rusted bone.[[169]]

The serpent figures in folk tales. When Alexander the Great, according to Ethiopic legend, was lowered in a glass cage to the depths of the ocean, he saw a great monster going past, and sat for two days "watching for its tail and hinder parts to appear".[[170]] An Argyllshire Highlander had a similar experience. He went to fish one morning on a rock. "He was not long there when he saw the head of an eel pass. He continued fishing for an hour and the eel was still passing. He went home, worked in the field all day, and having returned to the same rock in the evening, the eel was still passing, and about dusk he saw her tail disappearing."[[171]] Tiamat's sea-brood is referred to in the Anglo-Saxon epic Beowulf as "nickers". The hero "slew by night sea monsters on the waves" (line 422).

The well dragon--the French "draco"--also recalls the Babylonian water monsters. There was a "dragon well" near Jerusalem.[[172]] From China to Ireland rivers are dragons, or goddesses who flee from the well dragons. The demon of the Rhone is called the "drac". Floods are also referred to as dragons, and the Hydra, or water serpent, slain by Hercules, belongs to this category. Water was the source of evil as well as good. To the Sumerians, the ocean especially was the abode of monsters. They looked upon it as did Shakespeare's Ferdinand, when, leaping into the sea, he cried: "Hell is empty and all the devils are here".[[173]]

There can be little doubt but that in this Babylonian story of Creation we have a glorified variation of the widespread Dragon myth. Unfortunately, however, no trace can be obtained of the pre-existing Sumerian oral version which the theorizing priests infused with such sublime symbolism. No doubt it enjoyed as great popularity as the immemorial legend of Perseus and Andromeda, which the sages of Greece attempted to rationalize, and parts of which the poets made use of and developed as these appealed to their imaginations.

The lost Sumerian story may be summarized as follows: There existed in the savage wilds, or the ocean, a family of monsters antagonistic to a group of warriors represented in the Creation legend by the gods. Ea, the heroic king, sets forth to combat with the enemies of man, and slays the monster father, Apsu, and his son, Mummu. But the most powerful demon remains to be dealt with. This is the mother Tiamat, who burns to avenge the deaths of her kindred. To wage war against her the hero makes elaborate preparations, and equips himself with special weapons. The queen of monsters cannot be overcome by ordinary means, for she has great cunning, and is less vulnerable than were her husband and son. Although Ea may work spells against her, she is able to thwart him by working counter spells. Only a hand-to-hand combat can decide the fray. Being strongly protected by her scaly hide, she must be wounded either on the under part of her body or through her mouth by a weapon which will pierce her liver, the seat of life. It will be noted in this connection that Merodach achieved success by causing the winds which followed him to distend the monster's jaws, so that he might be able to inflict the fatal blow and prevent her at the same time from uttering spells to weaken him.

This type of story, in which the mother monster is greater and more powerful than her husband or son, is exceedingly common in Scottish folklore. In the legend which relates the adventures of "Finn in the Kingdom of Big Men", the hero goes forth at night to protect his allies against the attacks of devastating sea monsters. Standing on the beach, "he saw the sea advancing in fiery kilns and as a darting serpent.... A huge monster came up, and looking down below where he (Finn) was, exclaimed, 'What little speck do I see here?'" Finn, aided by his fairy dog, slew the water monster. On Finn, aided by his fairy dog, slew the water monster. On the following night a bigger monster, "the father", came ashore, and he also was slain. But the most powerful enemy had yet to be dealt with. "The next night a Big Hag came ashore, and the tooth in the front of her mouth would make a distaff. 'You killed my husband and son,' she said." Finn acknowledged that he did, and they began to fight. After a prolonged struggle, in which Finn was almost overcome, the Hag fell and her head was cut off.[[174]]

The story of "Finlay the Changeling" has similar features. The hero slew first a giant and then the giant's father. Thereafter the Hag came against him and exclaimed, "Although with cunning and deceitfulness you killed my husband last night and my son on the night before last, I shall certainly kill you to-night." A fierce wrestling match ensued on the bare rock. The Hag was ultimately thrown down. She then offered various treasures to ransom her life, including "a gold sword in my cave", regarding which she says, "never was it drawn to man or to beast whom it did not overcome".[[175]] In other Scottish stories of like character the hero climbs a tree, and says something to induce the hag to open her mouth, so that he may plunge his weapon down her throat.

The Grendel story in Beowulf,[[176]] the Anglo-Saxon epic, is of like character. A male water monster preys nightly upon the warriors who sleep in the great hall of King Hrothgar. Beowulf comes over the sea, as did Finn to the "Kingdom of Big Men", to sky Grendel. He wrestles with this man-eater and mortally wounds him. Great rejoicings ensue, but they have to be brought to an abrupt conclusion, because the mother of Grendel has meanwhile resolved "to go a sorry journey and avenge the death of her son".

The narrative sets forth that she enters the Hall in the darkness of night. "Quickly she grasped one of the nobles tight, and then she went towards the fen", towards her submarine cave. Beowulf follows in due course, and, fully armoured, dives through the waters and ultimately enters the monster's lair. In the combat the "water wife" proves to be a more terrible opponent than was her son. Indeed, Beowulf was unable to slay her until he possessed himself of a gigantic sword, "adorned with treasure", which was hanging in the cave. With this magic weapon he slays the mother monster, whose poisonous blood afterwards melts the "damasked blade". Like Finn, he subsequently returns with the head of one of the monsters.

An interesting point about this story is that it does not appear in any form in the North German cycle of Romance. Indeed, the poet who included in his epic the fiery dragon story, which links the hero Beowulf with Sigurd and Siegfried, appears to be doubtful about the mother monster's greatness, as if dealing with unfamiliar material, for he says: "The terror (caused by Grendel's mother) was less by just so much as woman's strength, woman's war terror, is (measured) by fighting men".[[177]] Yet, in the narrative which follows the Amazon is proved to be the stronger monster of the two. Traces of the mother monster survive in English folklore, especially in the traditions about the mythical "Long Meg of Westminster", referred to by Ben Jonson in his masque of the "Fortunate Isles":

Westminster Meg,

With her long leg,

As long as a crane;

And feet like a plane,

With a pair of heels

As broad as two wheels.

Meg has various graves. One is supposed to be marked by a huge stone in the south side of the cloisters of Westminster Abbey; it probably marks the trench in which some plague victims--regarded, perhaps, as victims of Meg--were interred. Meg was also reputed to have been petrified, like certain Greek and Irish giants and giantesses. At Little Salkeld, near Penrith, a stone circle is referred to as "Long Meg and her Daughters". Like "Long Tom", the famous giant, "Mons Meg" gave her name to big guns in early times, all hags and giants having been famous in floating folk tales as throwers of granite boulders, balls of hard clay, quoits, and other gigantic missiles.

The stories about Grendel's mother and Long Meg are similar to those still repeated in the Scottish Highlands. These contrast sharply with characteristic Germanic legends, in which the giant is greater than the giantess, and the dragon is a male, like Fafner, who is slain by Sigurd, and Regin whom Siegfried overcomes. It is probable, therefore, that the British stories of female monsters who were more powerful than their husbands and sons, are of Neolithic and Iberian origin--immemorial relics of the intellectual life of the western branch of the Mediterranean race.

In Egypt the dragon survives in the highly developed mythology of the sun cult of Heliopolis, and, as sun worship is believed to have been imported, and the sun deity is a male, it is not surprising to find that the night demon, Apep, was a personification of Set. This god, who is identical with Sutekh, a Syrian and Asia Minor deity, was apparently worshipped by a tribe which was overcome in the course of early tribal struggles in pre-dynastic times. Being an old and discredited god, he became by a familiar process the demon of the conquerors. In the eighteenth dynasty, however, his ancient glory was revived, for the Sutekh of Rameses II figures as the "dragon slayer".[[178]] It is in accordance with Mediterranean modes of thought, however, to find that in Egypt there is a great celestial battle heroine. This is the goddess Hathor-Sekhet, the "Eye of Ra".[[179]] Similarly in India, the post-Vedic goddess Kali is a destroyer, while as Durga she is a guardian of heroes.[[180]] Kali, Durga, and Hathor-Sekhet link with the classical goddesses of war, and also with the Babylonian Ishtar, who, as has been shown, retained the outstanding characteristics of Tiamat, the fierce old "Great Mother" of primitive Sumerian folk religion.

It is possible that in the Babylonian dragon myth the original hero was Ea. As much may be inferred from the symbolic references in the Bible to Jah's victory over the monster of the deep: "Art thou not it that hath cut Rahab and wounded the dragon?"[[181]] "Thou brakest the heads of the dragons in the waters; thou brakest the heads of leviathan in pieces, and gavest him to be meat to the people inhabiting the wilderness";[[182]] "He divideth the sea with his power, and by his understanding he smiteth through the proud (Rahab). By his spirit he hath garnished the heavens: his hand hath formed (or pierced) the crooked serpent";[[183]] "Thou hast broken Rahab in pieces as one that is slain: thou hast scattered thine enemies with thy strong arm";[[184]] "In that day the Lord with his sore and great and strong sword shall punish leviathan the piercing (or stiff) serpent, even leviathan that crooked serpent; and he shall slay the dragon that is in the sea".[[185]]

In the Babylonian Creation legend Ea is supplanted as dragon slayer by his son Merodach. Similarly Ninip took the place of his father, Enlil, as the champion of the gods. "In other words," writes Dr. Langdon, "later theology evolved the notion of the son of the earth god, who acquires the attributes of the father, and becomes the god of war. It is he who stood forth against the rebellious monsters of darkness, who would wrest the dominion of the world from the gods who held their conclave on the mountain. The gods offer him the Tablets of Fate; the right to utter decrees is given unto him." This development is "of extreme importance for studying the growth of the idea of father and son, as creative and active principles of the world".[[186]] In Indian mythology Indra similarly takes the place of his bolt-throwing father Dyaus, the sky god, who so closely resembles Zeus. Andrew Lang has shown that this myth is of widespread character.[[187]] Were the Babylonian theorists guided by the folk-lore clue?

Now Merodach, as the son of Ea whom he consulted and received spells from, was a brother of "Tammuz of the Abyss". It seems that in the great god of Babylon we should recognize one of the many forms of the primeval corn spirit and patriarch--the shepherd youth who was beloved by Ishtar. As the deity of the spring sun, Tammuz slew the winter demons of rain and tempest, so that he was an appropriate spouse for the goddess of harvest and war. Merodach may have been a development of Tammuz in his character as a demon slayer. When he was raised to the position of Bel, "the Lord" by the Babylonian conquerors, Merodach supplanted the older Bel--Enlil of Nippur. Now Enlil, who had absorbed all the attributes of rival deities, and become a world god, was the

Lord of the harvest lands ... lord of the grain fields,

being "lord of the anunnaki", or "earth spirits". As agriculturists in early times went to war so as to secure prisoners who could be sacrificed to feed the corn spirit, Enlil was a god of war and was adored as such:

The haughty, the hostile land thou dost humiliate ...

With thee who ventureth to make war?

He was also "the bull of goring horns ... Enlil the bull", the god of fertility as well as of battle.[[188]]

Asari, one of Merodach's names, links him with Osiris, the Egyptian Tammuz, who was supplanted by his son Horus. As the dragon slayer, he recalls, among others, Perseus, the Grecian hero, of whom it was prophesied that he would slay his grandfather. Perseus, like Tammuz and Osiris, was enclosed in a chest which was cast into the sea, to be rescued, however, by a fisherman on the island of Seriphos. This hero afterwards slew Medusa, one of the three terrible sisters, the Gorgons--a demon group which links with Tiamat. In time, Perseus returned home, and while an athletic contest was in progress, he killed his grandfather with a quoit. There is no evidence, however, to show that the displacement of Enlil by Merodach had any legendary sanction of like character. The god of Babylon absorbed all other deities, apparently for political purposes, and in accordance with the tendency of the thought of the times, when raised to supreme rank in the national pantheon; and he was depicted fighting the winged dragon, flapping his own storm wings, and carrying the thunder weapon associated with Ramman.

Merodach's spouse Zer-panitum was significantly called "the lady of the Abyss", a title which connects her with Damkina, the mother, and Belit-sheri, the sister of Tammuz. Damkina was also a sky goddess like Ishtar.

Zer-panitum was no pale reflection of her Celestial husband, but a goddess of sharply defined character with independent powers. Apparently she was identical with Aruru, creatrix of the seed of mankind, who was associated with Merodach when the first man and the first woman were brought into being. Originally she was one of the mothers in the primitive spirit group, and so identical with Ishtar and the other prominent goddesses.

As all goddesses became forms of Ishtar, so did all gods become forms of Merodach. Sin was "Merodach as illuminator of night", Nergal was "Merodach of war", Addu (Ramman) was "Merodach of rain", and so on. A colophon which contains a text in which these identifications are detailed, appears to be "a copy", says Professor Pinches, "of an old inscription", which, he thinks, "may go back as far as 2000 B.C. This is the period at which the name Yaum-ilu, 'Jah is god', is found, together with references to ilu as the name for the one great god, and is also, roughly, the date of Abraham, who, it may be noted, was a Babylonian of Ur of the Chaldees."[[189]]

In one of the hymns Merodach is addressed as follows:--

Who shall escape from before thy power?

Thy will is an eternal mystery!

Thou makest it plain in heaven

And in the earth,

Command the sea

And the sea obeyeth thee.

Command the tempest

And the tempest becometh a calm.

Command the winding course

Of the Euphrates,

And the will of Merodach

Shall arrest the floods.

Lord, thou art holy!

Who is like unto thee?

Merodach thou art honoured

Among the gods that bear a name.

The monotheistic tendency, which was a marked feature of Merodach worship, had previously become pronounced in the worship of Bel Enlil of Nippur. Although it did not affect the religion of the masses, it serves to show that among the ancient scholars and thinkers of Babylonia religious thought had, at an early period, risen far above the crude polytheism of those who bargained with their deities and propitiated them with offerings and extravagant flattery, or exercised over them a magical influence by the performance of seasonal ceremonies, like the backsliders in Jerusalem, censured so severely by Jeremiah, who baked cakes to reward the Queen of Heaven for an abundant harvest, and wept with her for the slain Tammuz when he departed to Hades.

Perhaps it was due to the monotheistic tendency, if not to the fusion of father-worshipping and mother-worshipping peoples, that bi-sexual deities were conceived of. Nannar, the moon god, was sometimes addressed as father and mother in one, and Ishtar as a god as well as a goddess. In Egypt Isis is referred to in a temple chant as "the woman who was made a male by her father Osiris", and the Nile god Hapi was depicted as a man with female breasts.

[[152]] The elder Bel was Enlil of Nippur and the younger Merodach of Babylon. According to Damascius the elder Bel came into existence before Ea, who as Enki shared his attributes.

[[153]] This is the inference drawn from fragmentary texts.

[[154]] A large portion of the narrative is awaiting here.

[[155]] A title of Tiamat; pron. ch guttural.

[[156]] There is another gap here which interrupts the narrative.

[[157]] This may refer to Ea's first visit when he overcame Kingu, but did not attack Tiamat.

[[158]] The lightning trident or thunderstone.

[[159]] The authorities are not agreed as to the meaning of "Ku-pu." Jensen suggests "trunk, body". In European dragon stories the heroes of the Siegfried order roast and eat the dragon's heart. Then they are inspired with the dragon's wisdom and cunning. Sigurd and Siegfried immediately acquire the language of birds. The birds are the "Fates", and direct the heroes what next they should do. Apparently Merodach's "cunning plan" was inspired after he had eaten a part of the body of Tiamat.

[[160]] The waters above the firmament.

[[161]] According to Berosus.

[[162]] This portion is fragmentary and seems to indicate that the Babylonians had made considerable progress in the science of astronomy. It is suggested that they knew that the moon derived its light from the sun.

[[163]] The Seven Tablets of Creation, L.W. King, pp. 134, 135.

[[164]] The Religion of Babylonia and Assyria, T.G. Pinches, p. 43.

[[165]] The Seven Tablets of Creation, L. W. King, vol. i, pp. 98, 99.

[[166]] Trans. Soc. Bib. Arch., iv, 251-2.

[[167]] Shakespeare's Julius Caesar, i, 3, 8.

[[168]] Isaiah, li, 8.

[[169]] Campbell's West Highland Tales, pp. 136 et seq.

[[170]] The Life and Exploits of Alexander the Great, E. A. Wallis Budge, pp. 284, 285.

[[171]] Campbell's West Highland Tales.

[[172]] Nehemiah, ii, 13.

[[173]] The Tempest, i, 2, 212.

[[174]] Waifs and Strays of Celtic Tradition, vol. iv, p. 176 et seq.

[[175]] From unpublished folk tale.

[[176]] Beowulf, translated by Clark Hall, London, 1911, p. 18 et seq.

[[177]] Beowulf, translated by Clark Hall, London, 1911, p. 69, lines 1280-1287.

[[178]] Egyptian Myth and Legend, pp. 260, 261.

[[179]] Egyptian Myth and Legend, pp. 8, 9.

[[180]] Indian Myth and Legend, pp. xli, 149, 150.

[[181]] Isaiah, li, 9.

[[182]] Psalms, lxxiv, 13, 14. It will be noted that the Semitic dragon, like the Egyptian, is a male.

[[183]] Job, xxvi, 12, 13.

[[184]] Psalms, lxxxix, 10.

[[185]] Isaiah, xxvii, I.

[[186]] Sumerian and Babylonian Psalms, p. 204.

[[187]] Custom and Myth, pp. 45 et seq.

[[188]] Translation by Dr. Langdon, pp. 199 et seq.

[[189]] The Religion of Babylonia and Assyria, T.G. Pinches, pp. 118, 119.

Chapter VIII. Deified Heroes: Etana and Gilgamesh

Abstract

God and Heroes and the "Seven Sleepers"--Quests of Etana, Gilgamesh, Hercules, &c.--The Plant of Birth--Eagle carries Etana to Heaven--Indian Parallel--Flights of Nimrod, Alexander the Great, and a Gaelic Hero--Eagle as a God--Indian Eagle identified with Gods of Creation, Fire, Fertility, and Death--Eagle carries Roman Emperor's Soul to Heaven--Fire and Agricultural Ceremonies--Nimrod of the Koran and John Barleycorn--Gilgamesh and the Eagle--Sargon-Tammuz Garden Myth--Ea-bani compared to Pan, Bast, and Nebuchadnezzar--Exploits of Gilgamesh and Ea-bani--Ishtar's Vengeance--Gilgamesh journeys to Otherworld--Song of Sea Maiden and "Lay of the Harper"--Babylonian Noah and the Plant of Life--Teutonic Parallels--Alexander the Great as Gilgamesh--Water of Life in the Koran--The Indian Gilgamesh and Hercules--The Mountain Tunnel in various Mythologies--Widespread Cultural Influences.

One of the oldest forms of folk stories relates to the wanderings of a hero in distant regions. He may set forth in search of a fair lady who has been taken captive, or to obtain a magic herb or stone to relieve a sufferer, to cure diseases, and to prolong life. Invariably he is a slayer of dragons and other monsters. A friendly spirit, or a group of spirits, may assist the hero, who acts according to the advice given him by a "wise woman", a magician, or a god. The spirits are usually wild beasts or birds--the "fates" of immemorial folk belief--and they may either carry the hero on their backs, instruct him from time to time, or come to his aid when called upon.

When a great national hero appealed by reason of his achievements to the imagination of a people, all the floating legends of antiquity were attached to his memory, and he became identified with gods and giants and knight-errants "old in story". In Scotland, for instance, the boulder-throwing giant of Eildon hills bears the name of Wallace, the Edinburgh giant of Arthur's Seat is called after an ancient Celtic king,[[190]] and Thomas the Rhymer takes the place, in an Inverness fairy mound called Tom-na-hurich, of Finn (Fingal) as chief of the "Seven Sleepers". Similarly Napoleon sleeps in France and Skobeleff in Russia, as do also other heroes elsewhere. In Germany the myths of Thunor (Thor) were mingled with hazy traditions of Theodoric the Goth (Dietrich), while in Greece, Egypt, and Arabia, Alexander the Great absorbed a mass of legendary matter of great antiquity, and displaced in the memories of the people the heroes of other Ages, as those heroes had previously displaced the humanized spirits of fertility and growth who alternately battled fiercely against the demons of spring, made love, gorged and drank deep and went to sleep--the sleep of winter. Certain folk tales, and the folk beliefs on which they were based, seem to have been of hoary antiquity before the close of the Late Stone Age.

There are two great heroes of Babylonian fame who link with Perseus and Hercules, Sigurd and Siegfried, Dietrich and Finn-mac-Coul. These are Etana and Gilgamesh, two legendary kings who resemble Tammuz the Patriarch referred to by Berosus, a form of Tammuz the Sleeper of the Sumerian psalms. One journeys to the Nether World to obtain the Plant of Birth and the other to obtain the Plant of Life. The floating legends with which they were associated were utilized and developed by the priests, when engaged in the process of systematizing and symbolizing religious beliefs, with purpose to unfold the secrets of creation and the Otherworld. Etana secures the assistance or a giant eagle who is an enemy of serpents like the Indian Garuda, half giant, half eagle. As Vishnu, the Indian god, rides on the back of Garuda, so does Etana ride on the back of the Babylonian Eagle. In one fragmentary legend which was preserved in the tablet-library of Ashur-banipal, the Assyrian monarch, Etana obtained the assistance of the Eagle to go in quest of the Plant of Birth. His wife was about to become a mother, and was accordingly in need of magical aid. A similar belief caused birth girdles of straw or serpent skins, and eagle stones found in eagles' nests, to be used in ancient Britain and elsewhere throughout Europe apparently from the earliest times.[[191]]

On this or another occasion Etana desired to ascend to highest heaven. He asked the Eagle to assist him, and the bird assented, saying: "Be glad, my friend. Let me bear thee to the highest heaven. Lay thy breast on mine and thine arms on my wings, and let my body be as thy body." Etana did as the great bird requested him, and together they ascended towards the firmament. After a flight which extended over two hours, the Eagle asked Etana to gaze downwards. He did so, and beheld the ocean surrounding the earth, and the earth seemed like a mountainous island. The Eagle resumed its flight, and when another two hours had elapsed, it again asked Etana to look downwards. Then the hero saw that the sea resembled a girdle which clasped the land. Two hours later Etana found that he had been raised to a height from which the sea appeared to be no larger than a pond. By this time he had reached the heaven of Anu, Bel, and Ea, and found there rest and shelter.

Here the text becomes fragmentary. Further on it is gathered from the narrative that Etana is being carried still higher by the Eagle towards the heaven of Ishtar, "Queen of Heaven", the supreme mother goddess. Three times, at intervals of two hours, the Eagle asks Etana to look downwards towards the shrinking earth. Then some disaster happens, for further onwards the broken tablet narrates that the Eagle is falling. Down and down eagle and man fall together until they strike the earth, and the Eagle's body is shattered.

The Indian Garuda eagle[[192]] never met with such a fate, but on one occasion Vishnu overpowered it with his right arm, which was heavier than the whole universe, and caused many feathers to fall off. In the story of Rama's wanderings, however, as told in the Ramayana and the Mahabharata, there are interesting references in this connection to Garuda's two "sons". One was mortally wounded by Ravana, the demon king of Ceylon. The other bird related to Rama, who found it disabled: "Once upon a time we two (brothers), with the desire of outstripping each other, flew towards the sun. My wings were burnt, but those of my brother were not.... I fell down on the top of this great mountain, where I still am."[[193]]

Another version of the Etana story survives among the Arabian Moslems. In the "Al Fatihat" chapter of the Koran it is related that a Babylonian king held a dispute with Abraham "concerning his Lord". Commentators identify the monarch with Nimrod, who afterwards caused the Hebrew patriarch to be cast into a fire from which he had miraculous deliverance. Nimrod then built a tower so as to ascend to heaven "to see Abraham's god", and make war against Him, but the tower was overthrown. He, however, persisted in his design. The narrative states that he was "carried to heaven in a chest borne by four monstrous birds; but after wandering for some time through the air, he fell down on a mountain with such a force that he made it shake". A reference in the Koran to "contrivances ... which make mountains tremble" is believed to allude to Nimrod's vain attempt.[[194]]

Alexander the Great was also reputed to have ascended on the back of an eagle. Among the myths attached to his memory in the Ethiopic "history" is one which explains how "he knew and comprehended the length and breadth of the earth", and how he obtained knowledge regarding the seas and mountains he would have to cross. "He made himself small and flew through the air on an eagle, and he arrived in the heights of the heavens and he explored them." Another Alexandrian version of the Etana myth resembles the Arabic legend of Nimrod. "In the Country of Darkness" Alexander fed and tamed great birds which were larger than eagles. Then he ordered four of his soldiers to mount them. The men were carried to the "Country of the Living", and when they returned they told Alexander "all that had happened and all that they had seen".[[195]]

In a Gaelic story a hero is carried off by a Cromhineach, "a vast bird like an eagle". He tells that it "sprang to the clouds with me, and I was a while that I did not know which was heaven or earth for me". The hero died, but, curiously enough, remained conscious of what was happening. Apparently exhausted, the eagle flew to an island in the midst of the ocean. It laid the hero on the sunny side. The hero proceeds: "Sleep came upon herself (the eagle) and she slept. The sun was enlivening me pretty well though I was dead." Afterwards the eagle bathed in a healing well, and as it splashed in the water, drops fell on the hero and he came to life. "I grew stronger and more active", he adds, "than I had ever been before."[[196]]

The eagle figures in various mythologies, and appears to have been at one time worshipped as the god or goddess of fertility, and storm and lightning, as the bringer of children, and the deity who carried souls to Hades. It was also the symbol of royalty, because the earthly ruler represented the controlling deity. Nin-Girsu, the god of Lagash, who was identified with Tammuz, was depicted as a lion-headed eagle. Zeus, the Greek sky and air god, was attended by an eagle, and may, at one time, have been simply an eagle. In Egypt the place of the eagle is taken by Nekhebit, the vulture goddess whom the Greeks identified with "Eileithyia, the goddess of birth; she was usually represented as a vulture hovering over the king".[[197]]

The double-headed eagle of the Hittites, which figures in the royal arms of Germany and Russia, appears to have symbolized the deity of whom the king was an incarnation or son. In Indian mythology Garuda, the eagle giant, which destroyed serpents like the Babylonian Etana eagle, issued from its egg like a flame of fire; its eyes flashed the lightning and its voice was the thunder. This bird is identified in a hymn with Agni, god of fire, who has the attributes of Tammuz and Mithra, with Brahma, the creator, with Indra, god of thunder and fertility, and with Yama, god of the dead, who carries off souls to Hades. It is also called "the steed-necked incarnation of Vishnu", the "Preserver" of the Hindu trinity who rode on its back. The hymn referred to lauds Garuda as "the bird of life, the presiding spirit of the animate and inanimate universe ... destroyer of all, creator of all". It burns all "as the sun in his anger burneth all creatures".[[198]]

Birds were not only fates, from whose movements in flight omens were drawn, but also spirits of fertility. When the childless Indian sage Mandapala of the Mahabharata was refused admittance to heaven until a son was born to him, he "pondered deeply" and "came to know that of all creatures birds alone were blest with fecundity"; so he became a bird.

It is of interest, therefore, to find the Etana eagle figuring as a symbol of royalty at Rome. The deified Roman Emperor's waxen image was burned on a pyre after his death, and an eagle was let loose from the great pile to carry his soul to heaven.[[199]] This custom was probably a relic of seasonal fire worship, which may have been introduced into Northern and Western Syria and Asia Minor by the mysterious Mitanni rulers, if it was not an archaic Babylonian custom[[200]] associated with fire-and-water magical ceremonies, represented in the British Isles by May-Day and Midsummer fire-and-water festivals. Sandan, the mythical founder of Tarsus, was honoured each year at that city by burning a great bonfire, and he was identified with Hercules. Probably he was a form of Moloch and Melkarth.[[201]] Doves were burned to Adonis. The burning of straw figures, representing gods of fertility, on May-Day bonfires may have been a fertility rite, and perhaps explains the use of straw birth-girdles.

According to the commentators of the Koran, Nimrod, the Babylonian king, who cast victims in his annual bonfires at Cuthah, died on the eighth day of the Tammuz month, which, according to the Syrian calendar, fell on 13th July.[[202]] It is related that gnats entered Nimrod's brain, causing the membrane to grow larger. He suffered great pain, and to relieve it had his head beaten with a mallet. Although he lived for several hundred years, like other agricultural patriarchs, including the Tammuz of Berosus, it is possible that he was ultimately sacrificed and burned. The beating of Nimrod recalls the beating of the corn spirit of the agricultural legend utilized by Burns in his ballad of "John Barleycorn", which gives a jocular account of widespread ancient customs that are not yet quite extinct even in Scotland:[[203]]

They laid him down upon his back

And cudgelled him full sore;

They hung him up before a storm

And turned him o'er and o'er.

They filled up a darksome pit

With water to the brim,

They heaved in John Barleycorn--

There let him sink or swim.

They wasted o'er a scorching flame

The marrow of his bones,

But the miller used him worst of all,

For he crushed him between two stones.

Hercules, after performing many mythical exploits, had himself burned alive on the pyre which he built upon Mount Oeta, and was borne to Olympus amidst peals of thunder.

Gilgamesh, the Babylonian Hercules, who links with Etana, Nimrod, and Sandan, is associated with the eagle, which in India, as has been shown, was identified with the gods of fertility, fire, and death. According to a legend related by Aelian,[[204]] "the guards of the citadel of Babylon threw down to the ground a child who had been conceived and brought forth in secret, and who afterwards became known as Gilgamos". This appears to be another version of the Sargon-Tammuz myth, and may also refer to the sacrifice of children to Melkarth and Moloch, who were burned or slain "in the valleys under the clefts of the rocks"[[205]] to ensure fertility and feed the corn god. Gilgamesh, however, did not perish. "A keen-eyed eagle saw the child falling, and before it touched the ground the bird flew under it and received it on its back, and carried it away to a garden and laid it down gently." Here we have, it would appear, Tammuz among the flowers, and Sargon, the gardener, in the "Garden of Adonis". Mimic Adonis gardens were cultivated by women. Corn, &c., was forced in pots and baskets, and thrown, with an image of the god, into streams. "Ignorant people", writes Professor Frazer, "suppose that by mimicking the effect which they desire to produce they actually help to produce it: thus by sprinkling water they make rain, by lighting a fire they make sunshine, and so on."[[206]] Evidently Gilgamesh was a heroic form of the god Tammuz, the slayer of the demons of winter and storm, who passed one part of the year in the world and another in Hades (Chapter VI).

Like Hercules, Gilgamesh figured chiefly in legendary narrative as a mighty hero. He was apparently of great antiquity, so that it is impossible to identify him with any forerunner of Sargon of Akkad, or Alexander the Great. His exploits were depicted on cylinder seals of the Sumerian period, and he is shown wrestling with a lion as Hercules wrestled with the monstrous lion in the valley of Nemea. The story of his adventures was narrated on twelve clay tablets, which were preserved in the library of Ashur-banipal, the Assyrian emperor. In the first tablet, which is badly mutilated, Gilgamesh is referred to as the man who beheld the world, and had great wisdom because he peered into the mysteries. He travelled to distant places, and was informed regarding the flood and the primitive race which the gods destroyed; he also obtained the plant of life, which his enemy, the earth-lion, in the form of a serpent or well demon, afterwards carried away.

Gilgamesh was associated with Erech, where he reigned as "the lord". There Ishtar had a great temple, but her worldly wealth had decreased. The fortifications of the city were crumbling, and for three years the Elamites besieged it. The gods had turned to flies and the winged bulls had become like mice. Men wailed like wild beasts and maidens moaned like doves. Ultimately the people prayed to the goddess Aruru to create a liberator. Bel, Shamash, and Ishtar also came to their aid.

Aruru heard the cries of her worshippers. She dipped her hands in water and then formed a warrior with clay. He was named Ea-bani, which signifies "Ea is my creator". It is possible, therefore, that an ancient myth of Eridu forms the basis of the narrative.

Ea-bani is depicted on the cylinder seals as a hairy man-monster resembling the god Pan. He ate grass with the gazelles and drank water with wild beasts, and he is compared to the corn god, which suggests that he was an early form of Tammuz, and of character somewhat resembling the Egyptian Bast, the half-bestial god of fertility. A hunter was sent out from Erech to search for the man-monster, and found him beside a stream in a savage place drinking with his associates, the wild animals. The description of Ea-bani recalls that of Nebuchadnezzar when he was stricken with madness. "He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, till his hairs were grown like eagles' feathers, and his nails like birds' claws."[[207]]

The hunter had no desire to combat with Ea-bani, so he had him lured from the wilds by a beautiful woman. Love broke the spell which kept Ea-bani in his savage state, and the wild beasts fled from him. Then the temptress pleaded with him to go with her to Erech, where Anu and Ishtar had their temples, and the mighty Gilgamesh lived in his palace. Ea-bani, deserted by his bestial companions, felt lonely and desired human friendship. So he consented to accompany his bride. Having heard of Gilgamesh from the hunter, he proposed to test his strength in single combat, but Shamash, god of the sun, warned Ea-bani that he was the protector of Gilgamesh, who had been endowed with great knowledge by Bel and Anu and Ea. Gilgamesh was also counselled in a vision of night to receive Ea-bani as an ally.

Ea-bani was not attracted by city life and desired to return to the wilds, but Shamash prevailed upon him to remain as the friend of Gilgamesh, promising that he would be greatly honoured and exalted to high rank.

The two heroes became close friends, and when the narrative becomes clear again, they are found to be setting forth to wage war against Chumbaba,[[208]] the King of Elam. Their journey was long and perilous. In time they entered a thick forest, and wondered greatly at the numerous and lofty cedars. They saw the great road which the king had caused to be made, the high mountain, and the temple of the god. Beautiful were the trees about the mountain, and there were many shady retreats that were fragrant and alluring.

At this point the narrative breaks off, for the tablet is mutilated. When it is resumed a reference is made to "the head of Chumbaba", who has apparently been slain by the heroes. Erech was thus freed from the oppression of its fierce enemy.

Gilgamesh and Ea-bani appear to have become prosperous and happy. But in the hour of triumph a shadow falls. Gilgamesh is robed in royal splendour and wears his dazzling crown. He is admired by all men, but suddenly it becomes known that the goddess Ishtar has been stricken with love for him. She "loved him with that love which was his doom". Those who are loved by celestials or demons become, in folk tales, melancholy wanderers and "night wailers". The "wretched wight" in Keats' "La Belle Dame Sans Merci" is a typical example.

O what can ail thee, knight-at-arms,

Alone and palely loitering?

The sedge is withered from the lake

And no birds sing.

* * * * *

I met a lady in the meads,

Full beautiful--a faery's child;

Her hair was long, her foot was light,

And her eyes were wild.

* * * * *

She found me roots of relish sweet,

And honey wild and manna dew;

And sure in language strange she said,

"I love thee true".

Having kissed her lover to sleep, the fairy woman vanished. The "knight" then saw in a dream the ghosts of knights and warriors, her previous victims, who warned him of his fate.

I saw their starved lips in the gloam,

With horrid warning gaped wide;

And I awoke and found me here

On the cold hill's side.

The goddess Ishtar appeared as "La Belle Dame Sans Merci" before Gilgamesh and addressed him tenderly, saying: "Come, O Gilgamesh, and be my consort. Gift thy strength unto me. Be thou my husband and I will be thy bride. Thou shalt have a chariot of gold and lapis lazuli with golden wheels and gem-adorned. Thy steeds shall be fair and white and powerful. Into my dwelling thou shalt come amidst the fragrant cedars. Every king and every prince will bow down before thee, O Gilgamesh, to kiss thy feet, and all people will become subject unto thee."

Gilgamesh feared the fate which would attend him as the lover of Ishtar, and made answer saying: "To what husband hast thou ever remained faithful? Each year Tammuz, the lover of thy youth, is caused by thee to weep. Thou didst love the Allala bird and then broke his wings, and he moans in the woods crying, 'O my wings!' Thou didst love the lion and then snared him. Thou didst love the horse, and then laid harness on him and made him gallop half a hundred miles so that he suffered great distress, and thou didst oppress his mother Silili. Thou didst love a shepherd who sacrificed kids unto thee, and then thou didst smite him so that he became a jackal (or leopard); his own herd boy drove him away and his dogs rent him in pieces. Thou didst love Ishullanu, the gardener of Anu, who made offerings unto thee, and then smote him so that he was unable to move. Alas! if thou wouldst love me, my fate would be like unto the fates of those on whom thou hast laid affliction."

Ishtar's heart was filled with wrath when she heard the words which Gilgamesh had spoken, and she prevailed upon her father Anu to create a fierce bull which she sent against the lord of Erech.

This monster, however, was slain by Gilgamesh[[209]] and Ea-bani, but their triumph was shortlived. Ishtar cursed Gilgamesh. Ea-bani then defied her and threatened to deal with her as he had dealt with the bull, with the result that he was cursed by the goddess also.

Figure VIII.1. THE SLAYING OF THE BULL OF ISHTAR

From the Painting by E. Wallcousins

Gilgamesh dedicated the horns of the bull to Shamash and returned with his friend to Erech, where they were received with great rejoicings. A festival was held, and afterwards the heroes lay down to sleep. Then Ea-bani dreamt a dream of ill omen. He met his death soon afterwards, apparently in a battle, and Gilgamesh lamented over him. From the surviving fragments of the narrative it would appear that Gilgamesh resolved to undertake a journey, for he had been stricken by disease. He wept and cried out, "Oh! let me not die like Ea-bani, for death is fearful. I will seek the aid of mine ancestor, Pir-napishtim"--the Babylonian Noah, who was believed to be dwelling on an island which corresponds to the Greek "Island of the Blessed". The Babylonian island lay in the ocean of the Nether World.

It seems that Gilgamesh not only hoped to obtain the Water of Life and the Plant of Life to cure his own disease, but also to restore to life his dead friend, Ea-bani, whom he loved.

Gilgamesh set out on his journey and in time reached a mountain chasm. Gazing on the rugged heights, he beheld fierce lions and his heart trembled. Then he cried upon the moon god, who took pity upon him, and under divine protection the hero pressed onward. He crossed the rocky range and then found himself confronted by the tremendous mountain of Mashi--"Sunset hill", which divided the land of the living from the western land of the dead. The mountain peak rose to heaven, and its foundations were in Aralu, the Underworld.[[210]] A dark tunnel pierced it and could be entered through a door, but the door was shut and on either side were two monsters of horrible aspect--the gigantic "scorpion man" and his wife, whose heads reached to the clouds. When Gilgamesh beheld them he swooned with terror. But they did him no harm, perceiving that he was a son of a god and had a body like a god.

When Gilgamesh revived, he realized that the monsters regarded him with eyes of sympathy. Addressing the scorpion giant, he told that he desired to visit his ancestor, Pir-napishtim, who sat in the council of the gods and had divine attributes. The giant warned him of the dangers which he would encounter, saying that the mountain passage was twelve miles long and beamless and black. Gilgamesh, however, resolved to encounter any peril, for he was no longer afraid, and he was allowed to go forward. So he entered through the monster-guarded mountain door and plunged into thick unbroken darkness. For twice twelve hours he groped blindly onward, until he saw a ray of light. Quickening his steps, he then escaped from the dreadful tunnel and once more rejoiced in the rays of the sun. He found himself in an enchanted garden, and in the midst of it he saw a divine and beautiful tree towards which he hastened. On its gleaming branches hung clusters of precious stones and its leaves were of lapis lazuli. His eyes were dazzled, but he did not linger there. Passing many other wonderful trees, he came to a shoreland, and he knew that he was drawing nigh to the Sea of Death. The country which he entered was ruled over by the sea lady whose name was Sabitu. When she saw the pilgrim drawing nigh, she entered her palace and shut the door.

Gilgamesh called out requesting that he should be allowed to enter, and mingled his entreaties with threats to break open the door. In the end Sabitu appeared and spoke, saying:

Gilgamesh, whither hurriest thou?

The life that thou seekest thou wilt not find.

When the gods created man

They fixed death for mankind.

Life they took in their own hand.

Thou, O Gilgamesh, let thy belly be filled!

Day and night be merry,

Daily celebrate a feast,

Day and night dance and make merry!

Clean be thy clothes,

Thy head be washed, bathe in water!

Look joyfully on the child that grasps thy hand,

Be happy with the wife in thine arms![[211]]

This is the philosophy of the Egyptian "Lay of the Harper". The following quotations are from two separate versions:--

How rests this just prince!

The goodly destiny befalls,

The bodies pass away

Since the time of the god,

And generations come into their places.

* * * * *

(Make) it pleasant for thee to follow thy desire

While thou livest.

Put myrrh upon thy head,

And garments on thee of fine linen....

Celebrate the glad day,

Be not weary therein....

Thy sister (wife) who dwells in thy heart.

She sits at thy side.

Put song and music before thee,

Behind thee all evil things,

And remember thou (only) joy.[[212]]

Jastrow contrasts the Babylonian poem with the following quotation from Ecclesiastes:--

Go thy way, eat thy bread with joy, and drink thy wine with

a merry heart.... Let thy garments be always white; and

let thy head lack no ointment. Live joyfully with the wife whom

thou lovest all the days of the life of thy vanity, which he [God]

hath given thee under the sun, all the days of thy vanity: for that

is thy portion in this life, and in thy labour which thou takest

under the sun.[[213]]

"The pious Hebrew mind", Jastrow adds, "found the corrective to this view of life in the conception of a stern but just God, acting according to self-imposed standards of right and wrong, whose rule extends beyond the grave." The final words of the Preacher are, "Fear God and keep his commandments".[[214]]

Gilgamesh did not accept the counsel of the fatalistic sea lady. He asked her how he could reach Pir-napishtim, his ancestor, saying he was prepared to cross the Sea of Death: if he could not cross it he would die of grief.

Sabitu answered him, saying: "O Gilgamesh, no mortal is ferried over this great sea. Who can pass over it save Shamash alone? The way is full of peril. O Gilgamesh, how canst thou battle against the billows of death?"

At length, however, the sea lady revealed to the pilgrim that he might obtain the aid of the sailor, Arad Ea, who served his ancestor Pir-napishtim.

Gilgamesh soon found where Arad Ea dwelt, and after a time prevailed upon him to act as ferryman. Arad Ea required a helm for his boat, and Gilgamesh hastened to fashion one from a tree. When it was fixed on, the boat was launched and the voyage began. Terrible experiences were passed through as they crossed the Sea of Death, but at length they drew nigh to the "Island of the Blessed" on which dwelt Pir-napishtim and his wife. Wearied by his exertions and wasted by disease, Gilgamesh sat resting in the boat. He did not go ashore.

Pir-napishtim had perceived the vessel crossing the Sea of Death and marvelled greatly.

The story is unfortunately interrupted again, but it appears that Gilgamesh poured into the ears of his ancestor the tale of his sufferings, adding that he feared death and desired to escape his fate.

Pir-napishtim made answer, reminding the pilgrim that all men must die. Men built houses, sealed contracts, disputed one with another, and sowed seeds in the earth, but as long as they did so and the rivers rose in flood, so long would their fate endure. Nor could any man tell when his hour would come. The god of destiny measured out the span of life: he fixed the day of death, but never revealed his secrets.

Gilgamesh then asked Pir-napishtim how it chanced that he was still alive. "Thou hast suffered no change," he said, "thou art even as I am. Harden not thy heart against me, but reveal how thou hast obtained divine life in the company of the gods."

Pir-napishtim thereupon related to his descendant the story of the deluge, which is dealt with fully in the next chapter. The gods had resolved to destroy the world, and Ea in a dream revealed unto Pir-napishtim how he could escape. He built a ship which was tossed about on the waters, and when the world had been destroyed, Bel discovered him and transported him to that island in the midst of the Sea of Death.

Gilgamesh sat in the boat listening to the words of his ancestor. When the narrative was ended, Pir-napishtim spoke sympathetically and said: "Who among the gods will restore thee to health, O Gilgamesh? Thou hast knowledge of my life, and thou shalt be given the life thou dost strive after. Take heed, therefore, to what I say unto thee. For six days and seven nights thou shalt not lie down, but remain sitting like one in the midst of grief."[[215]]

Gilgamesh sat in the ship, and sleep enveloped him like to a black storm cloud.

Pir-napishtim spoke to his wife and said: "Behold the hero who desireth to have life. Sleep envelops him like to a black storm cloud."

To that lone man his wife made answer: "Lay thine hand upon him so that he may have perfect health and be enabled to return to his own land. Give him power to pass through the mighty door by which he entered."

Then Pir-napishtim addressed his wife, saying: "His sufferings make me sad. Prepare thou for him the magic food, and place it near his head."

On the day when Gilgamesh lay down, the food was prepared by seven magic processes, and the woman administered it while yet he slept. Then Pir-napishtim touched him, and he awoke full of life.

Gilgamesh spake unto Pir-napishtim and said: "I was suddenly overcome by sleep.... But thou didst awaken me by touching me, even thou.... Lo! I am bewitched. What hast thou done unto thy servant?"

Then Pir-napishtim told Gilgamesh that he had been given to eat of the magic food. Afterwards he caused Arad Ea to carry Gilgamesh to a fountain of healing, where his disease-stricken body was cleansed. The blemished skin fell from him, and he was made whole.

Thereafter Gilgamesh prepared to return to his own land. Ere he bade farewell, however, Pir-napishtim revealed unto him the secret of a magic plant which had power to renew life and give youth and strength unto those who were old.

Arad Ea conducted the hero to the island where the plant grew, and when Gilgamesh found it he rejoiced, and said that he would carry it to Erech, his own city, where he would partake of it and restore his youth.

So Gilgamesh and Arad Ea went on their way together, nor paused until they came to a well of pure water. The hero stooped down to draw water.[[216]] But while he was thus engaged that demon, the Earth Lion, crept forth as a serpent, and, seizing the magic plant of life, carried it away. Stricken with terror, Gilgamesh uttered a curse. Then he sat down and wept bitterly, and the tears streamed over his face. To Arad Ea he spake, saying: "Why has my health been restored to me? Why should I rejoice because that I live? The benefit which I should have derived for myself has now fallen to the Earth Lion."

The two travellers then resumed their journey, performing religious acts from time to time; chanting dirges and holding feasts for the dead, and at length Gilgamesh returned to Erech. He found that the city walls were crumbling, and he spake regarding the ceremonies which had been performed while yet he was in a far-distant country.

During the days which followed Gilgamesh sorrowed for his lost friend Ea-bani, whose spirit was in the Underworld, the captive of the spirits of death. "Thou canst not draw thy bow now," he cried, "nor raise the battle shout. Thou canst not kiss the woman thou hast loved; thou canst not kiss the child thou hast loved, nor canst thou smite those whom thou hast hated."

In vain Gilgamesh appealed to his mother goddess to restore Ea-bani to him. Then he turned to the gods, and Ea heard him. Thereafter Nergal, god of death, caused the grave to yawn, and the spirit of Ea-bani arose like a wind gust.

Gilgamesh, still dreading death, spoke to the ghost of his friend, saying: "Tell me, my friend, O tell me regarding the land in which thou dost dwell."

Ea-bani made answer sorrowfully: "Alas! I cannot tell thee, my friend. If I were to tell thee all, thou wouldst sit down and weep."

Said Gilgamesh: "Let me sit down and weep, but tell me regarding the land of spirits."

The text is mutilated here, but it can be gathered that Ea-bani described the land where ill-doers were punished, where the young were like the old, where the worm devoured, and dust covered all. But the state of the warrior who had been given burial was better than that of the man who had not been buried, and had no one to lament or care for him. "He who hath been slain in battle," the ghost said, "reposeth on a couch drinking pure water--one slain in battle as thou hast seen and I have seen. His head is supported by his parents: beside him sits his wife. His spirit doth not haunt the earth. But the spirit of that man whose corpse has been left unburied and uncared for, rests not, but prowls through the streets eating scraps of food, the leavings of the feast, and drinking the dregs of vessels."

So ends the story of Gilgamesh in the form which survives to us.

The journey of Gilgamesh to the Island of the Blessed recalls the journeys made by Odin, Hermod, Svipdag, Hotherus and others to the Germanic Hela. When Hermod went to search for Balder, as the Prose Edda relates, he rode through thick darkness for nine days and nine nights ere he crossed the mountains. As Gilgamesh met Sabitu, Hermod met Modgudur, "the maiden who kept the bridge" over the river Gjõll. Svipdag, according to a Norse poem, was guided like the Babylonian hero by the moon god, Gevar, who instructed him what way he should take to find the irresistible sword. Saxo's Hother, who is instructed by "King Gewar", crosses dismal mountains "beset with extraordinary cold".[[217]] Thorkill crosses a stormy ocean to the region of perpetual darkness, where the ghosts of the dead are confined in loathsome and dusty caves. At the main entrance "the door posts were begrimed with the soot of ages".[[218]] In the Elder Edda Svipdag is charmed against the perils he will be confronted by as he fares "o'er seas mightier than men do know", or is overtaken by night "wandering on the misty way".[[219]] When Odin "downward rode into Misty Hel" he sang spells at a "witch's grave", and the ghost rose up to answer his questions regarding Balder. "Tell me tidings of Hel", he addressed her, as Gilgamesh addressed the ghost of Ea-bani.

In the mythical histories of Alexander the Great, the hero searches for the Water of Life, and is confronted by a great mountain called Musas (Mashti). A demon stops him and says; "O king, thou art not able to march through this mountain, for in it dwelleth a mighty god who is like unto a monster serpent, and he preventeth everyone who would go unto him." In another part of the narrative Alexander and his army arrive at a place of darkness "where the blackness is not like the darkness of night, but is like unto the mists and clouds which descend at the break of day". A servant uses a shining jewel stone, which Adam had brought from Paradise, to guide him, and found the well. He drank of the "waters of life" and bathed in them, with the result that he was strengthened and felt neither hunger nor thirst. When he came out of the well "all the flesh of his body became bluish-green and his garments likewise bluish-green". Apparently he assumed the colour of supernatural beings. Rama of India was blue, and certain of his monkey allies were green, like the fairies of England and Scotland. This fortunate man kept his secret. His name was Matun, but he was afterwards nicknamed "'El-Khidr', that is to say, 'Green'". What explanation he offered for his sudden change of appearance has not been recorded.[[220]] It is related that when Matun reached the Well of Life a dried fish which he dipped in the water was restored to life and swam away. In the Koran a similar story is told regarding Moses and Joshua, who travelled "for a long space of time" to a place where two seas met. "They forgot their fish which they had taken with them, and the fish took its way freely to the sea." The Arabian commentators explain that Moses once agreed to the suggestion that he was the wisest of men. In a dream he was directed to visit Al Khedr, who was "more knowing than he", and to take a fish with him in a basket. On the seashore Moses fell asleep, and the fish, which had been roasted, leapt out of the basket into the sea. Another version sets forth that Joshua, "making the ablution at the fountain of life", some of the water happened to be sprinkled on the fish, which immediately leapt up.[[221]]

The Well of Life is found in Fingalian legends. When Diarmid was mortally wounded by the boar, he called upon Finn to carry water to him from the well:

Give me a draught from thy palms, O Finn,

Son of my king for my succour,

For my life and my dwelling.

Campbell's West Highland Tales, vol. iii, 80.

The quest of the plant, flower, or fruit of life is referred to in many folk tales. In the Mahabharata, Bhima, the Indian Gilgamesh or Hercules, journeys to north-eastern Celestial regions to find the lake of the god Kuvera (Kubera), on which grow the "most beautiful and unearthly lotuses", which restore health and give strength to the weary. As Gilgamesh meets with Pir-napishtim, who relates the story of the Deluge which destroyed the "elder race", Bhima meets with Hanuman, who informs him regarding the Ages of the Universe and the races which were periodically destroyed by deluges. When Bhima reaches the lotus lake he fights with demons. To heal his wounds and recover strength he plunges into the lake. "As he drank of the waters, like unto nectar, his energy and strength were again fully restored."[[222]]

Hercules similarly sets out to search for the golden apples which grow in

those Hesperian gardens famed of old,

Fortunate fields, and groves and flowery vales.

As Bhima slew Yakshas which guarded the lotuses, Hercules slew Ladon, the guardian of the apples. Other heroes kill treasure-protecting dragons of various kinds.

There is a remarkable resemblance between the Babylonian account of Gilgamesh's journey through the mountain tunnel to the garden and seashore, and the Indian story of the demigod Hanuman passing through the long cavern to the shoreland palace of the female ascetic, when he was engaged searching for Sita, the wife of Rama, who had been carried away by Ravana, the demon king of Ceylon. In the version of the latter narrative which is given in the Mahabharata, Hanuman says: "I bring thee good news, O Rama; for Janaka's daughter hath been seen by me. Having searched the southern region with all its hills, forests, and mines for some time, we became very weary. At length we beheld a great cavern. And having beheld it, we entered that cavern which extended over many yojanas. It was dark and deep, and overgrown with trees and infested by worms. And having gone a great way through it, we came upon sunshine and beheld a beautiful palace. It was the abode of the Daitya (sea demon) Maya. And there we beheld a female ascetic named Parbhàvati engaged in ascetic austerities. And she gave us food and drink of various kinds. And having refreshed ourselves therewith and regained our strength, we proceeded along the way shown by her. At last we came out of the cavern and beheld the briny sea, and on its shores, the Sahya, the Malaya, and the great Dardura mountains. And ascending the mountains of Malaya, we beheld before us the vast ocean (or, "the abode of Varuna"). And beholding it, we felt sorely grieved in mind.... We despaired of returning with our lives.... We then sat together, resolved to die there of starvation."

Hanuman and his friends, having had, so far, experiences similar to those of Gilgamesh, next discovered the eagle giant which had burned its wings when endeavouring to soar to the sun. This great bird, which resembles the Etana eagle, expressed the opinion that Sita was in Lanka (Ceylon), whither she must have been carried by Ravana. But no one dared to cross the dangerous ocean. Hanuman at length, however, obtained the assistance of Vayu, the wind god, his divine father, and leapt over the sea, slaying monsters as he went. He discovered where the fair lady was concealed by the king of demons.[[223]]

The dark tunnel is met with in many British stories of daring heroes who set out to explore it, but never return. In the Scottish versions the adventurers are invariably pipers who are accompanied by dogs. The sound of the pipes is heard for a time; then the music ceases suddenly, and shortly afterwards the dog returns without a hair upon its body. It has evidently been in conflict with demons.

The tunnel may run from a castle to the seashore, from a cave on one side of a hill to a cave on the other, or from a seashore cave to a distant island.

It is possible that these widespread tunnel stories had origin among the cave dwellers of the Palaeolithic Age, who believed that deep caverns were the doors of the underground retreats of dragons and giants and other supernatural enemies of mankind.

In Babylonia, as elsewhere, the priests utilized the floating material from which all mythologies were framed, and impressed upon it the stamp of their doctrines. The symbolized stories were afterwards distributed far and wide, as were those attached to the memory of Alexander the Great at a later period. Thus in many countries may be found at the present day different versions of immemorial folk tales, which represent various stages of culture, and direct and indirect contact at different periods with civilizations that have stirred the ocean of human thought, and sent their ideas rippling in widening circles to far-distant shores.

[[190]] It is suggested that Arthur is derived from the Celtic word for "bear". If so, the bear may have been the "totem" of the Arthur tribe represented by the Scottish clan of MacArthurs.

[[191]] See "Lady in the Straw" beliefs in Brand's Popular Antiquities, vol. ii, 66 et seq. 1899 ed.).

[[192]] Like the Etana "mother eagle" Garuda was a slayer of serpents (Chapter III).

[[193]] Vana Parva section of the Mahábhárata (Roy's trans.), p. 818 et seq., and Indian Myth and Legend, p. 413.

[[194]] The Koran (with notes from approved commentators), trans. by George Sale, P-246, n.

[[195]] The Life and Exploits of Alexander the Great, E. Wallis Budge (London, 1896), pp. 277-8, 474-5.

[[196]] Campbell's West Highland Tales, vol. iii, pp. 251-4 (1892 ed.).

[[197]] Religion of the Ancient Egyptians, A. Wiedemann, p. 141.

[[198]] Adi Parva section of the Mahàbhàrata (Hymn to Garuda), Roy's trans., p. 88, 89.

[[199]] Herodian, iv, 2.

[[200]] The image made by Nebuchadnezzar is of interest in this connection. He decreed that "whoso falleth not down and worshippeth" should be burned in the "fiery furnace". The Hebrews, Shadrach, Meshach, and Abed-nego, were accordingly thrown into the fire, but were delivered by God. Daniel, iii, 1-30.

[[201]] The Assyrian and Phoenician Hercules is discussed by Raoul Rochette in Mémoires de l'Académie des Inscriptions et Belles Lettres (Paris, 1848), pp. 178 et seq.

[[202]] G. Sale's Koran, p. 246, n.

[[203]] In the Eddic poem "Lokasenna" the god Byggvir (Barley) is addressed by Loki, "Silence, Barleycorn!" The Elder Edda, translation by Olive Bray, pp. 262, 263.

[[204]] De Nat. Animal., xii, 21, ed. Didot, p. 210, quoted by Professor Budge in The Life and Exploits of Alexander the Great, p. 278, n.

[[205]] Isaiah, lvii, 4 and 5.

[[206]] The Golden Bough (Adonis, Attis, Osiris vol.), "The Gardens of Adonis", pp. 194 et seq. (3rd ed.).

[[207]] Daniel, iv, 33. It is possible that Nebuchadnezzar, as the human representative of the god of corn and fertility, imitated the god by living a time in the wilds like Ea-bani.

[[208]] Pronounce ch guttural.

[[209]] On a cylinder seal the heroes each wrestle with a bull.

[[210]] Alexander the Great in the course of his mythical travels reached a mountain at the world-end. "Its peak reached to the first heaven and its base to the seventh earth."--Budge.

[[211]] Jastrow's trans., Aspects of Religious Belief and Practice in Babylonia and Assyria, p. 374.

[[212]] Development of Religion and Thought in Ancient Egypt (1912), J.H. Breasted, pp. 183-5.

[[213]] Ecclesiastes, ix, 7-9.

[[214]] Ibid., xii, 13.

[[215]] Perhaps brooding and undergoing penance like an Indian Rishi with purpose to obtain spiritual power.

[[216]] Probably to perform the ceremony of pouring out a libation.

[[217]] Saxo, iii, 71.

[[218]] Ibid., viii, 291.

[[219]] The Elder Edda, O. Bray, pp. 157 et seq. See also Teutonic Myth and Legend.

[[220]] The Life and Exploits of Alexander the Great, E. Wallis Budge, pp. xl et seq., 167 et seq.

[[221]] The Koran, trans, by G. Sale, pp. 222, 223 (chap. xviii).

[[222]] Vana Parva section of the Mahàbhàrata (Roy's trans.), pp. 435-60, and Indian Myth and Legend, pp. 105-9.

[[223]] Vana Parva section of the Mahàbhàrata (Roy's translation), pp. 832, 833.

Chapter IX. Deluge Legend, the Island of the Blessed, and Hades

Abstract

Babylonian Story of the Flood--The Two Immortals on the Island of the Blessed--Deluge Legends in the Old and New Worlds--How Babylonian Culture reached India--Theory of Cosmic Periods--Gilgamesh resembles the Indian Yama and Persian Yimeh--Links with Varuna and Mitra--The Great Winter in Persian and Teutonic Mythologies--Babylonian Hades compared with the Egyptian, Greek, Indian, Teutonic, and Celtic Otherworlds--Legend of Nergal and the Queen of Death--Underworld originally the Grave--Why Weapons, &c., were Buried with the Dead--Japanese and Roman Beliefs--Palaeolithic Burial Customs--"Our Graves are our Houses"--Importance of Babylonian Funerary Ceremonies--Doctrine of Eternal Bliss in Egypt and India--Why Suppressed in Babylonia--Heavy Burial Fees--Various Burial Customs.

The story of the Deluge which was related to Gilgamesh by Pir-napishtim runs as follows:--

"Hear me, O Gilgamesh, and I will make revelation regarding the hidden doings of the high gods. As thou knowest, the city of Shurippak is situated upon the bank of the Euphrates. The gods were within it: there they assembled together in council. Anu, the father, was there, and Bel the counsellor and warrior, Ninip the messenger, and Ennugi the governor. Ea, the wise lord, sat also with them. In their hearts the gods agreed together to send a great deluge.

"Thereafter Ea made known the purpose of the divine rulers in the hut of reeds, saying:[[224]] 'O hut of reeds, hear; O wall, understand ... O man of Shurippak, son of Umbara Tutu, tear down thy house and build a ship; leave all thou dost possess and save thy life, and preserve in the ship the living seed of every kind. The ship that thou wilt build must be of goodly proportions in length and height. It must be floated on the great deep.'

"I heard the command of Ea and understood, and I made answer, saying, 'O wise lord, as thou hast said so will I do, for thy counsel is most excellent. But how shall I give reason for my doings to the young men and the elders?'

"Ea opened his mouth and said unto me, his servant: 'What thou shalt say unto them is this.... It hath been revealed unto me that Bel doth hate me, therefore I cannot remain any longer in his domain, this city of Shurippak, so I must depart unto the domain of Ea and dwell with him.... Unto you will Bel send abundance of rain, so that you may obtain birds and fishes in plenty and have a rich harvest. But Shamash hath appointed a time for Ramman to pour down destruction from the heavens.'"[[225]]

Ea then gave instructions to Pir-napishtim how to build the ship in which he should find refuge. So far as can be gathered from the fragmentary text, it appears that this vessel was to have a deck house six stories high, with nine apartments in each story. According to another account, Ea drew a plan of the great ship upon the sand.

Pir-napishtim set to work and made a flat-bottomed vessel, which was 120 cubits wide and 120 cubits in height. He smeared it with bitumen inside and pitch outside; and on the seventh day it was ready. Then he carried out Ea's further instructions. Continuing his narrative to Gilgamesh, he said:

"I gathered together all that I possessed, my silver and gold and seeds of every kind, and my goods also. These I placed in the ship. Then I caused to go aboard all my family and house servants, the animals of the field and the beasts of the field and the workers--every one of them I sent up.

"The god Shamash appointed the time, saying: 'I will cause the Night Lord to send much rain and bring destruction. Then enter thou the ship and shut thy door.'

"At the appointed time the Night Lord sent at even-time much rain. I saw the beginning of the deluge and I was afraid to look up. I entered the ship and shut the door. I appointed Buzur-Kurgala, the sailor, to be captain, and put under his command the great vessel and all that it contained.

"At the dawn of day I saw rising athwart the heavens a dark cloud, and in the midst of it Ramman thundered. Nebo and Merodach went in front, speeding like emissaries over hills and plains. The cables of the ship were let loose.

Figure IX.1. THE BABYLONIAN DELUGE

From the Painting by E. Wallcousins

"Then Ninip, the tempest god, came nigh, and the storm broke in fury before him. All the earth spirits leapt up with flaming torches and the whole land was aflare. The thunder god swept over the heavens, blotting out the sunlight and bringing thick darkness. Rain poured down the whole day long, and the earth was covered with water; the rivers were swollen; the land was in confusion; men stumbled about in the darkness, battling with the elements. Brothers were unable to see brothers; no man could recognize his friends.... The spirits above looked down and beheld the rising flood and were afraid: they fled away, and in the heaven of Anu they crouched like to hounds in the protecting enclosures.

"In time Ishtar, the lady of the gods, cried out distressfully, saying: 'The elder race hath perished and turned to clay because that I have consented to evil counsel in the assembly of the gods. Alas! I have allowed my people to be destroyed. I gave being to man, but where is he? Like the offspring of fish he cumbers the deep.'

"The earth spirits were weeping with Ishtar: they sat down cowering with tightened lips and spake not; they mourned in silence.

"Six days and six nights went past, and the tempest raged over the waters which gradually covered the land. But when the seventh day came, the wind fell, the whirling waters grew peaceful, and the sea retreated. The storm was over and the rain of destruction had ceased. I looked forth. I called aloud over the waters. But all mankind had perished and turned to clay. Where fields had been I saw marshes only.

"Then I opened wide the window of the ship, and the sunlight suffused my countenance. I was dazzled and sank down weeping and the tears streamed over my face. Everywhere I looked I saw water.

"At length, land began to appear. The ship drifted towards the country of Nitsir, and then it was held fast by the mountain of Nitsir. Six days went past and the ship remained stedfast. On the seventh day I sent forth a dove, and she flew away and searched this way and that, but found no resting place, so she returned. I then sent forth a swallow, and she returned likewise. Next I sent forth a raven, and she flew away. She saw that the waters were shrinking, and gorged and croaked and waded, but did not come back. Then I brought forth all the animals into the air of heaven.

"An offering I made on the mountain. I poured out a libation. I set up incense vessels seven by seven on heaped-up reeds and used cedar wood with incense. The gods smelt the sweet savour, and they clustered like flies about the sacrificer.

"Thereafter Ishtar (Sirtu) drew nigh. Lifting up the jewels, which the god Anu had fashioned for her according to her desire, she spake, saying: 'Oh! these gods! I vow by the lapis lazuli gems upon my neck that I will never forget! I will remember these days for ever and ever. Let all the gods come hither to the offering, save Bel (Enlil) alone, because that he ignored my counsel, and sent a great deluge which destroyed my people.'

"But Bel Enlil came also, and when he beheld the ship he paused. His heart was filled with wrath against the gods and the spirits of heaven. Angrily he spake and said: 'Hath one escaped? It was decreed that no human being should survive the deluge.'

"Ninip, son of Bel, spoke, saying: 'Who hath done this save Ea alone? He knoweth all things.'

"Ea, god of the deep, opened his mouth and said unto the warrior Bel: 'Thou art the lord of the gods, O warrior. But thou wouldst not hearken to my counsel and caused the deluge to be. Now punish the sinner for his sins and the evil doer for his evil deed, but be merciful and do not destroy all mankind. May there never again be a flood. Let the lion come and men will decrease. May there never again be a flood. Let the leopard come and men will decrease. May there never again be a flood. Let famine come upon the land; let Ura, god of pestilence, come and snatch off mankind.... I did not reveal the secret purpose of the mighty gods, but I caused Atra-chasis (Pir-napishtim) to dream a dream in which he had knowledge of what the gods had decreed.'

"Having pondered a time over these words, Bel entered the ship alone. He grasped my hand and led me forth, even me, and he led forth my wife also, and caused her to kneel down beside me. Then he stood between us and gave his blessing. He spoke, saying: 'In time past Pir-napishtim was a man. Henceforth Pir-napishtim and his wife will be like unto deities, even us. Let them dwell apart beyond the river mouths.'

"Thereafter Bel carried me hither beyond the mouths of rivers."

Flood myths are found in many mythologies both in the Old World and the New.

The violent and deceitful men of the mythical Bronze Age of Greece were destroyed by a flood. It is related that Zeus said on one occasion to Hermes: "I will send a great rain, such as hath not been since the making of the world, and the whole race of men shall perish. I am weary of their iniquity."

For receiving with hospitable warmth these two gods in human guise, Deucalion, an old man, and his wife Pyrrha were spared, however. Zeus instructed his host to build an ark of oak, and store it well with food. When this was done, the couple entered the vessel and shut the door. Then Zeus "broke up all the fountains of the deep, and opened the well springs of heaven, and it rained for forty days and forty nights continually". The Bronze folk perished: not even those who fled to the hilltops could escape. The ark rested on Parnassus, and when the waters ebbed the old couple descended the mountain and took up their abode in a cave.[[226]]

In Indian mythology the world is destroyed by a flood at the end of each Age of the Universe. There are four ages: the Krita or Perfect Age, the Treta Age, the Dwapara Age, and the Kali or Wicked Age. These correspond closely to the Greek and Celtic ages.[[227]] There are also references in Sanskrit literature to the destruction of the world because too many human beings lived upon it. "When the increase of population had been so frightful," a sage related, "the Earth, oppressed with the excessive burden, sank down for a hundred Yojanas. Suffering pain in all her limbs, and being deprived of her senses by excessive pressure, the Earth in distress sought the protection of Narayana, the foremost of the gods."[[228]]

Manu's account of the flood has been already referred to (Chapter II). The god in fish shape informed him: "The time is ripe for purging the world.... Build a strong and massive ark, and furnish it with a long rope...." When the waters rose the horned fish towed the ark over the roaring sea, until it grounded on the highest peak of the Himavat, which is still called Naubandha (the harbour). Manu was accompanied by seven rishis.[[229]]

In the Celtic (Irish) account of the flood, Cessair, granddaughter of Noah, was refused a chamber for herself in the ark, and fled to the western borders of the world as advised by her idol.[[230]] Her fleet consisted of three ships, but two foundered before Ireland was reached. The survivors in addition to Cessair were, her father Bith, two other men, Fintan and Ladru, and fifty women. All of these perished on the hills except Fintan, who slept on the crest of a great billow, and lived to see Partholon, the giant, arriving from Greece.

There is a deluge also in Egyptian mythology. When Ra, the sun god, grew old as an earthly king, men began to mutter words against him. He called the gods together and said: "I will not slay them (his subjects) until I have heard what ye say concerning them." Nu, his father, who was the god of primeval waters, advised the wholesale destruction of mankind.

Said Ra: "Behold men flee unto the hills; their heart is full of fear because of that which they said."

The goddess Hathor-Sekhet, the Eye of Ra, then went forth and slew mankind on the hills. Thereafter Ra, desiring to protect the remnant of humanity, caused a great offering to be made to the goddess, consisting of corn beer mixed with herbs and human blood. This drink was poured out during the night. "And the goddess came in the morning; she found the fields inundated, she rejoiced thereat, she drank thereof, her heart was rejoiced, she went about drunken and took no more cognizance of men."[[231]]

It is obvious that the Egyptian myth refers to the annual inundation of the Nile, the "human blood" in the "beer" being the blood of the slain corn god, or of his earthly representative. It is probable that the flood legends of North and South America similarly reflected local phenomena, although the possibility that they were of Asiatic origin, like the American Mongoloid tribes, cannot be overlooked. Whether or not Mexican civilization, which was flourishing about the time of the battle of Hastings, received any cultural stimulus from Asia is a question regarding which it would be unsafe to dogmatize, owing to the meagre character of the available data.

The Mexican deluge was caused by the "water sun", which suddenly discharged the moisture it had been drawing from the earth in the form of vapour through long ages. All life was destroyed.

A flood legend among the Nahua tribes resembles closely the Babylonian story as told by Pir-napishtim. The god Titlacahuan instructed a man named Nata to make a boat by hollowing out a cypress tree, so as to escape the coming deluge with his wife Nena. This pair escaped destruction. They offered up a fish sacrifice in the boat and enraged the deity who visited them, displaying as much indignation as did Bel when he discovered that Pir-napishtim had survived the great disaster. Nata and Nena had been instructed to take with them one ear of maize only, which suggests that they were harvest spirits.

In Brazil, Monan, the chief god, sent a great fire to burn up the world and its wicked inhabitants. To extinguish the flames a magician caused so much rain to fall that the earth was flooded.

The Californian Indians had a flood legend, and believed that the early race was diminutive; and the Athapascan Indians of the north-west professed to be descendants of a family who escaped the deluge. Indeed, deluge myths were widespread in the "New World".

The American belief that the first beings who were created were unable to live on earth was shared by the Babylonians. According to Berosus the first creation was a failure, because the animals could not bear the light and they all died.[[232]] Here we meet with the germs of the Doctrine of the World's Ages, which reached its highest development in Indian, Greek, and Celtic (Irish) mythologies.

The Biblical account of the flood is familiar to readers. "It forms", says Professor Pinches, "a good subject for comparison with the Babylonian account, with which it agrees so closely in all the main points, and from which it differs so much in many essential details."[[233]]

The drift of Babylonian culture was not only directed westward towards the coast of Palestine, and from thence to Greece during the Phoenician period, but also eastward through Elam to the Iranian plateau and India. Reference has already been made to the resemblances between early Vedic and Sumerian mythologies. When the "new songs" of the Aryan invaders of India were being composed, the sky and ocean god, Varuna, who resembles Ea-Oannes, and Mitra, who links with Shamash, were already declining in splendour. Other cultural influences were at work. Certain of the Aryan tribes, for instance, buried their dead in Varuna's "house of clay", while a growing proportion cremated their dead and worshipped Agni, the fire god. At the close of the Vedic period there were fresh invasions into middle India, and the "late comers" introduced new beliefs, including the doctrines of the Transmigration of Souls and of the Ages of the Universe. Goddesses also rose into prominence, and the Vedic gods became minor deities, and subject to Brahma, Vishnu, and Shiva. These "late comers" had undoubtedly been influenced by Babylonian ideas before they entered India. In their Doctrine of the World's Ages or Yugas, for instance, we are forcibly reminded of the Euphratean ideas regarding space and time. Mr. Robert Brown, junr., who is an authority in this connection, shows that the system by which the "Day of Brahma" was calculated in India resembles closely an astronomical system which obtained in Babylonia, where apparently the theory of cosmic periods had origin.[[234]]

The various alien peoples, however, who came under the spell of Babylonian modes of thought did not remain in a state of intellectual bondage. Thought was stimulated rather than arrested by religious borrowing, and the development of ideas regarding the mysteries of life and death proceeded apace in areas over which the ritualistic and restraining priesthood of Babylonia exercised no sway. As much may be inferred from the contrasting conceptions of the Patriarchs of Vedic and Sumerian mythologies. Pir-napishtim, the Babylonian Noah, and the semi-divine Gilgamesh appear to be represented in Vedic mythology by Yama, god of the dead. Yama was "the first man", and, like Gilgamesh, he set out on a journey over mountains and across water to discover Paradise. He is lauded in the Vedic hymns as the explorer of "the path" or "way" to the "Land of the Pitris" (Fathers), the Paradise to which the Indian uncremated dead walked on foot. Yama never lost his original character. He is a traveller in the Epics as in the Vedas.[[235]]

Him who along the mighty heights departed, Him who searched and spied the path for many, Son of Vivasvat, gatherer of the people, Yama, the King, with sacrifices worship. Rigveda, x, 14, 1.[[236]] To Yama, mighty King, be gifts and homage paid, He was the first of men that died, the first to brave Death's rapid rushing stream, the first to point the road To heaven, and welcome others to that bright abode. Sir M. Monier Williams' Translation.[[237]]

Yama and his sister Yami were the first human pair. They are identical with the Persian Celestial twins, Yima and Yimeh. Yima resembles Mitra (Mithra); Varuna, the twin brother of Mitra, in fact, carries the noose associated with the god of death.[[238]]

The Indian Yama, who was also called Pitripati, "lord of the fathers", takes Mitra's place in the Paradise of Ancestors beside Varuna, god of the sky and the deep. He sits below a tree, playing on a flute and drinking the Soma drink which gives immortality. When the descendants of Yama reached Paradise they assumed shining forms "refined and from all taint set free".[[239]]

In Persian mythology "Yima", says Professor Moulton, "reigns over a community which may well have been composed of his own descendants, for he lived yet longer than Adam. To render them immortal, he gives them to eat forbidden food, being deceived by the Daevas (demons). What was this forbidden food? May we connect it with another legend whereby, at the Regeneration, Mithra is to make men immortal by giving them to eat the fat of the Ur-Kuh, the primeval cow from whose slain body, according to the Aryan legends adopted by Mithraism, mankind was first created?"

Yima is punished for "presumptuously grasping at immortality for himself and mankind, on the suggestion of an evil power, instead of waiting Ahura's good time". Professor Moulton wonders if this story, which he endeavours to reconstruct, "owed anything to Babylon?"

Yima, like the Babylonian Pir-napishtim, is also a revealer of the secrets of creation. He was appointed to be "Guardian, Overseer, Watcher over my Creation" by Ahura, the supreme god. Three hundred years went past--

Then the earth became abounding,

Full of flocks and full of cattle,

Full of men, of birds, dogs likewise,

Full of fires all bright and blazing,

Nor did men, flocks, herds of cattle,

Longer find them places in it.

Jackson's Translation.

The earth was thereafter cloven with a golden arrow. Yima then built a refuge in which mankind and the domesticated animals might find shelter during a terrible winter. "The picture", says Professor Moulton, "strongly tempts us to recognize the influence of the Babylonian Flood-Legend."[[240]] The "Fimbul winter" of Germanic mythology is also recalled. Odin asks in one of the Icelandic Eddie poems:

What beings shall live when the long dread winter

Comes o'er the people of earth?[[241]]

In another Eddie poem, the Voluspa, the Vala tells of a Sword Age, an Axe Age, a Wind Age, and a Wolf Age which is to come "ere the world sinks". After the battle of the gods and demons,

The sun is darkened, earth sinks in the sea.

In time, however, a new world appears.

I see uprising a second time

Earth from the Ocean, green anew;

The waters fall, on high the eagle

Flies o'er the fell and catches fish.

When the surviving gods return, they will talk, according to the Vala (prophetess), of "the great world serpent" (Tiamat). The fields will be sown and "Balder will come"[[242]]--apparently as Tammuz came. The association of Balder with corn suggests that, like Nata of the Nahua tribes, he was a harvest spirit, among other things.