PAN-WORSHIP
AND OTHER POEMS


PAN-WORSHIP
AND OTHER POEMS

BY
ELEANOR FARJEON
LONDON
ELKIN MATHEWS, VIGO STREET, W.
1908


TO MY FATHER


CONTENTS

PAGE.
Pan-Worship[9]
Vagrant Songs[13]
King Laurin's Garden[18]
The Mysterious Forest[21]
The Old Grey Queen[22]
The Quest[24]
The Unspoken Word[26]
In the Oculist's Anteroom[33]
Little Dream-Brother[34]
Faust and Margaret[36]
Dream-Ships[37]
The Moral[38]
Colour-Tones[40]
From an old Garden[42]
A Sheaf of Nature-Songs[59]
Apollo in Pherae[72]

PAN-WORSHIP

In Arcady there lies a crystal spring

Ring'd all about with green melodious reeds

Swaying seal'd music up and down the wind.

Here on its time-defacèd pedestal

The image of a half-forgotten God

Crumbles to its complete oblivion.

The faithful and invariable earth

Tilts at the shrine her sacrificial cup,

Spilling libations from the brim that runs

The golden nectar of her daffodils

And rivulets of summer-breathing flow'rs.

O evanescent temples built of man

To deities he honoured and dethroned!

Earth shoots a trail of her eternal vine

To crown the head that men have ceased to honour.

Beneath the coronal of leaf and lichen

The mocking smile upon the lips derides

Pan's lost dominion; but the pointed ears

Are keen and prick'd with old remember'd sounds.

All my breast aches with longing for the past!

Thou God of stone, I have a craving in me

For knowledge of thee as thou wert in old

Enchanted twilights in Arcadia.

Arcadia! it is the very music

Of the first spring-tide rippling its first wave

Over the naked, laughing baby world ...

Come again, thou sparkling spring-tide, come again,

Rush in and flood this autumn from my soul!

These waters welling at a dead God's shrine,

These happy waters bubbling limpid kisses,

Even with such bright and eager lips made wet

The hem of the earth's garment in the days

When earth was youthful and the Gods of Greece

In starry constellation crowned Olympus.

What drifting mists have veil'd the Olympian fires?

What of the Gods of Greece? and what of Greece?

O virgin Greece, standing with naked feet

In the morning dews of the world against the light

Of an infant dawn! old Greece, ever-young Greece,

The pagan in my blood, the instinct in me

That yearns back, back to nature-worship, cries

Aloud to thee! I would stoop to kiss those feet,

Sweet white wet feet washed with the earth's first dews:—

And leaning ear to grass I would re-catch

Echoes of footsteps sounding down dim ages

For ever the music once they made on thee:

The flaming step of the young Apollo when,

With limbs like light and golden locks toss'd back

On a smooth ivory shoulder, he avenged

His mother's wrongs on Python: the dreaming step

Of Hylas in the woods of Mysia

Leading to sleep beneath sweet sylvan waters:

The laughing step of untrammell'd Atalanta

Spurning the ground before her golden capture:

Child-Proserpina stepping like a flower,

And the singing step of Syrinx fleeing—what?

If thou couldst speak, neglected, sneering stone,

Thou wouldst know how to answer me. Wilt thou

Not speak?... How still it is!... The noise of the world

Is shut about with silence!... If I kneel,

Bend and adore, make sacrifice to thee,

If to thy long-deserted fane I bring

Tribute of milk and honey—then if I snap

That loveliest pipe of all at the spring's margin

And let the song of Syrinx from its hollow,

Nay, even the nymph's sweet self—O Pan, old Pan,

Shall I not see thee stirring in the stone,

Crack thy confinement, leap forth—be again?

I can believe it, master of bright streams,

Lord of green woodlands, king of sun-spread plains

And star-splashed hills and valleys drenched in moonlight!

And I shall see again a dance of Dryads

And airy shapes of Oreads circling free

To shy sweet pipings of fantastic fauns

And lustier-breathing satyrs ... God of Nature,

Thrice hailing thee by name with boisterous lungs

I will thrill thee back from the dead ages, thus:

Pan! Pan! O Pan! bring back thy reign again

Upon the earth!...

Numb pointed ears, ye hear

Only the wash and whisper of far waters,

The pale green waters of thin distant Springs

Under the pale green light of distant moons

Washing upon the shores of the old, old world

With a foam of flowers, a foam of whispering flowers....


VAGRANT SONGS

I

But yesterday the winds of March

Bent back the barren branches of the larch ...

But O! to-day

The bareness from the earth is swept away.

Deep through my swelling breast I hear

The wild call of the gipsy time o' year—

O, Vagrant Spring,

Brother o' mine, I'm for the gipsying!

The greening earth I stand upon

Tingles my feet: Brother, we must begone!

Younger and younger,

All my heart cries aloud with Wander-Hunger

II

Of troubles know I none,

Of pleasures know I many—

I rove beneath the sun

Without a single penny.

A king might envy long

The fare my board adorning—

Upon a throstle's song

I broke my fast this morning;

My lunch, a girl's quick smile,

As I'm a living sinner;

She walked with me a mile ...

I kissed her for my dinner.

Of troubles know I none,

Of pleasures know I many—

I fare beneath the sun

Without a single penny!

III

O, how she laughs with me,

Eats with me, quaffs with me,

Smiles to me, sighs to me,

Questions, replies to me,

Answers my every mood,

Finds good what I find good,

Earth, the green Mother!

Where shall man live and die

Having my treasury

Which never gold could buy—

Water and air and sky

And Earth's great sympathy—

Save he do live as I?

Join with me, Brother!

If you be sickening

Here's for your quickening!

Here at the heart of it

You shall be part of it,

And the good smell of rain

Shall make you whole again—

Join with me, Brother!

Here the life-sap runs green,

Here the life-ways are clean,

Here just one bird that sings

Re-starts your sluggish springs,

Here under moon and sun

You, I and She are one,

Earth, the green Mother!

IV

I lay me on the ground

Under the dark,

And Heaven's purple arc

Drew its deep curtains round

My weary head and shut away the sound.

The golden star-lights crept

Over the hill ...

I lay so very still

I heard them as they stepped ...

"Sleep!" breathed the Earth. Upon her breast I slept.

V

I'll stay one night beneath your roof,

And longer I will stay for no man,

And as for love, I'm loving-proof—

Turn by your eyes, White Woman.

The Wander-fever's in my blood,

I have no time for simple loving—

The hot Earth is in roving mood,

And I too must be roving.

If I should love you ... soon, ah, soon

I'd break your heart to go a-roaming,

And chasing shadows of the moon

Think never once of homing.

Why will you wring my breast with tears?

Tears will not quench the Wander-fever.

Why will you fill my soul with fears

When I will go for ever?

I whom the Earth's green passions move

Have put away all passions human ...

I will not love!... I dare not love ...

Turn by your eyes, White Woman.

VI

I went far and cold

Over upland wold

Where the story of spring's breathing

Scarcely yet was told.

Shifting monotone

Of the pale wind's moan

Through my hair at dusk went wreathing,

And I walked alone.

Far below and far

Where the homesteads are

One small ruddy candle twinkled,

Warmer than a star.

When the day was gone,

Softly one by one

Homing-lights the valley sprinkled ...

And I wandered on.


KING LAURIN'S GARDEN

(A Styrian Peasant-Girl Dreams at her Wheel)

King Laurin has a garden of roses

Where warm sweet odours do idly flow

Wave upon wave through the charmèd air ...

It is sin to wish for the garden of roses

In the heart of wild mountains where no men go.

Laurin is king of a rosy garden.

The lure of the roses is rare, O rare!

They tremble and brighten and throb and glow ...

I may not think of King Laurin's garden.

A danger, they tell me, for maids is there.

There are four high gates to the garden of roses,

For the treasure of bloom a golden guard,

A precious cup for the rose-wine red.

O the golden gates of the garden of roses!

They are bright and beautiful, tall and barred.

There is no strong wall round the rosy garden;

From gate to gate runs a woven thread,

Yellow and silken and fine, for ward.

Who snaps the ward of the rosy garden

With his hand and his foot shall he pay, 'tis said.

Laurin who rules the garden of roses

Is an elf-king, therefore he has no soul.

(The good priest shudders at Laurin's name.)

Poor soulless elf of the garden of roses!

Shall I pray for King Laurin at Vesper-toll?

They say no prayers in the rosy garden

Where life is the flash of a fragrant flame

Like the heart of a flower on fire: the whole

Of forbidden sweet is the rosy garden

I may not think of and feel no shame.

For in King Laurin's garden of roses

Waking thought shall be stilled asleep,

And the still heart dream itself half-awake ...

O the soft, soft dreams of the garden of roses!

They creep ... (I look not) ... but they steal and creep.

Laurin the king of the rosy garden

Has a magic girdle that none can break.

It makes the pulse of his life to leap

With twelve men's strength. In the rosy garden

He is feared and feared for the girdle's sake.

Laurin the king of the garden of roses

Has a magic crown where strange birds so sing

That resistance and doubt by their song once kissed

Melt into trance. In the garden of roses

He is loved and loved for his crowned bird-ring.

Laurin the king of the rosy garden

Has a magic cloak the colour of mist,

And he goes invisibly wandering

Far from the bourne of the rosy garden

Like a cloud of pearl and of amethyst.

He seeks a bride for his garden of roses,

For the soulless spirit a human girl ...

(The priest bids me wear my cross and pray) ...

He will bear her back to his garden of roses

In the mist of his magic grey-and-pearl.

Kunhild was borne to the rosy garden,

The sister of Dietrich of Bern, one day.

A fair green mead and a cloud's dim swirl,

And Kunhild awoke in the rosy garden ...

But she stood by a linden-tree first, they say.

* * * * *

King Laurin has a garden of roses

Full of warm odours ... I'll sit and spin

As my Mother bids me ... O wine-red glow

Of half-waked dreams in the garden of roses ...

Spin, wheel!... fine thread, bright like silk, and thin.

A grey mist steals from the rosy garden

In the heart of wild mountains where no men go ...

To think of the garden they say is sin—

I'll dream no more of King Laurin's garden ...

See! in our meadow green lindens grow....


THE MYSTERIOUS FOREST

I stood on the verge of the mysterious forest,

Sunlight lay behind me on the meadows,

But all the world of the mysterious forest

Was a world of wraiths and shadows.

The dim trees beckoned, beckoned with their branches,

I said: "The sun's behind me on the meadows."

A dim voice calling, calling through the branches

From the world of wraiths and shadows.

I saw a pale young Queen, her eyes were mournful,

Steal ghostwise ... is the sun yet on the meadows?...

More phantoms passed and all their eyes were mournful

In the world of wraiths and shadows.

I see a blue light in the mysterious forest,

The cold night lies behind me on the meadows.

The branches beckon in the mysterious forest ...

They beckon, beckon, beckon, call and beckon

From the world of wraiths and shadows.


THE OLD GREY QUEEN

The Princess looked from the old grey tower;

She was a-weary of being there.

She wore no crown but her own gold hair,

And the old grey Queen had shut her there,

She was so like a flower.

"The young King's-Son comes over the sea

From the West," said the Queen who was grey and old.

"In an unlit hall were not grey as gold?

In an unlit hall what are young and old?

We'll greet i' the dark," said she.

The Princess looked from the old grey tower ...

Lo! a milk-white sail on the sunlit ocean.

Fluttered her heart to its fluttering motion,

And the King's-Son looked from the golden ocean ...

She was so like a flower.

"Why do the grey seas break and boom?

And why is the starless dusk so grey?

And why does the young King's-Son delay?

Shall I," said the Queen who was old and grey,

"Sit all night i' the gloom?"

The grey seas broke on an empty tower

Like pain that knocks on an empty breast.

Lo! a milk-white sail that flew the crest

Of Love and of Youth met breast to breast

Melted away in the golden West....

The old grey Queen beat her empty breast:

"She was so like a flower."


THE QUEST

A Knight rides forth upon a Quest,

And his young Squire follows after;

The Knight's eyes dwell on a star's white crest,

And the Squire's eyes dwell on laughter.

"What of the Quest that claims our swords?"

The young Squire asks his master.

The Knight says, "'Tis too high for words,"

And they speed their horses faster.

A beggar hails them: "Alms! alms, Sir Knight,

Or loose my life with your dagger!"

The Knight sees only a star's white light,

And the Squire's purse pays the beggar.

A sturdy robber the highroad bars:

"Sir Knight, our debts we'll settle!"

The Knight hears only the song of stars,

And the Squire's blade wins the battle.

A lady looks from a castle wall:

"Sir Knight, in pity stay thee!

Untrammel me who lie here in thrall,

And I in love will pay thee."

The Knight is set on a goal heaven-high

Where a silver star is risen,

And the young Squire it is springs by

To free the maid from prison.

"Take, good Sir Knight, my pleasure and pride,

The meed of valiant striving!

Here wait the lips of your glad bride

Whose name is Joy-of-Living."

Starward, starward the rapt Knight goes,

The star's true image missing.

The lady laughs like a lovely rose

And the Squire's lips do the kissing.

"What, boy, are you my love doth woo?

What's he that would not woo it?"

"He's John-a-Dreams-o'-Dering-do,

And I'm Dick-up-an'-Do-it."


THE UNSPOKEN WORD

THE MAN'S SIDE

Two years I have lived in a dream

And have dared not to end it—

Owned wealth in a measure supreme

And been fearful to spend it.

You, woman of beauty and love

In such noble wise fashioned,

Are my dreams and my rich treasure-trove.

I am shamed that, impassioned,

In secret I levy demands

Upon more than you've given—

Crave yourself, heart and soul, eyes and hands,

Which in sum make up heaven.

Unconscious of aught, through these days

You have let me be near you,

Knowing not how your thousand sweet ways

Only serve to endear you

To all in your orbit who move,

In such innocence wronging

As friendship what really is love

And unsatisfied longing.

Yet, your friendship—to be just your friend—

So caps love in another,

That I would my love, burned to its end,

In its own smoke might smother,

Lest I in an outbreak one day

Ask of friendship aught stronger—

When you may forbid me to say

Even "friend" any longer.

So I come in the old way and go,

While my heart's quickened beatings

Are hidden, and you never know

What I glean from our meetings;

How a word, a look even, which seems

So unconsciously meted,

Builds new dreams on the wreckage of dreams

That were never completed.

You once dropped a flower—did not see

That I hid in my bosom

What was more than Golconda to me,

And to you a bruised blossom.

Ten seconds I once held your hand

While you pulled from the river

A lily. Could you understand

Why my own hand should quiver?

Small matters these things you account

Who so lightly diffuse them,

But to all my life's joy they amount—

And my fear is, to lose them.

One day, when your eyes are still kind

And your voice is still tender,

I shall slip the control of my mind,

All my future surrender,

Obeying the primal desire

To fall down and adore you,

And outpour in one instant of fire

All the love I have for you.

'Twill be death, and far worse, at your feet

When my lips cease to blunder

And I look up your dear eyes to meet

Overrunning with wonder.

Thereafter—what? Nothing, I fear—

Even dreams will have vanished

When I by my act from your sphere

Shall for ever be banished.

Dear, that is the moment I dread—

When you hear my confession,

When the word I withhold has been said

And my love finds expression;

But till then (and God knows how I seek

To postpone and postpone it),

Till my love grows too strong, lips too weak

To much longer disown it,

I shall come, if I may, day by day,

My small gleanings to gather,

While you think of me—how shall we say?

As a brother or father;

And you never will guess, till you learn

From a heart brimming over,

That I've met you at every turn

As a passionate lover.

THE WOMAN'S SIDE

How long will you hold back, belov'd? How long

Leave the supreme, the final word unspoken?

The barrier of silence hold unbroken?

Men—you, too, being a man—have called you strong,

A doer of big deeds, great acts. But they are wrong.

You lack in courage. I, being woman, know

How often woman shapes man's enterprises,

Cloaking her work in manifold disguises

Lest he should chafe too large a debt to owe—

Strikes every blow up to the very hundredth blow

That shall at last resolve, achieve, complete

The foregone nine-and-ninety. This, grown wiser,

She leaves with him for fear he should despise her.

He wins the credit for the final feat—

Thought of his triumph, not hers, made all her toiling sweet.

Belov'd, how long before you understand?

Why, I have known two years you were my lover,

That all my being to yours was given over!

The thing your heart most yearns for lies at hand

Awaiting only this, that you shall make demand.

Have I not worked for all betwixt us two

Since first I saw your love spring into being,

And you became too faint of heart for seeing

That the one peach you longed to garner grew,

Ripened, and mellowed here only for you, for you?

You would have drawn abashed from out my life

Had I permitted; it became my mission

To bring the golden moment to fruition

Through, ah, how many hours of wistful strife

With you, who guessed not, even, the tender struggle rife

Between us. When I met you with a smile,

"Love's not for me," you thought, "yet while she kindly

Still looks and speaks, I'll stay." And went thus blindly

Taking for innocence what sprang from guile

That I might hold you by me just a little while.

The day I dropped a flower upon the path,

Did you not know it was the thing I aimed for

When you behind me loitered (somewhat lamed for

A good excuse), secured it free from scath

And hid it close, to reap therefrom love's aftermath

In hours when I was absent? Why, I meant,

Belov'd, that you should have this one flower-treasure

(Stolen, you thought!) out of my heart's full measure—

Meant that your solitary nights be spent

Cheek to its petals pressed where all my love lay pent.

And then, the day you helped me from the boat,

"It is but chance," you thought, "I hold her fingers

In mine past custom's limit, while she lingers

To cull the waterlily there afloat."

It was not chance, belov'd. And still you would not note.

I have done all a woman may do, dear,

With eyes and hands and tones of voice have spoken,

In all but words have given you the token

And seal of love. What is it then you fear?

Can you not take one step, the goal being now so near?

Just the last word to utter, just the last

Step to be taken—it is very little!

Can you believe Love's structure is so brittle?

All I have builded in these two years past

Fall tottering at one word? It is of stronger cast.

You would not have me speak. That part is yours.

My share is finished and I wait for you now.

The time to act has come—what will you do now?

Dear, even I'd say the word that all ensures

But that were more than love itself of love endures.

I had to spend my strength when you were weak,

Be guide along the road from its beginning

To the last barrier. Am I worth the winning?

But you must turn the key. It will not creak.

Beloved, I am waiting still ... will you not speak?


IN THE OCULIST'S ANTEROOM

I

Not to be able to see!...

Almost as well not be.

And that man in there in his single hand

Holds all God's light,

Or just so much, you understand,

As may be drunk in by another's sight—

Dear God, will he give the light to me?

Or will a fathomless night

Drop its veil across the sight

Of my straining eyes, to become mere husks

Whence the kernel slips,

Knowing none of God's dawns and only God's dusks ...

That man has them all at his finger-tips.

Dear God! will he clear the dusk from the light?

II

He has spoken. The man with his cold voice has spoken.

The seal of suspense lies here shattered and broken,

And I know ... And I know

What the coming years hold which an hour since were dumb to me—

God! how precious the jewel of your light has become to me

Where's my hat? Let me go.


LITTLE DREAM-BROTHER.

Little dream-brother that died

When I was not a year out of heaven,

I heard you when you tried

To come to me yestereven.

As I lay in bed

Midway 'twixt nothingness and waking,

I heard the window shaking

And the beat of wings upon the pane.

"It is not the rain,

But my little dream-brother out there," I said.

I turned in bed:

"Come in, little dream-brother."

"I can only come in by the gates of sleep

And by no other.

Through the niche of the tiniest dream I can creep—

Sleep, sister, do sleep," you said.

And so through the night we waited—

You on the window-threshold there

In the wet windy weather,

And I abed—with breath bated,

Just to catch the first moment of sleep unaware

And fly kissing together.

But sleep would not come till seven,

When the shivering day

Looked up all chilly and grey.

"Creep into bed,

Little dream-brother, under my arm

And I'll keep you warm."

But you shook your head:

"It's bed-time in heaven,

Sister. Goodbye," you said.

There was not a whole year between you

And me, little dream-brother.

I cannot remember even to have seen you ...

And now I might be your mother.


FAUST AND MARGARET

"Devil," he said, "Love's Heaven—

Shall man not therefor lose his soul?"

* * * * *

"God," she whispered, "is Love Heaven?

Is Heaven a place of dole?"

(And so she gave his Heaven to the man

Because the man did crave it.

And so because she never asked Hell's ban

He gave it.)

"Devil!" he said, "Love's Hell!

Man's wild-beast-thirst, how slake it?

Take the tenderest thing, thus—thus!

Passion-torture it a spell,

And break it!"

* * * * *

"God," she whispered, "Love is Heaven.

Love's not what Love is made for us,

But what we make it."

(And so her dead soul found what it had given,

And what he builded, there his damned soul ended....

And do you think that either Hell or Heaven

These sinners' suffering-on-earth amended?)


DREAM-SHIPS

I set my dream-ships floating

Upon the tides of sleep.

Beneath whose moving waters

Unfathomed currents creep;

And one was made of roses

With flowering mast and spars,

And one was made of music,

And one was made of stars:

One was all joy and sorrow

Made from my own heart-strings,

And one was like a cradle

With sails like angels' wings.

O little ships that wander

All lonely on the deep,

And only come to haven

Upon the tides of sleep.


THE MORAL

The youth cried in anguish: "God,

My life is bowed down beneath

Its woe! I am no mere clod—

There's fire in my blood and breath.

"You, Who made me of flesh, not stone,

Of quivering tissues—dare

You leave me to face alone

A grief past my strength to bear?

"Life might be veriest heaven,

Life can be veriest hell—

In Your hands rests what is given.

God, I hold You responsible!"

Then the man who was growing grey

Observed: "In an idle mood

God blew bubbles one day

And loosed the glistening brood

On the welkin, one by one—

Myriads of worlds they sped:

There were planets and moon and sun,

And one was the globe we tread."

Then the Spirit that Nullifies,

Men term Death, asked: "How long?" (One fears

God shrugged.) "While I blink my eyes—

Shall we say a billion years?"

* * * * *

The youth on the fable broke,

And scorn in his accents ran:

"What is all this to me? I spoke

To God of Myself, old man."


COLOUR-TONES

I

A visionary filmy sheen

Scarce palpable of silver-green

Limns barren furrow and bare branch.

One month more, and the welcoming

Gates o' the world will open wide

To let the full deep vernal tide

Sweep overland, an avalanche

Of green, absorbing in its rush

This silver-misty verdure ... Hush!

This is the old earth's dream of Spring.

II

In Cobham woods the bluebells run

Celestial rillets, streams and rivers,

Or else a purple lake they lie,

Or little azure pool;

The blue flood shimmers in the sun

Or under the wind's breathing shivers,

While drops cerulean-tincted spill

Among the grass. Then very still

The dim sweet waters grow and cool

Like shadows of the sky.

III

The yellow light of daffodils

The lawns beneath the fruit-trees fills,

The yellow light of early spring

Swims in the shining upper air,

And all about the fragrant fair

Blossoming boughs of sunlit white

Like clouds of heavenly incense swing

'Twixt yellow light and yellow light.


FROM AN OLD GARDEN

OUTSIDE

Trees have grown to the edge of the gate

Where grey-bearded lichens cling;

The greenwoods stand in a ring,

Holding the garden-pearl in their centre

A jewel inviolate.

Heart of mine, shall we enter?

There is a charm of sleep in the air,

Weft of Time's humming loom.

There in the green half-gloom

I think some intangible spirit hovers ...

They say the dim wraiths dwell there

Of countless, long-dead lovers.

Warp of sleep and woof of love:

The flush of a live rose glows

By the pallid death of the rose,

A song next the hush that stilled its numbers:

Such is the web Time wove.

Dare we disturb their slumbers?

We stand on the outskirts, you and I—

Shall we not venture in?

They will condone the sin,

Those dim, dead lovers, will smile and pardon,

For our honeymoon hangs in the sky.

Heart of mine, into the garden!

INSIDE

You and I here!

Shut the gate behind us.

Nothing to fear

And none to find us.

We are all the world, dear!

'Tis a cloister of dreams,

This dear old garden;

The sundial seems

To stand as their warden.

How Love's star gleams!

We'll sup on the rose,

Our tent is this willow—

Lie close, Love, close!

There's grass for our pillow.

How Love's star glows!

You and I here

And the world behind us!

Nothing to fear

And none to find us—

Shut the gate, dear.

FLOW'R AND SONG

Song and flow'r and flow'r and song,

So soothed the summer drifts along:

Within our hearts a flow'r

Unfolding hour by hour,

While a song half-conscious slips

Over my dear one's lips.

Flow'r and song and song and flow'r,

So filled runs by each swift, sweet hour:

Close to my breast you twine

Your flow'r-lips laid on mine,

And I catch before we part

The song-beats of your heart.

Flow'r and song in our garden-close

Like wedded lovers have grown one word.

I could weave you a wreath from the notes of that bird,

And pluck you a song from the heart of this rose.

DWELLERS IN THE GARDEN

Who dwelt here of old?

Hush! If I lift from the misty years

The veil of dead smiles and forgotten tears,

I think I can picture a little maid

Crowned with plaits of gold,

Passing alone down each green arcade

While the sundial told

In silence its hours of shine and shade.

Young she was as the peep of dawn,

And as a year-old dappled fawn

Was shy and tender and innocent.

And all her days were in waiting spent

Amongst her flowers in a day-dream she

Builded herself. So continuously

In waiting and waiting the days went by—

We know what she waited, love, you and I.

The flowers had nothing to teach to her—

In her sleep she could hear the grasses stir,

She had secrets with every rose in the place,

The lilies kept smiles for her lily-face,

She could think their thoughts and utter their speech,

Had a sister's tender look for each,

And knew why the trailing clematis

Dropped on the sundial a purple kiss—

As surely as we know why, she knew.

And so in her house of dreams she grew,

And so the star-lighted nights slipped by.

We know what she waited for—you and I—

Who dwelt here of old.

There's her tale half-told.

What more to unfold?

When he came at last did they ride away,

Or, day succeeding each happy day,

Did they stay with two heartfuls of love to brim

The garden wherein she had waited him?

Well, this I know. If they stayed or went,

After their term of life was spent

They returned to roam by her lily-pond,

On to the rosery set beyond,

Haunt her favourite paths and nooks,

Re-read the fairy-tales which her books,

The flowers, had yielded her in such store

When he was the hero of all their lore.

Hand in hand they go as of old,

He brave and bold,

She crowned with gold.

Ah, love, they are neither the first nor last!

For all of those, having loved and passed,

In spirit come back when their dust is cold,

Who dwelt here of old.

A ROSE-SONG

Oh, what a realm, what a riot of roses!

Here we stand

Right in the heart of a great rose-land!

Over our head the blossom-world closes,

Under our feet—

Walls, ceil and carpet are flowery-sweet.

Snowy and crimson and pink and golden

Twine and trail,

Vivid as life is, as death is, pale.

Here they bloom as they bloomed in olden

Days when we

Were unborn shades, and the shades that be

Had right in these grounds to resent intrusion.

Now you and I

Jealously cherish our privacy.

How came these roses by their profusion,

Tier on tier

Of bloom on bloom running uncurb'd here?

I think I can guess what they would answer,

Whence they came,

Pallid petal and flower of flame,

Inscribed with such lore as the old romancer

Of Italy

Left the world to make love-songs by.

We are born, these pink roses say, of kisses,

Dye of the blush.

What though time's passage their soft lisp hush?

The seeds were scattered of lovers' blisses,

And year by year

We renew their tender caresses here.

We are born of joy, say these petals yellow,

Tinge of delight.

What though love's sunshine be lapped in night?

We, sprung from its seeds, rich-toned and mellow,

Perpetuate

The days when the orbit of love waxed great.

We are born, these red ones say, of passion,

Flush of the heart.

What though the sound of love's steps depart?

The seeds were sown, and we in this fashion

Immortalize

Remembrance thereof in the heart's own dyes.

We are born, say these snow-white blooms, of the spirit,

Children of death.

What is the ceasing of mere life-breath?

Love is sustained by its own pure merit,

Its memory

Renewed and renewed to infinity.

Belov'd, we are adding to these rose-bowers.

When we have passed

Here our hearts' treasure will lie amassed.

Pink, gold, crimson and snowy flowers,

Thus and thus,

To the limit of time will bloom for us.

BY THE FOUNTAIN

Come down, dear, to the fountain's pool with me,

And help me guess how long since last it tinkled

And trickled out thin streams of minstrelsy—

How long since last the grass with pearls it sprinkled.

It was yet young the day it fell asleep,

For time has left its glassy face unwrinkled.

Ah, could we where the shadows lie most deep

Peering discern the dear forgotten faces

Of girls who o'er the brink were wont to peep,

With shy eyes seeking in the depths the graces

Made dear and lovely to them by love's praise.

Can all have passed away and left no traces?

They dreamed, as we too dream, through summer days,

And hid their white thoughts in such water-lilies

As float here now. Flowers do not change their ways.

Ah, love, to-day the lucent water still is

As tho' no rosy finger-tips had dipped

And dabbled it, and hushed the fountain's rill is.

Their feet across the velvet greensward tripped,

Their bosoms pressed the crumbling grey-stone basin,

They fed the ruddy goldfish laughing-lipped ...

Is not one left? Look, look! I seem to trace in

The murky deeps some shape of hoary carp—

Too late! for now I only see your face in

The water, smiling questions. He was sharp,

That king-fish, but I caught his gold crown's glimmer ...

Oh, fountain, tune again for us your harp,

Fling through the air for us your diamond shimmer

Of spray. Two new young lovers seek your shrine.

Those loves of old with years grow fainter, dimmer,

But ours is warm and living and divine,

And time has not yet breathed upon its lustre,

And I am hers and she is all of mine!

And here we kneel where once old loves would muster,

Shut in the lilies one new secret up,

And add her image to the beauty-cluster

Of those whose eyes lie mirrored in your cup.

TIME AND LOVE

Old sundial, you stand here for Time:

For Love, the vine that round your base

Its tendrils twines, and dares to climb

And lay one flower-capped spray in grace

Without the asking on your cold

Unsmiling and unfrowning face.

Yet, sundial, even Time may mould.

In years to come the foot shall stumble

Upon your shattered ruins where

This vine will flourish still, as rare,

As fresh, as fragrant as of old.

Love will not crumble.

Kisses have worn your stones away,

Lov'd lips you did not pulse beneath;

Dropt tears have hastened your decay

And brought you one step nigher death;

And you have heard, unthrilled, unmoved,

The music of Love's golden breath

And seen the light in eyes that loved.

You think you hold the core and kernel

Of all the world beneath your crust,

Old dial? But when you lie in dust,

This vine will bloom, strong, green, and proved.

Love is eternal.

RIFLED FLOWERS

Why is the lily's cheek waxen with grief?

A brown-and-gold thief

Dived down to her core

And burgled her store.

Bowed with her sweetness she saw him depart,

But her soul was too pure to complain.

Dear, drop a kiss in her heart

And make the sweet lily all honey again.

Why does the fox-glove droop low, bell and leaf?

A silver-winged thief

Who delved in her pollen

With gold powder swollen

Fled in new blossoms her wealth to disburse

And left her not one yellow grain.

Sweet, blow a kiss in her purse

And fill the dear fox-glove with treasure again.

FAIRY-TIME

Lie very still, love, where I fold

You close: the clocks strike fairy-time.

The thin, sweet tinkle of their chime

Is like a thread of gold

Woven through the heart of night

For our delight.

And following the elfin call

Faint noises, half-tones, rise and fall—

The whirr and flit of fairy wings

Pass and re-pass,

And we can hear among the grass

Musicians tune their buzzing strings,

And small feet tapping on the ground

The measures of a fairy round.

Out of the roses stream wee elves,

Sweet peas are fairies in themselves,

And myriad water-sprites

From dreaming water-lilies rise,

Such glistening, ephemeral mites,

Flashing like spray across our eyes.

Watch how all whirl, dissolve, and mix

Again, foot it so daintily,

Play such quaint, pretty tricks—

Some on wild moths go riding by,

Breaking them in with rein and bit

Of gossamer: some lurk and flit,

Making pretence at hide and-seek

Behind the daisies, laugh and peek

Like children: disregarding rules,

Play leap-frog with the spotted stools

Of fungus, each night newly-sprung

For them to sport among ...

Suddenly all grow hushed with awe—

Come closer, dear!

The voice of one who broke the law

Of Fairyland sounds harsh and near,

And overhead a dark shape flies.

Bound in a hollow oak by day

He, like the wizard Merlin, lies,

But is condemned to pass the night

In restless flight

Until the dawn looms grey....

There! he has passed. And in a trice

They all forget him, joining hands

Once more in glittering, laughing bands,

Employing every strange device

And twist and twirl

And mazy whirl

To build their graceful, freakish dance—

Like moonbeam motes they glide and glance

Under the starshine. Seize this chance

Of watching them. To-morrow we

No trace shall see

Of all their revels save—who knows?—

A broken toadstool, or the spun

Fine silken spider's web undone,

The shattered petals of a rose

Tom in the careless frolic, or

The bloom brushed from some untamed wing

Of moth, and on their dancing-floor

Staining the grass a bright green ring.

Lie close, and let us look our fill

To-night. Be very still.

THE WANING YEAR

Two little things, dear, I have seen

To-day that overflowed my breast with sorrow—

We may not stay here many another morrow.

Amongst the leafage, by its green

Still-living sisters tenderly enfolden,

I saw one single leaf grown dry and golden.

And down the alleys of the rose

Passing, I saw one lightly breathed-on blossom

Fall instantly deflowered to earth's brown bosom.

Compassionate summer ere she goes

Strikes tender notes surcharged with wistful warnings ...

Dear heart, we must begone ere many mornings.

SHADOWS

We thought we were here alone,

Had spent our summer of love

By all other hearts unknown,

Of all other eyes unseen—

But something came to disprove

Last night what we thought had been.

The shadows fell one by one—

We have watched them fall before

And fancied ourselves alone;

But they seemed to waver and move

Last night, and to wander o'er

Our green-tented couch of love.

You were asleep, and I

Would not disturb your dreams

Lest the shadowy shapes should fly.

I saw them gather and mount

In ever-increasing streams—

More lovers than I could count.

They circled around our bed

And watched us a little while

From the sides and foot and head;

And some of that shadow-band

Were wistful, and some would smile,

But all seemed to understand.

Then I felt light fingers twine

In my hair, and soft breath enwreathe

My brow ... lips were laid to mine ...

But none of the hands was this,

Nor the breath the breath you breathe,

The kisses were not your kiss.

Then ... you turned on your side to press

More close with the smile that slips

From its hiding at my caress,

And you breathed my name in my ear

As though I had kissed your lips ...

But I had not kissed you, dear.

THE LAST NIGHT

Well, is it done? is it over?

Three months in these groves I have been your lover,

Added my voice to the echoing chorus

Of those who loved here before us.

We have pressed the paths made sweet

By the pressure of bygone lovers' feet,

Have lain amid flowerless violet-beds

Where they laid their happy heads;

We have flung a red-rose petal

On the glass of the pond and watched it settle,

Then drift like a boat down one of her streams

With our cargo of hopes and dreams.

So many have come and gone,

Have done the things which we two have done:

Have leaned in revery sweet and solemn,

Hands laced, on the sundial's column:

Have found their three months as brief

As the life of a blade of grass, a leaf—

As eternal, too, as the leafage is

Have found their three months of bliss.

For us it is finished and over.

Our three months are spent when as lover and lover

We may roam these groves. But to-night we are nearest,

This being our last night, dearest,

The spirits of those who wander

Near our lily-pond, by our sundial yonder,

In our rose-realm ... Farewells are not easily spoken,

So their silence remains unbroken.

But I see through a mist of tears

This garden after a million years,

Where two shades more move eternally ...

Heart of mine, they are you and I.


A SHEAF OF NATURE-SONGS

(Overstrand, 1905.)

I

They were gathered up in the moods

Which I found in the solitudes

Of the shore and the fields and the woods,

Of the dawn and the noon and the even,

Of the earth and the sea and of heaven.

And some lack rhythm and metre,

And none of the songs is sweeter,

Or as sweet (by the infinite span

Which divides the work of man

From the work of his God), as the thing

Which was the fountain and spring

Whence my heart drew its need to sing.

But because wherever I went

Much song in my heart was pent:

Because the sea and the sky

Filled my breast with such melody:

Because the woodlands and all

God's earth became musical

As they entered into my soul:

Because I captured the whole

Of Nature for my possession:

I sang just to find expression

For the joy and the love and the pride of it—

Else all song in me might have died of it.

II

The infinite sky overhead

And on the horizon

The infinite sea.

Green billowing grass for my bed—

At last I am out of my prison

And free!

An insect creeps over my page,

An infinite mite

With all life folded under its wings.

I am of no sex, of no age,

Here out of sight

Of the world, all alone with God's infinite things.

Oh, the world of small leafage

Peopling the bank where I lean,

And the one white daisy

With its wisdom of things supernal.

They live out their brief age,

Brief but eternal,

And time itself recedes and grows hazy

In this little infinite world of green.

Behind me the copse

Like a round cup dips

Filled with a pool of soft shadows,

And to me in the meadows

One shy bird-voice from the tree-top drips

And into the hollow of shadows it melts and drops.

They are all around me

And all above me,

Half-seen, half-heard,

Flower and leaf and insect and bird,

Wild, timid creatures,

Simple and friendly and shy;

And so still I lie

Where they have found me

That I think in time they may learn to love me,

For they are Nature's

And so am I.

One by one she unfolds each feature,

The Infinite Mother

To her child.

There was a new bird-call,

And there was another!

I too shall learn to grow simple and shy and wild ...

Only Nature and Nature and nothing but Nature,

And I alone in the heart of it all.

III

They who dwell in the southlands say,

Little green England of mine, that you

Are misty and colourless, cold and grey.

If it be true

And they can know it who dwell afar,

You only are grey as diamonds are.

To-day in the warm soft evening light

You are a zone of delicate tints;

On the rim of the sea the sun is bright,

And shoots and glints

Sparkles of gold through its splendid blue.

Who say you are colourless know not you.

Opal gleams on the sunset sky

Where a wave of the liquid sapphire flows;

One bright cloud on its flood drifts by

Of pearl and rose;

The air is radiant and crystalline

As rare jewels delved from a fairy mine.

A breeze just shivers the green of the corn

And sweeps it into a silver sea;

Infinite sensitive shades new-born

On hill and lea

Over the land's lap flit and pass

Like elusive tints in Venetian glass

Nature has painted you in pastel,

You are her palette of tender hues,

Little green England of mine, where dwell

Change, and infuse,

The million lights of the polar-star,

And you only are grey as diamonds are.

IV

If I could unravel

The music of the grass,

Beyond those confines travel

Which mortals cannot pass,

I think that I should capture all

The secret of things musical—

All music ever will be, and all it ever was.

Ear close to earth inclining

I hear her wordless song

Of threads past man's divining

Woven the grass among.

Beneath these fragrant, tangled weeds

She sings the strain to which her seeds

March into life, push upward to heaven, and grow strong.

Then like a voice replying

Follows her cradle-croon

Lulling tired things that, dying,

Back to their Mother swoon.

For where the worlds of grasses spring

Both life and death their choral sing,

The spheres' eternal roundel circling an afternoon.

The music of existence

Moves underneath my ear—

From how remote a distance

Comes that which sounds so near!

Could I the human barrier pass

By the fine measure of one grass

I then might comprehend what now I only hear.

There's such melodious stirring

Of hidden, secret things,

There's such harmonious whirring

Of faint mysterious wings;

And underneath this leaf is curled

The song, I think, of all the world—

Up-turned, should I discover the seed from which it springs?

If I could unravel

The music of the grass,

Beyond those confines travel

Which mortals cannot pass,

I think that I should capture all

The secret of things musical—

All music ever will be, and all it ever was.

V

Hark!

It is afternoon,

Yet that must be a lark.

No other bird flies up so high

And shakes its sparkling spray of song

Through the grey clouds in the sky,

No other bird has just that thrilling

Note in trilling,

Or can sustain so long

Its liquid flood of mirth:

As rare a boon

To thirsty ears as God's dew is to earth.

Yet it is afternoon.

I thought the larks, all scorning

The jaded hours, sang only in the morning.

And I, whose first flushed youth is going,

Who watch the swift noon growing

Upon me, hour by hour,

Feeling that I must always stand apart

From earth's sweet singers, because I lacked the pow'r

To loose the morning song-burst from my heart—

Oh, songster of the mellowing hour of day,

Shall I, too, late or soon,

Learn from your throat the way

To loose my power of song even in my afternoon?

VI

The day was a lifeless day.

Under a tree I lay

And round me its branches bent

Touching the earth like a tent.

There was no stir of breeze;

I was shut in with trees,

Locked from the world by these;

Dead leaves were piled on the ground,

And the forest lay in a swound,

Throbbed with nor pulse nor breath,

And I thought: "It is waiting Death."

So I lay there, still and oppressed,

While the silence grew in my breast.

Presently as I lay

I heard from far away

Little pattering feet

Over the dry leaves beat;

Tripping along pell-mell,

Thicker and faster they fell

Than tongue could count or tell.

And I fancied the birds and deer

And rabbits, too awed for fear,

Were creeping my aid to plead

Impelled by our common need—

Till into my sheltered place

One raindrop splashed on my face.

I lay there tented and dry

While the dews, dropped out of the sky,

Made music upon the sheaves

Of last year's stacked-up leaves—

No steps of wild things that trod,

But the whispering voice of God

In grave commune with the sod,

Messenger-angels rife

With words not of Death but Life,

Bidding the old brown Earth

Prepare for her great re-birth

And look to Heaven in pride

Renewed and revivified.

Then I heard far under the soil

The seedlings stir and toil,

And blade and bulb and root

Put forth each one new shoot,

And I felt deep down and deep

A million pulses leap

Out of their term of sleep,

And I thought the acorn spoke

With the voice of the full-grown oak,

And the cone wore the crown divine

Of the red-stemmed, crested pine,

And the haw held all the blush

And bloom of the wild-rose bush.

What helped these young things to grow?

Dead leaves of a year ago,

Leaves heaped up in their crowds

And spread like funeral-shrouds;

Yet life sprang out of their death

As the blade slips out of its sheath,

Life was fostered beneath

The leaves here rotting away

And emerged from their decay.

Are all things that seem to die

Renewed to infinity,

And the bodies and souls of men

Made and re-made again?

With the scent of the rain-wet loam

In my nostrils, I turned me home.

VII

I lay on the shore beside the sea,

And the young moon climbed the hill of the sky

And paused a space to look down on me

Alone with my misery

Then on the fallow blue fields above

The young moon sowed its seed of stars;

Light gleamed from the mirror of her named Love

And flashed from the shield of Mars.

The stars sprang up from the silver seed

Wherever that silver sower trod.

Through the windows of heaven watching my need

I knew them the eyes of God.

Little blue waves with blown foam capped

Crept on the solitary shore

Which the sea's white lips still licked and lapped

For ever and evermore.

The silver moon waxed strong and older;

I thought I saw it stop to fling

A silver sickle over its shoulder

And commence its harvesting.

The strong moon ploughed through the fields of heaven,

Its eternal labour but half-begun.

My breast dropped its load of earthy leaven

As the stars dropped one by one.

I had sat there hugging my trivial cross,

My infinitesimal mortal pains,

Reckoning up how my mortal loss

Outmeasured my mortal gains.

I saw the moon reaping God's blue fields

Night after night sown thick with seeds.

I saw the crop which God's harvest yields

Not in men's dreams, but deeds.

The old moon climbed down the hill of the sky,

The strong young day flashed up in flame.

The moon dropped into the sea, and I

Bowed down my head in shame.


APOLLO IN PHERAE

Asklepios! dead son! Asklepios!

I was a God. I am a God. I tend

Admetos' flocks upon the meek green earth,

And sun-fires course in all the veins of me.

I watch mild sheep a-browse in tame, sweet pastures

Or dipping in quiet waters. Yesterday

I blazed the heavenly arc from east to west;

Men saw me pinnacled on the crest of noon

Crown'd with celestial flame ...

Asklepios!

To-day the discrown'd gold of my hair is strewn

In the green lap of grasses, my bowed brow

Leans on the good strong shoulder of the earth

Even as a stricken mortal's might, that seeks

His comfortable mother in his grief.

Earth, earth, what flower from seed wilt thou put forth

Fed by the waters of mine eyes, that most

Shoot lightnings? dews wrung from the Sun-god's eyes,

Divinely wrathful, mortally unhappy!

Asklepios! my son! Asklepios!

I am a God. Admetos is a King.

The God came to the King's doors overnight

And knocked and was admitted; and the King

Knew me and asked my will.

"To be thy servant

Throughout a year of days," I answered him.

"Phœbus-Apollo, how shall this thing be?"

I said: "I slew a smith, a monstrous clod,

Not God or mortal, one that had done evil.

I am the avenger of evil among the Gods,

For this one and for that I have stretched my bow

And winged my arrow through the heart of Wrong;

But this was evil done unto myself,

And Vengeance wore the sleek face of Advantage,

Wherefor Zeus robs me of my Godhead, King,

And I will be thy shepherd for a year."

He stood half wonderstruck, half shamed-protesting,

But I bade him bring me out among his flocks

And speak no more.

"I will have peace," I said.

"Fear not, and bid thy people not to fear;

For I am worn with too much strife and passion,

And no more hurt shall come from that I do.

Thou shalt not suffer by this term of service,

But see thy lands grow rich and bountiful,

And where thou lov'st I'll win thy love for thee,

And life shall prosper with thee,

"Life is sweet!

Make it not too sweet, God, lest when death come

It look more bitter than my soul can bear."

"Even death, Admetos, I'll delay for thee.

Now, peace! I am done with vengeance for a space."

Thus I am come again upon the earth

Even as a common man ...

Asklepios!

The people eye me timidly, and dare

Not consort with the God they may not worship.

Even so it was in those first days of life

When I was a boy in Delos with my Mother,

And only half aware I was a God.

O this unconquerable loneliness

That binds the crown of Godhead on our brows!

Yet easier the aloofness of the people

Than the familiar face of the half-God Pan.

I met in the woods the brute-divinity,

Who fleered an impudent hoof, a satyr-smile

Licking his lips:

"What, Helios! is the sun

Debased to something lower than the earth?

What! are we two, I of the beast's grain, thou

The delicate, disdainful spirit of flame,

The seed of mischief and the seed of Zeus,

Brought equal at the last? Nay, is the beast

Sun's master, Helios? Shepherds are my subjects.

I do not sway high kingdoms of the air—

I drag my hoofs in the clay. I do not fashion

Songs for the stars upon a golden lyre—

I (as did Marsyas, ha?) scrape out rough tunes

On common reeds. I am not beautiful,

I have not eyes like June-blue heavens on fire,

Nor hair filched from the harvest of the sun,

Nor a white matchless shape, supple and swift

And strong and splendid. I am an earthy thing,

Half goat and half coarse boor, not fit to touch

The sun's moon-sister—(yet, who knows? who knows!

Let her keep watch on Latmos how she will

Above the slumbers of her pretty shepherd!)

No, Pan is not as Helios! Helios is

A shepherd, sister'd by a shepherd's wanton,

And Pan's a King, and shepherds are his subjects!"

Zeus, did it feed thy pride on proud Olympos,

Did it pleasure thee to hear the brutish God,

The disgustful animal we chafe to name

A God even as ourselves, thus flout thy son?

Asklepios! dead son! Asklepios!

Doomed to the solitariness of greatness

We watch, we lonely Gods on shrouded heights,

The careful, padded steps, the little lives,

The little trivial lives of men and women

That fear our anger and entreat our favour;

And while we are indifferent all is well,

And if we rise to hate all is not ill,

But when we stoop to meet uplifted eyes

Of bright aspiring fools that will not choose

To tread life's inconspicuous middle ways—

O, when we love we bring our lov'd ones woe

I had a son, his name was Phaeton.

Could he be of my being and not be proud?

He was all inspiration, and he mounted

Up to the highest and reached his hands for the sun

And shouted: "I will light the fires in heaven!"

But he was three-parts man to one-part God,

So men and Gods shrugged his brief blaze of glory

Into extinction ... Thus I lost my son,

Phaeton, killed thro' overmuch ambition.

I had a son, his name was Orpheus.

Could he be of my being and not love?

His love was rooted deeplier than Hell.

He said: "I will pluck back my love from Hell

Tho' it upheave all Hell in the plucking." When

He failed, being one-part man to three-parts God,

He chose the swift way to regain his love

And died a vile death ... Thus I lost my son,

Orpheus, killed thro' too great love and longing.

I had a son. He was Asklepios,

Could he be of my being and not know?

His wisdom girdled life and death in one;

Life smiled on him, because he smiled on death

And said: "Life is less conquerable than death."

He said: "I will reverse the word of death."

He said: "I will make the dead to live again."

Two days ago Asklepios lived ...

The King

Of the nether-world, that wears the face of night

And hates me, wearing day's face, called on Zeus:

"This mortal steals upon my sovereignty,

Stands brazen champion for the world of flesh,

Determines souls that waver towards the Styx—

Worse! hales the souls back from beyond the Styx,

Bringing the dead to life. This is more craft,

Brother, than we may suffer in a man.

Shall he with careless finger sway at will

The Balance of Destiny? Avenge me, Zeus!"

A Cyclops forged a thunder-bolt for Zeus,

And, black-browed, Zeus did launch it ... Thus I lost

My son Asklepios, killed thro' too much knowledge.

Asklepios! my dead Asklepios!

Let the dark King of Stygia howl for aid

To Olympos! I am King of Heaven and ask

No aid! I wreak my vengeance for myself.

I rose up in the wrath of my bereavement

And set an arrow to the silver bow

That none save I can bend, and let it fly.

I might not slay the wielder of the bolt,

But I did slay the forger of the bolt.

And when I saw the Cyclops pierced and dead

I came to Zeus and told him of my deed:

"Father, 'gainst whom my bow was never turned,

Father, that hast destroyed thine own son's son,

I defy thy doing and have destroyed thy tool."

Then while the Gods stood all aghast, Zeus spake:

"Go from among this immortal company

Which thou hast sinned against in daring so

To sin against me that am the head of all,

And learn to quell thy too fierce spirit, learn

To teach thy riotous blood obedience,

Serving the sons of men one year of days.

Go hence! thou art not of us for twelve moons."

I nothing said, and went. For when we Gods

Revolt among ourselves the end is near,

And Zeus must levy justice as he will.

Asklepios! my dead Asklepios!

Had an hundred bolts been forged instead of one

I had slain an hundred Cyclops for thy sake

And suffered an hundred years of degradation!

Earth that receivest my body for a space,

I first saw light upon thee. Comfort me,

And tame a little the untamed blood in me.

Better will I endure to learn of thee

Than of the envious Gods, whom this disgrace

Serves for a secret feast to glut their hearts on.

For we have loved each other, thou and I,

And I have belted thee with golden arms,

And I have claspt thee daily with hot kisses,

And felt thee leap and pulse and answer to me

Like a shy maid grown bold and glad with love.

There's that in the core of thee that is so kin

To the core of me, it holds us twain inseverable,

Tho' from a billion blue-gold caverns of air

Translucent waves of space roll up an ocean

'Twixt earth and sun: our hearts beat time together.

My sister of the spheres has no such power

To quicken thee, be lov'd of thee and love thee.

She rains down light like argent snows; and thou,

Part shadow'd, part-illumin'd, wholly chill'd,

Submitt'st thyself to call her queen, who asks

No ardent service of thee, earth, as I do.

Yet, chaste twin-sister, we were of one birth;

Thy veins run all the silver, mine the gold.

What marvel Leto had nine days labour of us,

Strenuously thus disparting snow from flame,

To give the Gods one daughter all pure ice,

One son all perfect fire?...

O Thunderer!

That spark of immortal fire which, pregnant in her,

Evolved into my Godhead, issuèd

Out of thy Godhead; my humiliation

Is thy humiliation, Zeus! I stand

Supremest in thy shining progeny:

I am thy glittering symbol fix'd in heaven

To draw the dazed, adoring eyes of men:

I am thy arm of vengeance, I the hand

Bestowing thy good gifts: I am thy Voice

Of mystic prophecy and divination

Thro' which thou keep'st thy fingers on men's souls.

Daughters and sons thou hast whose attributes,

This one by twisty cunning, this by love

Too often base, this by remorseless carnage

Not bearing the high name of vengeance, these

By the insidious lusts of gold and wine,

Serve to express thee to the bodies of men;

But I express thee to the ghost in them,

For there is none whose vesture is like mine

Weft only of the spirit's highest tissues,

So that the world beholding thee thro' me

Beholds thee at thy zenith, and exalted

Out of the flesh struggles to sense an instant

The music, fire and essence of Olympos.

This Thunderer, wilt thou smirch? More dim, more dim

Than the imperial spark thou quenchest in me

Thou mak'st thy imperial fires whence I did spring,

The fount of us so indissoluble

That what shames thee shames me.

Earth, is this vengeance?

Nay, I see clearer. Rest unstained of me,

Thou God that art the father of my being.

The spirit of me, which is Thou, makes cause with thee

Against me. We must be inviolable

Or men will point their fingers—when We fall.

Asklepios! farewell, Asklepios!

Earth, I will serve on thee my year of days

Nor chafe beneath them like a petulant boy.

Ay, tho' Zeus force my Godhead into bonds

I will yet bear my bondage like a God.


Transcriber's Note

Obvious punctuation and spelling errors have been repaired.