HUMAN ANIMALS


HUMAN ANIMALS

BY

FRANK HAMEL

AUTHOR OF
"THE DAUPHINES OF FRANCE," "FAIR WOMEN AT FONTAINEBLEAU,"
ETC., ETC.

NEW YORK

FREDERICK A. STOKES Co.

PUBLISHERS


PREFACE

From the abundant records and traditions dealing with the curious belief that certain men and women can transform themselves into animals I have collected a number of instances and examples which throw fresh light on the subject both from the point of view of folk-lore and occultism. The causes of transformation are various: contact with a wer-animal, touching what he has touched, wearing an animal skin, rubbing the body with ointment, slipping on a girdle, buckling on a strap, and many other expedients, magical and otherwise, may bring about the metamorphosis. Removing the skin, burning it, or piercing it with the stab of a knife, or the shot from a gun, so that blood is drawn, are among the best-known methods for causing the human shape to be resumed, but the stab should be on the brow or between the eyes, and the bullet should be made of silver and is all the better for having been blessed in a chapel of St. Hubert, otherwise the attempt to break the enchantment may fail. The penalty for being a wer-animal is death, but sentence is not passed until after some ordeal has been gone through, such as dipping the finger into boiling resin, innocence being established if the finger be drawn out unhurt. Any wound inflicted on the transformed animal is simultaneously inflicted on the human body, and in many other characteristics the nature of the wer-animal is similar to that of the witch or wizard.

In "Balder the Beautiful" Dr. J. G. Frazer, after telling many typical stories, endeavours to establish a parallelism between witches and wer-animals, the analogy appearing to confirm the view that the reason for burning a bewitched animal alive is a belief that the human being is in the animal, and that by burning you compel him to assume another shape. Since the sum of energy in the universe is held to be constant and invariable, the chain of transformation is thus continued, and form follows form, endlessly linked together. By some such theory the phenomena of life and death may be explained and the doctrine of immortality, usually applied only to the soul of man, can be reasonably extended to animals.

The belief that human and animal souls possess power and entity when externalised and apart from the living body is less widely held than that of persistence after death. It is one that bears strongly on the subject of animal transformation, as well as on the affinity which certain animals possess for some families, an affinity that is akin to totemism.

These preliminary suggestions will enable readers to grasp the scope of my book, which is intended to provide a comprehensive view of the subject and to familiarise them with the nature of the phenomena, even though it has been well-nigh impossible to classify and tabulate them fully, or to explain them satisfactorily.

I wish to express my thanks to Miss J. A. Middleton, author of "The Grey Ghost Book," for her kindness in reading my work in MS., and to her and others for suggesting interesting material.

FRANK HAMEL

London, 1915


TO
C. A. W.


[CONTENTS.]

chapter page
Preface[vii]
I.Introductory[1]
II.Transformation[5]
III.The Bush-Soul[15]
IV.Human Souls in Animal Bodies[23]
V.Animal Dances[28]
VI.Man-Animal and Animal-Man[39]
VII.Scapegoat and Saint[45]
VIII.The Wer-Wolf Trials[54]
IX.The Wer-Wolf in Myth and Legend[65]
X.Lion- and Tiger-Men[78]
XI.Wer-Fox and Wer-Vixen[88]
XII.Witches[103]
XIII.Familiars[120]
XIV.Transformation in Folk-lore and Fairy-tale[131]
XV.Transformation in Folk-lore and Fairy-tale
(continued)[143]
XVI.Fabulous Animals and Monsters[159]
XVII.Human Serpents[173]
XVIII.Cat and Cock Phantoms[189]
XIX.Bird-Women[202]
XX.Family Animals[215]
XXI.Animal Ghosts[236]
XXII.The Phantasmal Double[261]
XXIII.Animal Elementals[270]
XXIV.Animal Spirits in Ceremonial Magic[283]
XXV.Conclusion[293]

HUMAN ANIMALS

CHAPTER I
INTRODUCTORY

The belief that men can change into animals and animals into men is as old as life itself. It originates in the theory that all things are created from one substance, mind or spirit, which according to accident or design takes a distinctive appearance, to mortal eye, of shape, colour, and solidity. Transformation from one form to another then becomes a thinkable proposition, especially if it be admitted that plastic thought in the spirit world takes on changed forms and conditions more readily than in the world of matter. The belief of primitive races that all created beings have an immortal soul dwelling in a material body applies equally to the brute creation and to the human race. "In the beginning of things," says Leland, "men were as animals and animals as men."[1] The savage endows brutes with similar intelligence and emotions to his own. He does not distinguish between the essential nature of man, of various beasts, and even of inanimate objects, except where outward form is concerned; and he senses, even more clearly than his civilised brother, the psychic bonds which unite man and the animals. Folk-lore abounds in incidents which are based on the impermanence of form and which tell of people changing into animals or animals changing into human beings.

The scientific problems of to-day which deal with the theory of breaking up matter into electrons may quite possibly have a bearing on this subject and may not be so far removed, as appears at first sight to be the case, from the intuitive beliefs of the savage.

Transformation was held to be accomplished in various ways, a sorcerer, a witch or the evil one himself being the agent through whom the change was effected. Certain people have had ascribed to them the power of self-transformation, a curious psychical gift which to this day appeals to imaginative people, and which may be regarded as a projection of mind in animal form.

Changes may be voluntary or involuntary, self-transformation belonging more frequently to the former class and transformation by sorcery, witchcraft or black magic more often to the latter class. The motives of a human being who wishes to change into an animal are naturally regarded with suspicion. Greed, cruelty, and cannibalism are accusations brought against those who were tried in the Middle Ages for the crime of lycanthropy, the transformation into a wolf or other wild beast. The desire to taste human flesh is a horrible but not improbable reason for the offence. The wish to inspire fear or to gain personal power over others are motives for impersonating wild and fearsome animals, as effective where superstitious people are concerned as the less common faculty of transforming actual flesh.

Savage races do not necessarily connect the idea of transformation with any thought of evil. They find the plan of impersonating an animal in its lair, for the sake of safety, say, extremely useful. They have also the best of reasons for developing a special attribute, such as the keen scent of the hound, the long sight of the eagle, the natural protective power against cold possessed by the wolf and so forth, imitative suggestion which occurs in many of their primitive customs. Thus the Cherokee Indian when starting on a winter's journey endeavours by singing and other mimetic action to identify himself with the wolf, the fox, the opossum or other wild animal, of which the feet are regarded by him as impervious to frost-bite. The words he chants mean, "I become a real wolf, a real deer, a real fox, and a real opossum."[2] Then he gives a long howl to imitate the wolf or barks like a fox and paws and scratches the ground. Thus he establishes a belief in transformation by sympathetic or homœopathic magic, and starts forth on his difficult journey in perfect confidence, the power of auto-suggestion aiding him on his way. Such customs are closely allied with the superstitions of the dark ages, when it was assumed without question that bodily transformation took place.

Involuntary change into animal shape was thought to occur as a punishment for crime, and was looked upon as a judgment of the gods. Few beliefs are more common among savages than that reincarnation in a lower form is the result of sin in a previous existence. Bats especially are held to be the abode of the souls of the dead, and to some races they are sacrosanct for this reason. Most animals have been looked upon as a possible receptacle of man's soul, and many primitive tribes believe that man can choose in which animal body he prefers to dwell. In the Solomon Islands, for instance, a dying man informs the members of his family in what sort of animal shape he expects to live again. One among hundreds of similar superstitions is that if a cat jumps over a corpse, the soul of the deceased enters its body.

Murder of what is holy, and the offering of human sacrifices are two offences punishable by transformation, but once transformed, the soul-animal wins respect rather than contempt, and care is taken that no injury shall befall it, lest a relative or friend should suffer. A savage avoids harming his own family animal, but does not hesitate to kill the soul-animal into which a member of a hostile tribe has entered. Should such an animal die, the soul is thought by many races to pass into another body of the same type, but other tribes, especially in Madagascar, believe that the death of the animal releases the human soul that had lodged within it.

A more original idea is that certain human beings possess animal doubles and that the soul-animal roams at large while the man remains visible in his ordinary form, and many of the vampire and wer-wolf stories are traceable to this belief. The Toradjas of Central Celebes believe that the inside parts only of the man take on the animal shape, a state which they term lamboyo. The lamboyo may be distinguished from an ordinary animal by being misshapen to some extent, for instance, a buffalo may have only one horn, or a dog may have a pig's snout. The lamboyo, like the vampire, has a preference for human victims, whom he grievously tortures and maims.

Far more beautiful is the myth of tanoana, the divine essence in man which goes forth from his body, as in sleep, and, being of the same nature as the soul of the animal, allows of interchange to take place between the human and the animal bodies.

Even amongst the most practical and enlightened people of to-day psychic experiences in which animals have played a part are of common enough occurrence, and a survey of the grounds on which man and animal shapes and spirits meet may help them to understand things which, to our limited human intelligence, appear at least strange, if not altogether inexplicable.


CHAPTER II
TRANSFORMATION

How did man come to change into an animal? Folklore and superstition describe a number of ways. The most common method appears to have been the wearing of the skin of the animal in question. One drew it over one's shoulders, mask and all, and awaited results. These were not always satisfactory, and if any delay occurred it was better to strip off the clothes, rub the limbs with a potent ointment and murmur a long incantation. Such things, if we may believe tradition, invariably did the trick. But there were many other ways of bringing about the desired state. According to Grimm,[3] transformation could be effected by tying a strap of human skin round the body; others say the skin must be a girdle made from the animal's hide.... It also sufficed to shift the buckle of a certain strap to the ninth hole. To drink water out of the footprint made by the animal, to partake of its brains, to drink from certain enchanted streams, to haunt the lair of a wer-wolf, to eat his food or come into personal contact with him or his belongings were all means of voluntary or involuntary transformation which, according to its nature, might be permanent or merely transitory. Livonian wer-wolves were initiated by drinking a cup of beer of a special character accompanied by a particular incantation. Other countries had magical procedure which differed in detail, if not in the main features. As a rule the devil was supposed to have had a hand in the transformation process, and one man accused of the crime declared that a female devil had presented him with a belt and whenever he buckled it he was changed into a wolf spontaneously. This gentleman, when he was back in human shape, was always heard to remark in surprise that he had not the faintest idea where the bristles went which had adorned him when in wolfish form.

A return to human body was sometimes easy, sometimes extremely difficult. The girdle or skin being removed was often sufficient to remove the enchantment too. Plunging into water or rolling over and over in dew were said to be equally efficacious. A considerably slower method was to kneel in one spot for a hundred years, long enough, one would imagine to deter anyone from ill-judged ambitions to prowl around the world in animal shape. Other cures, however, were simpler, such as being saluted with the sign of the cross, or to be called three times loudly by the baptismal name, or to be struck three blows on the forehead by a knife, or to have three drops of blood drawn from some part of the body. In many cases one other person besides the transformed man was in possession of certain formulæ necessary for restoring him to a normal appearance, and if by any accident this person was killed or otherwise removed from the sphere of action, woe betide him in animal shape, for he probably had to retain it during the rest of his natural existence.

There is a legend in Lorraine that if stalks of grass are pulled up, blessed and thrown against a tree, wolves spring forth, being transformed from the men who threw the grass. To become a she-bear it is only necessary to put a slip of wood into one's mouth; when the wood is taken out human shape returns.

Another myth, mentioned by Grimm, is that at certain times of night wer-wolves turn into three-legged dogs and can only be freed by someone crying out "wer-wolf."

Seven and nine are important numbers in transformation. When seven girls are born of one marriage, one is thought to turn into a wer-wolf and the seventh child of the seventh child is predestined to the same fate. The spell is said to last nine days. Anyone who puts on a wolf-shirt is transformed into a wolf for this period and returns to human shape on the tenth day. Grimm says the seal is supposed to doff his fishy skin every ninth day and for one day become a man, and there is a common saying that a cat twenty years old turns into a witch, and a witch of a hundred turns back into a cat.

Having taken the body of a beast, man becomes known as a wer-animal, wer being probably derived from the Latin vir.[4] He then assumes the characteristics of the natural animal, with additional strength, agility, and ferocity.

In mediæval times powers of transformation seem to have been sought after and were even regarded as a privilege. Although often acquired for evil purposes, among primitive peoples to change into an animal did not necessarily imply a descent in the scale of being. To them there is but a slight line of demarcation between the animal world and mankind. They are not influenced so much by the idea of human degradation as by a beautiful belief in the brotherhood and fellowship of all creation.

Lycanthropy is the technical name for the pathological condition of a man who believes he has become an animal. The word means literally wolf-man, the wolf being chosen as the most dangerous animal known in European countries, though the tiger, hyæna, or any other wild animal serves the purpose equally well.

The symptoms exhibited by the wer-animal are at first extreme restlessness and anxiety. He develops, sometimes instantaneously, sometimes by degrees, the instincts of the kind of creature into which he has been transformed, often acquiring enormous strength and the special characteristics of the animal. If it be carnivorous by nature he has a lust to kill, and he can do what the animal does as well as what he was naturally capable of doing. His body is in the shape of an animal, but his eyes, according to some accounts, remain unchanged, and the human being looks out of these windows of his soul. His intelligence will probably, however, be darkened by the shadow of malignity or passion usual to the lower creation.

As early as 1579, Wierius described lycanthropia as a disease, and declared the Arabs called it Chatrap, after an animal. Another name was Tipule. (Latin race.) The victims had sunken eyes and could not see well, the tongue was dry and they were thirsty, the saliva being dried up. To cure them they had to be well-fed, much bathed, and given drugs which were used in melancholic diseases. Before an attack the head was rubbed with soporific herbs, opium was applied to the nose and the patient was dosed with a narcotic.

When under the delusion that he is changed into a wolf the wer-animal gives vent to a long howl and starts off with a rush to the nearest forest, where he prowls about through the night seeking his victims. These he kills in the ordinary manner of a wild beast, tearing asunder their limbs and feasting on their flesh. In some countries his method is more elaborate and it is supposed that the wer-wolf, having chosen his victim, exerts certain occult powers to numb his faculties and, cutting up the body, extracts the liver, which he eats and then joins the parts of the body together again so that the friends of the dead man know not how he came to lose his life.

Having satisfied his thirst for blood, the man-wolf, at the wane of his madness, once more seeks human shape, and then it is probable that he suffers for his abnormal appetites. Reaction leaves him weak and debilitated, with dry throat and tongue, feeble vision, hollow and discoloured cheeks, and sore places where he was hurt by his victim struggling for life.

Some subjects of lycanthropia, or imitative madness, endure still greater horrors, and the case of a patient who trembled with terror at his own condition is quoted by M. Morel in his "Études Cliniques."[5] "See this mouth," he cried, touching his lips with his fingers, "it is the mouth of a wolf, and see the long hairs which cover my body and my paws. Let me bound away into the woods so you may shoot me there!" When his family endeavoured to caress him, he cried out that they were embracing a wolf. He asked for raw meat, the only food he could touch, but on tearing it apart he found it not to his liking as it had not been freshly killed. Thus he went through the tortures of the damned until released by death.

Another victim of the disease is mentioned by Fincelius in his second Book of Wonders. He says that "at Padua in the year 1541 a certain husbandman did seem to himself wolf, and did leap upon many in the fields, and did kill them. And that at last he was taken not without much difficulty, and did confidently affirm that he was a true wolf, only that the difference was in the skin turned in with the hairs. And therefore that, having put off all humanity and being truly truculent and voracious, he did smite and cut off his legs and arms, thereby to try the truth of the matter, but the innocency of the man being known, they committed him to the chirurgeon's to be cured, but that he died not many days after. Which instance is sufficient to overthrow the vain opinion of those men that believe that a man or woman may be really transubstantiated into a wolf, dog, cat, squirrel or the like without the operation of an omnipotent power."

In spite of the unpleasant consequences with which lycanthropy seems to be connected there is little doubt that transformation used to be regarded as a useful and sometimes even profitable relaxation. Those who were already initiated into its mysteries were generally willing to help others to obtain proficiency, and a draught from the hand of an expert was considered enough to produce the desired condition in the novice.

Predestination to become a wer-animal is thought to be distinguished by some peculiarity in the appearance, such as the meeting of the eyebrows, and the tendency to transform is believed to wax and wane with the seasons and to be subject to the influence of the moon.

The head, claws, and hairy skin of a wer-wolf are like those of a real wolf, but the great test of identity lies in his lack of tail, and in his clothes, which are sure to be found not far from the scene of slaughter.

When doubt is felt whether a wer-wolf is a human being or a real wolf, steel or iron is thrown at the animal under suspicion. When this is done to a genuine wer-wolf the skin is said to split crosswise on the forehead and the naked man comes out through the opening. Sometimes the wer-wolf is frozen with the cold and then he is invulnerable to ordinary weapons. The only way to wound him is to shoot at him with balls of elder pith or bullets of inherited silver.

When the victim is attacked by a human animal the injured person's clothes are stripped from his body. The genuine animal tears them in shreds. If the wer-animal has been transformed by means of a strap of human skin, his tail is then certain to be truncated.

In the following Hessian folk-story, which concerns a poverty-stricken married couple, a large ring was used to bring about the metamorphosis.

The wife always contrived to have meat for every meal and the husband never knew how she managed it. After much questioning she agreed to tell him, and taking him to a field where sheep were grazing she threw a ring over herself and became a wer-wolf. She seized one sheep and was running off with it when the man, who had promised not to call her by name during the performance, cried out, "Oh, Margaret!" and as he did so the wolf disappeared and the woman stood there with no clothes on.

A very similar story is told of a nobleman who fell short of food while traversing a wide tract of country in Russia with a party of friends. He transformed himself into a wolf and caught several sheep, which provided an excellent meal for the travellers.

In India a story is current that there was once a man who was able to change himself into a tiger, but who found it very difficult to resume his normal shape. When he wished to become human again, it was necessary for a particular friend of his to cite a certain formula. The friend died and as this catastrophe limited the tiger-man's powers he determined to teach the proper formula to his wife.

A few days later, having enjoyed a glorious hunt and devoured several antelopes, he trotted up to his wife in the disguise of a tiger, hoping she would not forget how to work the spell. When she saw the dangerous monster approaching her she began to scream. The animal jumped round about her, trying to remind her by dumb show of what she had to do, but the greater efforts he made the more frightened she grew and the louder became her cries. So annoyed was the man-tiger by her aggravating stupidity that he thought, "This is the most irritating woman I ever saw," and, flying into a terrible passion, he attacked and slew her. Then to his regret he remembered that no other human being knew the incantation necessary for his release and that he would have to remain a tiger for the rest of his days. He grew to hate all human beings after that and killed men whenever the chance occurred.

In the Sanjor and Nerbudda territories there is a saying that if a tiger has killed a man he will never slay another, because the dead man's spirit rides on his head and forces him to seek more lawful prey.

Some African tribes believe that tailless tigers are transformed men, probably because the wer-animal is frequently said to have no tail.

In early Christian times the wer-wolf was often regarded as a victim of the evil machinations of a sorcerer. There is a story in the seventh century of a man-wolf who defended the head of St. Edward the Martyr from the onslaught of other wild beasts. The apostles Peter and Paul, according to a Russian folk-tale, turned an evil-minded husband and wife into bears as a judgment for their sins.

An object which may have been an inducement to transformation was the hope of acquiring second sight, a gift with which many animals are thought to be endowed.

In the last century in France a connection of the old loup-garou existed in the person of the meneur des loups, who was said to have the gift of charming or taming wolves, which followed him across waste lands on midnight rambles after the style in which the rats followed the piping of the Pied Piper of Hamelin.

The loup-garou of the French is found in Italy under the name of the lupo manaro or versiero. The lupo manaro of the Middle Ages was a witch dressed as a wolf, but the same term was applied to a certain hobgoblin who was peculiar to the city of Blois and whose chief occupation seems to have been to inspire deadly fear in young children. The lupo marino, which might be thought to be another kind of wolf, is the name of a most ravenous fish, which does not appear to have had human attributes.

The great Gaston de Foix, known as Phœbus, who is famed for his book on the chase, expresses his opinion that the term garou in loup-garou is an ellipse of the phrase gardez-vous.

When wolves grew scarce in England it became the fashion for those who wished to be transformed to change into cats, weasels, or harmless hares; rather a mild amusement after the adventuresome exploits of the man-attacking beasts of prey, but one which led to some extraordinary proceedings akin to black magic.

In some old French Records the account is given of a man who buried a black cat in a box at a spot where four cross-roads met. In the box he placed bread soaked in holy water and holy oil, sufficient to keep the animal alive for three days. His intention was to dig up his innocent victim, slay him, and make a girdle of his skin, by which means he expected to be able to transform himself into an animal and gain the gift of clairvoyance. Unfortunately for his projects, however, the buried animal was exhumed by hounds. The whole affair came to public knowledge and ended in the courts, where the guilty man was condemned for sorcery.

Another man whose friend threw doubts on his power to change into animal shape, quickly turned into a wolf to prove that his comrade was wrong and, being set upon by a pack of dogs, was deprived by them of one eye before he could resume his normal appearance.

A thief acted more cleverly. Being condemned to the gibbet, he saved his skin by taking the form of a wolf directly his would-be executioners opened the door of the cell in which he was imprisoned. During the panic of dismay which greeted the sight of him, he escaped into the woods.

One of the most marvellous stories of wer-wolves is related by Giraldus Cambrensis in his "Topography of Ireland."[6] A priest was journeying from Ulster to Meath accompanied only by a single youth when they were benighted in a wood.

They had kindled a fire when a huge wolf approached them and spoke, telling the travellers to fear nothing.

The priest adjured him by all that was sacred not to do them harm and begged him to say "what creature it was that in the shape of a beast uttered human words."

The story told by the wolf is as follows:—

"There are two of us, a man and a woman, natives of Ossory, who, through the curse of one Natalis, saint and abbot, are compelled every seven years to put off their human form and assume that of wolves. At the end of seven years, if they chance to survive, two others being substituted, they return to their former shape. Now, she who is my partner in this visitation lies dangerously sick not far from hence. I beseech you, inspired by divine charity, to give her the consolations of your priestly office."

The priest followed the mysterious speaker into the thicket and performed the rites of the Church over the dying she-wolf, as far as the last Communion. But the wolf was not satisfied, and begged him to complete his good offices. The priest said this was impossible as he was not provided with the wherewithal for giving the viaticum. Then the man-wolf pointed to the priest's neck, suspended round which he carried a missal and consecrated wafers, entreating him not to deny the aid provided by Divine Providence. To remove the priest's doubts he tore off the she-wolf's skin and exposed the body of an old woman. The last Communion having been given, the wolf replaced the skin and reverently thanked the priest for the benefit which he had conferred.

These representative incidents go far to show how deeply ingrained is the belief in transformation among primitive people, but it is necessary to go back still further into the origins of folk-lore to discover the bedrock of thought in which the human-animal theory takes its rise.


CHAPTER III
THE BUSH-SOUL

The animal which savage races take as a symbol of the family becomes their totem. Many believe that their ancestors were originally animals, fishes, or reptiles, and are so accustomed to this idea that transformation appears simple and natural to them. They hold that the souls of the dead pass into one or another animal form.

"Wise people," says the Bhagavad Gita, "see the same soul (Atman) in the Brahman, in worms and in insects, in the dog and the elephant, in beasts, cows, gadflies, and gnats."

"Nothing is more strikingly characteristic of primitive thinking than the close community of nature which it assumes between man and brute," writes Fiske. "The doctrine of metempsychosis, which is found in some shape or other all over the world, implies a fundamental identity between the two; the Hindu is taught to respect the flocks browsing in the meadow, and will on no account lift his hand against a cow, for who knows but it may be his own grandmother?"[7]

The primeval worship of ancestors and the savage customs of totemism are connected with this belief in transformation.

Primitive man cannot grasp the idea of death as final. He believes that the man who has passed away is still capable of communicating with the living, and the idea of the persistence of the dead is to him the reality. Even though a dead man has thrown off the body like a mask, his appearance remains the same and he is still possessed of human powers, perhaps intensified by the experience he has undergone. He can show himself to his friends, and may do so preferably after nightfall. He is then wrapped to some extent in mystery, and connected with strange sights, movements, and sounds.

Gifted with new powers he may appear as an animal, perhaps in order to harm his enemies or warn people of evil. His howling may be heard above the sound of the tempest. Perhaps he rides on the night-wind, perhaps he comes in the form of a hound, as a messenger of death, and bays under the window of the sick a warning that death is at hand. Again, he may come as a ravening wolf to devour some victim of his greed. Thus the savage mind fails to distinguish between the real and the imaginative and, basing his beliefs on the stories about his own tribal totem, is convinced that his ancestors may career about his home in the form of lion, leopard, serpent or other tutelary genius. This curious mental process expands with what it feeds on until the shade of distinction between wolf-like ghosts and corporeal human wolves is obliterated and the metempsychosis is complete.

In "Life Amongst the Modocs,"[8] Joaquin Miller tells a poetic story of the descent of the Indians from the grizzly bear.

One severe spring-time many thousands of years ago there was a storm on the summit of Mount Shasta and the Great Spirit sent his fair daughter to speak to the storm and bid it stop, but he told her not to look forth from the hole in the top of the mountain lest she should be caught in the wind and come to disaster.

Curiosity, however, caused her to forget her father's instructions and she put her head out to look at the far-distant ocean, white with storm. As she did so the wind caught her long red hair and she was blown down the mountain-side which was covered with ice and snow, so that she slid to the dark belt of firs below the snow rim.

This district belonged to the grizzly bears. They were not really beasts then, but lived in caves, walked on two legs, talked and used clubs to fight with, instead of their teeth and claws as they do now. An old grizzly found the red-haired girl and took her home, where she was reared with the bears' offspring. In time she was married to the eldest son of the family. Their children did not resemble either of their parents exactly, but partook somewhat of the nature and likeness of both. Thus was the red man created, for these children were the first Indians.

The legend goes on to tell how angry the Great Spirit was when he heard what had befallen his daughter and that he punished the grizzlies by making them walk on all-fours like other beasts, and on account of this legend of their origin, the Indians about Mount Shasta never kill a bear, and if a bear kills an Indian the latter's body is burnt and all who pass the spot cast a stone upon it till a large heap is gathered, and Indians will point out to this day that bears are more like men than any other animal.

The members of a totem clan call themselves by the name of the totem, and numerous clans are connected with various animals, such, for instance, as the Crane clan of the Ojibways who think they are descended from a pair of cranes which settled near Lake Superior where they became transformed by the Great Spirit into a man and a woman. The Osages are descended from the union between a snail and a beaver. The snail burst its shell, grew arms and legs and became a handsome human being who wedded a beaver maiden.

In Bechuanaland when a crocodile clansman sees a crocodile he spits on the ground and says, "There is sin," for fear the sight should give him inflammation of the eyes. Yet the crocodile is his father, and he celebrates it at his festivals and marks his cattle with an incision in the ear that resembles the mouth of his totem animal.

The inhabitants of the Ellice Island in the South Pacific believe the island was first inhabited by the porcupine fish, whose offspring became men and women. The snake clan among the Moquis of Arizona say they are descended from a woman who gave birth to snakes, and they indulge in extraordinary snake dances to propitiate their tutelary genius.

In Indonesia many stories are told of women who have brought forth animals. Sometimes the woman gives birth to twins, one being a human being and one a beast.[9] At Balen in New Guinea a native told a missionary that his ancestress had given birth to a boy and also to an iguana, and since then he had had a great respect for iguanas.

The turtle clan of the Iroquois believe themselves to be descended from a fat turtle, which, burdened by the weight of its shell in walking, threw it off after great exertions and developed gradually into a human being.[10]

People of the cray-fish clan of the Choctaws were said to have lived originally underground as cray-fish, only coming to the surface of the mud occasionally. Some kindly Choctaws captured these fish, taught them to walk after cutting off their toe-nails and adopted them into the tribe.

The Masai race in Uganda have a theory that some of their ancestors return to earth after death in the shape of serpents, generally pythons or cobras, and when a Masai marries, he introduces his wife to the tutelary snake of the tribe, and she is told to recognise it and never harm it. The fetish snake is often consulted by people in trouble, because they think they will get valuable advice based on the experience of their ancestors[11].

The people of Miri believe themselves to be related to large deer, and suppose that their dead relatives become deer. The Bakongs, another group of Mohammedan Malasians, believe their friends become bear-cats after death. The Papuans of New Guinea hold that at death souls of human beings pass into animals such as cassowaries, fish, or pigs. They do not eat these sacred creatures, which are taboo.

The taboos include all animals which must not be killed. They enjoy local sanctity, and are never eaten or even touched. Taboo animals are thought to give favourable and unfavourable omens. Death is sometimes foretold by their means.

These instances of the supposed connection between savage races and certain animals might be multiplied a hundredfold, and they lead to interesting developments of the transformation theory.

The belief that beasts are the dwelling-places of the souls of depraved men is a variation of the idea that depraved men were inhabited by demons.

In Australia and America it is customary for savages to have what is called "a medicine animal," something in the nature of a tutelary genius or second soul. The natives of Central America call this animal nagual, the Algonquins manitou, the Eskimo tornaq, and amongst the last-named people it is usually a bear. Others call it simply the bush-soul.

The young Tinkhlet Indian goes out hunting the otter, and when he has killed his prey he cuts out its tongue, which he uses as a charm, wearing it round his neck and believing that he now understands the language of all animals. In other races various animals are killed in order that part of their body may be used as a talisman. A nagual may be obtained in other ways, perhaps through dreaming of the right animal, or by having it chosen by the magician of the tribe. It then becomes sacred, and should it die the man dies too.

The West African negroes believe that a man can have as many as four souls, one of which lives in animal form out in the bush, and is then called his bush-soul. If this animal soul is trapped or shot, the man himself dies. Nor will a native kill his bush-soul, for this would surely be the cause of his own end. Bush-souls are often regarded as an hereditary possession, generally passing from father to son and from mother to daughter. Among many primitive peoples the belief exists that the human being can and does actually change into this tutelary animal genius. In Iceland, for instance, it is believed that various members of a family have a kind of animal double called fylgja, in the shape of a dog or bird.

The Yakuts of Siberia believe that every wizard has one of his souls incarnate in an animal. "Nobody can find my external soul," said one famous wizard, "it lies hidden far away in the stony mountains of Edzhigansk." Once a year at the melting of the snow, these souls appear amongst the dwellings of men in the shape of animals, invisible to all but the wizards themselves. Strong ones hurry about noisily, but the weak ones move furtively as though afraid. Sometimes they fight, and the sorcerer whose soul is worsted in the battle falls ill and may even die. The souls of cowardly wizards are in the form of dogs, and they give their human double no peace, but gnaw at his heart and tear his body. Powerful wizards have souls incarnate in stallions, elks, boars, eagles, and black bears.

The Samoyeds in the Turukhinsk region believe that sorcerers have a familiar in the shape of a boar, and that they lead him by a magic belt. If the boar dies the sorcerer too must die. Sometimes battles occur between sorcerers who send forth their familiars to encounter one another before they themselves meet in the flesh.

The Melanesians of Mota in the New Hebrides, call the soul the atai, and they believe that every person has a second self which is visible and is, in fact, the reflection in animal form of his own personality. He and his atai would rejoice or grieve, live and die together.

Some of the Melanesians also believe that they have special relation to some animal or reptile with which their life is bound up and which is named tamaniu. The tamaniu, like the atai, has an objective and material existence.

When its owner wishes to injure anyone he sends his familiar to do so; if an eel it would tear or bite, if a shark probably swallow him. If the owner falls ill, he examines his familiar to discover what is wrong. The imps or familiars of witches embody the same idea.

Dr. W. H. R. Rivers quotes the case of a man whose tamaniu was a lizard[12]. The owner was blind and asked a friend to help him with the ceremony of examination. He told his friend to go and see the animal, using the words "Look at me," referring to the lizard as himself. The man went alone to the banyan tree where the lizard was to be found, but when he came there he was too frightened to call upon the animal. He was sent a second time in the company of the sick man's son and others, and when they reached the tree the man called out the lizard's name, Rosasangwowut, and the tamaniu appeared. It was a very large animal, larger than the ordinary lizards in Mota. It appeared to be sluggish and walked as a sick man would walk. The blind man's son then asked the tamaniu if it was ill and the creature nodded its head and moved slowly back to the tree. They went back and told the man that his familiar was ill, and soon afterwards he died. At the same time the banyan tree fell, which was taken as a sign that the tamaniu died too. This is an uncanny story which brings out strongly the psychic connection between the man and his representative animal.

In Melanesia a native doctor was once attending a patient when a large eagle hawk soared past the house and a hunter was about to shoot it when the doctor called out in alarm, "Don't fire, that is my spirit! If you kill it I shall die." He also said, "If you see a rat to-night, don't drive it away, it's my spirit, or a snake may come to-night, which will be my spirit." Apparently the doctor had the power to send his familiar in animal form for the purpose of working a cure.

At Ongek in the Gaboon a French missionary spent the night in the hut of a Fan chief. He was awakened before daylight by the rustling of dry leaves and, lighting a torch, perceived a huge black poisonous serpent, coiled and ready to strike. He was about to shoot the horrible reptile when his arm was suddenly struck up by the chief, who, extinguishing the torch, cried, "Don't fire, I beg of you. In killing the snake you would kill me. That serpent is my elangela. Fear nothing!" Speaking thus he seized and caressed the noisome reptile, which showed emotions of delight rather than fear or anger. Then the chief bore away his serpent and laid it in another hut, lying down beside it, after exhorting the missionary never to speak of what he had seen.[13]

From this occurrence it will easily be gathered that it is highly dangerous to kill a tamaniu, nagual, or manitou.

The possibility of the soul existing temporarily apart from the body is believed by most savages, and civilised races, such as the Romans, have held identical ideas. "The nagual," writes W. Northcote Thomas in his valuable article on Animals,[14] "is the lineal ancestor of the genius of the Romans, no less than of the guides of modern spiritualism." This statement gives ample food for thought.


CHAPTER IV
HUMAN SOULS IN ANIMAL BODIES

At all periods of the world's history and in every country people have believed in the "external soul" of a man appearing in animal form. For instance, in the island of Florida the natives tell the story of an alligator which used to come out of the sea and visit the village in which the man whose ghost it was had dwelt. It was known by his name and was on friendly terms with the natives, allowing children to ride on its back.[15]

In Syria there are stories of girls being carried off by bears and giving birth to human-animal offspring. The Creeks believe the offspring to be bears which later turn into men. Japan is famous for its white bear-god and the Tartars believe that earth spirits take the form of bears.

The Gilyaks believe that if one of their race is killed by a bear, his soul transmigrates into the animal's body. Californian Indians have been heard to plead hard for the life of a she-bear. They said its wrinkled face was like the withered features of a dead grandmother whose soul had entered into the animal.

One of the Omaha clans believe they are descended from bison and the males wear their hair in imitation of the animal which is their totem.

The Ewe negroes of Togoland ascribe to the souls of buffaloes and leopards the power of killing the hunter who slew them, or of misleading him in the chase so that he confuses men with animals and gets into difficulties from being accused of murdering the former. The souls of these dangerous animals are thought to haunt and plague the hunter, perhaps by making him crazy, so that when he finds his way back into the town he loses all his property and is sold into slavery. A quaint ceremony is performed to prevent such power emanating from the dead prey.

The Baganda natives are in deadly terror of the ghosts of the buffaloes they have killed, believing that they may work harm to them.

The crocodile especially has played a large part in these beliefs about human and ghostly animals.

Natives in Simbang, in German New Guinea, are convinced that their relatives turn into crocodiles, and they recognise a certain crocodile known by the name of "Old Butong" as head of the family. They say he was born of a woman. Mary Kingsley tells a similar story in her "Travels in West Africa," describing human beings, who, disguised as alligators, swim in the creeks, attack the canoes and carry off the crew. The natives believe in the spirit of the man actually possessing the animal's body.

In New Guinea and the East Indies as well as in West Africa crocodiles are thought to be the abodes of the souls of ancestors, and the victim of this dangerous reptile is said to have incurred the vengeance of some human being who has taken the form of the animal, while those who kill crocodiles become themselves transformed after death. Spenser's "cruell craftie crocodile" was held to be sacred in Egypt, and the god Sebek was said to take its shape whenever he so desired.

The Malagasy view is that the crocodile is the ally of a magician during his lifetime, and that he can send him forth as a familiar to wreak harm upon his enemies.

The alligator is closely allied to the crocodile. Among the legends of the Arawak Indians of British Guiana is one about a half human beast of this species which received its extraordinary markings in the following manner: Arawadi, the sun-god, coming to earth saw an alligator disporting himself on the banks of a stream which he had preserved specially for fish. To get rid of the enemy he seized and smote him with a hard club upon the head and tail, but the alligator, crying out to him to stay his hand, promised in return for clemency a beauteous water-sprite to be his bride. Arawadi agreed to the proposal.

"The reptile's wounds were healed. Those blows
No more his hide assail;
But still their marks are seen, 'tis said,
Indented on his battered head
And notched along his tail!"

The domestic animals, bulls, cows, horses, asses, cats, and dogs, have been regarded at one time or another as gifted with human powers, or as suitable vehicles for the reception of human souls. The Tlaxcallans believe that man can be transformed into a dog. The wild dog, the coyote, according to the ideas of the Navajos, may be a bad man transformed at death for his sins.

Armenians sacrifice an ass at the graves of people who owe them money, their belief being that if payment is not forthcoming the ancestor's souls will enter asses' bodies.

The Corn Spirit is supposed to take the form of a cat, and in some places in Germany children have been warned not to go into the corn-fields because "The cat sits there." In Silesia the reaper who cuts the last corn is called the "Tom-cat" and is dressed up in rye-stalks, wearing a long plaited tail. Sometimes another man accompanies him called "the female cat."

The Lapps of the North Cape are said to consult a black cat when in trouble, and they regard it more as a human being than as an animal.

The cat is among the soul-animals familiar to the inhabitants of the British Islands, who, owing to this country's immunity from wild beasts, are satisfied to "humanise" the milder species of creatures such as the ant, butterfly, gull, moth, sparrow, and swan.

In the parish of Ballymoyer in Ireland butterflies are said to be the souls of grandfathers, whilst the Malagasy trace their descent from a moth, believing that a man was changed into a moth when he died. Many races believe that moths and butterflies are the souls of the dead.

In the Solomon Islands, if a native declared he intended to transmigrate into a butterfly, his children, on seeing one of these insects would cry "That is Daddy" and make some suitable offering of food. Witches have been known to have butterflies and moths as familiars.

In Cornwall ants are thought to be the souls of children who died without baptism. Hindus also associate this insect with the souls of the dead, and natives of New Guinea believe that a second death occurs after the first and that the soul is transformed into an ant.

The Athabascan Dog-Ribs believe that an ant inserted beneath the skin of the palm endows the owner of the hand with the gift of prophecy.

The Sudanese think that a wer-man has to approach an ants' nest before being transformed into a hyæna.

Besides the ant the bat is regarded as a mysterious creature, and this form was frequently assumed by Chamalcan, god of the Cakchiquels. Large bats abound in an island on the Ivory Coast in West Africa and are regarded as embodying the souls of the dead. In Tonga the same superstition holds good. Bats and birds appear so similar when flying at dusk that it is natural to find that birds also are often the form in which human spirits take wing.

The Warrar races of Guiana have a very poetical belief about the spirits of the departed. They visit the fair isle of Trinidad,

"Where souls of good men they could find,
In glittering humming-birds confined."

The Arawaks believe that vultures belong to a race which lives in a country above the sky. When at home the vultures cease to be birds and assume the shape and habits of human beings.

The Kalitas hold that when a man dies his soul is carried to spirit-land by a little bird, and if he has been an evil-doer during his lifetime, a hawk overtakes and swallows the bird.

In County Mayo swans are the souls of virgins who have been remarkable for the purity of their lives. This idea is as beautiful as the Bohemian tradition that children hop about the meadows in the form of frogs is quaint.

An old Hindu story that monkeys were originally men has a distinctly comic side to it. They contracted debts and when called upon to pay fled from their creditors by changing into monkeys and putting their tails between their legs. In this undignified position they made off at full speed into the jungle.

The stories of human souls in various animal bodies would fill a volume, and perhaps one of the most picturesque ideas of the kind is that of the Cornish fisherfolk who say they see the spirits of their drowning companions transformed into animal shapes as they pass away from this earth.


CHAPTER V
ANIMAL DANCES

The ceremonial dances and festivals of primitive races in which animal masks and skins are used are closely connected with the idea of ancestor worship and with transformation. After careful study of the subject it will be regarded as certain that the performers, by means of mimic action, rhythmic and imitative sounds, as well as by narcotic drugs and pungent or penetrating perfumes, induce in themselves an hypnotic or excited state in which they believe they change into the actual animal they represent.

Some of the dances are infinitely elaborate in detail, and are so complicated in their various figures and their symbolic intention that primitive ideas are almost lost sight of, but a certain fundamental similarity can be found in them all which is based on root ideas of animal worship, the desire to propitiate animals in the chase, the belief in animal gods, or spirits of ancestors appearing in animal form and the desire to bring about, by sacrifice and offering, the fertility of the species.

Such exercises are both religious and magical, to secure charms against bodily ills, and for good hunting as well as for recreation. In special family dances the performers mimic the actions and cries of their totemic animals.

In its most primitive form the animal disguise was used by savages when acting in the capacity of a decoy, with the object of securing food and clothing. The early Indian when trapping buffalo went forth carrying a dress made of the skin of a buffalo, wearing its head and horns over his own head. As soon as he had induced the herd to pursue him, he led them into a trap or ambush, or over a precipice which was fatal to many of them.

The Eskimo, when hunting the seal, wears a sealskin garment which makes him look so much like his prey that at a distance he is only distinguished from it with difficulty. When close to the animal he utters sounds like those of a blowing seal.

Also when hunting deer he imitates their grunt, and two hunters on the same track carry guns on their shoulders to resemble the animal's antlers. Zuni hunters after deer wear cotton shirts with the sleeves rolled up to the elbow, the back and front of the shirt being coloured so as to represent the animal's body, the arms stained to represent the deer's forelegs. Head and antlers are carried on the shoulders, and the stalkers approach the game, browsing as they go.

Out of the simple imitation of animal motions and cries for the purpose of decoy, the dance grew more complicated, with wild whirling figures and elaborate dresses and masks. From a useful and necessary disguise for purposes of obtaining food, the wolf-robe and mask became, in unscrupulous hands, an instrument for personal aggrandisement and gain through intimidation. The hideous animal-mask was first used as a shield or protection for the face in defence against the onslaught upon an opposing force. Then it became an instrument with which to inspire terror and fear in those who beheld it from the point of view of its ugliness or frightfulness, and finally it was worn as a device or symbol of superhuman agencies. At this stage it formed an integral part of the paraphernalia used in religious performances, and when worn during ceremonial the wearer became imbued in some mysterious manner with the spirit of the being represented by the mask.

To gain the characteristics of an animal a wizard attached crow and owl plumes to his head, that he might have the eyes of a crow and quickly become aware of the approach of man, or of the owl that he might travel by night.

A Zuni man, hearing the hoot of an owl, yet recognising it as human, discovered one of his own race hidden in the thicket. "Ah," he cried, "why do you wear those plumes upon your head? Aha! you must be a wizard!"

The Omaha coyote dance is performed by warriors to keep up their spirits. Each dancer wears an animal skin, and imitates the action of a coyote, trotting and glancing round. In dance and song the performers imagine themselves to be transformed into the animal. In the Omaha buffalo dance, four men are attired in great shaggy skins, the horns above their heads and the hair hanging down below the chest. Other dances are in imitation of wolves, grizzly bears, horses or tigers.

Pawnees dance the bison dance in war habit and with bison skins and horns over their heads. The Creeks dance similarly, uttering sounds in imitation of the bison, their bodies bent almost double and two staffs being held to represent the animal's forelegs.

The initiation day has at its root the idea of transforming the man into a member of the kin by giving him a share of the nature of the animal. Dances may give magical power over the animal to be chased, and are performed before a hunting expedition. In the dance the animal goes down before the onslaught of the hunter, and so the real animal, it is hoped, will fall a victim to his weapons. Dances after hunting are of a protective nature, so that the soul of the slaughtered animal may have no evil effect upon the slayer. Another form of animal dance is performed with a view to increase the number of animals. Among the Mandan Indians, for instance, an animal festival is held, at which a man, painted black to represent the evil one, enters a village from the prairie, chases and terrifies the women and acts the part of a buffalo in a dance which is intended to ensure a good supply of this valuable animal during the year to come. Other American tribes have a similar masquerade, in which males, dressed in buffalo skins, take the part of male buffaloes and the females personify the female animals, with a view to bringing about an increase of the species.

Legendary animals, or spirits, are also represented in the elaborate masked pantomimes of the Indian tribes in North West America. The explanation given by the natives is that the ceremonial was instituted in ancient days when man had still the form of an animal; and before the great transformer had given him a distinctive shape. This ceremonial, performed by man-animals, is a dramatised form of myth, in which the actors attempt to reproduce certain trance-states by sympathetic mimicry.

The Eskimos of Bering Strait perform remarkable dances in which curious mythological beasts, said to inhabit sea and land, become visible and occasionally play a part. Strange forms, probably of known animals modified and adapted, are conjured to appear. The dance is based on the old belief that in the early days all animate beings had a dual existence, choosing to be men or animals as the will prompted them. If an animal wished to be transformed into a man, the body was drawn erect and the foreleg or wing was raised so that it pushed up the jowl or beak, and thus changed the form and features into something more manlike. It is still believed by these races that animals have this power, and the form taken is called inua and represents the psychical part of the creature, at death appearing as its shade. The wizards are said to have the power of piercing the animal mask and recognising the human features it conceals.

Masks may also represent totemic animals, and the dancers are then transformed into these special creatures, or at least are moved by their spiritual essence.

Some of these masks are made with double faces, so that the muzzle of the animal fits over and conceals the face of the inua and the outer mask is hinged on or held in place by pegs so that it may be removed at any minute. The psychological moment when actual transformation occurs is symbolised at a particular part of the ceremony.

The wearer of the mask then becomes imbued with the true spirit of the animal represented, and the dance turns into a species of thanksgiving for the hunter's success.[16]

Dancing is sometimes used as a form of exorcism.

In Abyssinia a disorder similar to that of being possessed by a bouda, or sorcerer, is called tigritiya, and is a supposed possession by the devil in which the victim, who is generally a woman, believes that she has been transformed into an animal. Whatever the patient demands must be procured, for else she becomes sulky and, covering up her head, remains for days without eating or speaking. Since the symptoms always include the wasting away of the attacked person, this state is very dangerous.

Ornaments of all kinds have to be borrowed in answer to her lightest whim. She asks for the lion's skin worn by a warrior, his silver ornaments, or other valuable articles difficult to procure. In some cases music is used as a means of charming away the tigritiya. Drums and other instruments strike up and the patient moves her body in time to the music and gradually increases her energy until the pace is furious and her motions so violent that it seems likely she will dislocate her limbs, if not her neck. Having lain on a bed of sickness, reduced to a mere bag of bones, such fatiguing exercises appear uncanny, but it is on this dancing and on her incantations that the ejection of the evil spirit depends.

Some of the dances imitate the antics of bush-hogs and other animals desirous of fun rather than of injury to human beings. In one of the Acawoio dances, each dancer has a kind of trumpet to which a rudely carved figure of some animal or reptile is fixed, and he impersonates this animal for the time being.[17]

Musical instruments used in the dances are frequently made of animal skins, and the Indians attribute special virtues to the wolf-skin.

It is said that a tom-tom or drum made of this animal's skin can silence any similar instrument made of sheep's skin from which no man can emit a sound while the wolf-skin vibrates.

Real animals often play a part in the ceremonial, especially snakes in the serpent dances and sacred animals in such dances as are dedicated to their worship.

In China a big dog is dressed up like a man and is carried round in a palanquin to break up a drought.

Masks and animal skins worn at dances are, of course, not confined to the use of primitive races, but have been employed since ancient days in every kind of masque, dance, and pantomime. Much might be written on their symbolic meaning, and attention may be drawn to the special instance of the festa asinaria of mediæval days at which dancers wore the heads of asses.

Besides the masks and animal skins, ordinary clothing was often made to represent special animals. For instance, at Athens, Artemis was worshipped in ceremonies at which young maidens attired in saffron gowns danced a particular movement and were called "bears."

The Royal family of Dahomey worship the leopard, and some of the king's wives are distinguished by the title of "leopard wives" and wear striped cloths to resemble the animal.

Many savages paint a rude picture of the animal they represent upon the clothes worn, and this is a special feature of some of the extraordinary snake dancers, especially amongst the Moquis.

These dances as well as those of the Hopis are expressions of clan totemism rather than of snake worship. Several figures in the Maya codices represent human beings, evidently personifying deities and wearing the symbolic masks of animal gods. One of the human figures in the Codex Cortesianus wears the mask of a snake. The Hopi usually carries only the head of the animal personified, but the Mexican dresses in the skin. In some examples the head-dress is most elaborate, the head being painted green, with open mouth and red lips dotted with black, two pendant white, tooth-shaped projections hanging from the upper jaw. From the mouth a red tongue lolls. The eye is oval, with curved lines drawn upon the pupil, and the whole is capped by a crescentic figure towering above the head. Three triangular-shaped plumes extend from the cap, and over the nose a red-coloured flap hangs. Though usually green, the heads are sometimes painted white or brown, but none is red or yellow. In the Hopi folk-tales it is said that the waters of the world come from the breasts of the great snake, and sometimes a female figure, bearing a snake as a head-dress, is symbolised with water flowing from her breasts. Another symbolic figure has a snake's body with curious markings and a head practically drawn in identical lines with that of a human being. No doubt this represents a man transformed into, or personifying, a snake. At any rate, he wears the mask and represents the feathered snake ceremonially.

A number of animals are represented in Tusayan ceremonials and are then called Katcinas, which means the supernatural being personified, as well as the dance or act of personification. Besides the coyote, the wolf, the cougar, the bear, the antelope, and the badger, which figure largely among the supernatural beings found in the Sia ritual, the hawk, the man eagle, the bee, butterfly, mountain sheep, and owl all play an important part in Tusayan ceremonial. No women wear Katcina masks in a Hopi ceremony, the female Katcinas being invariably represented by men. The masked dances amongst the Pueblos, in which animal personifications take place and masks are worn, are called Katcina dances. They take place between January and August.[18]

The following strange ceremony is practised by Mexicans and is not unlike the Hopi snake dance. It is celebrated once in every eight years about October or November.

After fasting for some days, says one who has seen the dance, the natives disguised themselves in all manner of animal and bird dresses, and came up dancing to the chosen spot where the rain-god had been placed before a pool of water in which live snakes and frogs were swimming. The Macateca, which may be rendered "those from Deerland," then seized upon the wriggling reptiles with the mouth, never touching them with the hand, and attempted to swallow them alive, dancing all the time. He who managed to swallow the first snake cried out, "papa, papa" and danced round about the temple. After two days of these extraordinary exertions a procession was formed and all marched slowly four times round the temple. Then came a feast of fruit and pastry which had been placed ready in baskets for the purpose, and the ceremonial was ended. The old men and women present, knowing that there would be no repetition of the dance for eight years, wept bitterly at the close of the performance.

In a festival in vogue among the Cholutecas, a slave of good figure, and no personal blemish, is dressed for forty days in the same animal skin and mask which represent the special god to be personified.

The dresses of the Moquis during their serpent dances are fashioned of painted cotton kilts, of a reddish-yellow colour, decorated with narrow bands of yellow and green, and bordered by a narrow black stripe. At the bottom is a fringe of small bells of lead or tin. A snake is painted in the folds of the kilt, covered with white spots and bordered by narrow white lines. The arms and legs of the dancers are naked, but dangling to their heels behind they wear skins of the fox or coyote.

Marching solemnly round a sacred stone, they begin by shaking rattles and waving snake-wands to which eagle feathers are attached. After some chanting, a number of women, dressed in white and red mantles, come forward and scatter corn-meal from baskets with which they are provided. Presently the head priest, followed by a number of male performers, marching two and two, come forward towards the sacred rock, carrying live snakes in their mouths and hands. Some of the Indians tickle the heads, necks, and jaws of the wriggling serpents to distract their attention from those who are grasping their bodies firmly between their teeth.

When the snake-carriers reach the further end of the space cleared for the dance they spit the snakes out upon the ground and, facing the sacred rock, stamp the left foot twice, giving forth strange sounds, half grunt, half wail.

For nearly an hour this mad dance of wriggling snakes, rushing figures, and clouds of whirling corn-meal continues and then the snakes are released, the symbolic dance is over and the performers resume their ordinary clothes and, presumably, their natural human proclivities. The origin of this dance lies in the belief that the Moquis are descended from snakes and is told thus by the natives:—

"Many years ago the Moquis used to live on the other side of a high mountain beyond the San Juan River in Colorado. The chief thought he would take a trip down the big river, so he made himself a boat of a hollow cottonwood log, took some provisions and started down. The stream carried him to the sea-shore, where he found some shells. When he arrived on the beach he saw a number of houses on the cliff in which lived many men and women who had white under their eyes, and below that a white mark on their cheeks. That night he took one of the women as his wife. Shortly after his return the woman gave birth to snakes, and this was the origin of the snake family or clan which manages the dance. When she gave birth to these snakes they bit a number of the children of the Moquis. The Moquis then moved in a body to their present villages and they have this dance to conciliate the snakes so they won't bite their children."[19]

Snake worship and ancestor or spirit worship seems here combined in the same rite, and the Moquis evidently believe in the transmigration of souls. The dancers belong to a Secret Society, a sort of Serpent Brotherhood.

The peculiar qualities said to distinguish departed relatives, reappearing in the form of snakes, from the ordinary reptiles are that they will frequent the huts, never eat mice and show no fear of man. "Sometimes," says Sir John Lubbock in his "Origin of Civilisation,"[20] "a snake is recognised as the representative of a given man by some peculiar mark or scar, the absence of an eye, or some similar point of resemblance."

The noiseless movement and the rapid action of the serpent, combined with its fascinating gaze and magnetic power, no doubt lead savages to view it as a possessor of wisdom and embodiment of spirits.

The Kobena and other Indians of Brazil perform masked dances in honour of their dead. They have a butterfly dance in which two performers represent large blue butterflies fluttering in the sunshine. Darting swallows are also mimicked by masked dancers, as well as vultures, owls, fish, jaguars, and, curiously enough, the sloth, in which dance a man hangs for a long time to the bough of a tree or the cross-beam of a hut. Another strange sight is the sandfly dance, in which a swarm of masked men make the air dark with their antics.

All these performances are based on certain magical formulæ. A mysterious force permeates the dancer, beneath his mask, and for the time being he has become a mighty animal demon or spirit, capable of unlimited powers.


CHAPTER VI
MAN-ANIMAL AND ANIMAL-MAN

In remote ages man and animal were closely bound by a thousand ties. Under barbaric conditions human beings and animals lived, as it were, in touch with one another, they were next-door neighbours in the primeval forests, their necessities were the same to a large extent and their tastes did not widely differ. Both were actuated by the need of shelter, food, and protection against enemies. Is it surprising, then, that primitive man was closely allied to his less intelligent brothers, and that he believed them to be endowed with feelings and desires akin to his own?

Owing to his powers of mental growth, however, it was not long before man's instincts developed above those of the beasts. He was still, in reality, a savage animal, but he had more skill and ingenuity in the art of killing, as soon as he began to realise that a stick, a stone, or other weapons could be used to beat out the life of other animals.

Gradually he found out that he possessed higher qualities on the mental plane, and that he had the power of conscious spiritual development which was apparently denied to brute creatures.

Many writers have endeavoured to formulate the great kinship which exists amongst all created beings in this particular aspect of the evolution of soul.

"There is not any matter, nor any spirit, nor any creature, but it is capable of a unity of some kind with other creatures," writes Ruskin;[21] "and in that unity is its perfection and theirs, and a pleasure also for the beholding of all other creatures that can behold. So the unity of spirits is partly in their sympathy and partly in their giving and taking, and always in their love; and these are their delight and their strength; for their strength is their co-working and army fellowship, and their delight is in their giving and receiving of alternate and perpetual good; their inseparable dependancy on each other's being, and their essential and perfect depending on their Creator's."

"Let us label beings by what they are," says a more modern writer,[22] "by the souls that are in them and the deeds they do—not by their colour, which is pigment, nor by their composition, which is clay. There are philanthropists in feathers and patricians in fur, just as there are cannibals in the pulpit and saurians among the money-changers."

The great seer, Prentice Mulford, believed that the spirit of an animal could actually be re-embodied in a man or woman, and he thought that its prominent characteristics would appear in that man or woman. The mother might attract to her the spirit of some more intelligent or highly developed savage animal. That spirit would then lose its identity as a quadruped and reappear in the body of the new-born child.

"Remember," he writes, "that as to size and shape the spirit of a horse need not be like the horse materialised in flesh and blood. Spirit takes hold of a mass of matter and holds that matter in accordance with its ruling desire and the amount of its intelligence. An anaconda is but the faint spark of intelligence only awakened into desire to swallow and digest. Such low forms of life as the reptile or fish have not even awakened into affection for their young. The reptile, as to spirit or intellect, is but a remove from the vegetable. Trees have life of their own; they are gregarious, and grow in communities. The spirit of the old tree reanimates the new one. There is in the vegetable kingdom the unconscious desire for refinement, for better forms of life. For this reason is the entire vegetable kingdom of a finer type than ages ago, when the world's trees and plants, though immense in size, were coarse in fibre and in correspondence with the animal life about them."

The true evolution, then, is that of spirit, taking on itself through successive ages many re-embodiments and adding to itself some new quality with each re-embodiment.

The survival of the fittest implies that the best qualities so gathered do survive. The lower, coarse and more savage are gradually sloughed off. The best qualities in all animal forms of life eventually are gathered in a man. He has so gained or absorbed into himself courage from the lion, cunning from the fox, rapaciousness from vulture and eagle. You often see the eagle or vulture beak on one person's face, the bulldog on that of another, the wolf, the fox, and so on. Faces hang out no false sign of the character of the spirit. Man, unconsciously recognising this, uses the terms "foxy," "wolfish," "snaky," and even "hoggish," in describing the character of certain individuals.[23]

Most people are able to find physical similarities between human beings and animals. The equine man who moves his ears is not rarely to be met with. The person who uncovers his canine teeth in a snarl is an even more common type. Short women who flap their arms and waddle in the style of penguins; tall ones who have the graceful sliding movement of the giraffe; persons of either sex who jerk along with hops like feathered creatures on a lawn are all to be met with any day.

Mrs. Heron stalks in with solemnity and stateliness, and cranes her neck to find something she has mislaid. She has a prying face, sharp nose, and small projecting chin.

Lion faces, tiger faces, cat faces, fox faces, fish faces, bird faces, sheep faces, and rat faces meet us at every turn.

Sheep men are mild in appearance, beaming with amiability, truthfulness, and freedom from cant. Ox faces are more robust, with wider and broader features, and a certain flatness of face. People of this appearance have good dispositions, good appetite, are stubborn in bargains perhaps, but reliable and trustworthy.

Hercules was depicted with a powerful neck, a small head, short and curly hair, which bore a striking resemblance to a vigorous and untamable bull, whilst Herod was like a fox, with thin face, cunning eye, restless head and neck, artful and deceptive with highly strung nerves.

The weasel man is thin, tall, sharp-eyed, always in a hurry, and the nose that augurs badly is that which is strikingly similar to the beak of a parrot. The parrot-man is filled with a sense of his own importance and is an endless prattler. Those who have a high and narrow forehead and a nose that terminates like the beak of a crow are sure to be subject to vile passions.

Beaumarchais said wittily, "Boire sans soif et faire l'amour en tout temps, c'est ce que distingue l'homme de la bête."

Artists, too, have attempted to depict the animal spirit that dwells in human beings. Sir Joshua Reynolds painted two portraits of young girls, one holding a cage with a mouse in it, the other a kitten. The former is called Muscipula,[24] the latter Felina, and it may be surmised that he intended to show in their features the imitative sympathy young children have with young animals, for Muscipula's expression is that of the mouse.

Charles Le Brun, the artist, worked out the same idea in a less symbolic and more practical manner, from the physiognomical aspect, in his series of drawings illustrative of the relation between human physiognomy and brute creation which depict man's features transformed in many animal countenances.

"Man is a talkative and religious ape," says J. Howard Moore in "The Universal Kinship,"[25] and goes on to point out that while man has expressed his opinion about animals constantly, he has never had the opportunity of hearing what animals have to say about human beings. Although we know what a lion looks like when painted by a man, "human eyes have never yet been illumined by the sardonic lineaments of a man painted by a lion."[26]

Emerson expressed something of the same idea when confronting the inmates of a stable or menagerie. "What compassion," he cries, "do these imprisoning forms awaken! You may sometimes catch the glance of a dog which lays a kind of claim to sympathy and brotherhood. What! somewhat of me down there? Does he know it? Can he, too, as I, go out of himself, see himself, perceive relations? We fear lest the poor brute should gain one dreadful glimpse of his condition, should learn in some moment the tough limitation of this fettering organisation. It was in this glance that Ovid got the hint of his metamorphosis; Calidasa of his transmigration of souls.

"For these fables are our own thoughts carried out. What keeps these wild tales in circulation for thousands of years? What but the wild fact to which they suggest some approximation of theory! Nor is the fact quite solitary, for in varieties of our own species where organisation seems to predominate over the genius of man, in Kalmuck or Malay or Flathead Indian, we are sometimes pained by the same feeling; and sometimes, too, the sharp-witted prosperous white man awakens it. In a mixed assembly we have chanced to see not only a glance at Abdiel so grand and keen, but also in other faces the features of the mink, of the bull, of the rat, and the barn-door fowl."[27]

The great Chinese Epic "A Journey to Heaven," depicts the gradual evolution of the beast into man and the transformation of character from unpromising materials into saints worthy of heaven. The monkey's ambition, the pig's love of ease and the horse's one talent of bearing burdens are all made to play their part in working out the salvation of man. One of the chief characters in the story is Sun Wu King, who personates the irrepressible human mind, an inventive genius full of resource who begins with monkey inquisitiveness to discover the reasons of things and presently develops into a man of science and an inventor.

The pig impersonates man's lower nature and demons represent the untamed passions of man. One demon having once been a clever, handsome man, became extremely ugly with a snout like a pig and long flapping ears. He tells his story thus: "Since I was born I have been stupid and loved ease night and day. I received the pill of nine Transformations and studied all the arts by which man could be united to the powers above and below, till at last I was able to fly with a light but strong body and was a guest in the celestial Court." Thence he was thrown out for misdemeanours and made to take the shape of a pig, but gradually he was weaned to better things and lost his animal propensities.


CHAPTER VII
SCAPEGOAT AND SAINT

According to the tradition of the scapegoat, the evil or lower side of man can be transferred from him to an animal. In this process of removing disease or sin, the bad spirit is expelled from the human being and enters the form of some beast. In India the scape-animal may be a pig, buffalo, a goat or a black cock.

The Jews had the custom of bringing a goat to the door of the Tabernacle and the high priest laid the sins of the people upon the animal, sending it thereafter away with its burden into the wilderness.

In Thibet a human scapegoat, dressed in goat's skin, is kicked out of the community as soon as the people have confessed their sins, and wealthy Moors keep a wild boar in their stables as a vehicle for the evil spirits to enter into which might otherwise injure their horses.

The Kaffirs sometimes take a goat in the presence of a sick man and confess sins over him. Then a few drops of the patient's blood are allowed to fall on the animal's head and the sickness is thought to be transferred, the animal being turned loose over the veld. The medicine-men of the Baganda races perform a similar operation, taking hold of the animal and tying upon it some herbs they have passed over the patient's body. Then the animal is driven away to waste land, and the sick man is supposed to recover. The Baganda people transmit the sins of a dead man to a calf, the animal being led three times round the bier and the hand of the dead man being placed on its head, by which act the calf takes upon itself the evil done by the deceased. Then the scapegoat is driven on to waste land, where it cannot contaminate anybody.

Thus Christ, in the country of the Gadarenes, permitted devils to use swine as scapegoats when driving them out of two men possessed. The unclean spirits besought the favour of Him, and the whole herd of swine ran violently down a steep place into the sea, and perished in the waters.

St. Regulus, archbishop of Arles and Senlis, was once confronted by a man possessed of a devil. The devil besought him, saying, "If you cast me out suffer me to enter into the body of this ass," and the bishop said, "Go!" When the devil was about to enter into the ass, the animal, aware of his intention, made the sign of the cross on the ground with his fore-foot and the devil found it impossible to obtain his body and had to pass on, leaving the ass unmolested.

In another scapegoat story the devil leaves the possessed man in the form of two worms:

Jean de la Roque was a young nobleman of vicious habits. St. Francis of Paula hearing of the youth's evil ways sent a messenger to arrest him and had him locked up in a monastery. Roque was furious at this manner of tampering with his liberty and, vowing vengeance on those who detained him, beat on the door of his cell and uttered loud cries. At last, exhausted by passion, he lay down on the floor and slept. Then St. Francis entered the cell and, waking the young sinner, said to him coldly, "How now, friend, what thinkest thou? Pull from thine ear that which torments thee so." The young man, still half asleep, put his hand to his right ear and drew forth a hideous hairy worm of monstrous size. Then putting his hand to his left ear he drew forth another similar worm. Thus the devil by which he had been possessed came forth in the form of two worms, and the young man, returning to himself, threw himself at the saint's feet and prayed for pardon. He was formally admitted to the monastery and remained there as a monk until 1520.

Birds, too, have been employed to carry away any evil,—from leprosy to freckles.

The idea of the scapegoat is closely bound up with, and typifies the substitution of the Christ for sinners and His eternal removal of their transgressions.

In the legends of the saints, also, animals take upon themselves the burden of sins committed and no human beings are more closely related to the brute creation than the holy men, who frequently treated them as though they were brothers. St. Francis of Assisi spoke to birds and animals in the same tone that he used to his friends, and he often went into solitudes and preached to the cattle of the field, the fishes of the sea, the birds of the air, and the beasts of the forest; dumb creatures which listened attentively to the words of wisdom which fell from his lips. One day when he was preaching at Alviano, the swallows were twittering so loudly that he grew annoyed. Breaking off suddenly in his discourse, he said, "My sisters, the swallows, please keep peace while I am preaching." After that they disturbed him no more.

There are many stories in which saints are assisted in their work by animals. St. Gentius made a wolf which had eaten one of his oxen help him with the ploughing. St. Maidoc, having neither ox, horse nor ass, ordered a sea-cow to come from the ocean, which she did and, being harnessed to the plough, she furrowed his fields. When St. Malo settled down near Saintes, the neighbours made him a present of an ass, which was one day killed by a wolf. St. Malo said to the wild beast, "Since you have killed my ass you must serve me instead." The wolf performed his duties admirably for many years without a grumble. A similar story is told about St. Santes of Urbino.

When St. Ronan was accused of being a vampire, Grallo, King of Quimper, horrified to hear of such a monster, set dogs upon him to prove the truth of the statement. As the savage animals rushed towards him the saint raised his right hand, made the sign of the cross, and said, "Stop! in the name of the Lord." The animals became gentle at once and fawned on the saint.

There are legends of the souls of saints being borne away by animals, of the souls of saints taking flight in the shape of birds, of saints changing from one animal form to another, of saints being approached by the devil in the form of animals, and of saints being worshipped in animal shape.

At the moment of the death of St. Vincent Ferrer, the windows of his bedchamber opened of their own accord and a number of winged creatures no larger than butterflies, white in colour and very beautiful, flew into the house. As the saint drew his last breath these winged creatures disappeared suddenly, leaving a delightful perfume behind them. Everyone was convinced that the butterflies were angels who had come to carry away the pure soul of the saint to paradise.

The same saint was said to be able to assume wings, whenever he wished, and, in the form of a bird-angel, to fly through the air in the hope of consoling and comforting anyone who was in trouble and required his assistance.

St. Benedict (A.D. 480-543) was tempted by the devil in the form of a blackbird. The saint had retired to a cavern in Subiaco, about fifty miles west of Rome, and the evil one resolved to do away with a holy man who might prove a great enemy to his kingdom upon earth. Taking the form of a bird, he hovered around the hermit's dwelling-place, sometimes approaching so close that the saint had only to put out his hand to touch the bird. Becoming suspicious of the bird's motives, however, St. Benedict made the sign of the cross and the evil spirit vanished instantly.

St. Peter of Verona was also set upon by the devil, this time in the shape of a horse. The holy man attracted large crowds to his church, and the devil, growing jealous, rushed into the midst of the congregation in the form of a black horse, stamping upon many present and causing a panic of fear among the rest. The saint made the sign of the cross and the phantom vanished in a cloud of smoke.

Sometimes the devil appears to saints in the form of a bull, and can work serious bodily harm, as in the case of St. Catherine of Sweden, daughter of prince Ulpho, who was brought up in the convent of Risburgh. The abbess was at matins one morning and the devil, assuming the form of a bull, tossed the child out of its cradle and left her half-dead in the middle of the floor. The abbess found her in this condition on her return, and the bull, addressing the holy woman, cried, "I should certainly have finished my work if God had permitted it," and then he vanished. The devil, according to tradition, has often been seen in the form of a dog,[28] and some of the saints were annoyed by such phantoms.

Simon Magus, the sorcerer, sent unto Peter the Apostle certain devils in the likeness of dogs to devour him. St. Peter, "not looking for such currish guests, consecrates certain morsels of bread and throws them to the dog-devils, and by the power of that bread they are all put to flight."[29]

When St. Stanislaus Kostka was preparing for admission into the society of Jesus he was taken ill and the devil appeared to him in the guise of a great black dog. The demon took the sick man three times by the throat and tried to throttle him, but Stanislaus after some difficulty succeeded in driving him away by making the sign of the cross.

Devils in the guise of rooks or crows annoyed St. Agnes of Mount Pulciano by attacking her with beaks, claws, and wings. The young girl with great presence of mind invoked the name of the Saviour and the whole flock flew off.

St. Pascal Baylon, who lived from 1540-1592, was assailed by devils in the guise of various animals. Sometimes they rushed upon him in the form of lions and tigers seeking to devour him. As he withstood their attacks with wonderful courage they tried to get at him in another way, and offered to impress upon his body the marks of divine wounds, making crosses of blood on various parts of his body. Then Pascal, horrified at this form of deception, cried out to the evil one, "You ravening wolf, how dare you take upon yourself the clothing of a lamb? Away with you!" This speech acted as an exorcism, and the devil vanished.

The evil one has often been likened to a ravening wolf, which has led to the symbolic form of transformation from a wolf to a lamb being found in many legends—a mental change as extreme in its effects as any physical change could be. Andrew Corcini, afterwards Bishop of Fiesole, was converted in this figurative sense from a wolf into a lamb. He was the son of wealthy parents in Florence, and, shortly after his birth, in 1302, his mother dreamt that she had brought forth a wolf and that her wolfish offspring ran into a church and became transformed into a lamb. As the boy grew, his wolfish character was clearly apparent; he was cruel, selfish, and untamable. One day his mother said to him, "Andrew, you are in very truth the child of my dream," and then she told him what she thought of him. He was greatly struck by her story and spent the night in solitude and prayer. The next day he went to the church of the Carmelites and, prostrating himself before the image of the Virgin, he said, "Glorious Virgin, see the wolf full of iniquity at thy feet. Thy offspring, oh mother, was a Lamb without blemish. Make me also a lamb of God, and receive me into the fold." For three hours he prayed without ceasing, and then the prior found him and acceded to his request to be taken into the Carmelite order, when he became a changed man.[30] He died in 1373.

St. William of Acquitaine was also "converted from a wolf to a lamb" (A.D. 1157). He was Count of Poitou and Duke of Guyenne, a giant in stature and a wild beast in disposition. Through the holy offices of St. Bernard he became changed, and calling himself "the chief of sinners" repented of his evil ways in sackcloth and ashes.[31]

These cases of spiritual transformation from animal-man to man-animal, though interesting psychologically, do not awaken the intense curiosity which material metamorphosis arouses, and which centres especially in the subject of the wer-wolf.

Bodin[32] accumulated a large amount of evidence in favour of actual transformation. He quotes one Pierre Mamor, who, whilst in Savoy, deposed to having seen a man change into a wolf and described how he did it. Henry of Cologne, author of a treatise, "de Lamys," vouched for the truth of similar statements. Ulrich le Meusnier, who dedicated a treatise to the Emperor Sigismund, gave numerous examples of the veritability of transformation, and swore to having seen a wer-wolf at Constance, who was accused of and executed for this crime. Germany, Greece, and Asia were much infested by these pests. In 1542, under the rule of Sultan Suleiman, a number of wer-wolves were found at Constantinople. The Emperor called out the guard and, marching forth at its head, freed the city of one hundred and fifty of these terrors in full view of the people.

Paracelsus, one of the greatest occultists the world has known, was positive that men could change into animals. Gaspar Peucerus, who had long been sceptical and thought such ideas were a fable, was constrained to believe there was truth in certain stories brought to him by merchants trading in Livonia, who had seen victims of lycanthropia executed for their misdeeds.

In the history of Johannus Trithemius, it may be read that in the year 970 there was a Jew called Baian, son of Simeon, who was not only able to turn into a wolf at pleasure, but could also render himself invulnerable, and Sigebertus, the historian, wrote that one of the Kings of Bulgaria was able to transform himself into all kinds of animals.

Boguet, if anything, erred on the side of credulity. He asserted that in 1148 a huge man-wolf was seen at Geneva, which killed thirty people.[33]

In July, 1603, in the district of Douvres and Jeurre a great storm of hail fell and damaged all the fruit trees, and three mysterious wolves were seen. They had no tails, and they passed harmlessly through a herd of cows and goats, touching none of them except one kid, which one of the wolves carried to a distance without in any way injuring it. This unnatural conduct made it fairly evident that these were not real wolves, but sorcerers who had brought about the hail-storm and wished to visit the scene of the disaster. It was said that the biggest wolf that led the pack must be the evil one himself.

The two stories which follow show that transformation was sometimes regarded as an instrument of divine punishment for sins committed.

Albertus Pericofcius in Muscovy treated his subjects with gross cruelty, and extorted herds and flocks from them. One night he was away from home and all his cattle were killed. When informed of his loss he swore a round oath, saying, "Let him who has slain, eat; if the Lord chooses, let him devour me as well."

At his words some drops of blood fell to the ground, he was transformed into a wild dog, and rushing upon his dead cattle began to devour the carcases.

Another gentleman in the vicinity of Prague who had robbed his tenants right and left took the last cow from a widow who had five children to support. As a judgment he lost all his cattle, at which misfortune he broke into horrible curses. He was there and then transformed into a dog which had a human head.

These incidents, however, throw no light on the real nature of the wer-wolf or wer-dog, which remains as much a mystery as that of the vampire. In some points a similarity may be said to exist between them, both being destructive forces, of an evil and self-seeking character. Those afflicted become subject to trance-like states and hysterical phenomena.

A certain kind of vampire (which is really a bloodsucking ghost) is said to have the power of assuming animal shape, and Bulgarian vampires appear to be especially gifted with this peculiarity.

It is believed in a certain district of Germany that unless money is placed in the mouth of a corpse at the time of burial, or if the dead man's name is not cut from his shirt, he will become a vampire and his ghost will issue from his grave in the form of a pig.

A gruesome story is told of a witch who chose to wander in animal shape. She died in 1345 and her body was cast rudely into a ditch, but instead of resting quietly she roamed at night in the form of various unclean beasts, leaving havoc and death in her tracks. On exhumation she was found to be a vampire, and a stake was driven through her breast, which, however, failed to have the desired effect. She still prowled around in the dark, using the stake as a weapon with which to slay her victims, nor did she cease her nefarious deeds until her body had been reduced to ashes.

Camden says that jilted maidens or deserted wives used to bribe witches to get their faithless men consigned to prison for lycanthropy, the usual term being seven years, but, judging from the trials which are on record, death by burning was more frequently resorted to.


CHAPTER VIII
THE WER-WOLF TRIALS

In Poitou the peasants have a curious expression, "courir la galipote," which means to turn into a wer-wolf or other human-animal by night and chase prey through the woods. The galipote is the familiar or imp which the sorcerer has the power to send forth.

In the dark ages sorcerers capable of this accomplishment were dealt with according to the law, and hundreds were sent to trial for practising black arts, being condemned, in most instances, to be burnt alive or broken on the wheel. One of the most notorious historical cases was that of Pierre Bourgot, who served the devil for two years and was tried by the Inquisitor-General Boin.

Johannus Wierius[34] gives in full the confession of Bourgot, otherwise called Great Peter, and of Michael Verding. The prisoners, who were accused of wicked practices in December, 1521, believed they had been transformed into wolves.

About nineteen years before Pierre's arrest at Pouligny a dreadful storm occurred which scattered the flock of sheep of which he was shepherd, and while he went far afield to search for them he met three black horsemen, one of whom said to him, "Where are you going, my friend? You appear to be in trouble."

Pierre told him that he was seeking his sheep, and the horseman bade him take courage, saying that if he would only have faith, his master would protect the straying sheep and see that no harm came to them.

Pierre thanked him and promised to meet him again in the same place a few days later. Soon afterwards he found the stray sheep.

The black horseman, at their second meeting, told Pierre that he served the devil, and Pierre agreed to do likewise if he promised him protection for his flock. Then the devil's servant made him renounce God, the Virgin Mary, and all the saints of Paradise, his baptism and the tenets of Christianity. Pierre swore that he would do so, and kissed the horseman's left hand, which was as black as ink and felt stone-cold. Then he knelt down and took an oath of allegiance to the devil, and the horseman forbade him thenceforth to repeat the Apostles' creed.

For two years Pierre remained in the service of the evil one, and during that time he never entered a church until mass was over, or at least until after the holy water had been sprinkled.

Meanwhile his flock was kept in perfect safety, and this sense of security made him so indifferent about the devil that he began to go to church again and to say the creed. This went on for eight or nine years, when he was told by one Michael Verding that he must once more render obedience to the evil one, his master. In return for his homage Pierre was told that he would receive a sum of money.

Michael led him one evening to a clearing in the woods at Chastel Charlon, where many strangers were dancing. Each performer held in his hand a green torch which emitted a blue flame. Michael told Pierre to bestir himself and that then he would receive payment, so Pierre threw off his clothes and Michael smeared his body with an ointment which he carried. Pierre believed that he had been transformed into a wolf, and was horrified to find that he had four paws and a thick pelt. He found himself able to run with the speed of the wind. Michael had also made use of the salve and had become equally agile. After an hour or two they resumed human shape, their respective masters giving them another salve for this purpose. After this experience Pierre complained that he felt utterly weary, and his master told him that was of no consequence and that he would be speedily restored to his usual state of health.

Pierre was often transformed into a wer-wolf after this first attempt, and on one occasion he fell upon a boy of seven with the intention of killing and eating him, but the child screamed so loudly that he beat a hasty retreat to the spot where his clothes lay in a heap, rubbed himself hurriedly with the ointment and resumed human form to escape capture. Another time Michael and he killed an old woman who was gathering peas, and one day whilst in the shape of wolves they devoured the whole of a little girl except for one arm, and Michael said her flesh tasted excellent, although it apparently gave Pierre indigestion. They confessed also to strangling a young woman, whose blood they drank.

Among other disgusting crimes, Pierre murdered a girl of eight in a garden by cracking her neck between his jaws, and he killed a goat near to the farm of one Master Pierre Lerugen, first by setting on it with his teeth and then by gashing its throat with a knife. The latter operation leads to the belief that he had resumed his ordinary shape at the time.

A peculiar point worth noticing about the case of Michael and Pierre was that the former was able to transform himself at any moment with his clothes on, while the latter had to strip and rub in ointment to achieve the same result. At the time of his confession Pierre declared that he could not recollect where the wolf's fur went to when he became human again.

He also deposed that an ash-coloured powder was given to him, which he rubbed upon his arms and left hand and thus caused the death of every animal he touched. Here there would seem to be some discrepancy, for he declared that in many instances he strangled, bit, or wounded his victims!