The Tides Of Barnegat

by

F. Hopkinson Smith

CONTENTS

THE TIDES OF BARNEGAT

CHAPTER I

THE DOCTOR'S GIG

One lovely spring morning—and this story begins on a spring morning some fifty years or more ago—a joy of a morning that made one glad to be alive, when the radiant sunshine had turned the ribbon of a road that ran from Warehold village to Barnegat Light and the sea to satin, the wide marshes to velvet, and the belts of stunted pines to bands of purple—on this spring morning, then, Martha Sands, the Cobdens' nurse, was out with her dog Meg. She had taken the little beast to the inner beach for a bath—a custom of hers when the weather was fine and the water not too cold—and was returning to Warehold by way of the road, when, calling the dog to her side, she stopped to feast her eyes on the picture unrolled at her feet.

To the left of where she stood curved the coast, glistening like a scimitar, and the strip of yellow beach which divided the narrow bay from the open sea; to the right, thrust out into the sheen of silver, lay the spit of sand narrowing the inlet, its edges scalloped with lace foam, its extreme point dominated by the grim tower of Barnegat Light; aloft, high into the blue, soared the gulls, flashing like jewels as they lifted their breasts to the sun, while away and beyond the sails of the fishing-boats, gray or silver in their shifting tacks, crawled over the wrinkled sea.

The glory of the landscape fixed in her mind, Martha gathered her shawl about her shoulders, tightened the strings of her white cap, smoothed out her apron, and with the remark to Meg that he'd "never see nothin' so beautiful nor so restful," resumed her walk.

They were inseparable, these two, and had been ever since the day she had picked him up outside the tavern, half starved and with a sore patch on his back where some kitchen-maid had scalded him. Somehow the poor outcast brought home to her a sad page in her own history, when she herself was homeless and miserable, and no hand was stretched out to her. So she had coddled and fondled him, gaining his confidence day by day and talking to him by the hour of whatever was uppermost in her mind.

Few friendships presented stronger contrasts: She stout and motherly-looking—too stout for any waistline—with kindly blue eyes, smooth gray hair—gray, not white—her round, rosy face, framed in a cotton cap, aglow with the freshness of the morning—a comforting, coddling-up kind of woman of fifty, with a low, crooning voice, gentle fingers, and soft, restful hollows about her shoulders and bosom for the heads of tired babies; Meg thin, rickety, and sneak-eyed, with a broken tail that hung at an angle, and but one ear (a black-and-tan had ruined the other)—a sandy-colored, rough-haired, good-for-nothing cur of multifarious lineage, who was either crouching at her feet or in full cry for some hole in a fence or rift in a wood-pile where he could flatten out and sulk in safety.

Martha continued her talk to Meg. While she had been studying the landscape he had taken the opportunity to wallow in whatever came first, and his wet hair was bristling with sand and matted with burrs.

"Come here, Meg—you measly rascal!" she cried, stamping her foot. "Come here, I tell ye!"

The dog crouched close to the ground, waited until Martha was near enough to lay her hand upon him, and then, with a backward spring, darted under a bush in full blossom.

"Look at ye now!" she shouted in a commanding tone. "'Tain't no use o' my washin' ye. Ye're full o' thistles and jest as dirty as when I throwed ye in the water. Come out o' that, I tell ye! Now, Meg, darlin'"—this came in a coaxing tone—"come out like a good dog—sure I'm not goin' in them brambles to hunt ye!"

A clatter of hoofs rang out on the morning air. A two-wheeled gig drawn by a well-groomed sorrel horse and followed by a brown-haired Irish setter was approaching. In it sat a man of thirty, dressed in a long, mouse-colored surtout with a wide cape falling to the shoulders. On his head was a soft gray hat and about his neck a white scarf showing above the lapels of his coat. He had thin, shapely legs, a flat waist, and square shoulders, above which rose a clean-shaven face of singular sweetness and refinement.

At the sound of the wheels the tattered cur poked his head from between the blossoms, twisted his one ear to catch the sound, and with a side-spring bounded up the road toward the setter.

"Well, I declare, if it ain't Dr. John Cavendish and Rex!" Martha exclaimed, raising both hands in welcome as the horse stopped beside her. "Good-mornin' to ye, Doctor John. I thought it was you, but the sun blinded me, and I couldn't see. And ye never saw a better nor a brighter mornin'. These spring days is all blossoms, and they ought to be. Where ye goin', anyway, that ye're in such a hurry? Ain't nobody sick up to Cap'n Holt's, be there?" she added, a shade of anxiety crossing her face.

"No, Martha; it's the dressmaker," answered the doctor, tightening the reins on the restless sorrel as he spoke. The voice was low and kindly and had a ring of sincerity through it.

"What dressmaker?"

"Why, Miss Gossaway!" His hand was extended now—that fine, delicately wrought, sympathetic hand that had soothed so many aching heads.

"You've said it," laughed Martha, leaning over the wheel so as to press his fingers in her warm palm. "There ain't no doubt 'bout that skinny fright being 'Miss,' and there ain't no doubt 'bout her stayin' so. Ann Gossaway she is, and Ann Gossaway she'll die. Is she took bad?" she continued, a merry, questioning look lighting up her kindly face, her lips pursed knowingly.

"No, only a sore throat" the doctor replied, loosening his coat.

"Throat!" she rejoined, with a wry look on her face. "Too bad 'twarn't her tongue. If ye could snip off a bit o' that some day it would help folks considerable 'round here."

The doctor laughed in answer, dropped the lines over the dashboard and leaned forward in his seat, the sun lighting up his clean-cut face. Busy as he was—and there were few busier men in town, as every hitching-post along the main street of Warehold village from Billy Tatham's, the driver of the country stage, to Captain Holt's, could prove—he always had time for a word with the old nurse.

"And where have YOU been, Mistress Martha?" he asked, with a smile, dropping his whip into the socket, a sure sign that he had a few more minutes to give her.

"Oh, down to the beach to git some o' the dirt off Meg. Look at him—did ye ever see such a rapscallion! Every time I throw him in he's into the sand ag'in wallowin' before I kin git to him."

The doctor bent his head, and for an instant watched the two dogs: Meg circling about Rex, all four legs taut, his head jerking from side to side in his eagerness to be agreeable to his roadside acquaintance; the agate-eyed setter returning Meg's attentions with the stony gaze of a club swell ignoring a shabby relative. The doctor smiled thoughtfully. There was nothing he loved to study so much as dogs—they had a peculiar humor of their own, he often said, more enjoyable sometimes than that of men—then he turned to Martha again.

"And why are you away from home this morning of all others?" he asked. "I thought Miss Lucy was expected from school to-day?"

"And so she is, God bless her! And that's why I'm here. I was that restless I couldn't keep still, and so I says to Miss Jane, 'I'm goin' to the beach with Meg and watch the ships go by; that's the only thing that'll quiet my nerves. They're never in a hurry with everybody punchin' and haulin' them.' Not that there's anybody doin' that to me, 'cept like it is to-day when I'm waitin' for my blessed baby to come back to me. Two years, doctor—two whole years since I had my arms round her. Wouldn't ye think I'd be nigh crazy?"

"She's too big for your arms now, Martha," laughed the doctor, gathering up his reins. "She's a woman—seventeen, isn't she?"

"Seventeen and three months, come the fourteenth of next July. But she's not a woman to me, and she never will be. She's my wee bairn that I took from her mother's dyin' arms and nursed at my own breast, and she'll be that wee bairn to me as long as I live. Ye'll be up to see her, won't ye, doctor?"

"Yes, to-night. How's Miss Jane?" As he made the inquiry his eyes kindled and a slight color suffused his cheeks.

"She'll be better for seein' ye," the nurse answered with a knowing look. Then in a louder and more positive tone, "Oh, ye needn't stare so with them big brown eyes o' yourn. Ye can't fool old Martha, none o' you young people kin. Ye think I go round with my eyelids sewed up. Miss Jane knows what she wants—she's proud, and so are you; I never knew a Cobden nor a Cavendish that warn't. I haven't a word to say—it'll be a good match when it comes off. Where's that Meg? Good-by, doctor. I won't keep ye a minute longer from MISS Gossaway. I'm sorry it ain't her tongue, but if it's only her throat she may get over it. Go 'long, Meg!"

Dr. Cavendish laughed one of his quiet laughs—a laugh that wrinkled the lines about his eyes, with only a low gurgle in his throat for accompaniment, picked up his whip, lifted his hat in mock courtesy to the old nurse, and calling to Rex, who, bored by Meg's attentions, had at last retreated under the gig, chirruped to his horse, and drove on.

Martha watched the doctor and Rex until they were out of sight, walked on to the top of the low hill, and finding a seat by the roadside—her breath came short these warm spring days—sat down to rest, the dog stretched out in her lap. The little outcast had come to her the day Lucy left Warehold for school, and the old nurse had always regarded him with a certain superstitious feeling, persuading herself that nothing would happen to her bairn as long as this miserable dog was well cared for.

"Ye heard what Doctor John said about her bein' a woman, Meg?" she crooned, when she had caught her breath. "And she with her petticoats up to her knees! That's all he knows about her. Ye'd know better than that, Meg, wouldn't ye—if ye'd seen her grow up like he's done? But grown up or not, Meg"—here she lifted the dog's nose to get a clearer view of his sleepy eyes—"she's my blessed baby and she's comin' home this very day, Meg, darlin'; d'ye hear that, ye little ruffian? And she's not goin' away ag'in, never, never. There'll be nobody drivin' round in a gig lookin' after her—nor nobody else as long as I kin help it. Now git up and come along; I'm that restless I can't sit still," and sliding the dog from her lap, she again resumed her walk toward Warehold.

Soon the village loomed in sight, and later on the open gateway of "Yardley," the old Cobden Manor, with its two high brick posts topped with white balls and shaded by two tall hemlocks, through which could be seen a level path leading to an old colonial house with portico, white pillars supporting a balcony, and a sloping roof with huge chimneys and dormer windows.

Martha quickened her steps, and halting at the gate-posts, paused for a moment with her eyes up the road. It was yet an hour of the time of her bairn's arrival by the country stage, but her impatience was such that she could not enter the path without this backward glance. Meg, who had followed behind his mistress at a snail's pace, also came to a halt and, as was his custom, picked out a soft spot in the road and sat down on his haunches.

Suddenly the dog sprang up with a quick yelp and darted inside the gate. The next instant a young girl in white, with a wide hat shading her joyous face, jumped from behind one of the big hemlocks and with a cry pinioned Martha's arms to her side.

"Oh, you dear old thing, you! where have you been? Didn't you know I was coming by the early stage?" she exclaimed in a half-querulous tone.

The old nurse disengaged one of her arms from the tight clasp of the girl, reached up her hand until she found the soft cheek, patted it gently for an instant as a blind person might have done, and then reassured, hid her face on Lucy's shoulder and burst into tears. The joy of the surprise had almost stopped her breath.

"No, baby, no," she murmured. "No, darlin', I didn't. I was on the beach with Meg. No, no—Oh, let me cry, darlin'. To think I've got you at last. I wouldn't have gone away, darlin', but they told me you wouldn't be here till dinner-time. Oh, darlin', is it you? And it's all true, isn't it? and ye've come back to me for good? Hug me close. Oh, my baby bairn, my little one! Oh, you precious!" and she nestled the girl's head on her bosom, smoothing her cheek as she crooned on, the tears running down her cheeks.

Before the girl could reply there came a voice calling from the house: "Isn't she fine, Martha?" A woman above the middle height, young and of slender figure, dressed in a simple gray gown and without her hat, was stepping from the front porch to meet them.

"Too fine, Miss Jane, for her old Martha," the nurse called back. "I've got to love her all over again. Oh, but I'm that happy I could burst meself with joy! Give me hold of your hand, darlin'—I'm afraid I'll lose ye ag'in if ye get out of reach of me."

The two strolled slowly up the path to meet Jane, Martha patting the girl's arm and laying her cheek against it as she walked. Meg had ceased barking and was now sniffing at Lucy's skirts, his bent tail wagging slowly, his sneaky eyes looking up into Lucy's face.

"Will he bite, Martha?" she asked, shrinking to one side. She had an aversion to anything physically imperfect, no matter how lovable it might be to others. This tattered example struck her as particularly objectionable.

"No, darlin'—nothin' 'cept his food," and Martha laughed.

"What a horrid little beast!" Lucy said half aloud to herself, clinging all the closer to the nurse. "This isn't the dog sister Jane wrote me about, is it? She said you loved him dearly—you don't, do you?"

"Yes, that's the same dog. You don't like him, do you, darlin'?"

"No, I think he's awful," retorted Lucy in a positive tone.

"It's all I had to pet since you went away," Martha answered apologetically.

"Well, now I'm home, give him away, please. Go away, you dreadful dog!" she cried, stamping her foot as Meg, now reassured, tried to jump upon her.

The dog fell back, and crouching close to Martha's side raised his eyes appealingly, his ear and tail dragging.

Jane now joined them. She had stopped to pick some blossoms for the house.

"Why, Lucy, what's poor Meg done?" she asked, as she stooped over and stroked the crestfallen beast's head. "Poor old doggie—we all love you, don't we?"

"Well, just please love him all to yourselves, then," retorted Lucy with a toss of her head. "I wouldn't touch him with a pair of tongs. I never saw anything so ugly. Get away, you little brute!"

"Oh, Lucy, dear, don't talk so," replied the older sister in a pitying tone. "He was half starved when Martha found him and brought him home—and look at his poor back—"

"No, thank you; I don't want to look at his poor back, nor his poor tail, nor anything else poor about him. And you will send him away, won't you, like a dear good old Martha?" she added, patting Martha's shoulder in a coaxing way. Then encircling Jane's waist with her arm, the two sisters sauntered slowly back to the house.

Martha followed behind with Meg.

Somehow, and for the first time where Lucy was concerned, she felt a tightening of her heart-strings, all the more painful because it had followed so closely upon the joy of their meeting. What had come over her bairn, she said to herself with a sigh, that she should talk so to Meg—to anything that her old nurse loved, for that matter? Jane interrupted her reveries.

"Did you give Meg a bath, Martha?" she asked over her shoulder. She had seen the look of disappointment in the old nurse's face and, knowing the cause, tried to lighten the effect.

"Yes—half water and half sand. Doctor John came along with Rex shinin' like a new muff, and I was ashamed to let him see Meg. He's comin' up to see you to-night, Lucy, darlin'," and she bent forward and tapped the girl's shoulder to accentuate the importance of the information.

Lucy cut her eye in a roguish way and twisted her pretty head around until she could look into Jane's eyes.

"Who do you think he's coming to see, sister?"

"Why, you, you little goose. They're all coming—Uncle Ephraim has sent over every day to find out when you would be home, and Bart Holt was here early this morning, and will be back to-night."

"What does Bart Holt look like?"—she had stopped in her walk to pluck a spray of lilac blossoms. "I haven't seen him for years; I hear he's another one of your beaux," she added, tucking the flowers into Jane's belt. "There, sister, that's just your color; that's what that gray dress needs. Tell me, what's Bart like?"

"A little like Captain Nat, his father," answered Jane, ignoring Lucy's last inference, "not so stout and—"

"What's he doing?"

"Nothin', darlin', that's any good," broke in Martha from behind the two. "He's sailin' a boat when he ain't playin' cards or scarin' everybody down to the beach with his gun, or shyin' things at Meg."

"Don't you mind anything Martha says, Lucy," interrupted Jane in a defensive tone. "He's got a great many very good qualities; he has no mother and the captain has never looked after him. It's a great wonder that he is not worse than he is."

She knew Martha had spoken the truth, but she still hoped that her influence might help him, and then again, she never liked to hear even her acquaintances criticised.

"Playing cards! That all?" exclaimed Lucy, arching her eyebrows; her sister's excuses for the delinquent evidently made no impression on her. "I don't think playing cards is very bad; and I don't blame him for throwing anything he could lay his hands on at this little wretch of Martha's. We all played cards up in our rooms at school. Miss Sarah never knew anything about it—she thought we were in bed, and it was just lovely to fool her. And what does the immaculate Dr. John Cavendish look like? Has he changed any?" she added with a laugh.

"No," answered Jane simply.

"Does he come often?" She had turned her head now and was looking from under her lids at Martha. "Just as he used to and sit around, or has he—" Here she lifted her eyebrows in inquiry, and a laugh bubbled out from between her lips.

"Yes, that's just what he does do," cried Martha in a triumphant tone; "every minute he kin git. And he can't come too often to suit me. I jest love him, and I'm not the only one, neither, darlin'," she added with a nod of her head toward Jane.

"And Barton Holt as well?" persisted Lucy. "Why, sister, I didn't suppose there would be a man for me to look at when I came home, and you've got two already! Which one are you going to take?" Here her rosy face was drawn into solemn lines.

Jane colored. "You've got to be a great tease, Lucy," she answered as she leaned over and kissed her on the cheek. "I'm not in the back of the doctor's head, nor he in mine—he's too busy nursing the sick—and Bart's a boy!"

"Why, he's twenty-five years old, isn't he?" exclaimed Lucy in some surprise.

"Twenty-five years young, dearie—there's a difference, you know. That's why I do what I can to help him. If he'd had the right influences in his life and could be thrown a little more with nice women it would help make him a better man. Be very good to him, please, even if you do find him a little rough."

They had mounted the steps of the porch and were now entering the wide colonial hall—a bare white hall, with a staircase protected by spindling mahogany banisters and a handrail. Jane passed into the library and seated herself at her desk. Lucy ran on upstairs, followed by Martha to help unpack her boxes and trunks.

When they reached the room in which Martha had nursed her for so many years—the little crib still occupied one corner—the old woman took the wide hat from the girl's head and looked long and searchingly into her eyes.

"Let me look at ye, my baby," she said, as she pushed Lucy's hair back from her forehead; "same blue eyes, darlin', same pretty mouth I kissed so often, same little dimples ye had when ye lay in my arms, but ye've changed—how I can't tell. Somehow, the face is different."

Her hands now swept over the full rounded shoulders and plump arms of the beautiful girl, and over the full hips.

"The doctor's right, child," she said with a sigh, stepping back a pace and looking her over critically; "my baby's gone—you've filled out to be a woman."

CHAPTER II

SPRING BLOSSOMS

For days the neighbors in and about the village of Warehold had been looking forward to Lucy's home-coming as one of the important epochs in the history of the Manor House, quite as they would have done had Lucy been a boy and the expected function one given in honor of the youthful heir's majority. Most of them had known the father and mother of these girls, and all of them loved Jane, the gentle mistress of the home—a type of woman eminently qualified to maintain its prestige.

It had been a great house in its day. Built in early Revolutionary times by Archibald Cobden, who had thrown up his office under the Crown and openly espoused the cause of the colonists, it had often been the scene of many of the festivities and social events following the conclusion of peace and for many years thereafter: the rooms were still pointed out in which Washington and Lafayette had slept, as well as the small alcove where the dashing Bart de Klyn passed the night whenever he drove over in his coach with outriders from Bow Hill to Barnegat and the sea.

With the death of Colonel Creighton Cobden, who held a commission in the War of 1812, all this magnificence of living had changed, and when Morton Cobden, the father of Jane and Lucy, inherited the estate, but little was left except the Manor House, greatly out of repair, and some invested property which brought in but a modest income. On his death-bed Morton Cobden's last words were a prayer to Jane, then eighteen, that she would watch over and protect her younger sister, a fair-haired child of eight, taking his own and her dead mother's place, a trust which had so dominated Jane's life that it had become the greater part of her religion.

Since then she had been the one strong hand in the home, looking after its affairs, managing their income, and watching over every step of her sister's girlhood and womanhood. Two years before she had placed Lucy in one of the fashionable boarding-schools of Philadelphia, there to study "music and French," and to perfect herself in that "grace of manner and charm of conversation," which the two maiden ladies who presided over its fortunes claimed in their modest advertisements they were so competent to teach. Part of the curriculum was an enforced absence from home of two years, during which time none of her own people were to visit her except in case of emergency.

To-night, the once famous house shone with something of its old-time color. The candles were lighted in the big bronze candelabra—the ones which came from Paris; the best glass and china and all the old plate were brought out and placed on the sideboard and serving-tables; a wood fire was started (the nights were yet cold), its cheery blaze lighting up the brass fender and andirons before which many of Colonel Cobden's cronies had toasted their shins as they sipped their toddies in the old days; easy-chairs and hair-cloth sofas were drawn from the walls; the big lamps lighted, and many minor details perfected for the comfort of the expected guests.

Jane entered the drawing-room in advance of Lucy and was busying herself putting the final touches to the apartment,—arranging the sprays of blossoms over the clock and under the portrait of Morton Cobden, which looked calmly down on the room from its place on the walls, when the door opened softly and Martha—the old nurse had for years been treated as a member of the family—stepped in, bowing and curtsying as would an old woman in a play, the skirt of her new black silk gown that Ann Gossaway had made for her held out between her plump fingers, her mob-cap with its long lace strings bobbing with every gesture. With her rosy cheeks, silver-rimmed spectacles, self-satisfied smile, and big puffy sleeves, she looked as if she might have stepped out of one of the old frames lining the walls.

"What do ye think of me, Miss Jane? I'm proud as a peacock—that I am!" she cried, twisting herself about. "Do ye know, I never thought that skinny dressmaker could do half as well. Is it long enough?" and she craned her head in the attempt to see the edge of the skirt.

"Fits you beautifully, Martha. You look fine," answered Jane in all sincerity, as she made a survey of the costume. "How does Lucy like it?"

"The darlin' don't like it at all; she says I look like a pall-bearer, and ye ought to hear her laughin' at the cap. Is there anything the matter with it? The pastor's wife's got one, anyhow, and she's a year younger'n me."

"Don't mind her, Martha—she laughs at everything; and how good it is to hear her! She never saw you look so well," replied Jane, as she moved a jar from a table and placed it on the mantel to hold the blossoms she had picked in the garden. "What's she doing upstairs so long?"

"Prinkin'—and lookin' that beautiful ye wouldn't know her. But the width and the thickness of her"—here the wrinkled fingers measured the increase with a half circle in the air—"and the way she's plumped out—not in one place, but all over—well, I tell ye, ye'd be astonished! She knows it, too, bless her heart! I don't blame her. Let her git all the comfort she kin when she's young—that's the time for laughin'—the cryin' always comes later."

No part of Martha's rhapsody over Lucy described Jane. Not in her best moments could she have been called beautiful—not even to-night when Lucy's home-coming had given a glow to her cheeks and a lustre to her eyes that nothing else had done for months. Her slender figure, almost angular in its contour with its closely drawn lines about the hips and back; her spare throat and neck, straight arms, thin wrists and hands—transparent hands, though exquisitely wrought, as were those of all her race—all so expressive of high breeding and refinement, carried with them none of the illusions of beauty. The mould of the head, moreover, even when softened by her smooth chestnut hair, worn close to her ears and caught up in a coil behind, was too severe for accepted standards, while her features wonderfully sympathetic as they were, lacked the finer modeling demanded in perfect types of female loveliness, the eyebrows being almost straight, the cheeks sunken, with little shadows under the cheek-bones, and the lips narrow and often drawn.

And yet with all these discrepancies and, to some minds, blemishes there was a light in her deep gray eyes, a melody in her voice, a charm in her manner, a sureness of her being exactly the sort of woman one hoped she would be, a quick responsiveness to any confidence, all so captivating and so satisfying that 'those who knew her forgot her slight physical shortcomings and carried away only the remembrance of one so much out of the common and of so distinguished a personality that she became ever after the standard by which they judged all good women.

There were times, too—especially whenever Lucy entered the room or her name was mentioned—that there shone through Jane's eyes a certain instantaneous kindling of the spirit which would irradiate her whole being as a candle does a lantern—a light betokening not only uncontrollable tenderness but unspeakable pride, dimmed now and then when some word or act of her charge brought her face to face with the weight of the responsibility resting upon her—a responsibility far outweighing that which most mothers would have felt. This so dominated Jane's every motion that it often robbed her of the full enjoyment of the companionship of a sister so young and so beautiful.

If Jane, to quote Doctor John, looked like a lily swaying on a slender stem, Lucy, when she bounded into the room to-night, was a full-blown rose tossed by a summer breeze. She came in with throat and neck bare; a woman all curves and dimples, her skin as pink as a shell; plump as a baby, and as fair, and yet with the form of a wood-nymph; dressed in a clinging, soft gown, the sleeves caught up at the shoulders revealing her beautiful arms, a spray of blossoms on her bosom, her blue eyes dancing with health, looking twenty rather than seventeen; glad of her freedom, glad of her home and Jane and Martha, and of the lights and blossoms and the glint on silver and glass, and of all that made life breathable and livable.

"Oh, but isn't it just too lovely to be at home!" she cried as she skipped about. "No lights out at nine, no prayers, no getting up at six o'clock and turning your mattress and washing in a sloppy little washroom. Oh, I'm so happy! I can't realize it's all true." As she spoke she raised herself on her toes so that she could see her face in the mirror over the mantel. "Why, do you know, sister," she rattled on, her eyes studying her own face, "that Miss Sarah used to make us learn a page of dictionary if we talked after the silence bell!"

"You must know the whole book by heart, then, dearie," replied Jane with a smile, as she bent over a table and pushed back some books to make room for a bowl of arbutus she held in her hand.

"Ah, but she didn't catch us very often. We used to stuff up the cracks in the doors so she couldn't hear us talk and smother our heads in the pillows. Jonesy, the English teacher, was the worst." She was still looking in the glass, her fingers busy with the spray of blossoms on her bosom. "She always wore felt slippers and crept around like a cat. She'd tell on anybody. We had a play one night in my room after lights were out, and Maria Collins was Claude Melnotte and I was Pauline. Maria had a mustache blackened on her lips with a piece of burnt cork and I was all fixed up in a dressing-gown and sash. We never heard Jonesy till she put her hand on the knob; then we blew out the candle and popped into bed. She smelled the candle-wick and leaned over and kissed Maria good-night, and the black all came off on her lips, and next day we got three pages apiece—the mean old thing! How do I look, Martha? Is my hair all right?" Here she turned her head for the old woman's inspection.

"Beautiful, darlin'. There won't one o' them know ye; they'll think ye're a real livin' princess stepped out of a picture-book." Martha had not taken her eyes from Lucy since she entered the room.

"See my little beau-catchers," she laughed, twisting her head so that Martha could see the tiny Spanish curls she had flattened against her temples. "They are for Bart Holt, and I'm going to cut sister out. Do you think he'll remember me?" she prattled on, arching her neck.

"It won't make any difference if he don't," Martha retorted in a positive tone. "But Cap'n Nat will, and so will the doctor and Uncle Ephraim and—who's that comin' this early?" and the old nurse paused and listened to a heavy step on the porch. "It must be the cap'n himself; there ain't nobody but him's got a tread like that; ye'd think he was trampin' the deck o' one of his ships."

The door of the drawing-room opened and a bluff, hearty, round-faced man of fifty, his iron-gray hair standing straight up on his head like a shoe-brush, dressed in a short pea-jacket surmounted by a low sailor collar and loose necktie, stepped cheerily into the room.

"Ah, Miss Jane!" Somehow all the neighbors, even the most intimate, remembered to prefix "Miss" when speaking to Jane. "So you've got this fly-away back again? Where are ye? By jingo! let me look at you. Why! why! why! Did you ever! What have you been doing to yourself, lassie, that you should shed your shell like a bug and come out with wings like a butterfly? Why you're the prettiest thing I've seen since I got home from my last voyage."

He had Lucy by both bands now, and was turning her about as if she had been one of Ann Gossaway's models.

"Have I changed, Captain Holt?"

"No—not a mite. You've got a new suit of flesh and blood on your bones, that's all. And it's the best in the locker. Well! Well! WELL!" He was still twisting her around. "She does ye proud, Martha," he called to the old nurse, who was just leaving the room to take charge of the pantry, now that the guests had begun to arrive. "And so ye're home for good and all, lassie?"

"Yes—isn't it lovely?"

"Lovely? That's no name for it. You'll be settin' the young fellers crazy 'bout here before they're a week older. Here come two of 'em now."

Lucy turned her head quickly, just as the doctor and Barton Holt reached the door of the drawing-room. The elder of the two, Doctor John, greeted Jane as if she had been a duchess, bowing low as he approached her, his eyes drinking in her every movement; then, after a few words, remembering the occasion as being one in honor of Lucy, he walked slowly toward the young girl.

"Why, Lucy, it's so delightful to get you back!" he cried, shaking her hand warmly. "And you are looking so well. Poor Martha has been on pins and needles waiting for you. I told her just how it would be—that she'd lose her little girl—and she has," and he glanced at her admiringly. "What did she say when she saw you?"

"Oh, the silly old thing began to cry, just as they all do. Have you seen her dog?"

The answer jarred on the doctor, although he excused her in his heart on the ground of her youth and her desire to appear at ease in talking to him.

"Do you mean Meg?" he asked, scanning her face the closer.

"I don't know what she calls him—but he's the ugliest little beast I ever saw."

"Yes—but so amusing. I never get tired of watching him. What is left of him is the funniest thing alive. He's better than he looks, though. He and Rex have great times together."

"I wish you would take him, then. I told Martha this morning that he mustn't poke his nose into my room, and he won't. He's a perfect fright."

"But the dear old woman loves him," he protested with a tender tone in his voice, his eyes fixed on Lucy.

He had looked into the faces of too many young girls in his professional career not to know something of what lay at the bottom of their natures. What he saw now came as a distinct surprise.

"I don't care if she does," she retorted; "no, I don't," and she knit her brow and shook her pretty head as she laughed.

While they stood talking Bart Holt, who had lingered at the threshold, his eyes searching for the fair arrival, was advancing toward the centre of the room. Suddenly he stood still, his gaze fixed on the vision of the girl in the clinging dress, with the blossoms resting on her breast. The curve of her back, the round of the hip; the way her moulded shoulders rose above the lace of her bodice; the bare, full arms tapering to the wrists;—the color, the movement, the grace of it all had taken away his breath. With only a side nod of recognition toward Jane, he walked straight to Lucy and with an "Excuse me," elbowed the doctor out of the way in his eagerness to reach the girl's side. The doctor smiled at the young man's impetuosity, bent his head to Lucy, and turned to where Jane was standing awaiting the arrival of her other guests.

The young man extended his hand. "I'm Bart Holt," he exclaimed; "you haven't forgotten me, Miss Lucy, have you? We used to play together. Mighty glad to see you—been expecting you for a week."

Lucy colored slightly and arched her head in a coquettish way. His frankness pleased her; so did the look of unfeigned admiration in his eyes.

"Why, of course I haven't forgotten you, Mr. Holt. It was so nice of you to come," and she gave him the tips of her fingers—her own eyes meanwhile, in one comprehensive glance, taking in his round head with its closely cropped curls, searching brown eyes, wavering mouth, broad shoulders, and shapely body, down to his small, well-turned feet. The young fellow lacked the polish and well-bred grace of the doctor, just as he lacked his well-cut clothes and distinguished manners, but there was a sort of easy effrontery and familiar air about him that some of his women admirers encouraged and others shrank from. Strange to say, this had appealed to Lucy before he had spoken a word.

"And you've come home for good now, haven't you?" His eyes were still drinking in the beauty of the girl, his mind neither on his questions nor her answers.

"Yes, forever and ever," she replied, with a laugh that showed her white teeth.

"Did you like it at school?" It was her lips now that held his attention and the little curves under her dimpled chin. He thought he had never seen so pretty a mouth and chin.

"Not always; but we used to have lots of fun," answered the girl, studying him in return—the way his cravat was tied and the part of his hair. She thought he had well-shaped ears and that his nose and eyebrows looked like a picture she had in her room upstairs.

"Come and tell me about it. Let's sit down here," he continued as he drew her to a sofa and stood waiting until she took her seat.

"Well, I will for a moment, until they begin to come in," she answered, her face all smiles. She liked the way he behaved towards her—not asking her permission, but taking the responsibility and by his manner compelling a sort of obedience. "But I can't stay," she added. "Sister won't like it if I'm not with her to shake hands with everybody."

"Oh, she won't mind me; I'm a great friend of Miss Jane's. Please go on; what kind of fun did you have? I like to hear about girls' scrapes. We had plenty of them at college, but I couldn't tell you half of them." He had settled himself beside her now, his appropriating eyes still taking in her beauty.

"Oh, all kinds," she replied as she bent her head and glanced at the blossoms on her breast to be assured of their protective covering.

"But I shouldn't think you could have much fun with the teachers watching you every minute," said Bart, moving nearer to her and turning his body so he could look squarely into her eyes.

"Yes, but they didn't find out half that was going on." Then she added coyly, "I don't know whether you can keep a secret—do you tell everything you hear?"

"Never tell anything."

"How do I know?"

"I'll swear it." In proof he held up one hand and closed both eyes in mock reverence as if he were taking an oath. He was getting more interested now in her talk; up to this time her beauty had dazzled him. "Never! So help me—" he mumbled impressively.

"Well, one day we were walking out to the park—Now you're sure you won't tell sister, she's so easily shocked?" The tone was the same, but the inflection was shaded to closer intimacy.

Again Bart cast up his eyes.

"And all the girls were in a string with Miss Griggs, the Latin teacher, in front, and we all went in a cake shop and got a big piece of gingerbread apiece. We were all eating away hard as we could when we saw Miss Sarah coming. Every girl let her cake go, and when Miss Sarah got to us the whole ten pieces were scattered along the sidewalk."

Bart looked disappointed over the mild character of the scrape. From what he had seen of her he had supposed her adventures would be seasoned with a certain spice of deviltry.

"I wouldn't have done that, I'd have hidden it in my pocket," he replied, sliding down on the sofa until his head rested on the cushion next her own.

"We tried, but she was too close. Poor old Griggsey got a dreadful scolding. She wasn't like Miss Jones—she wouldn't tell on the girls."

"And did they let any of the fellows come to see you?" Bart asked.

"No; only brothers and cousins once in a long while. Maria Collins tried to pass one of her beaux, Max Feilding, off as a cousin, but Miss Sarah went down to see him and poor Maria had to stay upstairs."

"I'd have got in," said Bart with some emphasis, rousing himself from his position and twisting his body so he could again look squarely in her face. This escapade was more to his liking.

"How?" asked Lucy in a tone that showed she not only quite believed it, but rather liked him the better for saying so.

"Oh I don't know. I'd have cooked up some story." He was leaning over now, toying with the lace that clung to Lucy's arms. "Did you ever have any one of your own friends treated in that way?"

Jane's voice cut short her answer. She had seen the two completely absorbed in each other, to the exclusion of the other guests who were now coming in, and wanted Lucy beside her.

The young girl waved her fan gayly in answer, rose to her feet, turned her head close to Bart's, pointed to the incoming guests, whispered something in his ear that made him laugh, listened while he whispered to her in return, and in obedience to the summons crossed the room to meet a group of the neighbors, among them old Judge Woolworthy, in a snuff-colored coat, high black stock, and bald head, and his bustling little wife. Bart's last whisper to Lucy was in explanation of the little wife's manner—who now, all bows and smiles, was shaking hands with everybody about her.

Then came Uncle Ephraim Tipple, and close beside him walked his spouse, Ann, in a camel's-hair shawl and poke-bonnet, the two preceded by Uncle Ephraim's stentorian laugh, which had been heard before their feet had touched the porch outside. Mrs. Cromartin now bustled in, accompanied by her two daughters—slim, awkward girls, both dressed alike in high waists and short frocks; and after them the Bunsbys, father, mother, and son—all smiles, the last a painfully thin young lawyer, in a low collar and a shock of whitey-brown hair, "looking like a patent window-mop resting against a wall," so Lucy described him afterward to Martha when she was putting her to bed; and finally the Colfords and Bronsons, young and old, together with Pastor Dellenbaugh, the white-haired clergyman who preached in the only church in Warehold.

When Lucy had performed her duty and the several greetings were over, and Uncle Ephraim had shaken the hand of the young hostess in true pump-handle fashion, the old man roaring with laughter all the time, as if it were the funniest thing in the world to find her alive; and the good clergyman in his mildest and most impressive manner had said she grew more and more like her mother every day—which was a flight of imagination on the part of the dear man, for she didn't resemble her in the least; and the two thin girls had remarked that it must be so "perfectly blissful" to get home; and the young lawyer had complimented her on her wonderful, almost life-like resemblance to her grand-father, whose portrait hung in the court-house—and which was nearer the truth—to all of which the young girl replied in her most gracious tones, thanking them for their kindness in coming to see her and for welcoming her so cordially—the whole of Lucy's mind once more reverted to Bart.

Indeed, the several lobes of her brain had been working in opposition for the past hour. While one-half of her mind was concocting polite speeches for her guests the other was absorbed in the fear that Bart would either get tired of waiting for her return and leave the sofa, or that some other girl friend of his would claim him and her delightful talk be at an end.

To the young girl fresh from school Bart represented the only thing in the room that was entirely alive. The others talked platitudes and themselves. He had encouraged her to talk of HERSELF and of the things she liked. He had, too, about him an assurance and dominating personality which, although it made her a little afraid of him, only added to his attractiveness.

While she stood wondering how many times the white-haired young lawyer would tell her it was so nice to have her back, she felt a slight pressure on her arm and turned to face Bart.

"You are wanted, please, Miss Lucy; may I offer you my arm? Excuse me, Bunsby—I'll give her to you again in a minute."

Lucy slipped her arm into Bart's, and asked simply, "What for?"

"To finish our talk, of course. Do you suppose I'm going to let that tow-head monopolize you?" he answered, pressing her arm closer to his side with his own.

Lucy laughed and tapped Bart with her fan in rebuke, and then there followed a bit of coquetry in which the young girl declared that he was "too mean for anything, and that she'd never seen anybody so conceited, and if he only knew, she might really prefer the 'tow head' to his own;" to which Bart answered that his only excuse was that he was so lonely he was nearly dead, and that he had only come to save his life—the whole affair culminating in his conducting her back to the sofa with a great flourish and again seating himself beside her.

"I've been watching you," he began when he had made her comfortable with a small cushion behind her shoulders and another for her pretty feet. "You don't act a bit like Miss Jane." As he spoke he leaned forward and flicked an imaginary something from her bare wrist with that air which always characterized his early approaches to most women.

"Why?" Lucy asked, pleased at his attentions and thanking him with a more direct look.

"Oh, I don't know. You're more jolly, I think. I don't like girls who turn out to be solemn after you know them a while; I was afraid you might. You know it's a long time since I saw you."

"Why, then, sister can't be solemn, for everybody says you and she are great friends," she replied with a light laugh, readjusting the lace of her bodice.

"So we are; nobody about here I think as much of as I do of your sister. She's been mighty good to me. But you know what I mean: I mean those don't-touch-me kind of girls who are always thinking you mean a lot of things when you're only trying to be nice and friendly to them. I like to be a brother to a girl and to go sailing with her, and fishing, and not have her bother me about her feet getting a little bit wet, and not scream bloody murder when the boat gives a lurch. That's the kind of girl that's worth having."

"And you don't find them?" laughed Lucy, looking at him out of the corners of her eyes.

"Well, not many. Do you mind little things like that?"

As he spoke his eyes wandered over her bare shoulders until they rested on the blossoms, the sort of roaming, critical eyes that often cause a woman to wonder whether some part of her toilet has not been carelessly put together. Then he added, with a sudden lowering of his voice: "That's a nice posy you've got. Who sent it?" and he bent his head as if to smell the cluster on her bosom.

Lucy drew back and a slight flush suffused her cheek; his audacity frightened her. She was fond of admiration, but this way of expressing it was new to her. The young man caught the movement and recovered himself. He had ventured on a thin spot, as was his custom, and the sound of the cracking ice had warned him in time.

"Oh, I see, they're apple blossoms," he added carelessly as he straightened up. "We've got a lot in our orchard. You like flowers, I see." The even tone and perfect self-possession of the young man reassured her.

"Oh, I adore them; don't you?" Lucy answered in a relieved, almost apologetic voice. She was sorry she had misjudged him. She liked him rather the better now for her mistake.

"Well, that depends. Apple blossoms never looked pretty to me before; but then it makes a good deal of difference where they are," answered Bart with a low chuckle.

Jane had been watching the two and had noticed. Bart's position and manner. His easy familiarity of pose offended her. Instinctively she glanced about the room, wondering if any of her guests had seen it. That Lucy did not resent it surprised her. She supposed her sister's recent training would have made her a little more fastidious.

"Come, Lucy," she called gently, moving toward her, "bring Bart over here and join the other girls."

"All right, Miss Jane, we'll be there in a minute," Bart answered in Lucy's stead. Then he bent his head and said in a low voice:

"Won't you give me half those blossoms?"

"No; it would spoil the bunch."

"Please—"

"No, not a single one. You wouldn't care for them, anyway."

"Yes, I would." Here he stretched out his hand and touched the blossoms on her neck.

Lucy ducked her head in merry glee, sprang up, and with a triumphant curtsy and a "No, you don't, sir—not this time," joined her sister, followed by art.

The guests were now separated into big and little groups. Uncle Ephraim and the judge were hob-nobbing around the fireplace, listening to Uncle Ephraim's stories and joining in the laughter which every now and then filled the room. Captain Nat was deep in a discussion with Doctor John over some seafaring matter, and Jane and Mrs. Benson were discussing a local charity with Pastor Dellenbaugh.

The younger people being left to themselves soon began to pair off, the white-haired young lawyer disappearing with the older Miss Cromartin and Bart soon following with Lucy:—the outer porch and the long walk down the garden path among the trees, despite the chilliness of the night, seemed to be the only place in which they could be comfortable.

During a lull in the discussion of Captain Nat's maritime news and while Mrs. Benson was talking to the pastor, Doctor John seized the opportunity to seat himself again by Jane.

"Don't you think Lucy improved?" she asked, motioning the doctor to a place beside her.

"She's much more beautiful than I thought she would be," he answered in a hesitating way, looking toward Lucy, and seating himself in his favorite attitude, hands in his lap, one leg crossed over the other and hanging straight beside its fellow; only a man like the doctor, of more than usual repose and of a certain elegance of form, Jane always said, could sit this way any length of time and be comfortable and unconscious of his posture. Then he added slowly, and as if he had given the subject some consideration, "You won't keep her long, I'm afraid."

"Oh, don't say that," Jane cried with a nervous start. "I don't know what I would do if she should marry."

"That don't sound like you, Miss Jane. You would be the first to deny yourself. You are too good to do otherwise." He spoke with a slight quiver in his voice, and yet with an emphasis that showed he believed it.

"No; it is you who are good to think so," she replied in a softer tone, bending her head as she spoke, her eyes intent on her fan. "And now tell me," she added quickly, raising her eyes to his as if to bar any further tribute he might be on the point of paying to her—"I hear your mother takes greatly to heart your having refused the hospital appointment."

"Yes, I'm afraid she does. Mother has a good many new-fashioned notions nowadays." He laughed—a mellow, genial laugh; more in the spirit of apology than of criticism.

"And you don't want to go?" she asked, her eyes fixed on his.

"Want to go? No, why should I? There would be nobody to look after the people here if I went away. You don't want me to leave, do you?" he added suddenly in an anxious tone.

"Nobody does, doctor," she replied, parrying the question, her face flushing with pleasure.

Here Martha entered the room hurriedly and bending over Jane's shoulder, whispered something in her ear. The doctor straightened himself and leaned back out of hearing.

"Well, but I don't think she will take cold," Jane whispered in return, looking up into Martha's face. "Has she anything around her?"

"Yes, your big red cloak; but the child's head is bare and there's mighty little on her neck, and she ought to come in. The wind's begun to blow and it's gettin' cold."

"Where is she?" Jane continued, her face showing her surprise at Martha's statement.

"Out by the gate with that dare-devil. He don't care who he gives cold. I told her she'd get her death, but she won't mind me."

"Why, Martha, how can you talk so!" Jane retorted, with a disapproving frown. Then raising her voice so that the doctor could be brought into the conversation, she added in her natural tone, "Whom did you say she was with?"

"Bart Holt," cried Martha aloud, nodding to the doctor as if to get his assistance in saving her bairn from possible danger.

Jane colored slightly and turned to Doctor John.

"You go please, doctor, and bring them all in, or you may have some new patients on your hands."

The doctor looked from one to the other in doubt as to the cause of his selection, but Jane's face showed none of the anxiety in Martha's.

"Yes, certainly," he answered simply; "but I'll get myself into a hornet's nest. These young people don't like to be told what's good for them," he added with a laugh, rising from his seat. "And after that you'll permit me to slip away without telling anybody, won't you? My last minute has come," and he glanced at his watch.

"Going so soon? Why, I wanted you to stay for supper. It will be ready in a few minutes." Her voice had lost its buoyancy now. She never wanted him to go. She never let him know it, but it pained her all the same.

"I would like to, but I cannot." All his heart was in his eyes as he spoke.

"Someone ill?" she asked.

"Yes, Fogarty's child. The little fellow may develop croup before morning. I saw him to-day, and his pulse was not right, he's a sturdy little chap with a thick neck, and that kind always suffers most. If he's worse Fogarty is to send word to my office," he added, holding out his hand in parting.

"Can I help?" Jane asked, retaining the doctor's hand in hers as if to get the answer.

"No, I'll watch him closely. Good-night," and with a smile he bent his head and withdrew.

Martha followed the doctor to the outer door, and then grumbling her satisfaction went back to the pantry to direct the servants in arranging upon the small table in the supper-room the simple refreshments which always characterized the Cobdens' entertainments.

Soon the girls and their beaux came trooping in to join their elders on the way to the supper-room. Lucy hung back until the last (she had not liked the doctor's interference), Jane's long red cloak draped from her shoulders, the hood hanging down her back, her cheeks radiant, her beautiful blond hair ruffled with the night wind, an aureole of gold framing her face. Bart followed close behind, a pleased, almost triumphant smile playing about his lips.

He had carried his point. The cluster of blossoms which had rested upon Lucy's bosom was pinned to the lapel of his coat.

CHAPTER III

LITTLE TOD FOGARTY

With the warmth of Jane's parting grasp lingering in his own Doctor John untied the mare, sprang into his gig, and was soon clear of the village and speeding along the causeway that stretched across the salt marshes leading past his own home to the inner beach beyond. As he drove slowly through his own gate, so as to make as little noise as possible, the cottage, blanketed under its clinging vines, seemed in the soft light of the low-lying moon to be fast asleep. Only one eye was open; this was the window of his office, through which streamed the glow of a lamp, its light falling on the gravel path and lilac bushes beyond.

Rex gave a bark of welcome and raced beside the wheels.

"Keep still, old dog! Down, Rex! Been lonely, old fellow?"

The dog in answer leaped in the air as his master drew rein, and with eager springs tried to reach his hands, barking all the while in short and joyful yelps.

Doctor John threw the lines across the dash-board, jumped from the gig, and pushing open the hall door—it was never locked—stepped quickly into his office, and turning up the lamp, threw himself into a chair at his desk. The sorrel made no attempt to go to the stable—both horse and man were accustomed to delays—sometimes of long hours and sometimes of whole nights.

The appointments and fittings of the office—old-fashioned and practical as they were—reflected in a marked degree the aims and tastes of the occupant. While low bookcases stood against the walls surmounted by rows of test-tubes, mortars and pestles, cases of instruments, and a line of bottles labelled with names of various mixtures (in those days doctors were chemists as well as physicians), there could also be found a bust of the young Augustus; one or two lithographs of Heidelberg, where he had studied; and some line engravings in black frames—one a view of Oxford with the Thames wandering by, another a portrait of the Duke of Wellington, and still another of Nell Gwynn. Scattered about the room were easy-chairs and small tables piled high with books, a copy of Tacitus and an early edition of Milton being among them, while under the wide, low window stood a narrow bench crowded with flowering plants in earthen pots, the remnants of the winter's bloom. There were also souvenirs of his earlier student life—a life which few of his friends in Warehold, except Jane Cobden, knew or cared anything about—including a pair of crossed foils and two boxing-gloves; these last hung over a portrait of Macaulay.

What the place lacked was the touch of a woman's hand in vase, flower, or ornament—a touch that his mother, for reasons of her own, never gave and which no other woman had yet dared suggest.

For an instant the doctor sat with his elbows on the desk in deep thought, the light illuminating his calm, finely chiselled features and hands—those thin, sure hands which could guide a knife within a hair's breadth of instant death—and leaning forward, with an indrawn sigh examined some letters lying under his eye. Then, as if suddenly remembering, he glanced at the office slate, his face lighting up as he found it bare of any entry except the date.

Rex had been watching his master with ears cocked, and was now on his haunches, cuddling close, his nose resting on the doctor's knee. Doctor John laid his hand on the dog's head and smoothing the long, silky ears, said with a sigh of relief, as he settled himself in his chair:

"Little Tod must be better, Rex, and we are going to have a quiet night."

The anxiety over his patients relieved, his thoughts reverted to Jane and their talk. He remembered the tone of her voice and the quick way in which she had warded off his tribute to her goodness; he recalled her anxiety over Lucy; he looked again into the deep, trusting eyes that gazed into his as she appealed to him for assistance; he caught once more the poise of the head as she listened to his account of little Tod Fogarty's illness and heard her quick offer to help, and felt for the second time her instant tenderness and sympathy, never withheld from the sick and suffering, and always so generous and spontaneous.

A certain feeling of thankfulness welled up in his heart. Perhaps she had at last begun to depend upon him—a dependence which, with a woman such as Jane, must, he felt sure, eventually end in love.

With these thoughts filling his mind, he settled deeper in his chair. These were the times in which he loved to think of her—when, with pipe in mouth, he could sit alone by his fire and build castles in the coals, every rosy mountain-top aglow with the love he bore her; with no watchful mother's face trying to fathom his thoughts; only his faithful dog stretched at his feet.

Picking up his brierwood, lying on a pile of books on his desk, and within reach of his hand, he started to fill the bowl, when a scrap of paper covered with a scrawl written in pencil came into view. He turned it to the light and sprang to his feet.

"Tod worse," he said to himself. "I wonder how long this has been here."

The dog was now beside him looking up into the doctor's eyes. It was not the first time that he had seen his master's face grow suddenly serious as he had read the tell-tale slate or had opened some note awaiting his arrival.

Doctor John lowered the lamp, stepped noiselessly to the foot of the winding stairs that led to the sleeping rooms above—the dog close at his heels, watching his every movement—and called gently:

"Mother! mother, dear!" He never left his office when she was at home and awake without telling her where he was going.

No one answered.

"She is asleep. I will slip out without waking her. Stay where you are, Rex—I will be back some time before daylight," and throwing his night-cloak about his shoulders, he started for his gig.

The dog stopped with his paws resting on the outer edge of the top step of the porch, the line he was not to pass, and looked wistfully after the doctor. His loneliness was to continue, and his poor master to go out into the night alone. His tail ceased to wag, only his eyes moved.

Once outside Doctor John patted the mare's neck as if in apology and loosened the reins. "Come, old girl," he said; "I'm sorry, but it can't be helped," and springing into the gig, he walked the mare clear of the gravel beyond the gate, so as not to rouse his mother, touched her lightly with the whip, and sent her spinning along the road on the way to Fogarty's.

The route led toward the sea, branching off within the sight of the cottage porch, past the low, conical ice-houses used by the fishermen in which to cool their fish during the hot weather, along the sand-dunes, and down a steep grade to the shore. The tide was making flood, and the crawling surf spent itself in long shelving reaches of foam. These so packed the sand that the wheels of the gig hardly made an impression upon it. Along this smooth surface the mare trotted briskly, her nimble feet wet with the farthest reaches of the incoming wash.

As he approached the old House of Refuge, black in the moonlight and looking twice its size in the stretch of the endless beach, he noticed for the hundredth time how like a crouching woman it appeared, with its hipped roof hunched up like a shoulder close propped against the dune and its overhanging eaves but a draped hood shading its thoughtful brow; an illusion which vanished when its square form, with its wide door and long platform pointing to the sea, came into view.

More than once in its brief history the doctor had seen the volunteer crew, aroused from their cabins along the shore by the boom of a gun from some stranded vessel, throw wide its door and with a wild cheer whirl the life-boat housed beneath its roof into the boiling surf, and many a time had he helped to bring back to life the benumbed bodies drawn from the merciless sea by their strong arms.

There were other houses like it up and down the coast. Some had remained unused for years, desolate and forlorn, no unhappy ship having foundered or struck the breakers within their reach; others had been in constant use. The crews were gathered from the immediate neighborhood by the custodian, who was the only man to receive pay from the Government. If he lived near by he kept the key; if not, the nearest fisherman held it. Fogarty, the father of the sick child, and whose cabin was within gunshot of this house, kept the key this year. No other protection was given these isolated houses and none was needed. These black-hooded Sisters of the Coast, keeping their lonely vigils, were as safe from beach-combers and sea-prowlers as their white-capped namesakes would have been threading the lonely suburbs of some city.

The sound of the mare's feet on the oyster-shell path outside his cabin brought Fogarty, a tall, thin, weather-beaten fisherman, to the door. He was still wearing his hip-boots and sou'wester—he was just in from the surf—and stood outside the low doorway with a lantern. Its light streamed over the sand and made wavering patterns about the mare's feet.

"Thought ye'd never come, Doc," he whispered, as he threw the blanket over the mare. "Wife's nigh crazy. Tod's fightin' for all he's worth, but there ain't much breath left in him. I was off the inlet when it come on."

The wife, a thick-set woman in a close-fitting cap, her arms bared to the elbow, her petticoats above the tops of her shoes, met him inside the door. She had been crying and her eyelids were still wet and her cheeks swollen. The light of the ship's lantern fastened to the wall fell upon a crib in the corner, on which lay the child, his short curls, tangled with much tossing, smoothed back from his face. The doctor's ears had caught the sound of the child's breathing before he entered the room.

"When did this come on?" Doctor John asked, settling down beside the crib upon a stool that the wife had brushed off with her apron.

"'Bout sundown, sir," she answered, her tear-soaked eyes fixed on little Tod's face. Her teeth chattered as she spoke and her arms were tight pressed against her sides, her fingers opening and shutting in her agony. Now and then in her nervousness she would wipe her forehead with the back of her wrist as if it were wet, or press her two fingers deep into her swollen cheek.

Fogarty had followed close behind the doctor and now stood looking down at the crib with fixed eyes, his thin lips close shut, his square jaw sunk in the collar of his shirt. There were no dangers that the sea could unfold which this silent surfman had not met and conquered, and would again. Every fisherman on the coast knew Fogarty's pluck and skill, and many of them owed their lives to him. To-night, before this invisible power slowly closing about his child he was as powerless as a skiff without oars caught in the swirl of a Barnegat tide.

"Why didn't you let me know sooner, Fogarty? You understood my directions?" Doctor John asked in a surprised tone. "You shouldn't have left him without letting me know." It was only when his orders were disobeyed and life endangered that he spoke thus.

The fisherman turned his head and was about to reply when the wife stepped in front of him.

"My husband got ketched in the inlet, sir," she said in an apologetic tone, as if to excuse his absence. "The tide set ag'in him and he had hard pullin' makin' the p'int. It cuts in turrible there, you know, doctor. Tod seemed to be all right when he left him this mornin'. I had husband's mate take the note I wrote ye. Mate said nobody was at home and he laid it under your pipe. He thought ye'd sure find it there when ye come in."

Doctor John was not listening to her explanations; he was leaning over the rude crib, his ear to the child's breast. Regaining his position, he smoothed the curls tenderly from the forehead of the little fellow, who still lay with eyes closed, one stout brown hand and arm clear of the coverlet, and stood watching his breathing. Every now and then a spasm of pain would cross the child's face; the chubby hand would open convulsively and a muffled cry escape him. Doctor John watched his breathing for some minutes, laid his hand again on the child's forehead, and rose from the stool.

"Start up that fire, Fogarty," he said in a crisp tone, turning up his shirt-cuffs, slipping off his evening coat, and handing the garment to the wife, who hung it mechanically over a chair, her eyes all the time searching Doctor John's face for some gleam of hope.

"Now get a pan," he continued, "fill it with water and some corn-meal, and get me some cotton cloth—half an apron, piece of an old petticoat, anything, but be quick about it."

The woman, glad of something to do, hastened to obey. Somehow, the tones of his voice had put new courage into her heart. Fogarty threw a heap of driftwood on the smouldering fire and filled the kettle; the dry splinters crackled into a blaze.

The noise aroused the child.

The doctor held up his finger for silence and again caressed the boy's forehead. Fogarty, with a fresh look of alarm in his face, tiptoed back of the crib and stood behind the restless sufferer. Under the doctor's touch the child once more became quiet.

"Is he bad off?" the wife murmured when the doctor moved to the fire and began stirring the mush she was preparing. "The other one went this way; we can't lose him. You won't lose him, will ye, doctor, dear? I don't want to live if this one goes. Please, doctor—"

The doctor looked into the wife's eyes, blurred with tears, and laid his hand tenderly on her shoulder.

"Keep a good heart, wife," he said; "we'll pull him through. Tod is a tough little chap with plenty of fight in him yet. I've seen them much worse. It will soon be over; don't worry."

Mrs. Fogarty's eyes brightened and even the fisherman's grim face relaxed. Silent men in grave crises suffer most; the habit of their lives precludes the giving out of words that soothe and heal; when others speak them, they sink into their thirsty souls like drops of rain after a long drought. It was just such timely expressions as these that helped Doctor John's patients most—often their only hope hung on some word uttered with a buoyancy of spirit that for a moment stifled all their anxieties.

The effect of the treatment began to tell upon the little sufferer—his breathing became less difficult, the spasms less frequent. The doctor whispered the change to the wife, sitting close at his elbow, his impassive face brightening as he spoke; there was an oven chance now for the boy's life.

The vigil continued.

No one moved except Fogarty, who would now and then tiptoe quickly to the hearth, add a fresh log to the embers, and as quickly move back to his position behind the child's crib. The rising and falling of the blaze, keeping rhythm, as it were, to the hopes and fears of the group, lighted up in turn each figure in the room. First the doctor sitting with hands resting on his knees, his aquiline nose and brow clearly outlined against the shadowy background in the gold chalk of the dancing flames, his black evening clothes in strong contrast to the high white of the coverlet, framing the child's face like a nimbus. Next the bent body of the wife, her face in half-tones, her stout shoulders in high relief, and behind, swallowed up in the gloom, out of reach of the fire-. gleam, the straight, motionless form of the fisherman, standing with folded arms, grim and silent, his unseen eyes fixed on his child.

Far into the night, and until the gray dawn streaked the sky, this vigil continued; the doctor, assisted by Fogarty and the wife, changing the poultices, filling the child's lungs with hot steam by means of a paper funnel, and encouraging the mother by his talk. At one time he would tell her in half-whispered tones of a child who had recovered and who had been much weaker than this one. Again he would turn to Fogarty and talk of the sea, of the fishing outside the inlet, of the big three-masted schooner which had been built by the men at Tom's River, of the new light they thought of building at Barnegat to take the place of the old one—anything to divert their minds and lessen their anxieties, stopping only to note the sound of every cough the boy gave or to change the treatment as the little sufferer struggled on fighting for his life.

When the child dozed no one moved, no word was spoken. Then in the silence there would come to their ears above the labored breathing of the boy the long swinging tick of the clock, dull and ominous, as if tolling the minutes of a passing life; the ceaseless crunch of the sea, chewing its cud on the beach outside or the low moan of the outer bar turning restlessly on its bed of sand.

Suddenly, and without warning, and out of an apparent sleep, the child started up from his pillow with staring eyes and began beating the air for breath.

The doctor leaned quickly forward, listened for a moment, his ear to the boy's chest, and said in a quiet, restrained voice:

"Go into the other room, Mrs. Fogarty, and stay there till I call you." The woman raised her eyes to his and obeyed mechanically. She was worn out, mind and body, and had lost her power of resistance.

As the door shut upon her Doctor John sprang from the stool, caught the lamp from the wall, handed it to Fogarty, and picking the child up from the crib, laid it flat upon his knees.

He now slipped his hand into his pocket and took from it a leather case filled with instruments.

"Hold the light, Fogarty," he said in a firm, decided tone, "and keep your nerve. I thought he'd pull through without it, but he'll strangle if I don't."

"What ye goin' to do—not cut him?" whispered the fisherman in a trembling voice.

"Yes. It's his only chance. I've seen it coming on for the last hour—no nonsense now. Steady, old fellow. It'll be over in a minute. ... There, my boy, that'll help you. Now, Fogarty, hand me that cloth. ... All right, little man; don't cry; it's all over. Now open the door and let your wife in," and he laid the child back on the pillow.

When the doctor took the blanket from the sorrel tethered outside Fogarty's cabin and turned his horse's head homeward the sails of the fishing-boats lying in a string on the far horizon flashed silver in the morning sun, His groom met him at the stable door, and without a word led the mare into the barn.

The lamp in his study was still burning in yellow mockery of the rosy dawn. He laid his case of instruments on the desk, hung his cloak and hat to a peg in the closet, and ascended the staircase on the way to his bedroom. As he passed his mother's open door she heard his step.

"Why, it's broad daylight, son," she called in a voice ending in a yawn.

"Yes, mother."

"Where have you been?"

"To see little Tod Fogarty," he answered simply.

"What's the matter with him?"

"Croup."

"Is he going to die?"

"No, not this time."

"Well, what did you stay out all night for?" The voice had now grown stronger, with a petulant tone through it.

"Well, I could hardly help it. They are very simple people, and were so badly frightened that they were helpless. It's the only child they have left to them—the last one died of croup."

"Well, are you going to turn nurse for half the paupers in the county? All children have croup, and they don't all die!" The petulant voice had now developed into one of indignation.

"No, mother, but I couldn't take any risks. This little chap is worth saving."

There came a pause, during which the tired man waited patiently.

"You were at the Cobdens'?"

"Yes; or I should have reached Fogarty's sooner."

"And Miss Jane detained you, of course."

"No, mother."

"Good-night, John."

"Say rather 'Good-day,' mother," he answered with a smile and continued on to his room.

CHAPTER IV

ANN GOSSAWAY'S RED CLOAK

The merrymakings at Yardley continued for weeks, a new impetus and flavor being lent them by the arrival of two of Lucy's friends—her schoolmate and bosom companion, Maria Collins, of Trenton, and Maria's devoted admirer, Max Feilding, of Walnut Hill, Philadelphia.

Jane, in her joy over Lucy's home-coming, and in her desire to meet her sister's every wish, gladly welcomed the new arrivals, although Miss Collins, strange to say, had not made a very good impression upon her. Max she thought better of. He was a quiet, well-bred young fellow; older than either Lucy or Maria, and having lived abroad a year, knew something of the outside world. Moreover, their families had always been intimate in the old days, his ancestral home being always open to Jane's mother when a girl.

The arrival of these two strangers only added to the general gayety. Picnics were planned to the woods back of Warehold to which the young people of the town were invited, and in which Billy Tatham with his team took a prominent part. Sailing and fishing parties outside of Barnegat were gotten up; dances were held in the old parlor, and even tableaux were arranged under Max's artistic guidance. In one of these Maria wore a Spanish costume fashioned out of a white lace shawl belonging to Jane's grand-mother draped over her head and shoulders, and made the more bewitching by a red japonica fixed in her hair, and Lucy appeared as a dairy-maid decked out in one of Martha's caps, altered to fit her shapely head.

The village itself was greatly stirred.

"Have you seen them two fly-up-the-creeks?" Billy Tatham, the stage-driver, asked of Uncle Ephraim Tipple as he was driving him down to the boat-landing.

"No, what do they look like?"

"The He-one had on a two-inch hat with a green ribbon and wore a white bob-tail coat that 'bout reached to the top o' his pants. Looks like he lived on water-crackers and milk, his skin's that white. The She-one had a set o' hoops on her big as a circus tent. Much as I could do to git her in the 'bus—as it was, she come in sideways. And her trunk! Well, it oughter been on wheels—one o' them travellin' houses. I thought one spell I'd take the old plug out the shafts and hook on to it and git it up that-a-way."

"Some of Lucy's chums, I guess," chuckled Uncle Ephraim. "Miss Jane told me they were coming. How long are they going to stay?"

"Dunno. Till they git fed up and fattened, maybe. If they was mine I'd have killin' time to-day."

Ann Gossaway and some of her cronies also gave free rein to their tongues.

"Learned them tricks at a finishin' school, did they?" broke out the dressmaker. (Lucy had been the only young woman in Warehold who had ever enjoyed that privilege.) "Wearin' each other's hats, rollin' round in the sand, and hollerin' so you could hear 'em clear to the lighthouse. If I had my way I'd finish 'em, And that's where they'll git if they don't mind, and quick, too!"

The Dellenbaughs, Cromartins, and Bunsbys, being of another class, viewed the young couple's visit in a different light. "Mr. Feilding has such nice hands and wears such lovely cravats," the younger Miss Cromartin said, and "Miss Collins is too sweet for anything." Prim Mr. Bunsby, having superior notions of life and deportment, only shook his head. He looked for more dignity, he said; but then this Byronic young man had not been invited to any of the outings.

In all these merrymakings and outings Lucy was the central figure. Her beauty, her joyous nature, her freedom from affectation and conventionality, her love of the out-of-doors, her pretty clothes and the way she wore them, all added to her popularity. In the swing and toss of her freedom, her true temperament developed. She was like a summer rose, making everything and everybody glad about her, loving the air she breathed as much for the color it put into her cheeks as for the new bound it gave to her blood. Just as she loved the sunlight for its warmth and the dip and swell of the sea for its thrill. So, too, when the roses were a glory of bloom, not only would she revel in the beauty of the blossoms, but intoxicated by their color and fragrance, would bury her face in the wealth of their abundance, taking in great draughts of their perfume, caressing them with her cheeks, drinking in the honey of their petals.

This was also true of her voice—a rich, full, vibrating voice, that dominated the room and thrilled the hearts of all who heard her. When she sang she sang as a bird sings, as much to relieve its own overcharged little body, full to bursting with the music in its soul, as to gladden the surrounding woods with its melody—because, too, she could not help it and because the notes lay nearest her bubbling heart and could find their only outlet through the lips.

Bart was her constant companion. Under his instructions she had learned to hold the tiller in sailing in and out of the inlet; to swim over hand; to dive from a plank, no matter how high the jump; and to join in all his outdoor sports. Lucy had been his constant inspiration in all of this. She had surveyed the field that first night of their meeting and had discovered that the young man's personality offered the only material in Warehold available for her purpose. With him, or someone like him—one who had leisure and freedom, one who was quick and strong and skilful (and Bart was all of these)—the success of her summer would be assured. Without him many of her plans could not be carried out.

And her victory over him had been an easy one. Held first by the spell of her beauty and controlled later by her tact and stronger will, the young man's effrontery—almost impudence at times—had changed to a certain respectful subservience, which showed itself in his constant effort to please and amuse her. When they were not sailing they were back in the orchard out of sight of the house, or were walking together nobody knew where. Often Bart would call for her immediately after breakfast, and the two would pack a lunch-basket and be gone all day, Lucy arranging the details of the outing, and Bart entering into them with a dash and an eagerness which, to a man of his temperament, cemented the bond between them all the closer. Had they been two fabled denizens of the wood—she a nymph and he a dryad—they could not have been more closely linked with sky and earth.

As for Jane, she watched the increasing intimacy with alarm. She had suddenly become aroused to the fact that Lucy's love affair with Bart was going far beyond the limits of prudence. The son of Captain Nathaniel Holt, late of the Black Ball Line of packets, would always be welcome as a visitor at the home, the captain being an old and tried friend of her father's; but neither Bart's education nor prospects, nor, for that matter, his social position—a point which usually had very little weight with Jane—could possibly entitle him to ask the hand of the granddaughter of Archibald Cobden in marriage. She began to regret that she had thrown them together. Her own ideas of reforming him had never contemplated any such intimacy as now existed between the young man and her sister. The side of his nature which he had always shown her had been one of respectful attention to her wishes; so much so that she had been greatly encouraged in her efforts to make something more of him than even his best friends predicted could be done; but she had never for one instant intended that her friendly interest should go any further, nor could she have conceived of such an issue.

And yet Jane did nothing to prevent the meetings and outings of the young couple, even after Maria's and Max's departure.

When Martha, in her own ever-increasing anxiety, spoke of the growing intimacy she looked grave, but she gave no indication of her own thoughts. Her pride prevented her discussing the situation with the old nurse and her love for Lucy from intervening in her pleasures.

"She has been cooped up at school so long, Martha, dear," she answered in extenuation, "that I hate to interfere in anything she wants to do. She is very happy; let her alone. I wish, though, she would return some of the calls of these good people who have been so kind to her. Perhaps she will if you speak to her. But don't worry about Bart; that will wear itself out. All young girls must have their love-affairs."

Jane's voice had lacked the ring of true sincerity when she spoke about "wearing itself out," and Martha had gone to her room more dissatisfied than before. This feeling became all the more intense when, the next day, from her window she watched Bart tying on Lucy's hat, puffing out the big bow under her chin, smoothing her hair from the flying strings. Lucy's eyes were dancing, her face turned toward Bart's, her pretty lips near his own. There was a knot or a twist, or a collection of knots and twists, or perhaps Bart's fingers bungled, for minutes passed before the hat could be fastened to suit either of them. Martha's head had all this time been thrust out of the easement, her gaze apparently fixed on a birdcage hung from a hook near the shutter.

Bart caught her eye and whispered to Lucy that that "old spy-cat" was watching them; whereupon Lucy faced about, waved her hand to the old nurse, and turning quickly, raced up the orchard and out of sight, followed by Bart carrying a shawl for them to sit upon.

After that Martha, unconsciously, perhaps, to herself, kept watch, so far as she could, upon their movements, without, as she thought, betraying herself: making excuses to go to the village when they two went off together in that direction; traversing the orchard, ostensibly looking for Meg when she knew all the time that the dog was sound asleep in the woodshed; or yielding to a sudden desire to give the rascal a bath whenever Lucy announced that she and Bart were going to spend the morning down by the water.

As the weeks flew by and Lucy had shown no willingness to assume her share of any of the responsibilities of the house,—any that interfered with her personal enjoyment,—Jane became more and more restless and unhappy. The older village people had shown her sister every attention, she said to herself,—more than was her due, considering her youth,—and yet Lucy had never crossed any one of their thresholds. She again pleaded with the girl to remember her social duties and to pay some regard to the neighbors who had called upon her and who had shown her so much kindness; to which the happy-hearted sister had laughed back in reply:

"What for, you dear sister? These old fossils don't want to see me, and I'm sure I don't want to see them. Some of them give me the shivers, they are so prim."

It was with glad surprise, therefore, that Jane heard Lucy say in Martha's hearing one bright afternoon:

"Now, I'm going to begin, sister, and you won't have to scold me any more. Everyone of these old tabbies I will take in a row: Mrs. Cavendish first, and then the Cromartins, and the balance of the bunch when I can reach them. I am going to Rose Cottage to see Mrs. Cavendish this very afternoon."

The selection of Mrs. Cavendish as first on her list only increased Jane's wonder. Rose Cottage lay some two miles from Warehold, near the upper end of the beach, and few of their other friends lived near it. Then again, Jane knew that Lucy had not liked the doctor's calling her into the house the night of her arrival, and had heretofore made one excuse after another when urged to call on his mother. Her delight, therefore, over Lucy's sudden sense of duty was all the more keen.

"I'll go with you, darling," she answered, slipping her arm about Lucy's waist, "and we'll take Meg for a walk."

So they started, Lucy in her prettiest frock and hat and Jane with her big red cloak over her arm to protect the young girl from the breeze from the sea, which in the early autumn was often cool, especially if they should sit out on Mrs. Cavendish's piazza.

The doctor's mother met them on the porch. She had seen them enter the garden gate, and had left her seat by the window, and was standing on the top step to welcome them. Rex, as usual, in the doctor's absence, did the honors of the office. He loved Jane, and always sprang straight at her, his big paws resting on her shoulders. These courtesies, however, he did not extend to Meg. The high-bred setter had no other salutation for the clay-colored remnant than a lifting of his nose, a tightening of his legs, and a smothered growl when Meg ventured too near his lordship.

"Come up, my dear, and let me look at you," were Mrs. Cavendish's first words of salutation to Lucy. "I hear you have quite turned the heads of all the gallants in Warehold. John says you are very beautiful, and you know the doctor is a good judge, is he not, Miss Jane?" she added, holding out her hands to them both. "And he's quite right; you are just like your dear mother, who was known as the Rose of Barnegat long before you were born. Shall we sit here, or will you come into my little salon for a cup of tea?" It was always a salon to Mrs. Cavendish, never a "sitting-room."

"Oh, please let me sit here," Lucy answered, checking a rising smile at the word, "the view is so lovely," and without further comment or any reference to the compliments showered upon her, she took her seat upon the top step and began to play with Rex, who had already offered to make friends with her, his invariable habit with well-dressed people.

Jane meanwhile improved the occasion to ask the doctor's mother about the hospital they were building near Barnegat, and whether she and one or two of the other ladies at Warehold would not be useful as visitors, and, perhaps, in case of emergency, as nurses.

While the talk was in progress Lucy sat smoothing Rex's silky ears, listening to every word her hostess spoke, watching her gestures and the expressions that crossed her face, and settling in her mind for all time, after the manner of young girls, what sort of woman the doctor's mother might be; any opinions she might have had two years before being now outlawed by this advanced young woman in her present mature judgment.

In that comprehensive glance, with the profound wisdom of her seventeen summers to help her, she had come to the conclusion that Mrs. Cavendish was a high-strung, nervous, fussy little woman of fifty, with an outward show of good-will and an inward intention to rip everybody up the back who opposed her; proud of her home, of her blood, and of her son, and determined, if she could manage it, to break off his attachment for Jane, no matter at what cost. This last Lucy caught from a peculiar look in the little old woman's eyes and a slightly scornful curve of the lower lip as she listened to Jane's talk about the hospital, all of which was lost on "plain Jane Cobden," as the doctor's mother invariably called her sister behind her back.

Then the young mind-reader turned her attention to the house and grounds and the buildings lying above and before her, especially to the way the matted vines hung to the porches and clambered over the roof and dormers. Later on she listened to Mrs. Cavendish's description of its age and ancestry: How it had come down to her from her grandfather, whose large estate was near Trenton, where as a girl she had spent her life; how in those days it was but a small villa to which old Nicholas Erskine, her great-uncle, would bring his guests when the August days made Trenton unbearable; and how in later years under the big trees back of the house and over the lawn—"you can see them from where you sit, my dear"—tea had been served to twenty or more of "the first gentlemen and ladies of the land."

Jane had heard it all a dozen times before, and so had every other visitor at Rose Cottage, but to Lucy it was only confirmation of her latter-day opinion of her hostess. Nothing, however, could be more gracious than the close attention which the young girl gave Mrs. Cavendish's every word when the talk was again directed to her, bending her pretty head and laughing at the right time—a courtesy which so charmed the dear lady that she insisted on giving first Lucy, and then Jane, a bunch of roses from her "own favorite bush" before the two girls took their leave.

With these evidences of her delight made clear, Lucy pushed Rex from her side—he had become presuming and had left the imprint of his dusty paw upon her spotless frock—and with the remark that she had other visits to pay, her only regret being that this one was so short, she got up from her seat on the step, called Meg, and stood waiting for Jane with some slight impatience in her manner.

Jane immediately rose from her chair. She had been greatly pleaded at the impression Lucy had made. Her manner, her courtesy, her respect for the older woman, her humoring her whims, show her to be the daughter of a Cobden. As to her own place during the visit, she had never given it a thought. She would always be willing to act as foil to her accomplished, brilliant sister if by so doing she could make other people love Lucy the more.

As they walked through the doctor's study, Mrs. Cavendish preceding them, Jane lingered for a moment and gave a hurried glance about her. There stood his chair and his lounge where he had thrown himself so often when tired out. There, too, was the closet where he hung his coat and hat, and the desk covered with books and papers. A certain feeling of reverence not unmixed with curiosity took possession of her, as when one enters a sanctuary in the absence of the priest. For an instant she passed her hand gently over the leather back of the chair where his head rested, smoothing it with her fingers. Then her eyes wandered over the room, noting each appointment in detail. Suddenly a sense of injustice rose in her mind as she thought that nothing of beauty had ever been added to these plain surroundings; even the plants in the boxes by the windows looked half faded. With a quick glance at the open door she slipped a rose from the bunch in her hand, leaned over, and with the feeling of a devotee laying an offering on the altar, placed the flower hurried on the doctor's slate. Then she joined Mrs. Cavendish.

Lucy walked slowly from the gate, her eyes every now and then turned to the sea. When she and Jane had reached the cross-road that branched off toward the beach—it ran within sight of Mrs. Cavendish's windows—Lucy said:

"The afternoon is so lovely I'm not going to pay any more visits, sister. Suppose I go to the beach and give Meg a bath. You won't mind, will you? Come, Meg!"

"Oh, how happy you will make him!" cried Jane. "But you are not dressed warm enough, dearie. You know how cool it gets toward evening. Here, take my cloak. Perhaps I'd better go with you—"

"No, do you keep on home. I want to see if the little wretch will be contented with me alone. Good-by," and without giving her sister time to protest, she called to Meg, and with a wave of her hand, the red cloak flying from her shoulders, ran toward the beach, Meg bounding after her.

Jane waved back in answer, and kept her eyes on the graceful figure skipping along the road, her head and shoulders in silhouette against the blue sea, her white skirts brushing the yellow grass of the sand-dune. All the mother-love in her heart welled up in her breast. She was so proud of her, so much in love with her, so thankful for her! All these foolish love affairs and girl fancies would soon be over and Bart and the others like him out of Lucy's mind and heart. Why worry about it? Some great strong soul would come by and by and take this child in his arms and make a woman of her. Some strong soul—

She stopped short in her walk and her thoughts went back to the red rose lying on the doctor's desk.

"Will he know?" she said to herself; "he loves flowers so, and I don't believe anybody ever puts one on his desk. Poor fellow! how hard he works and how good he is to everybody! Little Tod would have died but for his tenderness." Then, with a prayer in her heart and a new light in her eyes, she kept on her way.

Lucy, as she bounded along the edge of the bluff, Meg scurrying after her, had never once lost sight of her sister's slender figure. When a turn in the road shut her from view, she crouched down behind a sand-dune, waited until she was sure Jane would not change her mind and join her, and then folding the cloak over her arm, gathered up her skirts and ran with all her speed along the wet sand to the House of Refuge. As she reached its side, Bart Holt stepped out into the afternoon light.

"I thought you'd never come, darling," he said, catching her in his arms and kissing her.

"I couldn't help it, sweetheart. I told sister I was going to see Mrs. Cavendish, and she was so delighted she said she would go, too."

"Where is she?" he interrupted, turning his head and looking anxiously up the beach.

"Gone home. Oh, I fixed that. I was scared to death for a minute, but you trust me when I want to get off."

"Why didn't you let her take that beast of a dog with her? We don't want him," he rejoined, pointing to Meg, who had come to a sudden standstill at the sight of Bart.

"Why, you silly! That's how I got away. She thought I was going to give him a bath. How long have you been waiting, my precious?" Her hand was on his shoulder now, her eyes raised to his.

"Oh, 'bout a year. It really seems like a year, Luce" (his pet name for her), "when I'm waiting for you. I was sure something was up. Wait till I open the door." The two turned toward the house.

"Why! can we get in? I thought Fogarty, the fisherman, had the key," she asked, with a tone of pleasant surprise in her voice.

"So he has," he laughed. "Got it now hanging up behind his clock. I borrowed it yesterday and had one made just like it. I'm of age." This came with a sly wink, followed by a low laugh of triumph.

Lucy smiled. She liked his daring; she liked, too, his resources. When a thing was to be done, Bart always found the way to do it. She waited until he had fitted the new bright key into the rusty lock, her hand in his.

"Now, come inside," he cried, swinging wide the big doors. "Isn't it a jolly place?" He slipped his arm about her and drew her to him. "See, there's the stove with the kindling-wood all ready to light when anything comes ashore, and up on that shelf are life-preservers; and here's a table and some stools and a lantern—two of 'em; and there's the big life-boat, all ready to push out. Good place to come Sundays with some of the fellows, isn't it? Play all night here, and not a soul would find you out," he chuckled as he pointed to the different things. "You didn't think, now, I was going to have a cubby-hole like this to hide you in where that old spot-cat Martha can't be watching us, did you?" he added, drawing her toward him and again kissing her with a sudden intensity.

Lucy slipped from his arms and began examining everything with the greatest interest. She had never seen anything but the outside of the house before and she always wondered what it contained, and as a child had stood up on her toes and tried to peep in through the crack of the big door. When she had looked the boat all over and felt the oars, and wondered whether the fire could be lighted quick enough, and pictured in her mind the half-drowned people huddled around it in their sea-drenched clothes, she moved to the door. Bart wanted her to sit down inside, but she refused.

"No, come outside and lie on the sand. Nobody comes along here," she insisted. "Oh, see how beautiful the sea is! I love that green," and drawing Jane's red cloak around her, she settled herself on the sand, Bart throwing himself at her feet.

The sun was now nearing the horizon, and its golden rays fell across their faces. Away off on the sky-line trailed the smoke of an incoming steamer; nearer in idled a schooner bound in to Barnegat Inlet with every sail set. At their feet the surf rose sleepily under the gentle pressure of the incoming tide, its wavelets spreading themselves in widening circles as if bent on kissing the feet of the radiant girl.

As they sat and talked, filled with the happiness of being alone, their eyes now on the sea and now looking into each other's, Meg, who had amused himself by barking at the swooping gulls, chasing the sand-snipe and digging holes in the sand for imaginary muskrats, lifted his head and gave a short yelp. Bart, annoyed by the sound, picked up a bit of driftwood and hurled it at him, missing him by a few inches. The narrowness of the escape silenced the dog and sent him to the rear with drooping tail and ears.

Bart should have minded Meg's warning. A broad beach in the full glare of the setting sun, even when protected by a House of Refuge, is a poor place to be alone in.

A woman was passing along the edge of the bluffs, carrying a basket in one hand and a green umbrella in the other; a tall, thin, angular woman, with the eye of a ferret. It was Ann Gossaway's day for visiting the sick, and she had just left Fogarty's cabin, where little Tod, with his throat tied up in red flannel, had tried on her mitts and played with her spectacles. Miss Gossaway had heard Meg's bark and had been accorded a full view of Lucy's back covered by Jane's red cloak, with Bart sitting beside her, their shoulders touching.

Lovers with their heads together interested the gossip no longer, except as a topic to talk about. Such trifles had these many years passed out of the dress-maker's life.

So Miss Gossaway, busy with her own thoughts, kept on her way unnoticed by either Lucy or Bart.

When she reached the cross-road she met Doctor John driving in. He tightened the reins on the sorrel and stopped.

"Lovely afternoon, Miss Gossaway. Where are you from—looking at the sunset?"

"No, I ain't got no time for spoonin'. I might be if I was Miss Jane and Bart Holt. Just see 'em a spell ago squattin' down behind the House o' Refuge. She wouldn't look at me. I been to Fogarty's; she's on my list this week, and it's my day for visitin', fust in two weeks. That two-year-old of hers is all right ag'in after your sewing him up; they'll never get over tellin' how you set up all night with him. You ought to hear Mrs. Fogarty go on—'Oh, the goodness of him!'" and she mimicked the good woman's dialect. "'If Tod'd been his own child he couldn't a-done more for him.' That's the way she talks. I heard, doctor, ye never left him till daylight. You're a wonder."

The doctor touched his hat and drove on.

Miss Gossaway's sharp, rasping voice and incisive manner of speaking grated upon him. He liked neither her tone nor the way in which she spoke of the mistress of Yardley. No one else dared as much. If Jane was really on the beach and with Bart, she had some good purpose in her mind. It may have been her day for visiting, and Bart, perhaps, had accompanied her. But why had Miss Gossaway not met Miss Cobden at Fogarty's, his being the only cabin that far down the beach? Then his face brightened. Perhaps, after all, it was Lucy whom she had seen. He had placed that same red cloak around her shoulders the night of the reception at Yardley—and when she was with Bart, too.

Mrs. Cavendish was sitting by her window when the doctor entered his own house. She rose, and putting down her book, advanced to meet him.

"You should have come earlier, John," she said with a laugh; "such a charming girl and so pretty and gracious. Why, I was quite overcome. She is very different from her sister. What do you think Miss Jane wants to do now? Nurse in the new hospital when it is built! Pretty position for a lady, isn't it?"

"Any position she would fill would gain by her presence," said the doctor gravely. "Have they been gone long?" he asked, changing the subject. He never discussed Jane Cobden with his mother if he could help it.

"Oh, yes, some time. Lucy must have kept on home, for I saw Miss Jane going toward the beach alone."

"Are you sure, mother?" There was a note of anxiety in his voice.

"Yes, certainly. She had that red cloak of hers with her and that miserable little dog; that's how I know. She must be going to stay late. You look tired, my son; have you had a hard day?" added she, kissing him on the cheek.

"Yes, perhaps I am a little tired, but I'll be all right. Have you looked at the slate lately? I'll go myself," and he turned and entered his office.

On the slate lay the rose. He picked it up and held it to his nose in a preoccupied way.

"One of mother's," he said listlessly, laying it back among his papers. "She so seldom does that sort of thing. Funny that she should have given it to me to-day; and after Miss Jane's visit, too." Then he shut the office door, threw himself into his chair, and buried his face in his hands. He was still there when his mother called him to supper.

When Lucy reached home it was nearly dark. She came alone, leaving Bart at the entrance to the village. At her suggestion they had avoided the main road and had crossed the marsh by the foot-path, the dog bounding on ahead and springing at the nurse, who stood in the gate awaiting Lucy's return.

"Why, he's as dry as a bone!" Martha cried, stroking Meg's rough hair with her plump hand. "He didn't get much of a bath, did he?"

"No, I couldn't get him into the water. Every time I got my hand on him he'd dart away again."

"Anybody on the beach, darlin'?"

"Not a soul except Meg and the sandsnipe."

CHAPTER V

CAPTAIN NAT'S DECISION

When Martha, with Meg at her heels, passed Ann Gossaway's cottage the next morning on her way to the post-office—her daily custom—the dressmaker, who was sitting in the window, one eye on her needle and the other on the street, craned her head clear of the calico curtain framing the sash and beckoned to her.

This perch of Ann Gossaway's was the eyrie from which she swept the village street, bordered with a double row of wide-spreading elms and fringed with sloping grassy banks spaced at short intervals by hitching-posts and horse-blocks. Her own cottage stood somewhat nearer the flagged street path than the others, and as the garden fences were low and her lookout flanked by two windows, one on each end of her corner, she could not only note what went on about the fronts of her neighbors' houses, but much of what took place in their back yards. From this angle, too, she could see quite easily, and without more than twisting her attenuated neck, the whole village street from the Cromartins' gate to the spire of the village church, as well as everything that passed up and down the shadow-flecked road: which child, for instance, was late for school, and how often, and what it wore and whether its clothes were new or inherited from an elder sister; who came to the Bronsons' next door, and how long they stayed, and whether they brought anything with them or carried anything away; the peddler with his pack; the gunner on his way to the marshes, his two dogs following at his heels in a leash; Dr. John Cavendish's gig, and whether it was about to stop at Uncle Ephraim Tipple's or keep on, as usual, and whirl into the open gate of Cobden Manor; Billy Tatham's passenger list, as the ricketty stage passed with the side curtains up, and the number of trunks and bags, and the size of them, all indicative of where they were bound and for how long; details of village life—no one of which concerned her in the least—being matters of profound interest to Miss Gossaway.

These several discoveries she shared daily with a faded old mother who sat huddled up in a rocking-chair by the stove, winter and summer, whether it had any fire in it or not.

Uncle Ephraim Tipple, in his outspoken way, always referred to these two gossips as the "spiders." "When the thin one has sucked the life out of you," he would say with a laugh, "she passes you on to her old mother, who sits doubled up inside the web, and when she gets done munching there isn't anything left but your hide and bones."

It was but one of Uncle Ephraim's jokes. The mother was only a forlorn, half-alive old woman who dozed in her chair by the hour—the relict of a fisherman who had gone to sea in his yawl some twenty years before and who had never come back. The daughter, with the courage of youth, had then stepped into the gap and had alone made the fight for bread. Gradually, as the years went by the roses in her cheeks—never too fresh at any time—had begun to fade, her face and figure to shrink, and her brow to tighten. At last, embittered by her responsibilities and disappointments, she had lost faith in human kind and had become a shrew. Since then her tongue had swept on as relentlessly as a scythe, sparing neither flower nor noxious weed, a movement which it was wise, sometimes, to check.

When, therefore, Martha, with Meg now bounding before her, caught sight of Ann Gossaway's beckoning hand thrust out of the low window of her cottage—the spider-web referred to by Uncle Ephraim—she halted in her walk, lingered a moment as if undecided, expressed her opinion of the dressmaker to Meg in an undertone, and swinging open the gate with its ball and chain, made her way over the grass-plot and stood outside the window, level with the sill.

"Well, it ain't none of my business, of course, Martha Sands," Miss Gossaway began, "and that's just what I said to mother when I come home, but if I was some folks I'd see my company in my parlor, long as I had one, 'stead of hidin' down behind the House o' Refuge. I said to mother soon's I got in, 'I'm goin' to tell Martha Sands fust minute I see her. She ain't got no idee how them girls of hers is carryin' on or she'd stop it.' That's what I said, didn't I, mother?"

Martha caught an inarticulate sound escaping from a figure muffled in a blanket shawl, but nothing else followed.

"I thought fust it was you when I heard that draggle-tail dog of yours barkin', but it was only Miss Jane and Bart Holt."

"Down on the beach! When?" asked Martha. She had not understood a word of Miss Gossaway's outburst.

"Why, yesterday afternoon, of course—didn't I tell ye so? I'd been down to Fogarty's; it's my week. Miss Jane and Bart didn't see me—didn't want to. Might a' been a pair of scissors, they was that close together."

"Miss Jane warn't on the beach yesterday afternoon," said Martha in a positive tone, still in the dark.

"She warn't, warn't she? Well, I guess I know Miss Jane Cobden. She and Bart was hunched up that close you couldn't get a bodkin 'tween 'em. She had that red cloak around her and the hood up ever her head. Not know her, and she within ten feet o' me? Well, I guess I got my eyes left, ain't I?"

Martha stood stunned. She knew now who it was. She had taken the red cloak from Lucy's shoulders the evening before. Then a cold chill crept over her as she remembered the lie Lucy had told—"not a soul on the beach but Meg and the sandsnipe." For an instant she stood without answering. But for the window-sill on which her hand rested she would have betrayed her emotion in the swaying of her body. She tried to collect her thoughts. To deny Jane's identity too positively would only make the situation worse. If either one of the sisters were to be criticised Jane could stand it best.

"You got sharp eyes and ears, Ann Gossaway, nobody will deny you them, but still I don't think Miss Jane was on the beach yesterday."

"Don't think, don't you? Maybe you think I can't tell a cloak from a bed blanket, never havin' made one, and maybe ye think I don't know my own clo'es when I see 'em on folks. I made that red cloak for Miss Jane two years ago, and I know every stitch in it. Don't you try and teach Ann Gossaway how to cut and baste or you'll git worsted," and the gossip looked over her spectacles at Martha and shook her side-curls in a threatening way.

Miss Gossaway had no love for the old nurse. There had been a time when Martha "weren't no better'n she oughter be, so everybody said," when she came to the village, and the dressmaker never let a chance slip to humiliate the old woman. Martha's open denunciation of the dressmaker's vinegar tongue had only increased the outspoken dislike each had for the other. She saw now, to her delight, that the incident which had seemed to be only a bit of flotsam that had drifted to her shore and which but from Martha's manner would have been forgotten by her the next day, might be a fragment detached from some floating family wreck. Before she could press the matter to an explanation Martha turned abruptly on her heel, called Meg, and with the single remark, "Well, I guess Miss Jane's of age," walked quickly across the grass-plot and out of the gate, the ball and chain closing it behind her with a clang.

Once on the street Martha paused with her brain on fire. The lie which Lucy had told frightened her. She knew why she had told it, and she knew, too, what harm would come to her bairn if that kind of gossip got abroad in the village. She was no longer the gentle, loving nurse with the soft caressing hand, but a woman of purpose. The sudden terror aroused in her heart had the effect of tightening her grip and bracing her shoulders as if the better to withstand some expected shock.

She forgot Meg; forgot her errand to the post-office; forgot everything, in fact, except the safety of the child she loved. That Lucy had neglected and even avoided her of late, keeping out of her way even when she was in the house, and that she had received only cool indifference in place of loyal love, had greatly grieved her, but it had not lessened the idolatry with which she worshipped her bairn. Hours at a time she had spent puzzling her brain trying to account for the change which had come over the girl during two short years of school. She had until now laid this change to her youth, her love of admiration, and had forgiven it. Now she understood it; it was that boy Bart. He had a way with him. He had even ingratiated himself into Miss Jane's confidence. And now this young girl had fallen a victim to his wiles. That Lucy should lie to her, of all persons, and in so calm and self-possessed a manner; and about Bart, of all men—sent a shudder through her heart, that paled her cheek and tightened her lips. Once before she had consulted Jane and had been rebuffed. Now she would depend upon herself.

Retracing her steps and turning sharply to the right, she ordered Meg home in a firm voice, watched the dog slink off and then walked straight down a side road to Captain Nat Holt's house. That the captain occupied a different station in life from herself did not deter her. She felt at the moment that the honor of the Cobden name lay in her keeping. The family had stood by her in her trouble; now she would stand by them.

The captain sat on his front porch reading a newspaper. He was in his shirt-sleeves and bareheaded, his straight hair standing straight out like the bristles of a shoe-brush. Since the death of his wife a few years before he had left the service, and now spent most of his days at home, tending his garden and enjoying his savings. He was a man of positive character and generally had his own way in everything. It was therefore with some astonishment that he heard Martha say when she had mounted the porch steps and pushed open the front door, her breath almost gone in her hurried walk, "Come inside."

Captain Holt threw down his paper and rising hurriedly from his chair, followed her into the sitting-room. The manner of the nurse surprised him. He had known her for years, ever since his old friend, Lucy's father, had died, and the tones of her voice, so different from her usual deferential air, filled him with apprehension.

"Ain't nobody sick, is there, Martha?"

"No, but there will be. Are ye alone?"

"Yes."

"Then shut that door behind ye and sit down. I've got something to say."

The grizzled, weather-beaten man who had made twenty voyages around Cape Horn, and who was known as a man of few words, and those always of command, closed the door upon them, drew down the shade on the sunny side of the room and faced her. He saw now that something of more than usual importance absorbed her.

"Now, what is it?" he asked. His manner had by this time regained something of the dictatorial tone he always showed those beneath him in authority.

"It's about Bart. You've got to send him away." She had not moved from her position in the middle of the room.

The captain changed color and his voice lost its sharpness.

"Bart! What's he done now?"

"He sneaks off with our Lucy every chance he gets. They were on the beach yesterday hidin' behind the House o' Refuge with their heads together. She had on Miss Jane's red cloak, and Ann Gossaway thought it was Miss Jane, and I let it go at that."

The captain looked at Martha incredulously for a moment, and then broke into a loud laugh as the absurdity of the whole thing burst upon him. Then dropping back a step, he stood leaning against the old-fashioned sideboard, his elbows behind him, his large frame thrust toward her.

"Well, what if they were—ain't she pretty enough?" he burst out. "I told her she'd have 'em all crazy, and I hear Bart ain't done nothin' but follow in her wake since he seen her launched."

Martha stepped closer to the captain and held her fist in his face.

"He's got to stop it. Do ye hear me?" she shouted. "If he don't there'll be trouble, for you and him and everybody. It's me that's crazy, not him."

"Stop it!" roared the captain, straightening up, the glasses on the sideboard ringing with his sudden lurch. "My boy keep away from the daughter of Morton Cobden, who was the best friend I ever had and to whom I owe more than any man who ever lived! And this is what you traipsed up here to tell me, is it, you mollycoddle?"

Again Martha edged nearer; her body bent forward, her eyes searching his—so close that she could have touched his face with her knuckles.

"Hold your tongue and stop talkin' foolishness," she blazed out, the courage of a tigress fighting for her young in her eyes, the same bold ring in her voice. "I tell ye, Captain Holt, it's got to stop short off, and NOW! I know men; have known 'em to my misery. I know when they're honest and I know when they ain't, and so do you, if you would open your eyes. Bart don't mean no good to my bairn. I see it in his face. I see it in the way he touches her hand and ties on her bonnet. I've watched him ever since the first night he laid eyes on her. He ain't a man with a heart in him; he's a sneak with a lie in his mouth. Why don't he come round like any of the others and say where he's goin' and what he wants to do instead of peepin' round the gate-posts watchin' for her and sendin' her notes on the sly, and makin' her lie to me, her old nurse, who's done nothin' but love her? Doctor John don't treat Miss Jane so—he loves her like a man ought to love a woman and he ain't got nothin' to hide—and you didn't treat your wife so. There's something here that tells me"—and she laid her hand on her bosom—"tells me more'n I dare tell ye. I warn ye now ag'in. Send him to sea—anywhere, before it is too late. She ain't got no mother; she won't mind a word I say; Miss Jane is blind as a bat; out with him and NOW!"

The captain straightened himself up, and with his clenched fist raised above his head like a hammer about to strike, cried:

"If he harmed the daughter of Morton Cobden I'd kill him!" The words jumped hot from his throat with a slight hissing sound, his eyes still aflame.

"Well, then, stop it before it gets too late. I walk the floor nights and I'm scared to death every hour I live." Then her voice broke. "Please, captain, please," she added in a piteous tone. "Don't mind me if I talk wild, my heart is breakin', and I can't hold in no longer," and she burst into a paroxysm of tears.

The captain leaned against the sideboard again and looked down upon the floor as if in deep thought. Martha's tears did not move him. The tears of few women did. He was only concerned in getting hold of some positive facts upon which he could base his judgment.

"Come, now," he said in an authoritative voice, "let me get that chair and set down and then I'll see what all this amounts to. Sounds like a yarn of a horse-marine." As he spoke he crossed the room and, dragging a rocking-chair from its place beside the wall, settled himself in it. Martha found a seat upon the sofa and turned her tear-stained face toward him.

"Now, what's these young people been doin' that makes ye so almighty narvous?" he continued, lying back in his chair and looking at her from under his bushy eyebrows, his fingers supporting his forehead.

"Everything. Goes out sailin' with her and goes driftin' past with his head in her lap. Fogarty's man who brings fish to the house told me." She had regained something of her old composure now.

"Anything else?" The captain's voice had a relieved, almost condescending tone in it. He had taken his thumb and forefinger from his eyebrow now and sat drumming with his stiffened knuckles on the arm of the rocker.

"Yes, a heap more—ain't that enough along with the other things I've told ye?" Martha's eyes were beginning to blaze again.

"No, that's just as it ought to be. Boys and girls will be boys and girls the world over." The tone of the captain's voice indicated the condition of his mind. He had at last arrived at a conclusion. Martha's head was muddled because of her inordinate and unnatural love for the child she had nursed. She had found a spookship in a fog bank, that was all. Jealousy might be at the bottom of it or a certain nervous fussiness. Whatever it was it was too trivial for him to waste his time over.

The captain rose from his chair, crossed the sitting-room, and opened the door leading to the porch, letting in the sunshine. Martha followed close at his heels.

"You're runnin' on a wrong tack, old woman, and first thing ye know ye'll be in the breakers," he said, with his hand on the knob. "Ease off a little and don't be too hard on 'em. They'll make harbor all right. You're makin' more fuss than a hen over one chicken. Miss Jane knows what she's about. She's got a level head, and when she tells me that my Bart ain't good enough to ship alongside the daughter of Morton Cobden, I'll sign papers for him somewhere else, and not before. I'll have to get you to excuse me now; I'm busy. Good-day," and picking up his paper, he re-entered the house and closed the door upon her.

CHAPTER VI

A GAME OF CARDS

Should Miss Gossaway have been sitting at her lookout some weeks after Martha's interview with Captain Nat Holt, and should she have watched the movements of Doctor John's gig as it rounded into the open gate of Cobden Manor, she must have decided that something out of the common was either happening or about to happen inside Yardley's hospitable doors. Not only was the sorrel trotting at her best, the doctor flapping the lines along her brown back, his body swaying from side to side with the motion of the light vehicle, but as he passed her house he was also consulting the contents of a small envelope which he had taken from his pocket.

"Please come early," it read. "I have something important to talk over with you."

A note of this character signed with so adorable a name as "Jane Cobden" was so rare in the doctor's experience that he had at once given up his round of morning visits and, springing into his waiting gig, had started to answer it in person.

He was alive with expectancy. What could she want with him except to talk over some subject that they had left unfinished? As he hurried on there came into his mind half a dozen matters, any one of which it would have been a delight to revive. He knew from the way she worded the note that nothing had occurred since he had seen her—within the week, in fact—to cause her either annoyance or suffering. No; it was only to continue one of their confidential talks, which were the joy of his life.

Jane was waiting for him in the morning-room. Her face lighted up as he entered and took her hand, and immediately relaxed again into an expression of anxiety.

All his eagerness vanished. He saw with a sinking of the heart, even before she had time to speak, that something outside of his own affairs, or hers, had caused her to write the note.

"I came at once," he said, keeping her hand in his. "You look troubled; what has happened?"

"Nothing yet," she answered, leading him to the sofa, "It is about Lucy. She wants to go away for the winter."

"Where to?" he asked. He had placed a cushion at her back and had settled himself beside her.

"To Trenton, to visit her friend Miss Collins and study music. She says Warehold bores her."

"And you don't want her to go?"

"No; I don't fancy Miss Collins, and I am afraid she has too strong an influence over Lucy. Her personality grates on me; she is so boisterous, and she laughs so loud; and the views she holds are unaccountable to me in so young a girl. She seems to have had no home training whatever. Why Lucy likes her, and why she should have selected her as an intimate friend, has always puzzled me." She spoke with her usual frankness and with that directness which always characterized her in matters of this kind. "I had no one else to talk to and am very miserable about it all. You don't mind my sending for you, do you?"

"Mind! Why do you ask such a question? I am never so happy as when I am serving you."

That she should send for him at all was happiness. Not sickness this time, nor some question of investment, nor the repair of the barn or gate or out-buildings—but Lucy, who lay nearest her heart! That was even better than he had expected.

"Tell me all about it, so I can get it right," he continued in a straightforward tone—the tone of the physician, not the lover. She had relied on him, and he intended to give her the best counsel of which he was capable. The lover could wait.

"Well, she received a letter a week ago from Miss Collins, saying she had come to Trenton for the winter and had taken some rooms in a house belonging to her aunt, who would live with her. She wants to be within reach of the same music-teacher who taught the girls at Miss Parkham's school. She says if Lucy will come it will reduce the expenses and they can both have the benefit of the tuition. At first Lucy did not want to go at all, now she insists, and, strange to say, Martha encourages her."

"Martha wants her to leave?" he asked in surprise.

"She says so."

The doctor's face assumed a puzzled expression. He could account for Lucy's wanting the freedom and novelty of the change, but that Martha should be willing to part with her bairn for the winter mystified him. He knew nothing of the flirtation, of course, and its effect on the old nurse, and could not, therefore, understand Martha's delight in Lucy's and Bart's separation.

"You will be very lonely," he said, and a certain tender tone developed in his voice.

"Yes, dreadfully so, but I would not mind if I thought it was for her good. But I don't think so. I may be wrong, and in the uncertainty I wanted to talk it over with you. I get so desolate sometimes. I never seemed to miss my father so much as now. Perhaps it is because Lucy's babyhood and childhood are over and she is entering upon womanhood with all the dangers it brings. And she frightens me so sometimes," she continued after a slight pause. "She is different; more self-willed, more self-centred. Besides, her touch has altered. She doesn't seem to love me as she did—not in the same way."

"But she could never do anything else but love you," he interrupted quickly, speaking for himself as well as Lucy, his voice vibrating under his emotions. It was all he could do to keep his hands from her own; her sending for him alone restrained him.

"I know that, but it is not in the old way. It used to be 'Sister, darling, don't tire yourself,' or 'Sister, dear, let me go upstairs for you,' or 'Cuddle close here, and let us talk it all out together.' There is no more of that. She goes her own way, and when I chide her laughs and leaves me alone until I make some new advance. Help me, please, and with all the wisdom you can give me; I have no one else in whom I can trust, no one who is big enough to know what should be done. I might have talked to Mr. Dellenbaugh about it, but he is away."

"No; talk it all out to me," he said simply. "I so want to help you"—his whole heart was going out to her in her distress.

"I know you feel sorry for me." She withdrew her hand gently so as not to hurt him; she too did not want to be misunderstood—having sent for him. "I know how sincere your friendship is for me, but put all that aside. Don't let your sympathy for me cloud your judgment. What shall I do with Lucy? Answer me as if you were her father and mine," and she looked straight into his eyes.

The doctor tightened the muscles of his throat, closed his teeth, and summoned all his resolution. If he could only tell her what was in his heart how much easier it would all be! For some moments he sat perfectly still, then he answered slowly—as her man of business would have done:

"I should let her go."

"Why do you say so?"

"Because she will find out in that way sooner than in any other how to appreciate you and her home. Living in two rooms and studying music will not suit Lucy. When the novelty wears off she will long for her home, and when she comes back it will be with a better appreciation of its comforts. Let her go, and make her going as happy as you can."

And so Jane gave her consent—it is doubtful whether Lucy would have waited for it once her mind was made up—and in a week she was off, Doctor John taking her himself as far as the Junction, and seeing her safe on the road to Trenton. Martha was evidently delighted at the change, for the old nurse's face was wreathed in smiles that last morning as they all stood out by the gate while Billy Tatham loaded Lucy's trunks and boxes. Only once did a frown cross her face, and that was when Lucy leaned over and whispering something in Bart's ear, slipped a small scrap of paper between his fingers. Bart crunched it tight and slid his hand carelessly into his pocket, but the gesture did not deceive the nurse: it haunted her for days thereafter.

As the weeks flew by and the letters from Trenton told of the happenings in Maria's home, it became more and more evident to Jane that the doctor's advice had been the wisest and best. Lucy would often devote a page or more of her letters to recalling the comforts of her own room at Yardley, so different from what she was enduring at Trenton, and longing for them to come again. Parts of these letters Jane read to the doctor, and all of them to Martha, who received them with varying comment. It became evident, too, that neither the excitement of Bart's letters, nor the visits of the occasional school friends who called upon them both, nor the pursuit of her new accomplishment, had satisfied the girl.

Jane was not surprised, therefore, remembering the doctor's almost prophetic words, to learn of the arrival of a letter from Lucy begging Martha to come to her at once for a day or two. The letter was enclosed in one to Bart and was handed to the nurse by that young man in person. As he did so he remarked meaningly that Miss Lucy wanted Martha's visit to be kept a secret from everybody but Miss Jane, "just as a surprise," but Martha answered in a positive tone that she had no secrets from those who had a right to know them, and that he could write Lucy she was coming next day, and that Jane and everybody else who might inquire would know of it before she started.

She rather liked Bart's receiving the letter. As long as that young man kept away from Trenton and confined himself to Warehold, where she could keep her eyes on him, she was content.

To Jane Martha said: "Oh, bless the darlin'! She can't do a day longer without her Martha. I'll go in the mornin'. It's a little pettin' she wants—that's all."

So the old nurse bade Meg good-by, pinned her big gray shawl about her, tied on her bonnet, took a little basket with some delicacies and a pot of jelly, and like a true Mother Hubbard, started off, while Jane, having persuaded herself that perhaps "the surprise" was meant for her, and that she might be welcoming two exiles instead of one the following night, began to put Lucy's room in order and to lay out the many pretty things she loved, especially the new dressing-gown she had made for her, lined with blue silk—her favorite color.

All that day and evening, and far into the next afternoon, Jane went about the house with the refrain of an old song welling up into her heart—one that had been stifled for months. The thought of the round-about way in which Lucy had sent for Martha did not dull its melody. That ruse, she knew, came from the foolish pride of youth, the pride that could not meet defeat. Underneath it she detected, with a thrill, the love of home; this, after all, was what her sister could not do without. It was not Bart this time. That affair, as she had predicted and had repeatedly told Martha, had worn itself out and had been replaced by her love of music. She had simply come to herself once more and would again be her old-time sister and her child. Then, too—and this sent another wave of delight tingling through her—it had all been the doctor's doing! But for his advice she would never have let Lucy go.

Half a dozen times, although the November afternoon was raw and chilly, with the wind fresh from the sea and the sky dull, she was out on the front porch without shawl or hat, looking down the path, covered now with dead leaves, and scanning closely every team that passed the gate, only to return again to her place by the fire, more impatient than ever.

Meg's quick ear first caught the grating of the wheels. Jane followed him with a cry of joyous expectation, and flew to the door to meet the stage, which for some reason—why, she could not tell—had stopped for a moment outside the gate, dropping only one passenger, and that one the nurse.

"And Lucy did not come, Martha!" Jane exclaimed, with almost a sob in her voice. She had reached her side now, followed by Meg, who was springing straight at the nurse in the joy of his welcome.

The old woman glanced back at the stage, as if afraid of being overheard, and muttered under her breath:

"No, she couldn't come."

"Oh, I am so disappointed! Why not?"

Martha did not answer. She seemed to have lost her breath. Jane put her arm about her and led her up the path. Once she stumbled, her step was so unsteady, and she would have fallen but for Jane's assistance.

The two had now reached the hand-railing of the porch. Here Martha's trembling foot began to feel about for the step. Jane caught her in her arms.

"You're ill, Martha!" she cried in alarm. "Give me the bag. What's the matter?"

Again Martha did not answer.

"Tell me what it is."

"Upstairs! Upstairs!" Martha gasped in reply. "Quick!"

"What has happened?"

"Not here; upstairs."

They climbed the staircase together, Jane half carrying the fainting woman, her mind in a whirl.

"Where were you taken ill? Why did you try to come home? Why didn't Lucy come with you?"

They had reached the door of Jane's bedroom now, Martha clinging to her arm.

Once inside, the nurse leaned panting against the door, put her bands to her face as if she would shut out some dreadful spectre, and sank slowly to the floor.

"It is not me," she moaned, wringing her hands, "not me—not—"

"Who?"

"Oh, I can't say it!"

"Lucy?"

"Yes"

"Not ill?"

"No; worse!"

"Oh, Martha! Not dead?"

"O God, I wish she were!"

An hour passed—an hour of agony, of humiliation and despair.

Again the door opened and Jane stepped out—slowly, as if in pain, her lips tight drawn, her face ghastly white, the thin cheeks sunken into deeper hollows, the eyes burning. Only the mouth preserved its lines, but firmer, more rigid, more severe, as if tightened by the strength of some great resolve. In her hand she held a letter.

Martha lay on the bed, her face to the wall, her head still in her palms. She had ceased sobbing and was quite still, as if exhausted.

Jane leaned over the banisters, called to one of the servants, and dropping the letter to the floor below, said:

"Take that to Captain Holt's. When he comes bring him upstairs here into my sitting-room."

Before the servant could reply there came a knock at the front door. Jane knew its sound—it was Doctor John's. Leaning far over, grasping the top rail of the banisters to steady herself, she said to the servant in a low, restrained voice:

"If that is Dr. Cavendish, please say to him that Martha is just home from Trenton, greatly fatigued, and I beg him to excuse me. When the doctor has driven away, you can take the letter."

She kept her grasp on the hand-rail until she heard the tones of his voice through the open hall door and caught the note of sorrow that tinged them.

"Oh, I'm so sorry! Poor Martha!" she heard him say. "She is getting too old to go about alone. Please tell Miss Jane she must not hesitate to send for me if I can be of the slightest service." Then she re-entered the room where Martha lay and closed the door.

Another and louder knock now broke the stillness of the chamber and checked the sobs of the nurse; Captain Holt had met Jane's servant as he was passing the gate. He stopped for an instant in the hall, slipped off his coat, and walked straight upstairs, humming a tune as he came. Jane heard his firm tread, opened the door of their room, and she and Martha crossed the hall to a smaller apartment where Jane always attended to the business affairs of the house. The captain's face was wreathed in a broad smile as he extended his hand to Jane in welcome.

"It's lucky ye caught me, Miss Jane. I was just goin' out, and in a minute I'd been gone for the night. Hello, Mother Martha! I thought you'd gone to Trenton."

The two women made no reply to his cheery salutation, except to motion him to a seat. Then Jane closed the door and turned the key in the lock.

When the captain emerged from the chamber he stepped out alone. His color was gone, his eyes flashing, his jaw tight set. About his mouth there hovered a savage, almost brutal look, the look of a bulldog who bares his teeth before he tears and strangles—a look his men knew when someone of them purposely disobeyed his orders. For a moment he stood as if dazed. All he remembered clearly was the white, drawn face of a woman gazing at him with staring, tear-drenched eyes, the slow dropping of words that blistered as they fell, and the figure of the nurse wringing her hands and moaning: "Oh, I told ye so! I told ye so! Why didn't ye listen?" With it came the pain of some sudden blow that deadened his brain and stilled his heart.

With a strong effort, like one throwing off a stupor, he raised his head, braced his shoulders, and strode firmly along the corridor and down the stairs on his way to the front door. Catching up his coat, he threw it about him, pulled his hat on, with a jerk, slamming the front door, plunged along through the dry leaves that covered the path, and so on out to the main road. Once beyond the gate he hesitated, looked up and down, turned to the right and then to the left, as if in doubt, and lunged forward in the direction of the tavern.

It was Sunday night, and the lounging room was full. One of the inmates rose and offered him a chair—he was much respected in the village, especially among the rougher class, some of whom had sailed with him—but he only waved his hand in thanks.

"I don't want to sit down; I'm looking for Bart. Has he been here?" The sound came as if from between closed teeth.

"Not as I know of, cap'n," answered the landlord; "not since sundown, nohow."

"Do any of you know where he is?" The look in the captain's eyes and the sharp, cutting tones of his voice began to be noticed.

"Do ye want him bad?" asked a man tilted back in a chair against the wall.

"Yes."

"Well, I kin tell ye where to find him,"

"Where?"

"Down on the beach in the Refuge shanty. He and the boys have a deck there Sunday nights. Been at it all fall—thought ye knowed it."

Out into the night again, and without a word of thanks, down the road and across the causeway to the hard beach, drenched with the ceaseless thrash of the rising sea. He followed no path, picked out no road. Stumbling along in the half-gloom of the twilight, he could make out the heads of the sand-dunes, bearded with yellow grass blown flat against their cheeks. Soon he reached the prow of the old wreck with its shattered timbers and the water-holes left by the tide. These he avoided, but the smaller objects he trampled upon and over as he strode on, without caring where he stepped or how often he stumbled. Outlined against the sand-hills, bleached white under the dull light, he looked like some evil presence bent on mischief, so direct and forceful was his unceasing, persistent stride.

When the House of Refuge loomed up against the gray froth of the surf he stopped and drew breath. Bending forward, he scanned the beach ahead, shading his eyes with his hand as he would have done on his own ship in a fog. He could make out now some streaks of yellow light showing through the cracks one above the other along the side of the house and a dull patch of red. He knew what it meant. Bart and his fellows were inside, and were using one of the ship lanterns to see by.

This settled in his mind, the captain strode on, but at a slower pace. He had found his bearings, and would steer with caution.

Hugging the dunes closer, he approached the house from the rear. The big door was shut and a bit of matting had been tacked over the one window to deaden the light. This was why the patch of red was dull. He stood now so near the outside planking that he could hear the laughter and talk of those within. By this time the wind had risen to half a gale and the moan on the outer bar could be heard in the intervals of the pounding surf. The captain crept under the eaves of the roof and listened. He wanted to be sure of Bart's voice before he acted.

At this instant a sudden gust of wind burst in the big door, extinguishing the light of the lantern, and Bart's voice rang out:

"Stay where you are, boys! Don't touch the cards. I know the door, and can fix it; it's only the bolt that's slipped."

As Bart passed out into the gloom the captain darted forward, seized him with a grip of steel, dragged him clear of the door, and up the sand-dunes out of hearing. Then he flung him loose and stood facing the cowering boy.

"Now stand back and keep away from me, for I'm afraid I'll kill you!"

"What have I done?" cringed Bart, shielding his face with his elbow as if to ward off a blow. The suddenness of the attack had stunned him.

"Don't ask me, you whelp, or I'll strangle you. Look at me! That's what you been up to, is it?"

Bart straightened himself, and made some show of resistance. His breath was coming back to him.

"I haven't done anything—and if I did—"

"You lie! Martha's back from Trenton and Lucy told her. You never thought of me. You never thought of that sister of hers whose heart you've broke, nor of the old woman who nursed her like a mother. You thought of nobody but your stinkin' self. You're not a man! You're a cur! a dog! Don't move! Keep away from me, I tell ye, or I may lose hold of myself."

Bart was stretching out his hands now as if in supplication. He had never seen his father like this—the sight frightened him.

"Father, will you listen—" he pleaded.

"I'll listen to nothin'—"

"Will you, please? It's not all my fault. She ought to have kept out of my way—"

"Stop! Take that back! You'd blame HER, would ye—a child just out of school, and as innocent as a baby? By God, you'll do right by her or you'll never set foot inside my house again!"

Bart faced his father again.

"I want to tell you the whole story before you judge me. I want to—"

"You'll tell me nothin'! Will you act square with her?"

"I must tell you first. You wouldn't understand unless—"

"You won't? That's what you mean—you mean you WON'T! Damn ye!" The captain raised his clenched fist, quivered for an instant as if struggling against something beyond his control, dropped it slowly to his side and whirling suddenly, strode back up the beach.

Bart staggered back against the planking, threw out his hand to keep from falling, and watched his father's uncertain, stumbling figure until he was swallowed up in the gloom. The words rang in his ears like a knell. The realization of his position and what it meant, and might mean, rushed over him. For an instant he leaned heavily against the planking until he had caught his breath. Then, with quivering lips and shaking legs, he walked slowly back into the house, shutting the big door behind him.

"Boys," he said with a forced smile, "who do you think's been outside? My father! Somebody told him, and he's just been giving me hell for playing cards on Sunday."

CHAPTER VII

THE EYES OF AN OLD PORTRAIT

Before another Sunday night had arrived Warehold village was alive with two important pieces of news.

The first was the disappearance of Bart Holt.

Captain Nat, so the story ran, had caught him carousing in the House of Refuge on Sunday night with some of his boon companions, and after a stormy interview in which the boy pleaded for forgiveness, had driven him out into the night. Bart had left town the next morning at daylight and had shipped as a common sailor on board a British bark bound for Brazil. No one had seen him go—not even his companions of the night before.

The second announcement was more startling.

The Cobden girls were going to Paris. Lucy Cobden had developed an extraordinary talent for music during her short stay in Trenton with her friend Maria Collins, and Miss Jane, with her customary unselfishness and devotion to her younger sister, had decided to go with her. They might be gone two years or five—it depended on Lucy's success. Martha would remain at Yardley and take care of the old home.

Bart's banishment coming first served as a target for the fire of the gossip some days before Jane's decision had reached the ears of the villagers.

"I always knew he would come to no good end," Miss Gossaway called out to a passer-by from her eyrie; "and there's more like him if their fathers would look after 'em. Guess sea's the best place for him."

Billy Tatham, the stage-driver, did not altogether agree with the extremist.

"You hearn tell, I s'pose, of how Captain Nat handled his boy t'other night, didn't ye?" he remarked to the passenger next to him on the front seat. "It might be the way they did things 'board the Black Ball Line, but 'tain't human and decent, an' I told Cap'n Nat so to-day. Shut his door in his face an' told him he'd kill him if he tried to come in, and all because he ketched him playin' cards on Sunday down on the beach. Bart warn't no worse than the others he run with, but ye can't tell what these old sea-dogs will do when they git riled. I guess it was the rum more'n the cards. Them fellers used to drink a power o' rum in that shanty. I've seen 'em staggerin' home many a Monday mornin' when I got down early to open up for my team. It's the rum that riled the cap'n, I guess. He wouldn't stand it aboard ship and used to put his men in irons, I've hearn tell, when they come aboard drunk. What gits me is that the cap'n didn't know them fellers met there every night they could git away, week-days as well as Sundays. Everybody 'round here knew it 'cept him and the light-keeper, and he's so durned lazy he never once dropped on to 'em. He'd git bounced if the Gov'ment found out he was lettin' a gang run the House o' Refuge whenever they felt like it. Fogarty, the fisherman's, got the key, or oughter have it, but the light-keeper's responsible, so I hearn tell. Git-up, Billy," and the talk drifted into other channels.

The incident was soon forgotten. One young man more or less did not make much difference in Warehold. As to Captain Nat, he was known to be a scrupulously honest, exact man who knew no law outside of his duty. He probably did it for the boy's good, although everybody agreed that he could have accomplished his purpose in some more merciful way.

The other sensation—the departure of the two Cobden girls, and their possible prolonged stay abroad—did not subside so easily. Not only did the neighbors look upon the Manor House as the show-place of the village, but the girls themselves were greatly beloved, Jane being especially idolized from Warehold to Barnegat and the sea. To lose Jane's presence among them was a positive calamity entailing a sorrow that most of her neighbors could not bring themselves to face. No one could take her place.

Pastor Dellenbaugh, when he heard the news, sank into his study chair and threw up his hands as if to ward off some blow.

"Miss Jane going abroad!" he cried; "and you say nobody knows when she will come back! I can't realize it! We might as well close the school; no one else in the village can keep it together."

The Cromartins and the others all expressed similar opinions, the younger ladies' sorrow being aggravated when they realized that with Lucy away there would be no one to lead in their merrymakings.

Martha held her peace; she would stay at home, she told Mrs. Dellenbaugh, and wait for their return and look after the place. Her heart was broken with the loneliness that would come, she moaned, but what was best for her bairn she was willing to bear. It didn't make much difference either way; she wasn't long for this world.

The doctor's mother heard the news with ill-concealed satisfaction.

"A most extraordinary thing has occurred here, my dear," she said to one of her Philadelphia friends who was visiting her—she was too politic to talk openly to the neighbors. "You have, of course, met that Miss Cobden who lives at Yardley—not the pretty one—the plain one. Well, she is the most quixotic creature in the world. Only a few weeks ago she wanted to become a nurse in the public hospital here, and now she proposes to close her house and go abroad for nobody knows how long, simply because her younger sister wants to study music, as if a school-girl couldn't get all the instruction of that kind here that is necessary. Really, I never heard of such a thing."

To Mrs. Benson, a neighbor, she said, behind her hand and in strict confidence: "Miss Cobden is morbidly conscientious over trifles. A fine woman, one of the very finest we have, but a little too strait-laced, and, if I must say it, somewhat commonplace, especially for a woman of her birth and education."

To herself she said: "Never while I live shall Jane Cobden marry my John! She can never help any man's career. She has neither the worldly knowledge, nor the personal presence, nor the money."

Jane gave but one answer to all inquiries—and there were many.

"Yes, I know the move is a sudden one," she would say, "but it is for Lucy's good, and there is no one to go with her but me." No one saw beneath the mask that hid her breaking heart. To them the drawn face and the weary look in her eyes only showed her grief at leaving home and those who loved her: to Mrs. Cavendish it seemed part of Jane's peculiar temperament.

Nor could they watch her in the silence of the night tossing on her bed, or closeted with Martha in her search for the initial steps that had led to this horror. Had the Philadelphia school undermined her own sisterly teachings or had her companions been at fault? Perhaps it was due to the blood of some long-forgotten ancestor, which in the cycle of years had cropped out in this generation, poisoning the fountain of her youth. Bart, she realized, had played the villain and the ingrate, but yet it was also true that Bart, and all his class, would have been powerless before a woman of a different temperament. Who, then, had undermined this citadel and given it over to plunder and disgrace? Then with merciless exactness she searched her own heart. Had it been her fault? What safeguard had she herself neglected? Wherein had she been false to her trust and her promise to her dying father? What could she have done to avert it? These ever-haunting, ever-recurring doubts maddened her.

One thing she was determined upon, cost what it might—to protect her sister's name. No daughter of Morton Cobden's should be pointed at in scorn. For generations no stain of dishonor had tarnished the family name. This must be preserved, no matter who suffered. In this she was sustained by Martha, her only confidante.

Doctor John heard the news from Jane's lips before it was known to the villagers. He had come to inquire after Martha.

She met him at the porch entrance, and led him into the drawing-room, without a word of welcome. Then shutting the door, she motioned him to a seat opposite her own on the sofa. The calm, determined way with which this was done—so unusual in one so cordial—startled him. He felt that something of momentous interest, and, judging from Jane's face, of serious import, had happened. He invariably took his cue from her face, and his own spirits always rose or fell as the light in her eyes flashed or dimmed.

"Is there anything the matter?" he asked nervously. "Martha worse?"

"No, not that; Martha is around again—it is about Lucy and me." The voice did not sound like Jane's.

The doctor looked at her intently, but he did not speak. Jane continued, her face now deathly pale, her words coming slowly.

"You advised me some time ago about Lucy's going to Trenton, and I am glad I followed it. You thought it would strengthen her love for us all and teach her to love me the better. It has—so much so that hereafter we will never be separated. I hope now you will also approve of what I have just decided upon. Lucy is going abroad to live, and I am going with her."

As the words fell from her lips her eyes crept up to his face, watching the effect of her statement. It was a cold, almost brutal way of putting it, she knew, but she dared not trust herself with anything less formal.

For a moment he sat perfectly still, the color gone from his cheeks, his eyes fixed on hers, a cold chill benumbing the roots of his hair. The suddenness of the announcement seemed to have stunned him.

"For how long?" he asked in a halting voice.

"I don't know. Not less than two years; perhaps longer."

"TWO YEARS? Is Lucy ill?"

"No; she wants to study music, and she couldn't go alone."

"Have you made up your mind to this?" he asked, in a more positive tone. His self-control was returning now.

"Yes."

Doctor John rose from his chair, paced the room slowly for a moment, and crossing to the fireplace with his back to Jane, stood under her father's portrait, his elbows on the mantel, his head in his hand. interwoven with the pain which the announcement had given him was the sharper sorrow of her neglect of him. In forming her plans she had never once thought of her lifelong friend.

"Why did you not tell me something of this before?" The inquiry was not addressed to Jane, but to the smouldering coals. "How have I ever failed you? What has my daily life been but an open book for you to read, and here you leave me for years, and never give me a thought."

Jane started in her seat.

"Forgive me, my dear friend!" she answered quickly in a voice full of tenderness. "I did not mean to hurt you. It is not that I love all my friends here the less—and you know how truly I appreciate your own friendship—but only that I love my sister more; and my duty is with her. I only decided last night. Don't turn your back on me. Come and sit by me, and talk to me," she pleaded, holding out her hand. "I need all your strength." As she spoke the tears started to her eyes and her voice sank almost to a whisper.

The doctor lifted his head from his palm and walked quickly toward her. The suffering in her voice had robbed him of all resentment.

"Forgive me, I did not mean it. Tell me," he said, in a sudden burst of tenderness—all feeling about himself had dropped away—"why must you go so soon? Why not wait until spring?" He had taken his seat beside her now and sat looking into her eyes.

"Lucy wants to go at once," she replied, in a tone as if the matter did not admit of any discussion.

"Yes, I know. That's just like her. What she wants she can never wait a minute for, but she certainly would sacrifice some pleasure of her own to please you. If she was determined to be a musician it would be different, but it is only for her pleasure, and as an accomplishment." He spoke earnestly and impersonally, as he always did when she consulted him on any of her affairs, He was trying, too, to wipe from her mind all remembrance of his impatience.

Jane kept her eyes on the carpet for a moment, and then said quietly, and he thought in rather a hopeless tone:

"It is best we go at once."

The doctor looked at her searchingly—with the eye of a scientist, this time, probing for a hidden meaning.

"Then there is something else you have not told me; someone is annoying her, or there is someone with whom you are afraid she will fall in love. Who is it? You know how I could help in a matter of that kind."

"No; there is no one."

Doctor John leaned back thoughtfully and tapped the arm of the sofa with his fingers. He felt as if a door had been shut in his face.

"I don't understand it," he said slowly, and in a baffled tone. "I have never known you to do a thing like this before. It is entirely unlike you. There is some mystery you are keeping from me. Tell me, and let me help."

"I can tell you nothing more. Can't you trust me to do my duty in my own way?" She stole a look at him as she spoke and again lowered her eyelids.

"And you are determined to go?" he asked in his former cross-examining tone.

"Yes."

Again the doctor kept silence. Despite her assumed courage and determined air, his experienced eye caught beneath it all the shrinking helplessness of the woman.

"Then I, too, have reached a sudden resolve," he said in a manner almost professional in its precision. "You cannot and shall not go alone."

"Oh, but Lucy and I can get along together," she exclaimed with nervous haste. "There is no one we could take but Martha, and she is too old. Besides she must look after the house while we are away."

"No; Martha will not do. No woman will do. I know Paris and its life; it is not the place for two women to live in alone, especially so pretty and light-hearted a woman as Lucy."

"I am not afraid."

"No, but I am," he answered in a softened voice, "very much afraid." It was no longer the physician who spoke, but the friend.

"Of what?"

"Of a dozen things you do not understand, and cannot until you encounter them," he replied, smoothing her hand tenderly.

"Yes, but it cannot be helped. There is no one to go with us." This came with some positiveness, yet with a note of impatience in her voice.

"Yes, there is," he answered gently.

"Who?" she asked slowly, withdrawing her hand from his caress, an undefined fear rising in her mind.

"Me. I will go with you."

Jane looked at him with widening eyes. She knew now. She had caught his meaning in the tones of his voice before he had expressed it, and had tried to think of some way to ward off what she saw was coming, but she was swept helplessly on.

"Let us go together, Jane," he burst out, drawing closer to her. All reserve was gone. The words which had pressed so long for utterance could no longer be held back. "I cannot live here alone without you. You know it, and have always known it. I love you so—don't let us live apart any more. If you must go, go as my wife."

A thrill of joy ran through her. Her lips quivered. She wanted to cry out, to put her arms around his neck, to tell him everything in her heart. Then came a quick, sharp pain that stifled every other thought. For the first time the real bitterness of the situation confronted her. This phase of it she had not counted upon.

She shrank back a little. "Don't ask me that!" she moaned in a tone almost of pain. "I can stand anything now but that. Not now—not now!"

Her hand was still under his, her fingers lying limp, all the pathos of her suffering in her face: determination to do her duty, horror over the situation, and above them all her overwhelming love for him.

He put his arm about her shoulders and drew her to him.

"You love me, Jane, don't you?"

"Yes, more than all else in the world," she answered simply. "Too well"—and her voice broke—"to have you give up your career for me or mine."

"Then why should we live apart? I am willing to do as much for Lucy as you would. Let me share the care and responsibility. You needn't, perhaps, be gone more than a year, and then we will all come back together, and I take up my work again. I need you, my beloved. Nothing that I do seems of any use without you. You are my great, strong light, and have always been since the first day I loved you. Let me help bear these burdens. You have carried them so long alone."

His face lay against hers now, her hand still clasped tight in his. For an instant she did not answer or move; then she straightened a little and lifted her cheek from his.

"John," she said—it was the first time in all her life she had called him thus—"you wouldn't love me if I should consent. You have work to do here and I now have work to do on the other side. We cannot work together; we must work apart. Your heart is speaking, and I love you for it, but we must not think of it now. It may come right some time—God only knows! My duty is plain—I must go with Lucy. Neither you nor my dead father would love me if I did differently."

"I only know that I love you and that you love me and nothing else should count," he pleaded impatiently. "Nothing else shall count. There is nothing you could do would make me love you less. You are practical and wise about all your plans. Why has this whim of Lucy's taken hold of you as it has? And it is only a whim; Lucy will want something else in six months. Oh, I cannot—cannot let you go. I'm so desolate without you—my whole life is yours—everything I do is for you. O Jane, my beloved, don't shut me out of your life! I will not let you go without me!" His voice vibrated with a certain indignation, as if he had been unjustly treated. She raised one hand and laid it on his forehead, smoothing his brow as a mother would that of a child. The other still lay in his.

"Don't, John," she moaned, in a half-piteous tone. "Don't! Don't talk so! I can only bear comforting words to-day. I am too wretched—too utterly broken and miserable. Please! please, John!"

He dropped her hand and leaning forward put both of his own to his head. He knew how strong was her will and how futile would be his efforts to change her mind unless her conscience agreed.

"I won't," he answered, as a strong man answers who is baffled. "I did not mean to be impatient or exacting." Then he raised his head and looked steadily into her eyes. "What would you have me do, then?"

"Wait."

"But you give me no promise."

"No, I cannot—not now. I am like one staggering along, following a dim light that leads hither and thither, and which may any moment go out and leave me in utter darkness."

"Then there is something you have not told me?"

"O John! Can't you trust me?"

"And yet you love me?"

"As my life, John."

When he had gone and she had closed the door upon him, she went back to the sofa where the two had sat together, and with her hands clasped tight above her head, sank down upon its cushions. The tears came like rain now, bitter, blinding tears that she could not check.

"I have hurt him," she moaned. "He is so good, and strong, and helpful. He never thinks of himself; it is always of me—me, who can do nothing. The tears were in his eyes—I saw them. Oh, I've hurt him—hurt him! And yet, dear God, thou knowest I could not help it."

Maddened with the pain of it all she sprang up, determined to go to him and tell him everything. To throw herself into his arms and beg forgiveness for her cruelty and crave the protection of his strength. Then her gaze fell upon her father's portrait! The cold, steadfast eyes were looking down upon her as if they could read her very soul. "No! No!" she sobbed, putting her hands over her eyes as if to shut out some spectre she had not the courage to face. "It must not be—it CANNOT be," and she sank back exhausted.

When the paroxysm was over she rose to her feet, dried her eyes, smoothed her hair with both hands, and then, with lips tight pressed and faltering steps, walked upstairs to where Martha was getting Lucy's things ready for the coming journey. Crossing the room, she stood with her elbows on the mantel, her cheeks tight pressed between her palms, her eyes on the embers. Martha moved from the open trunk and stood behind her.

"It was Doctor John, wasn't it?" she asked in a broken voice that told of her suffering.

"Yes," moaned Jane from between her hands.

"And ye told him about your goin'?"

"Yes, Martha." Her frame was shaking with her sobs.

"And about Lucy?"

"No, I could not."

Martha leaned forward and laid her hand on Jane's shoulder.

"Poor lassie!" she said, patting it softly. "Poor lassie! That was the hardest part. He's big and strong and could 'a' comforted ye. My heart aches for ye both!"

CHAPTER VIII

AN ARRIVAL

With the departure of Jane and Lucy the old homestead took on that desolate, abandoned look which comes to most homes when all the life and joyousness have gone from them. Weeds grew in the roadway between the lilacs, dandelions flaunted themselves over the grass-plots; the shutters of the porch side of the house were closed, and the main gate always thrown wide day and night in ungoverned welcome, was seldom opened except to a few intimate friends of the old nurse.

At first Pastor Dellenbaugh had been considerate enough to mount the long path to inquire for news of the travelers and to see how Martha was getting along, but after the receipt of the earlier letters from Jane telling of their safe arrival and their sojourn in a little village but a short distance out of Paris, convenient to the great city, even his visits ceased. Captain Holt never darkened the door; nor did he ever willingly stop to talk to Martha when he met her on the road. She felt the slight, and avoided him when she could. This resulted in their seldom speaking to each other, and then only in the most casual way. She fancied he might think she wanted news of Bart, and so gave him no opportunity to discuss him or his whereabouts; but she was mistaken. The captain never mentioned his name to friend or stranger. To him the boy was dead for all time. Nor had anyone of his companions heard from him since that stormy night on the beach.

Doctor John's struggle had lasted for months, but he had come through it chastened and determined. For the first few days he went about his work as one in a dream, his mind on the woman he loved, his hand mechanically doing its duty. Jane had so woven herself into his life that her sudden departure had been like the upwrenching of a plant, tearing out the fibres twisted about his heart, cutting off all his sustenance and strength. The inconsistencies of her conduct especially troubled him. If she loved him—and she had told him that she did, and with their cheeks touching—how could she leave him in order to indulge a mere whim of her sister's? And if she loved him well enough to tell him so, why had she refused to plight him her troth? Such a course was unnatural, and out of his own and everyone else's experience. Women who loved men with a great, strong, healthy love, the love he could give her, and the love he knew she could give him, never permitted such trifles to come between them and their life's happiness. What, he asked himself a thousand times, had brought this change?

As the months went by these doubts and speculations one by one passed out of his mind, and only the image of the woman he adored, with all her qualities—loyalty to her trust, tenderness over Lucy and unquestioned love for himself—rose clear. No, he would believe in her to the end! She was still all he had in life. If she would not be his wife she should be his friend. That happiness was worth all else to him in the world. His was not to criticise, but to help. Help as SHE wanted it; preserving her standard of personal honor, her devotion to her ideals, her loyalty, her blind obedience to her trust.

Mrs. Cavendish had seen the change in her son's demeanor and had watched him closely through his varying moods, but though she divined their cause she had not sought to probe his secret.

His greatest comfort was in his visits to Martha. He always dropped in to see her when he made his rounds in the neighborhood; sometimes every day, sometimes once a week, depending on his patients and their condition—visits which were always prolonged when a letter came from either of the girls, for at first Lucy wrote to the old nurse as often as did Jane. Apart from this the doctor loved the patient caretaker, both for her loyalty and for her gentleness. And she loved him in return; clinging to him as an older woman clings to a strong man, following his advice (he never gave orders) to the minutest detail when something in the management or care of house or grounds exceeded her grasp. Consulting him, too, and this at Jane's special request—regarding any financial complications which needed prompt attention, and which, but for his services, might have required Jane's immediate return to disentangle. She loved, too, to talk of Lucy and of Miss Jane's goodness to her bairn, saying she had been both a sister and a mother to her, to which the doctor would invariably add some tribute of his own which only bound the friendship the closer.

His main relief, however, lay in his work, and in this he became each day more engrossed. He seemed never to be out of his gig unless at the bedside of some patient. So long and wearing had the routes become—often beyond Barnegat and as far as Westfield—that the sorrel gave out, and he was obliged to add another horse to his stable. His patients saw the weary look in his eyes—as of one who had often looked on sorrow—and thought it was the hard work and anxiety over them that had caused it. But the old nurse knew better.

"His heart's breakin' for love of her," she would say to Meg, looking down into his sleepy eyes—she cuddled him more than ever these days—"and I don't wonder. God knows how it'll all end."

Jane wrote to him but seldom; only half a dozen letters in all during the first year of her absence among them one to tell him of their safe arrival, another to thank him for his kindness to Martha, and a third to acknowledge the receipt of a letter of introduction to a student friend of his who was now a prominent physician in Paris, and who might be useful in case either of them fell ill. He had written to his friend at the same time, giving the address of the two girls, but the physician had answered that he had called at the street and number, but no one knew of them. The doctor reported this to Jane in his next letter, asking her to write to his friend so that he might know of their whereabouts should they need his services, for which Jane, in a subsequent letter, thanked him, but made no mention of sending to his friend should occasion require. These subsequent letters said very little about their plans and carefully avoided all reference to their daily life or to Lucy's advancement in her studies, and never once set any time for their coming home. He wondered at her neglect of him, and when no answer came to his continued letters, except at long intervals, he could contain himself no longer, and laid the whole matter before Martha.

"She means nothing, doctor, dear," she had answered, taking his hand and looking up into his troubled face. "Her heart is all right; she's goin' through deep waters, bein' away from everybody she loves—you most of all. Don't worry; keep on lovin' her, ye'll never have cause to repent it."

That same night Martha wrote to Jane, giving her every detail of the interview, and in due course of time handed the doctor a letter in which Jane wrote: "He MUST NOT stop writing to me; his letters are all the comfort I have"—a line not intended for the doctor's eyes, but which the good soul could not keep from him, so eager was she to relieve his pain.

Jane's letter to him in answer to his own expressing his unhappiness over her neglect was less direct, but none the less comforting to him. "I am constantly moving about," the letter ran, "and have much to do and cannot always answer your letters, so please do not expect them too often. But I am always thinking of you and your kindness to dear Martha. You do for me when you do for her."

After this it became a settled habit between them, he writing by the weekly steamer, telling her every thought of his life, and she replying at long intervals. In these no word of love was spoken on her side; nor was any reference made to their last interview. But this fact did not cool the warmth of his affection nor weaken his faith. She had told him she loved him, and with her own lips. That was enough—enough from a woman like Jane. He would lose faith when she denied it in the same way. In the meantime she was his very breath and being.

One morning two years after Jane's departure, while the doctor and his mother sat at breakfast, Mrs. Cavendish filling the tea-cups, the spring sunshine lighting up the snow-white cloth and polished silver, the mail arrived and two letters were laid at their respective plates, one for the doctor and the other for his mother.

As Doctor John glanced at the handwriting his face flushed, and his eyes danced with pleasure. With eager, trembling fingers he broke the seal and ran his eyes hungrily over the contents. It had been his habit to turn to the bottom of the last page before he read the preceding ones, so that he might see the signature and note the final words of affection or friendship, such as "Ever your friend," or "Affectionately yours," or simply "Your friend," written above Jane's name. These were to him the thermometric readings of the warmth of her heart.

Half way down the first page—before he had time to turn the leaf—he caught his breath in an effort to smother a sudden outburst of joy. Then with a supreme effort he regained his self-control and read the letter to the end. (He rarely mentioned Jane's name to his mother, and he did not want his delight over the contents of the letter to be made the basis of comment.)

Mrs. Cavendish's outburst over the contents of her own envelope broke the silence and relieved his tension.

"Oh, how fortunate!" she exclaimed. "Listen, John; now I really have good news for you. You remember I told you that I met old Dr. Pencoyd the last time I was in Philadelphia, and had a long talk with him. I told him how you were buried here and how hard you worked and how anxious I was that you should leave Barnegat, and he promised to write to me, and he has. Here's his letter. He says he is getting too old to continue his practice alone, that his assistant has fallen ill, and that if you will come to him at once he will take you into partnership and give you half his practice. I always knew something good would come out of my last visit to Philadelphia. Aren't you delighted, my son?"

"Yes, perfectly overjoyed," answered the doctor, laughing. He was more than delighted—brimming over with happiness, in fact—but not over his mother's news; it was the letter held tight in his grasp that was sending electric thrills through him. "A fine old fellow is Dr. Pencoyd—known him for years," he continued; "I attended his lectures before I went abroad. Lives in a musty old house on Chestnut Street, stuffed full of family portraits and old mahogany furniture, and not a comfortable chair or sofa in the place; wears yellow Nankeen waist-coats, takes snuff, and carries a fob. Oh, yes, same old fellow. Very kind of him, mother, but wouldn't you rather have the sunlight dance in upon you as it does here and catch a glimpse of the sea through the window than to look across at your neighbors' back walls and white marble steps?" It was across that same sea that Jane was coming, and the sunshine would come with her!

"Yes; but, John, surely you are not going to refuse this without looking into it?" she argued, eyeing him through her gold-rimmed glasses. "Go and see him, and then you can judge. It's his practice you want, not his house."

"No; that's just what I don't want. I've got too much practice now. Somehow I can't keep my people well. No, mother, dear, don't bother your dear head over the old doctor and his wants. Write him that I am most grateful, but that the fact is I need an assistant myself, and if he will be good enough to send someone down here, I'll keep him busy every hour of the day and night. Then, again," he continued, a more serious tone in his voice, "I couldn't possibly leave here now, even if I wished to, which I do not."

Mrs. Cavendish eyed him intently. She had expected just such a refusal Nothing that she ever planned for his advancement did he agree to.

"Why not?" she asked, with some impatience.

"The new hospital is about finished, and I am going to take charge of it."

"Do they pay you for it?" she continued, in an incisive tone.

"No, I don't think they will, nor can. It's not, that kind of a hospital," answered the doctor gravely.

"And you will look after these people just as you do after Fogarty and the Branscombs, and everybody else up and down the shore, and never take a penny in pay!" she retorted with some indignation.

"I am afraid I will, mother. A disappointing son, am I not? But there's no one to blame but yourself, old lady," and with a laugh he rose from his seat, Jane's letter in his hand, and kissed his mother on the cheek.

"But, John, dear," she exclaimed in a pleading petulance as she looked into his face, still holding on to the sleeve of his coat to detain him the longer, "just think of this letter of Pencoyd's; nothing has ever been offered you better than this. He has the very best people in Philadelphia on his list, and you would get—"

The doctor slipped his hand under his mother's chin, as he would have done to a child, and said with a twinkle in his eye—he was very happy this morning:

"That's precisely my case—I've got the very best people in three counties on my list. That's much better than the old doctor."

"Who are they, pray?" She was softening under her son's caress.

"Well, let me think. There's the distinguished Mr. Tatham, who attends to the transportation of the cities of Warehold and Barnegat; and the Right Honorable Mr. Tipple, and Mrs. and Miss Gossaway, renowned for their toilets—"

Mrs. Cavendish bit her lip. When her son was in one of these moods it was all she could do to keep her temper.

"And the wonderful Mrs. Malmsley, and—"

Mrs. Cavendish looked up. The name had an aristocratic sound, but it was unknown to her.

"Who is she?"

"Why, don't you know the wonderful Mrs. Malmsley?" inquired the doctor, with a quizzical smile.

"No, I never heard of her."

"Well, she's just moved into Warehold. Poor woman, she hasn't been out of bed for years! She's the wife of the new butcher, and—"

"The butcher's wife?"

"The butcher's wife, my dear mother, a most delightful old person, who has brought up three sons, and each one a credit to her."

Mrs. Cavendish let go her hold on the doctor's sleeve and settled back in her chair.

"And you won't even write to Dr. Pencoyd?" she asked in a disheartened way, as if she knew he would refuse.

"Oh, with pleasure, and thank him most kindly, but I couldn't leave Barnegat; not now. Not at any time, so far as I can see."

"And I suppose when Jane Cobden comes home in a year or so she will work with you in the hospital. She wanted to turn nurse the last time I talked to her." This special arrow in her maternal quiver, poisoned with her jealousy, was always ready.

"I hope so," he replied, with a smile that lighted up his whole face; "only it will not be a year. Miss Jane will be here on the next steamer."

Mrs. Cavendish put down her tea-cup and looked at her son in astonishment. The doctor still kept his eyes on her face.

"Be here by the next steamer! How do you know?"

The doctor held up the letter.

"Lucy will remain," he added. "She is going to Germany to continue her studies."

"And Jane is coming home alone?"

"No, she brings a little child with her, the son of a friend, she writes. She asks that I arrange to have Martha meet them at the dock."

"Somebody, I suppose, she has picked up out of the streets. She is always doing these wild, unpractical things. Whose child is it?"

"She doesn't say, but I quite agree with you that it was helpless, or she wouldn't have protected it."

"Why don't Lucy come with her?"

The doctor shrugged his shoulders.

"And I suppose you will go to the ship to meet her?"

The doctor drew himself up, clicked his heels together with the air of an officer saluting his superior—really to hide his joy—and said with mock gravity, his hand on his heart:

"I shall, most honorable mother, be the first to take her ladyship's hand as she walks down the gangplank." Then he added, with a tone of mild reproof in his voice: "What a funny, queer old mother you are! Always worrying yourself over the unimportant and the impossible," and stooping down, he kissed her again on the cheek and passed out of the room on the way to his office.

"That woman always comes up at the wrong moment," Mrs. Cavendish said to herself in a bitter tone. "I knew he had received some word from her, I saw it in his face. He would have gone to Philadelphia but for Jane Cobden."

CHAPTER IX

THE SPREAD OF FIRE

The doctor kept his word. His hand was the first that touched Jane's when she came down the gangplank, Martha beside him, holding out her arms for the child, cuddling it to her bosom, wrapping her shawl about it as if to protect it from the gaze of the inquisitive.

"O doctor! it was so good of you!" were Jane's first words. It hurt her to call him thus, but she wanted to establish the new relation clearly. She had shouldered her cross and must bear its weight alone and in her own way. "You don't know what it is to see a face from home! I am so glad to get here. But you should not have left your people; I wrote Martha and told her so. All I wanted you to do was to have her meet me here. Thank you, dear friend, for coming."

She had not let go his hand, clinging to him as a timid woman in crossing a narrow bridge spanning an abyss clings to the strong arm of a man.

He helped her to the dock as tenderly as if she had been a child; asking her if the voyage had been a rough one, whether she had been ill in her berth, and whether she had taken care of the baby herself, and why she had brought no nurse with her. She saw his meaning, but she did not explain her weakness or offer any explanation of the cause of her appearance or of the absence of a nurse. In a moment she changed the subject, asking after his mother and his own work, and seemed interested in what he told her about the neighbors.

When the joy of hearing her voice and of looking into her dear face once more had passed, his skilled eyes probed the deeper. He noted with a sinking at the heart the dark circles under the drooping lids, the drawn, pallid skin and telltale furrows that had cut their way deep into her cheeks. Her eyes, too, had lost their lustre, and her step lacked the spring and vigor of her old self. The diagnosis alarmed him. Even the mould of her face, so distinguished, and to him so beautiful, had undergone a change; whether through illness, or because of some mental anguish, he could not decide.

When he pressed his inquiries about Lucy she answered with a half-stifled sigh that Lucy had decided to remain abroad for a year longer; adding that it had been a great relief to her, and that at first she had thought of remaining with her, but that their affairs, as he knew, had become so involved at home that she feared their means of living might be jeopardized if she did not return at once. The child, however, would be a comfort to both Martha and herself until Lucy came. Then she added in a constrained voice:

"Its mother would not, or could not care for it, and so I brought it with me."

Once at home and the little waif safely tucked away in the crib that had sheltered Lucy in the old days, the neighbors began to flock in; Uncle Ephraim among the first.

"My, but I'm glad you're back!" he burst out. "Martha's been lonelier than a cat in a garret, and down at our house we ain't much better. And so that Bunch of Roses is going to stay over there, is she, and set those Frenchies crazy?"

Pastor Dellenbaugh took both of Jane's hands into his own and looking into her face, said:

"Ah, but we've missed you! There has been no standard, my dear Miss Jane, since you've been gone. I have felt it, and so has everyone in the church. It is good to have you once more with us."

Mrs. Cavendish could hardly conceal her satisfaction, although she was careful what she said to her son. Her hope was that the care of the child would so absorb Jane that John would regain his freedom and be no longer subservient to Miss Cobden's whims.

"And so Lucy is to stay in Paris?" she said, with one of her sweetest smiles. "She is so charming and innocent, that sweet sister of yours, my dear Miss Jane, and so sympathetic. I quite lost my heart to her. And to study music, too? A most noble accomplishment, my dear. My grandmother, who was an Erskine, you know, played divinely on the harp, and many of my ancestors, especially the Dagworthys, were accomplished musicians. Your sister will look lovely bending over a harp. My grandmother had her portrait painted that way by Peale, and it still hangs in the old house in Trenton. And they tell me you have brought a little angel with you to bring up and share your loneliness? How pathetic, and how good of you!"

The village women—they came in groups—asked dozens of questions before Jane had had even time to shake each one by the hand. Was Lucy so in love with the life abroad that she would never come back? was she just as pretty as ever? what kind of bonnets were being worn? etc., etc.

The child in Martha's arms was, of course, the object of special attention. They all agreed that it was a healthy, hearty, and most beautiful baby; just the kind of a child one would want to adopt if one had any such extraordinary desires.

This talk continued until they had gained the highway, when they also agreed—and this without a single dissenting voice—that in all the village Jane Cobden was the only woman conscientious enough to want to bring up somebody else's child, and a foreigner at that, when there were any quantity of babies up and down the shore that could be had for the asking. The little creature was, no doubt, helpless, and appealed to Miss Jane's sympathies, but why bring it home at all? Were there not places enough in France where it could be brought up? etc., etc. This sort of gossip went on for days after Jane's return, each dropper-in at tea-table or village gathering having some view of her own to express, the women doing most of the talking.

The discussion thus begun by friends was soon taken up by the sewing societies and church gatherings, one member in good standing remarking loud enough to be heard by everybody:

"As for me, I ain't never surprised at nothin' Jane Cobden does. She's queerer than Dick's hat-band, and allus was, and I've knowed her ever since she used to toddle up to my house and I baked cookies for her. I've seen her many a time feed the dog with what I give her, just because she said he looked hungry, which there warn't a mite o' truth in, for there ain't nothin' goes hungry round my place, and never was. She's queer, I tell ye."

"Quite true, dear Mrs. Pokeberry," remarked Pastor Dellenbaugh in his gentlest tone—he had heard the discussion as he was passing through the room and had stopped to listen—"especially when mercy and kindness is to be shown. Some poor little outcast, no doubt, with no one to take care of it, and so this grand woman brings it home to nurse and educate. I wish there were more Jane Cobdens in my parish. Many of you talk good deeds, and justice, and Christian spirit; here is a woman who puts them into practice."

This statement having been made during the dispersal of a Wednesday night meeting, and in the hearing of half the congregation, furnished the key to the mystery, and so for a time the child and its new-found mother ceased to be an active subject of discussion.

Ann Gossaway, however, was not satisfied. The more she thought of the pastor's explanation the more she resented it as an affront to her intelligence.

"If folks wants to pick up stray babies," she shouted to her old mother on her return home one night, "and bring 'em home to nuss, they oughter label 'em with some sort o' pedigree, and not keep the village a-guessin' as to who they is and where they come from. I don't believe a word of this outcast yarn. Guess Miss Lucy is all right, and she knows enough to stay away when all this tomfoolery's goin' on. She doesn't want to come back to a child's nussery." To all of which her mother nodded her head, keeping it going like a toy mandarin long after the subject of discussion had been changed.

Little by little the scandal spread: by innuendoes; by the wise shakings of empty heads; by nods and winks; by the piecing out of incomplete tattle. For the spread of gossip is like the spread of fire: First a smouldering heat—some friction of ill-feeling, perhaps, over a secret sin that cannot be smothered, try as we may; next a hot, blistering tongue of flame creeping stealthily; then a burst of scorching candor and the roar that ends in ruin. Sometimes the victim is saved by a dash of honest water—the outspoken word of some brave friend. More often those who should stamp out the burning brand stand idly by until the final collapse and then warm themselves at the blaze.

Here in Warehold it began with some whispered talk: Bart Holt had disappeared; there was a woman in the case somewhere; Bart's exile had not been entirely caused by his love of cards and drink. Reference was also made to the fact that Jane had gone abroad but a short time AFTER Bart's disappearance, and that knowing how fond she was of him, and how she had tried to reform him, the probability was that she had met him in Paris. Doubts having been expressed that no woman of Jane Cobden's position would go to any such lengths to oblige so young a fellow as Bart Holt, the details of their intimacy were passed from mouth to mouth, and when this was again scouted, reference was made to Miss Gossaway, who was supposed to know more than she was willing to tell. The dressmaker denied all responsibility for the story, but admitted that she had once seen them on the beach "settin' as close together as they could git, with the red cloak she had made for Miss Jane wound about 'em.

"'Twarn't none o' my business, and I told Martha so, and 'tain't none o' my business now, but I'd rather die than tell a lie or scandalize anybody, and so if ye ask me if I saw 'em I'll have to tell ye I did. I don't believe, howsomever, that Miss Jane went away to oblige that good-for-nothin' or that she's ever laid eyes on him since. Lucy is what took her. She's one o' them flyaways. I see that when she was home, and there warn't no peace up to the Cobdens' house till they'd taken her somewheres where she could git all the runnin' round she wanted. As for the baby, there ain't nobody knows where Miss Jane picked that up, but there ain't no doubt but what she loves it same's if it was her own child. She's named it Archie, after her grandfather, anyhow. That's what Martha and she calls it. So they're not ashamed of it."

When the fire had spent itself, only one spot remained unscorched: this was the parentage of little Archie. That mystery still remained unsolved. Those of her own class who knew Jane intimately admired her kindness of heart and respected her silence; those who did not soon forgot the boy's existence.

The tavern loungers, however, some of whom only knew the Cobden girls by reputation, had theories of their own; theories which were communicated to other loungers around other tavern stoves, most of whom would not have known either of the ladies on the street. The fact that both women belonged to a social stratum far above them gave additional license to their tongues; they could never be called in question by anybody who overheard, and were therefore safe to discuss the situation at their will. Condensed into illogical shape, the story was that Jane had met a foreigner who had deserted her, leaving her to care for the child alone; that Lucy had refused to come back to Warehold, had taken what money was coming to her, and, like a sensible woman, had stayed away. That there was not the slightest foundation for this slander did not lessen its acceptance by a certain class; many claimed that it offered the only plausible solution to the mystery, and must, therefore, be true.

It was not long before the echoes of these scandals reached Martha's ears. The gossips dare not affront Miss Jane with their suspicions, but Martha was different. If they could irritate her by speaking lightly of her mistress, she might give out some information which would solve the mystery.

One night a servant of one of the neighbors stopped Martha on the road and sent her flying home; not angry, but terrified.

"They're beginnin' to talk," she broke out savagely, as she entered Jane's room, her breath almost gone from her run to the house. "I laughed at it and said they dare not one of 'em say it to your face or mine, but they're beginnin' to talk."

"Is it about Barton Holt? have they heard anything from him?" asked Jane. The fear of his return had always haunted her.

"No, and they won't. He'll never come back here ag'in. The captain would kill him."

"It isn't about Lucy, then, is it?" cried Jane, her color going.

Martha shook her head in answer to save her breath.

"Who, then?" cried Jane, nervously. "Not Archie?"

"Yes, Archie and you."

"What do they say?" asked Jane, her voice fallen to a whisper.

"They say it's your child, and that ye're afraid to tell who the father is."

Jane caught at the chair for support and then sank slowly into her seat.

"Who says so?" she gasped.

"Nobody that you or I know; some of the beach-combers and hide-by-nights, I think, started it. Pokeberry's girl told me; her brother works in the shipyard."

Jane sat looking at Martha with staring eyes.

"How dare they—"

"They dare do anything, and we can't answer back. That's what's goin' to make it hard. It's nobody's business, but that don't satisfy 'em. I've been through it meself; I know how mean they can be."

"They shall never know—not while I have life left in me," Jane exclaimed firmly.

"Yes, but that won't keep 'em from lyin'."

The two sat still for some minutes, Martha gazing into vacancy, Jane lying back in her chair, her eyes closed. One emotion after another coursed through her with lightning rapidity—indignation at the charge, horror at the thought that any of her friends might believe it, followed by a shivering fear that her father's good name, for all her care and suffering, might be smirched at last.

Suddenly there arose the tall image of Doctor John, with his frank, tender face. What would he think of it, and how, if he questioned her, could she answer him? Then there came to her that day of parting in Paris. She remembered Lucy's willingness to give up the child forever, and so cover up all traces of her sin, and her own immediate determination to risk everything for her sister's sake. As this last thought welled up in her mind and she recalled her father's dying command, her brow relaxed. Come what might, she was doing her duty. This was her solace and her strength.

"Cruel, cruel people!" she said to Martha, relaxing her hands. "How can they be so wicked? But I am glad it is I who must take the brunt of it all. If they would treat me so, who am innocent, what would they do to my poor Lucy?"

CHAPTER X

A LATE VISITOR

These rumors never reached the doctor. No scandalmonger ever dared talk gossip to him. When he first began to practise among the people of Warehold, and some garrulous old dame would seek to enrich his visit by tittle-tattle about her neighbors, she had never tried it a second time. Doctor John of Barnegat either received the news in silence or answered it with some pleasantry; even Ann Gossaway held her peace whenever the doctor had to be called in to prescribe for her oversensitive throat.

He was aware that Jane had laid herself open to criticism in bringing home a child about which she had made no explanation, but he never spoke of it nor allowed anyone to say so to him. He would have been much happier, of course, if she had given him her confidence in this as she had in many other matters affecting her life; but he accepted her silence as part of her whole attitude toward him. Knowing her as he did, he was convinced that her sole incentive was one of loving kindness, both for the child and for the poor mother whose sin or whose poverty she was concealing. In this connection, he remembered how in one of her letters to Martha she had told of the numberless waifs she had seen and how her heart ached for them; especially in the hospitals which she had visited and among the students. He recalled that he himself had had many similar experiences in his Paris days, in which a woman like Jane Cobden would have been a veritable angel of mercy.

Mrs. Cavendish's ears were more easily approached by the gossips of Warehold and vicinity; then, again she was always curious over the inmates of the Cobden house, and any little scraps of news, reliable or not, about either Jane or her absent sister were eagerly listened to. Finding it impossible to restrain herself any longer, she had seized the opportunity one evening when she and her son were sitting together in the salon, a rare occurrence for the doctor, and only possible when his patients were on the mend.

"I'm sorry Jane Cobden was so foolish as to bring home that baby," she began.

"Why?" said the doctor, without lifting his eyes from the book he was reading.

"Oh, she lays herself open to criticism. It is, of course, but one of her eccentricities, but she owes something to her position and birth and should not invite unnecessary comment."

"Who criticises her?" asked the doctor, his eyes still on the pages.

"Oh, you can't tell; everybody is talking about it. Some of the gossip is outrageous, some I could not even repeat."

"I have no doubt of it," answered the doctor quietly. "All small places like Warehold and Barnegat need topics of conversation, and Miss Jane for the moment is furnishing one of them. They utilize you, dear mother, and me, and everybody else in the same way. But that is no reason why we should lend our ears or our tongues to spread and encourage it."

"I quite agree with you, my son, and I told the person who told me how foolish and silly it was, but they will talk, no matter what you say to them."

"What do they say?" asked the doctor, laying down his book and rising from his chair.

"Oh, all sorts of things. One rumor is that Captain Holt's son, Barton, the one that quarrelled with his father and who went to sea, could tell something of the child, if he could be found."

The doctor laughed. "He can be found," he answered. "I saw his father only last week, and he told me Bart was in Brazil. That is some thousand of miles from Paris, but a little thing like that in geography doesn't seem to make much difference to some of our good people. Why do you listen to such nonsense?" he added as he kissed her tenderly and, with a pat on her cheek, left the room for his study. His mother's talk had made but little impression upon him. Gossip of this kind was always current when waifs like Archie formed the topic; but it hurt nobody, he said to himself—nobody like Jane.

Sitting under his study lamp looking up some complicated case, his books about him, Jane's sad face came before him. "Has she not had trouble enough," he said to himself, "parted from Lucy and with her unsettled money affairs, without having to face these gnats whose sting she cannot ward off?" With this came the thought of his own helplessness to comfort her. He had taken her at her word that night before she left for Paris, when she had refused to give him her promise and had told him to wait, and he was still ready to come at her call; loving her, watching ever her, absorbed in every detail of her daily life, and eager to grant her slightest wish, and yet he could not but see that she had, since her return, surrounded herself with a barrier which he could neither understand nor break down whenever he touched on their personal relations.

Had he loved her less he would, in justice to himself, have faced all her opposition and demanded an answer—Yes or No—as to whether she would yield to his wishes. But his generous nature forbade any such stand and his reverence for her precluded any such mental attitude.

Lifting his eyes from his books and gazing dreamily into the space before him, he recalled, with a certain sinking of the heart, a conversation which had taken place between Jane and himself a few days after her arrival—an interview which had made a deep impression upon him. The two, in the absence of Martha—she had left the room for a moment—were standing beside the crib watching the child's breathing. Seizing the opportunity, one he had watched for, he had told her how much he had missed her during the two years, and how much happier his life was now that he could touch her hand and listen to her voice. She had evaded his meaning, making answer that his pleasure, was nothing compared to her own when she thought how safe the baby would be in his hands; adding quickly that she could never thank him enough for remaining in Barnegat and not leaving her helpless and without a "physician." The tone with which she pronounced the word had hurt him. He thought he detected a slight inflection, as if she were making a distinction between his skill as an expert and his love as a man, but he was not sure.

Still gazing into the shadows before him, his unread book in his hand, he recalled a later occasion when she appeared rather to shrink from him than to wish to be near him, speaking to him with downcast eyes and without the frank look in her face which was always his welcome. On this day she was more unstrung and more desolate than he had ever seen her. At length, emboldened by his intense desire to help, and putting aside every obstacle, he had taken her hand and had said with all his heart in his voice:

"Jane, you once told me you loved me. Is it still true?"

He remembered how at first she had not answered, and how after a moment she had slowly withdrawn her hand and had replied in a voice almost inarticulate, so great was her emotion.

"Yes, John, and always will be, but it can never go beyond that—never, never. Don't ask many more questions. Don't talk to me about it. Not now, John—not now! Don't hate me! Let us be as we have always been—please, John! You would not refuse me if you knew."

He had started forward to take her in his arms; to insist that now every obstacle was removed she should give him at once the lawful right to protect her, but she had shrunk back, the palms of her hands held out as barriers, and before he could reason with her Martha had entered with something for little Archie, and so the interview had come to an end.

Then, still absorbed in his thoughts, his eyes suddenly brightened and a certain joy trembled in his heart as he remembered that with all these misgivings and doubts there were other times—and their sum was in the ascendency—when she showed the same confidence in his judgement and the same readiness to take his advice; when the old light would once more flash in her eyes as she grasped his hand and the old sadness again shadow her face when his visits came to an end. With this he must be for a time content.

These and a hundred other thoughts raced through Doctor John's mind as he sat to-night in his study chair, the lamplight falling on his open books and thin, delicately modelled hands.

Once he rose from his seat and began pacing his study floor, his hands behind his back, his mind on Jane, on her curious and incomprehensible moods, trying to solve them as he walked, trusting and leaning upon him one day and shrinking from him the next. Baffled for the hundredth time in this mental search, he dropped again into his chair, and adjusting the lamp, pulled his books toward him to devote his mind to their contents. As the light flared up he caught the sound of a step upon the gravel outside, and then a heavy tread upon the porch. An instant later his knocker sounded. Doctor Cavendish gave a sigh—he had hoped to have one night at home—and rose to open the door.

Captain Nat Holt stood outside.

His pea-jacket was buttoned close up under his chin, his hat drawn tight down over his forehead. His weather-beaten face, as the light fell upon it, looked cracked and drawn, with dark hollows under the eyes, which the shadows from the lamplight deepened.

"It's late, I know, doctor," he said in a hoarse, strained voice; "ten o'clock, maybe, but I got somethin' to talk to ye about," and he strode into the room. "Alone, are ye?" he continued, as he loosened his coat and laid his hat on the desk. "Where's the good mother? Home, is she?"

"Yes, she's inside," answered the doctor, pointing to the open door leading to the salon and grasping the captain's brawny hand in welcome. "Why? Do you want to see her?"

"No, I don't want to see her; don't want to see nobody but you. She can't hear, can she? 'Scuse me—I'll close this door."

The doctor looked at him curiously. The captain seemed to be laboring under a nervous strain, unusual in one so stolid and self-possessed.

The door closed, the captain moved back a cushion, dropped into a corner of the sofa, and sat looking at the doctor, with legs apart, his open palms resting on his knees.

"I got bad news, doctor—awful bad news for everybody," as he spoke he reached into his pocket and produced a letter with a foreign postmark.

"You remember my son Bart, of course, don't ye, who left home some two years ago?" he went on.

The doctor nodded.

"Well, he's dead."

"Your son Bart dead!" cried the doctor, repeating his name in the surprise of the announcement. "How do you know?"

"This letter came by to-day's mail. It's from the consul at Rio. Bart come in to see him dead broke and he helped him out. He'd run away from the ship and was goin' up into the mines to work, so the consul wrote me. He was in once after that and got a little money, and then he got down with yellow fever and they took him to the hospital, and he died in three days. There ain't no doubt about it. Here's a list of the dead in the paper; you kin read his name plain as print."

Doctor John reached for the letter and newspaper clipping and turned them toward the lamp. The envelope was stamped "Rio Janeiro" and the letter bore the official heading of the consulate.

"That's dreadful, dreadful news, captain," said the doctor in sympathetic tones. "Poor boy! it's too bad. Perhaps, however, there may be some mistake, after all. Foreign hospital registers are not always reliable," added the doctor in a hopeful tone.

"No, it's all true, or Benham wouldn't write me what he has. I've known him for years. He knows me, too, and he don't go off half-cocked. I wrote him to look after Bart and sent him some money and give him the name of the ship, and he watched for her and sent for him all right. I was pretty nigh crazy that night he left, and handled him, maybe, rougher'n I ou'ter, but I couldn't help it. There's some things I can't stand, and what he done was one of 'em. It all comes back to me now, but I'd do it ag'in." As he spoke the rough, hard sailor leaned forward and rested his chin on his hand. The news had evidently been a great shock to him.

The doctor reached over and laid his hand on the captain's knee. "I'm very, very sorry, captain, for you and for Bart; and the only son you have, is it not?"

"Yes, and the only child we ever had. That makes it worse. Thank God, his mother's dead! All this would have broken her heart." For a moment the two men were silent, then the captain continued in a tone as if he were talking to himself, his eyes on the lamp:

"But I couldn't have lived with him after that, and I told him so—not till he acted fair and square, like a man. I hoped he would some day, but that's over now."

"We're none of us bad all the way through, captain," reasoned the doctor, "and don't you think of him in that way. He would have come to himself some day and been a comfort to you. I didn't know him as well as I might, and only as I met him at Yardley, but he must have had a great many fine qualities or the Cobdens wouldn't have liked him. Miss Jane used often to talk to me about him. She always believed in him. She will be greatly distressed over this news."

"That's what brings me here. I want you to tell her, and not me. I'm afraid it'll git out and she'll hear it, and then she'll be worse off than she is now. Maybe it's best to say nothin' 'bout it to nobody and let it go. There ain't no one but me to grieve for him, and they don't send no bodies home, not from Rio, nor nowheres along that coast. Maybe, too, it ain't the time to say it to her. I was up there last week to see the baby, and she looked thinner and paler than I ever see her. I didn't know what to do, so I says to myself, 'There's Doctor John, he's at her house reg'lar and knows the ins and outs of her, and I'll go and tell him 'bout it and ask his advice.' I'd rather cut my hand off than hurt her, for if there's an angel on earth she's one. She shakes so when I mention Bart's name and gits so flustered, that's why I dar'n't tell her. Now he's dead there won't be nobody to do right by Archie. I can't; I'm all muzzled up tight. She made me take an oath, same as she has you, and I ain't goin' to break it any more'n you would. The little feller'll have to git 'long best way he kin now."

Doctor John bent forward in his chair and looked at the captain curiously. His words convey no meaning to him. For an instant he thought that the shock of his son's death had unsettled the man's mind.

"Take an oath! What for?"

"'Bout Archie and herself."

"But I've taken no oath!"

"Well, perhaps it isn't your habit; it ain't some men's. I did."

"What about?"

It was the captain's turn now to look searchingly into his companion's face. The doctor's back was toward the lamp, throwing his face into shadow, but the captain could read its expression plainly.

"You mean to tell me, doctor, you don't know what's goin' on up at Yardley? You do, of course, but you won't say—that's like you doctors!"

"Yes, everything. But what has your son Bart got to do with it?"

"Got to do with it! Ain't Jane Cobden motherin' his child?"

The doctor lunged forward in his seat, his eyes staring straight at the captain. Had the old sailor struck him in the face he could not have been more astounded.

"His child!" he cried savagely.

"Certainly! Whose else is it? You knew, didn't ye?"

The doctor settled back in his chair with the movement of an ox felled by a sudden blow. With the appalling news there rang in his ears the tones of his mother's voice retailing the gossip of the village. This, then, was what she could not repeat.

After a moment he raised his head and asked in a low, firm voice:

"Did Bart go to Paris after he left here?"

"No, of course not! Went 'board the Corsair bound for Rio, and has been there ever since. I told you that before. There weren't no necessity for her to meet him in Paris."

The doctor sprang from his chair and with eyes biasing and fists tightly clenched, stood over the captain.

"And you dare to sit there and tell me that Miss Jane Cobden is that child's mother?"

The captain struggled to his feet, his open hands held up to the doctor as if to ward off a blow.

"Miss Jane! No, by God! No! Are you crazy? Sit down, sit down, I tell ye!"

"Who, then? Speak!"

"Lucy! That's what I drove Bart out for. Mort Cobden's daughter—Mort, mind ye, that was a brother to me since I was a boy! Jane that that child's mother! Yes, all the mother poor Archie's got! Ask Miss Jane, she'll tell ye. Tell ye how she sits and eats her heart out to save her sister that's too scared to come home. I want to cut my tongue out for tellin' ye, but I thought ye knew. Martha told me you loved her and that she loved you, and I thought she'd told ye. Jane Cobden crooked! No more'n the angels are. Now, will you tell her Bart's dead, or shall I?"

"I will tell her," answered the doctor firmly, "and to-night."

CHAPTER XI

MORTON COBDEN'S DAUGHTER

The cold wind from the sea freighted with the raw mist churned by the breakers cut sharply against Doctor John's cheeks as he sprang into his gig and dashed out of his gate toward Yardley. Under the shadow of the sombre pines, along the ribbon of a road, dull gray in the light of the stars, and out on the broader highway leading to Warehold, the sharp click of the mare's hoofs striking the hard road echoed through the night. The neighbors recognized the tread and the speed, and Uncle Ephraim threw up a window to know whether it was a case of life or death, an accident, or both; but the doctor only nodded and sped on. It WAS life and death—life for the woman he loved, death for all who traduced her. The strange news that had dropped from the captain's lips did not affect him except as would the ending of any young life; neither was there any bitterness in his heart against the dead boy who had wrecked Lucy's career and brought Jane humiliation and despair. All he thought of was the injustice of Jane's sufferings. Added to this was an overpowering desire to reach her side before her misery should continue another moment; to fold her in his arms, stand between her and the world; help her to grapple with the horror which was slowly crushing out her life. That it was past her hour for retiring, and that there might be no one to answer his summons, made no difference to him. He must see her at all hazards before he closed his eyes.

As he whirled into the open gates of Yardley and peered from under the hood of the gig at the outlines of the old house, looming dimly through the avenue of bushes, he saw that the occupants were asleep; no lights shone from the upper windows and none burned in the hall below. This discovery checked to some extent the impetus with which he had flung himself into the night, his whole being absorbed and dominated by one idea. The cool wind, too, had begun to tell upon his nerves. He drew rein on the mare and stopped. For the first time since the captain's story had reached his ears his reason began to work. He was never an impetuous man; always a thoughtful and methodical one, and always overparticular in respecting the courtesies of life. He began suddenly to realize that this midnight visit was at variance with every act of his life. Then his better judgment became aroused. Was it right for him to wake Jane and disturb the house at this hour, causing her, perhaps, a sleepless night, or should he wait until the morning, when he could break the news to her in a more gentle and less sensational way?

While he sat thus wondering, undetermined whether to drive lightly out of the gate again or to push forward in the hope that someone would be awake, his mind unconsciously reverted to the figure of Jane making her way with weary steps down the gangplank of the steamer, the two years of her suffering deep cut into every line of her face. He recalled the shock her appearance had given him, and his perplexity over the cause. He remembered her refusal to give him her promise, her begging him to wait, her unaccountable moods since her return.

Then Lucy's face came before him, her whole career, in fact (in a flash, as a drowning man's life is pictured), from the first night after her return from school until he had bade her good-by to take the train for Trenton. Little scraps of talk sounded in his ears, and certain expressions about the corners of her eyes revealed themselves to his memory. He thought of her selfishness, of her love of pleasure, of her disregard of Jane's wishes, of her recklessness.

Everything was clear now.

"What a fool I have been!" he said to himself. "What a fool—FOOL! I ought to have known!"

Next the magnitude of the atonement, and the cruelty and cowardice of the woman who had put her sister into so false a position swept over him. Then there arose, like the dawning of a light, the grand figure of the woman he loved, standing clear of all entanglements, a Madonna among the saints, more precious than ever in the radiance of her own sacrifice.

With this last vision his mind was made up. No, he would not wait a moment. Once this terrible secret out of the way, Jane would regain her old self and they two fight the world together.

As he loosened the reins over the sorrel a light suddenly flashed from one of the upper windows disappeared for a moment, and reappeared again at one of the smaller openings near the front steps. He drew rein again. Someone was moving about—who he did not know; perhaps Jane, perhaps one of the servants. Tying the lines to the dashboard, he sprang from the gig, tethered the mare to one of the lilac bushes, and walked briskly toward the house. As he neared the steps the door was opened and Martha's voice rang clear:

"Meg, you rascal, come in, or shall I let ye stay out and freeze?"

Doctor John stepped upon the porch, the light of Martha's candle falling on his face and figure.

"It's I, Martha, don't be frightened; it's late, I know, but I hoped Miss Jane would be up. Has she gone to bed?"

The old nurse started back. "Lord, how ye skeered me! I don't know whether she's asleep or not. She's upstairs with Archie, anyhow. I come out after this rapscallion that makes me look him up every night. I've talked to him till I'm sore, and he's promised me a dozen times, and here he is out ag'in. Here! Where are ye? In with ye, ye little beast!" The dog shrank past her and darted into the hall. "Now, then, doctor, come in out of the cold."

Doctor John stepped softly inside and stood in the flare of the candle-light. He felt that he must give some reason for his appearance at this late hour, even if he did not see Jane. It would be just as well, therefore, to tell Martha of Bart's death at once, and not let her hear it, as she was sure to do, from someone on the street. Then again, he had kept few secrets from her where Jane was concerned; she had helped him many times before, and her advice was always good. He knew that she was familiar with every detail of the captain's story, but he did not propose to discuss Lucy's share in it with the old nurse. That he would reserve for Jane's ears alone.

"Bring your candle into the sitting-room, Martha; I have something to tell you," he said gravely, loosening the cape of his overcoat and laying his hat on the hall table.

The nurse followed. The measured tones of the doctor's voice, so unlike his cheery greetings, especially to her, unnerved her. This, in connection with the suppressed excitement under which he seemed to labor and the late hour of his visit, at once convinced her that something serious had happened.

"Is there anything the matter?" she asked in a trembling voice.

"Yes."

"Is it about Lucy? There ain't nothin' gone wrong with her, doctor dear, is there?"

"No, it is not about Lucy. It's about Barton Holt."

"Ye don't tell me! Is he come back?"

"No, nor never will. He's dead!

"That villain dead! How do you know?" Her face paled and her lips quivered, but she gave no other sign of the shock the news had been to her.

"Captain Nat, his father, has just left my office. I promised I would tell Miss Jane to-night. He was too much broken up and too fearful of its effect upon her to do it himself. I drove fast, but perhaps I'm too late to see her."

"Well, ye could see her no doubt,—she could throw somethin' around her—but ye mustn't tell her THAT news. She's been downhearted all day and is tired out. Bart's dead, is he?" she repeated with an effort at indifference. "Well, that's too bad. I s'pose the captain's feelin' putty bad over it. Where did he die?"

"He died in Rio Janeiro of yellow fever," said the doctor slowly, wondering at the self-control of the woman. Wondering, too, whether she was glad or sorry over the event, her face and manner showing no index to her feelings.

"And will he be brought home to be buried?" she asked with a quick glance at the doctor's face.

"No; they never bring them home with yellow fever."

"And is that all ye come to tell her?" She was scrutinizing Doctor John's face, her quick, nervous glances revealing both suspicion and fear.

"I had some other matters to talk about, but if she has retired, perhaps I had better come to-morrow," answered the doctor in undecided tones, as he gazed abstractedly at the flickering candle.

The old woman hesitated. She saw that the doctor knew more than he intended to tell her. Her curiosity and her fear that some other complication had arisen—one which he was holding back—got the better of her judgment. If it was anything about her bairn, she could not wait until the morning. She had forgotten Meg now.

"Well, maybe if ye break it to her easy-like she can stand it. I don't suppose she's gone to bed yet. Her door was open on a crack when I come down, and she always shuts it 'fore she goes to sleep. I'll light a couple o' lamps so ye can see, and then I'll send her down to ye if she'll come. Wait here, doctor, dear."

The lamps lighted and Martha gone, Doctor John looked about the room, his glance resting on the sofa where he had so often sat with her; on the portrait of Morton Cobden, the captain's friend; on the work-basket filled with needlework that Jane had left on a small table beside her chair, and upon the books her hands had touched. He thought he had never loved her so much as now. No one he had ever known or heard of had made so great a sacrifice. Not for herself this immolation, but for a sister who had betrayed her confidence and who had repaid a life's devotion with unforgivable humiliation and disgrace. This was the woman whose heart he held. This was the woman he loved with every fibre of his being. But her sufferings were over now. He was ready to face the world and its malignity beside her. Whatever sins her sister had committed, and however soiled were Lucy's garments, Jane's robes were as white as snow, he was glad he had yielded to the impulse and had come at once. The barrier between them once broken down and the terrible secret shared, her troubles would end.

The whispering of her skirts on the stairs announced her coming before she entered the room. She had been sitting by Archie's crib and had not waited to change her loose white gown, whose clinging folds accentuated her frail, delicate form. Her hair had been caught up hastily and hung in a dark mass, concealing her small, pale ears and making her face all the whiter by contrast.

"Something alarming has brought you at this hour," she said, with a note of anxiety in her voice, walking rapidly toward him. "What can I do? Who is ill?"

Doctor John sprang forward, held out both hands, and holding tight to her own, drew her close to him.

"Has Martha told you?" he said tenderly.

"No; only that you wanted me. I came as soon as I could."

"It's about Barton Holt. His father has just left my office. I have very sad news for you. The poor boy—"

Jane loosened her hands from his and drew back. The doctor paused in his recital.

"Is he ill?" she inquired, a slight shiver running through her.

"Worse than ill! I'm afraid you'll never see him again."

"You mean that he is dead? Where?"

"Yes, dead, in Rio. The letter arrived this morning."

"And you came all the way up here to tell me this?" she asked, with an effort to hide her astonishment. Her eyes dropped for a moment and her voice trembled. Then she went on. "What does his father say?"

"I have just left him. He is greatly shaken. He would not tell you himself, he said; he was afraid it might shock you too much, and asked me to come up. But it is not altogether that, Jane. I have heard something to-night that has driven me half out of my mind. That you should suffer this way alone is torture to me. You cannot, you shall not live another day as you have! Let me help!"

Instantly there flashed into her mind the story Martha had brought in from the street. "He has heard it," she said to herself, "but he does not believe it, and he comes to comfort me. I cannot tell the truth without betraying Lucy."

She drew a step farther from him.

"You refer to what the people about us call a mystery—that poor little child upstairs?" she said slowly, all her self-control in her voice. "You think it is a torture for me to care for this helpless baby? It is not a torture; it is a joy—all the joy I have now." She stood looking at him as she spoke with searching eyes, wondering with the ever-questioning doubt of those denied love's full expression.

"But I know—"

"You know nothing—nothing but what I have told you; and what I have told you is the truth. What I have not told you is mine to keep. You love me too well to probe it any further, I am sorry for the captain. He has an iron will and a rough exterior, but he has a warm heart underneath. If you see him before I do give him my deepest sympathy. Now, my dear friend, I must go back to Archie; he is restless and needs me. Good-night," and she held out her hand and passed out of the room.

She was gone before he could stop her. He started forward as her hand touched the door, but she closed it quickly behind her, as if to leave no doubt of her meaning. He saw that she had misunderstood him. He had intended to talk to her of Archie's father, and of Lucy, and she had supposed he had only come to comfort her about the village gossip.

For some minutes he stood like one dazed. Then a feeling of unspeakable reverence stole over him. Not only was she determined to suffer alone and in silence, but she would guard her sister's secret at the cost of her own happiness. Inside that sacred precinct he knew he could never enter; that wine-press she intended to tread alone.

Then a sudden indignation, followed by a contempt of his own weakness took possession of him. Being the older and stronger nature, he should have compelled her to listen. The physician as well as the friend should have asserted himself. No woman could be well balanced who would push away the hand of a man held out to save her from ruin and misery. He would send Martha for her again and insist upon her listening to him.

He started for the door and stopped irresolute. A new light broke in upon his heart. It was not against himself and her own happiness that she had taken this stand, but to save her father's and her sister's name. He knew how strong was her devotion to her duty, how blind her love for Lucy, how sacred she held the trust given to her by her dead father. No; she was neither obstinate nor quixotic. Hers was the work of a martyr, not a fanatic. No one he had ever known or heard of had borne so great a cross or made so noble a sacrifice. It was like the deed of some grand old saint, the light of whose glory had shone down the ages. He was wrong, cruelly wrong. The only thing left for him to do was to wait. For what he could not tell. Perhaps God in his mercy would one day find the way.

Martha's kindly voice as she opened the door awoke him from his revery.

"Did she take it bad?" she asked.

"No," he replied aimlessly, without thinking of what he said. "She sent a message to the captain. I'll go now. No, please don't bring a light to the door. The mare's only a short way down the road."

When the old nurse had shut the front door after him she put out the lamps and ascended the stairs. The other servants were in bed. Jane's door was partly open. Martha pushed it gently with her hand and stepped in. Jane had thrown herself at full length on the bed and lay with her face buried in her hands. She was talking to herself and had not noticed Martha's footsteps.

"O God! what have I done that this should be sent to me?" Martha heard her say between her sobs. "You would be big enough, my beloved, to bear it all for my sake; to take the stain and wear it; but I cannot hurt you—not you, not you, my great, strong, sweet soul. Your heart aches for me and you would give me all you have, but I could not bear your name without telling you. You would forgive me, but I could never forgive myself. No, no, you shall stand unstained if God will give me strength!"

Martha walked softly to the bed and bent over Jane's prostrate body.

"It's me, dear. What did he say to break your heart?"

Jane slipped her arm about the old nurse's neck, drawing her closer, and without lifting her own head from the pillow talked on.

"Nothing, nothing. He came to comfort me, not to hurt me."

"Do ye think it's all true 'bout Bart?" Martha whispered.

Jane raised her body from the bed and rested her head on Martha's shoulder.

"Yes, it's all true about Bart," she answered in a stronger and more composed tone. "I have been expecting it. Poor boy, he had nothing to live for, and his conscience must have given him no rest."

"Did the captain tell him about—" and Martha pointed toward the bed of the sleeping child. She could never bring herself to mention Lucy's name when speaking either of Bart or Archie.

Jane sat erect, brushed the tears from her eyes, smoothed her hair back from her temples, and said with something of her customary poise:

"No, I don't think so. The captain gave me his word, and he will not break it. Then, again, he will never discredit his own son. The doctor doesn't know, and there will be nobody to tell him. That's not what he came to tell me. It was about the stories you heard last week and which have only just reached his ears. That's all. He wanted to protect me from their annoyance, but I would not listen to him. There is trouble enough without bringing him into it. Now go to bed, Martha."

As she spoke Jane regained her feet, and crossing the room, settled into a chair by the boy's crib. Long after Martha had closed her own door for the night Jane sat watching the sleeping child. One plump pink hand lay outside the cover; the other little crumpled rose-leaf was tucked under the cheek, the face half-hidden in a tangle of glossy curls, now spun-gold in the light of the shaded lamp.

"Poor little waif," she sighed, "poor little motherless, fatherless waif! Why didn't you stay in heaven? This world has no place for you."

Then she rose wearily, picked up the light, carried it across the room to her desk, propped a book in front of it so that its rays would not fall upon the sleeping child, opened her portfolio, and sat down to write.

When she had finished and had sealed her letter it was long past midnight. It was addressed to Lucy in Dresden, and contained a full account of all the doctor had told her of Bart's death.

CHAPTER XII

A LETTER FROM PARIS

For the first year Jane watched Archie's growth and development with the care of a self-appointed nurse temporarily doing her duty by her charge. Later on, as the fact became burned into her mind that Lucy would never willingly return to Warehold, she clung to him with that absorbing love and devotion which an unmarried woman often lavishes upon a child not her own. In his innocent eyes she saw the fulfilment of her promise to her father. He would grow to be a man of courage and strength, the stain upon his birth forgotten, doing honor to himself, to her, and to the name he bore. In him, too, she sought refuge from that other sorrow which was often greater than she could bear—the loss of the closer companionship of Doctor John—a companionship which only a wife's place could gain for her. The true mother-love—the love which she had denied herself, a love which had been poured out upon Lucy since her father's death—found its outlet, therefore, in little Archie.

Under Martha's watchful care the helpless infant grew to be a big, roly-poly boy, never out of her arms when she could avoid it. At five he had lost his golden curls and short skirts and strutted about in knee-trousers. At seven he had begun to roam the streets, picking up his acquaintances wherever he found them.

Chief among them was Tod Fogarty, the son of the fisherman, now a boy of ten, big for his age and bubbling over with health and merriment, and whose life Doctor John had saved when he was a baby. Tod had brought a basket of fish to Yardley, and sneaking Meg, who was then alive—he died the year after—had helped himself to part of the contents, and the skirmish over its recovery had resulted in a friendship which was to last the boys all their lives. The doctor believed in Tod, and always spoke of his pluck and of his love for his mother, qualities which Jane admired—but then technical class distinctions never troubled Jane—every honest body was Jane's friend, just as every honest body was Doctor John's.

The doctor loved Archie with the love of an older brother; not altogether because he was Jane's ward, but for the boy's own qualities—for his courage, for his laugh—particularly for his buoyancy. Often, as he looked into the lad's eyes brimming with fun, he would wish that he himself had been born with the same kind of temperament. Then again the boy satisfied to a certain extent the longing in his heart for home, wife, and child—a void which he knew now would never be filled. Fate had decreed that he and the woman he loved should live apart—with this he must be content. Not that his disappointments had soured him; only that this ever-present sorrow had added to the cares of his life, and in later years had taken much of the spring and joyousness out of him. This drew him all the closer to Archie, and the lad soon became his constant companion; sitting beside him in his gig, waiting for him at the doors of the fishermen's huts, or in the cabins of the poor on the outskirts of Barnegat and Warehold.

"There goes Doctor John of Barnegat and his curly-head," the neighbors would say; "when ye see one ye see t'other."

Newcomers in Barnegat and Warehold thought Archie was his son, and would talk to the doctor about him:

"Fine lad you got, doctor—don't look a bit like you, but maybe he will when he gets his growth." At which the doctor would laugh and pat the boy's head.

During all these years Lucy's letters came but seldom. When they did arrive, most of them were filled with elaborate excuses for her prolonged stay. The money, she wrote, which Jane had sent her from time to time was ample for her needs; she was making many valuable friends, and she could not see how she could return until the following spring—a spring which never came. In no one of them had she ever answered Jane's letter about Bart's death, except to acknowledge its receipt. Nor, strange to say, had she ever expressed any love for Archie. Jane's letters were always filled with the child's doings; his illnesses and recoveries; but whenever Lucy mentioned his name, which was seldom, she invariably referred to him as "your little ward" or "your baby," evidently intending to wipe that part of her life completely out. Neither did she make any comment on the child's christening—a ceremony which took place in the church, Pastor Dellenbaugh officiating—except to write that perhaps one name was as good as another, and that she hoped he would not disgrace it when he grew up.

These things, however, made but little impression on Jane. She never lost faith in her sister, and never gave up hope that one day they would all three be reunited; how or where she could not tell or foresee, but in some way by which Lucy would know and love her son for himself alone, and the two live together ever after—his parentage always a secret. When Lucy once looked into her boy's face she was convinced she would love and cling to him. This was her constant prayer.

All these hopes were dashed to the ground by the receipt of a letter from Lucy with a Geneva postmark. She had not written for months, and Jane broke the seal with a murmur of delight, Martha leaning forward, eager to hear the first word from her bairn. As she read Jane's face grew suddenly pale.

"What is it?" Martha asked in a trembling voice.

For some minutes Jane sat staring into space, her hand pressed to her side. She looked like one who had received a death message. Then, without a word, she handed the letter to Martha.

The old woman adjusted her glasses, read the missive to the end without comment, and laid it back on Jane's lap. The writing covered but part of the page, and announced Lucy's coming marriage with a Frenchman: "A man of distinction; some years older than myself, and of ample means. He fell in love with me at Aix."

There are certain crises in life with conclusions so evident that no spoken word can add to their clearness. There is no need of comment; neither is there room for doubt. The bare facts stand naked. No sophistry can dull their outlines nor soften the insistence of their high lights; nor can any reasoning explain away the results that will follow. Both women, without the exchange of a word, knew instantly that the consummation of this marriage meant the loss of Lucy forever. Now she would never come back, and Archie would be motherless for life. They foresaw, too, that all their yearning to clasp Lucy once more in their arms would go unsatisfied. In this marriage she had found a way to slip as easily from out the ties that bound her to Yardley as she would from an old dress.

Martha rose from her chair, read the letter again to the end, and without opening her lips left the room. Jane kept her seat, her head resting on her hand, the letter once more in her lap. The revulsion of feeling had paralyzed her judgment, and for a time had benumbed her emotions. All she saw was Archie's eyes looking into hers as he waited for an answer to that question he would one day ask and which now she knew she could never give.

Then there rose before her, like some disembodied spirit from a long-covered grave, the spectre of the past. An icy chill crept over her. Would Lucy begin this new life with the same deceit with which she had begun the old? And if she did, would this Frenchman forgive her when he learned the facts? If he never learned them—and this was most to be dreaded—what would Lucy's misery be all her life if she still kept the secret close? Then with a pathos all the more intense because of her ignorance of the true situation—she fighting on alone, unconscious that the man she loved not only knew every pulsation of her aching heart, but would be as willing as herself to guard its secret, she cried:

"Yes, at any cost she must be saved from this living death! I know what it is to sit beside the man I love, the man whose arm is ready to sustain me, whose heart is bursting for love of me, and yet be always held apart by a spectre which I dare not face."

With this came the resolve to prevent the marriage at all hazards, even to leaving Yardley and taking the first steamer to Europe, that she might plead with Lucy in person.

While she sat searching her brain for some way out of the threatened calamity, the rapid rumbling of the doctor's gig was heard on the gravel road outside her open window. She knew from the speed with which he drove that something out of the common had happened. The gig stopped and the doctor's voice rang out:

"Come as quick as you can, Jane, please. I've got a bad case some miles out of Warehold, and I need you; it's a compound fracture, and I want you to help with the chloroform."

All her indecision vanished and all her doubts were swept away as she caught the tones of his voice. Who else in the wide world understood her as he did, and who but he should guide her now? Had he ever failed her? When was his hand withheld or his lips silent? How long would her pride shut out his sympathy? If he could help in the smaller things of life why not trust him in this larger sorrow?—one that threatened to overwhelm her, she whose heart ached for tenderness and wise counsel. Perhaps she could lean upon him without betraying her trust. After all, the question of Archie's birth—the one secret between them—need not come up. It was Lucy's future happiness which was at stake. This must be made safe at any cost short of exposure.

"Better put a few things in a bag," Doctor John continued. "It may be a case of hours or days—I can't tell till I see him. The boy fell from the roof of the stable and is pretty badly hurt; both legs are broken, I hear; the right one in two places."

She was upstairs in a moment, into her nursing dress, always hanging ready in case the doctor called for her, and down again, standing beside the gig, her bag in her hand, before he had time to turn his horse and arrange the seat and robes for her comfort.

"Who is it?" she asked hurriedly, resting her hand in his as he helped her into the seat and took the one beside her, Martha and Archie assisting with her bag and big driving cloak.

"Burton's boy. His father was coming for me and met me on the road. I have everything with me, so we will not lose any time. Good-by, my boy," he called to Archie. "One day I'll make a doctor of you, and then I won't have to take your dear mother from you so often. Good-by, Martha. You want to take care of that cough, old lady, or I shall have to send up some of those plasters you love so."

They were off and rattling down the path between the lilacs before either Archie or the old woman could answer. To hearts like Jane's and the doctor's, a suffering body, no matter how far away, was a sinking ship in the clutch of the breakers. Until the lifeboat reached her side everything was forgotten.

The doctor adjusted the robe over Jane's lap and settled himself in his seat. They had often driven thus together, and Jane's happiest hours had been spent close to his side, both intent on the same errand of mercy, and BOTH WORKING TOGETHER. That was the joy of it!

They talked of the wounded boy and of the needed treatment and what part each should take in the operation; of some new cases in the hospital and the remedies suggested for their comfort; of Archie's life on the beach and how ruddy and handsome he was growing, and of his tender, loving nature; and of the thousand and one other things that two people who know every pulsation of each other's hearts are apt to discuss—of everything, in fact, but the letter in her pocket. "It is a serious case," she said to herself—"this to which we are hurrying—and nothing must disturb the sureness of his sensitive hand."

Now and then, as he spoke, the two would turn their heads and look into each other's eyes.

When a man's face lacks the lines and modellings that stand for beauty the woman who loves him is apt to omit in her eager glance every feature but his eyes. His eyes are the open doors to his soul; in these she finds her ideals, and in these she revels. But with Jane every feature was a joy—the way the smoothly cut hair was trimmed about his white temples; the small, well-turned ears lying flat to his head; the lines of his eyebrows; the wide, sensitive nostrils and the gleam of the even teeth flashing from between well-drawn, mobile lips; the white, smooth, polished skin. Not all faces could boast this beauty; but then not all souls shone as clearly as did Doctor John's through the thin veil of his face.

And she was equally young and beautiful to him. Her figure was still that of her youth; her face had not changed—he still caught the smile of the girl he loved. Often, when they had been driving along the coast, the salt wind in their faces, and he had looked at her suddenly, a thrill of delight had swept through him as he noted how rosy were her cheeks and how ruddy the wrists above the gloves, hiding the dear hands he loved so well, the tapering fingers tipped with delicate pink nails. He could, if he sought them, find many telltale wrinkles about the corners of the mouth and under the eyelids (he knew and loved them all), showing where the acid of anxiety had bitten deep into the plate on which the record of her life was being daily etched, but her beautiful gray eyes still shone with the same true, kindly light, and always flashed the brighter when they looked into his own. No, she was ever young and ever beautiful to him!

To-day, however, there was a strange tremor in her voice and an anxious, troubled expression in her face—one that he had not seen for years. Nor had she once looked into his eyes in the old way.

"Something worries you, Jane," he said, his voice echoing his thoughts. "Tell me about it."

"No—not now—it is nothing," she answered quickly.

"Yes, tell me. Don't keep any troubles from me. I have nothing else to do in life but smooth them out. Come, what is it?"

"Wait until we get through with Burton's boy. He may be hurt worse than you think."

The doctor slackened the reins until they rested on the dashboard, and with a quick movement turned half around and looked searchingly into Jane's eyes.

"It is serious, then. What has happened?"

"Only a letter from Lucy."

"Is she coming home?"

"No, she is going to be married."

The doctor gave a low whistle. Instantly Archie's laughing eyes looked into his; then came the thought of the nameless grave of his father.

"Well, upon my soul! You don't say so! Who to, pray?"

"To a Frenchman." Jane's eyes were upon his, reading the effect of her news. His tone of surprise left an uncomfortable feeling behind it.

"How long has she known him?" he continued, tightening the reins again and chirruping to the mare..

"She does not say—not long, I should think."

"What sort of a Frenchman is he? I've known several kinds in my life—so have you, no doubt," and a quiet smile overspread his face. "Come, Bess! Hurry up, old girl."

"A gentleman, I should think, from what she writes. He is much older than Lucy, and she says very well off."

"Then you didn't meet him on the other side?"

"And never heard of him before?"

"Not until I received this letter."

The doctor reached for his whip and flecked off a fly that had settled on the mare's neck.

"Lucy is about twenty-seven, is she not?"

"Yes, some eight years younger than I am. Why do you ask, John?"

"Because it is always a restless age for a woman. She has lost the protecting ignorance of youth and she has not yet gained enough of the experience of age to steady her. Marriage often comes as a balance-weight. She is coming home to be married, isn't she?"

"No; they are to be married in Geneva at his mother's."

"I think that part of it is a mistake," he said in a decided tone. "There is no reason why she should not be married here; she owes that to you and to herself." Then he added in a gentler tone, "And this worries you?"

"More than I can tell you, John." There was a note in her voice that vibrated through him. He knew now how seriously the situation affected her.

"But why, Jane? If Lucy is happier in it we should do what we can to help her."

"Yes, but not in this way. This will make her all the more miserable. I don't want this marriage; I want her to come home and live with me and Archie. She makes me promises every year to come, and now it is over six years since I left her and she has always put me off. This marriage means that she will never come. I want her here, John. It is not right for her to live as she does. Please think as I do!"

The doctor patted Jane's hand—it was the only mark of affection he ever allowed himself—not in a caressing way, but more as a father would pat the hand of a nervous child.

"Well, let us go over it from the beginning. Maybe I don't know all the facts. Have you the letter with you?"

She handed it to him. He passed the reins to her and read it carefully to the end.

"Have you answered it yet?"

"No, I wanted to talk to you about it. What do you think now?"

"I can't see that it will make any difference. She is not a woman to live alone. I have always been surprised that she waited so long. You are wrong, Jane, about this. It is best for everybody and everything that Lucy should be married."